FOMOBOY
to
176
366
179
154
73
60
30
29
19
14
13
10
9
8
8
7
7
5
4
4
2
2
1
1
1
12
9
6
3
3
City Streets (British Street scene architectural landscape)
Located in Wilton Manors, FL
Rene Beckley. City Streets, 1965. Oil on artist board, 16 x 20 inches; 18 x 22 inches framed. Signed and dated lower right.
Category
Mid-20th Century Modern Landscape Paintings
Materials
Oil
Tattoo Parlor Sailor (WPA era woman artist)
By Helen Malta
Located in Wilton Manors, FL
Helen Malta (b.1912). Tattoo Parlor, ca. 1935. Oil on canvas, 20 x 33 inches. Signed lower right. Metropolitan Museum of Art reproduction rights stamp on r...
Category
1930s Abstract Abstract Paintings
Materials
Canvas, Oil
Fishermen, Bahamas (North Carolina artist)
By Frank Stanley Herring
Located in Wilton Manors, FL
Beautiful ca. 1935 painting by American artist, Frank Stanley Herring (1894-1966). Watercolor on heavy rag handmade paper measures 14.5 x 19 inches, 23 x 28 inches in original vintag...
Category
1930s American Realist Figurative Paintings
Materials
Handmade Paper, Watercolor
Improvisation abstract African-American artist painting.
By Roland Ayers
Located in Wilton Manors, FL
Roland Ayers (1932-2017). Improvisation, 2nd Series, #5. Ink on paper, measures 19 x 24 inches. Unframed and unmounted. Signed and dated lower right, titled lower left. There are a f...
Category
1980s Abstract Abstract Paintings
Materials
Paper, Ink
Untitled Abstract Landscape
By Morris Shulman
Located in Wilton Manors, FL
Beautiful abstract expressionist landscape by American artist, Morris Shulman (1912-1978). Untitled Landscape, 1958. Oil on masonite panel measures 24 x 36 inches. Signed and dated l...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Masonite, Oil
Subject (abstract expressionisting pop art painting)
By Wayne Timm
Located in Wilton Manors, FL
Wayne Timm (b.1937). Subject, 1966. Oil on canvas. 36 x 40 inches; 37 x 41 inches framed. Signed, titled and dated en verso. Minor surface cracking. Paint layer is stable with no fla...
Category
Mid-20th Century Pop Art Abstract Paintings
Materials
Oil
Pre-Columbian Colima Shaman terracotta figure vessel Mexican sculpture
Located in Wilton Manors, FL
Seated Shaman
Colima culture
Mexico
ca. 300 BCE - 300 CE
Pre-Columbian, West Mexico, Colima, ca. 300 BCE to 300 CE. A hollow-cast and highly-burnished terraco...
Category
15th Century and Earlier Figurative Sculptures
Materials
Terracotta
Veracruz Mexico Pre-Columbian ceramic Warrior figure sculpture
Located in Wilton Manors, FL
Figure of a Chanting Warrior
Ceramic with bitumen highlights
300-600 CE (Classic Period)
Mexico, Veracruz, possibly Nopiloa
Veracruz Culture
Pre-Columbian, Mexico, Vera Cruz culture...
Category
15th Century and Earlier Figurative Sculptures
Materials
Ceramic
Late 15th-century Old Master Burgundian Netherlands carved walnut figure
Located in Wilton Manors, FL
Beautiful late 15th-century Burgundian Netherlandish portrait of a woman. Carved walnut. Original polychrome has been removed with traces at base and lower portions of figure. Minor ...
Category
15th Century and Earlier Old Masters Figurative Sculptures
Materials
Walnut
Honeybrook, PA Lancaster County
By David Shevlino
Located in Wilton Manors, FL
Beautiful landscape by American artist, David Shevlino (b.1962). Oil on wood panel measures 14 x 15.5 inches. Signed and dated lower right. Signed, titled and dated en verso.
Category
1990s Realist Landscape Paintings
Materials
Oil, Wood Panel
Chimu Inca c.1500 Peruvian terra-cotta anthropomorphic face vase vessel Peru
Located in Wilton Manors, FL
Beautiful antique Peruvian face vessel. Chimu Inca, c.1500 Terracotta, measures h. 8 in., w. 4 7/8 inches. No repair or conservation.
Category
15th Century and Earlier More Art
Materials
Terracotta
Little Blue Head (Abstract Female Portrait)
Located in Wilton Manors, FL
Elliot Barowitz (b.1937). Little Blue Head, 1965. Oil on canvas, 1965, signed 'E.O. Barowitz', titled and dated on the stretcher. 16 x 16 in., 16 3/4 x 16 3/...
Category
1960s Pop Art Abstract Paintings
Materials
Oil
Portrait of Don Nieves
By Pablo O'Higgins
Located in Wilton Manors, FL
Pablo O’Higgins (1904-1983). Portrait of Don Nieves, 1960. Watercolor on paper, 18 x 24.5 inches; 19 x 25.5 inches in original frame. Signed lower righ...
Category
Mid-20th Century Modern Abstract Paintings
Materials
Paper, Watercolor
Portrait of a Man, Yaddo
By Rosemarie Beck
Located in Wilton Manors, FL
Rosemarie Beck (1923-2003). Yaddo Portrait of a Man (possibly Larry Osgood). Oil on canvas, 18 x 22 inches. Without frame. Minor rippling of canvas with...
Category
Mid-20th Century Abstract Portrait Paintings
Materials
Oil
Portrait of a Young Girl (the artist's daughter).
By Joseph Floch
Located in Wilton Manors, FL
Joseph Floch (1894-1977). Young Girl, c.1930s. Lithograph on paper, plate measures 9 1/8 x 13 3/4 inches. Measures 17 x 21 inches framed. Excellent condition with no damage or conser...
Category
1930s Realist Figurative Prints
Materials
Lithograph
Nude Study
By Federico Castellon
Located in Wilton Manors, FL
double-sided c.1950's drawing by Spanish artist, Federico Castellon (1914-1971). Ink on wove paper, sheet measures 10 x 13 inches; 21.5 x 24.5 inches in wood frame. Excellent condition with no restoration or damage. Signed with artist's chop in red ink seal that he used in Asia. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950.
Birth place:
Almeria, SpainDeath place: New York, NYAddresses: NYC (immigrated 1921; citizen, 1943)Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher
Exhibited:
Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country.
Awards:
F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950.
Member:
NA; SAGAWork: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.).
Comments:
A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...
Category
Mid-20th Century Cubist Nude Drawings and Watercolors
Materials
Paper, Ink
Italian City (Cubist cityscape)
Located in Wilton Manors, FL
Karl Drerup (1904-2000). Italian City, c.1930. Oil on masonite panel, 24 x 32 inches; 34 x 42 in custom frame. Signed lower right. Minor conservation to loss in margins.
Price on request
Biography:
Born in Borghorst, Germany in 1904, Karl Drerup earned a Master’s Degree in graphic arts working under Hans Meid...
Category
1930s Cubist Abstract Paintings
Materials
Oil, Panel
Composition (Abstract Expressionist mid-century gestural action painting)
By Murray Hantman
Located in Wilton Manors, FL
Murray Hantman (1904-1999). Composition, 1951. Watercolor on paper, 14 x 21 inches. Unframed. Signed lower left. Signed, dated and titled en verso. Provenance: estate of Murray Hantman.
Biography:
Shaped by his life experiences and a commitment to the practice of making art, the work of Murray Hantman represents a career of personal exploration and aesthetic refinement that took him from New York, to Los Angeles, back to New York and eventually to the serene, yet dramatic, coast of Maine where he worked as part of the artists’ colony on Monhegan Island. Born in Pennsylvania in 1904, Hantman’s family moved many times to follow his father’s business opportunities, eventually settling in New York. A childhood of economic instability and dislocation formed Hantman’s early years, making him independent and self-reliant from a very early age. Hantman’s father owned movie theatres and photography studios and, recognizing his son’s artistic ability, employed him to print and hand-color photographs as a child. When he was eleven and living in Michigan, a public school teacher arranged for Hantman to receive a scholarship to the Detroit Museum of Art School where after a year he was awarded another scholarship to study at the Detroit School of Design. He studied in Detroit for a year until his family abruptly moved to Alabama, interrupting his artistic and academic studies until the family moved to New York at the end of the first World War.
As a young man, Hantman supported himself by working many different jobs in New York and New Jersey. Steady work with his brother at the Hartford and New Haven Railroad...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Watercolor
Scherzo (Nude female dancer c.1920s photograph)
By Richard Dooner
Located in Wilton Manors, FL
Beautiful abstract female nude photo by American artist, Richard T. Dooner. Archival print measures 3 x 3.75 inches. Small cream in lower left corne...
Category
1920s Abstract Black and White Photography
Materials
Photographic Paper
The Edge V (Op Art plexiglass box wall sculpture)
By Mon Levinson
Located in Wilton Manors, FL
Mon Levinson (1926-2014). The Edge V, 1965. Plexiglass, acetate and paper. 24 x 24 x 3 inches. Minor scuffing on surface of plexiglass. Original gallery label affixed en verso.
Biog...
Category
1960s Op Art Abstract Paintings
Materials
Plexiglass, Paper
Industrial Composition
By Murray Hantman
Located in Wilton Manors, FL
Murray Hantman (1904-1999). Industrial Composition, c.1948-50. Oil on canvas measures 18 x 24 inches, 19 x 25 inches in original simple wood strip frame. Signed lower right. Excellent condition with no conservation. Exhibition label affixed en verso. Provenance: estate of Murray Hantman. This piece was included in the exhibition Murray Hantman: From Image to Abstraction, Portland Museum of Art, 2005. Anonymous lender.
Biography:
Shaped by his life experiences and a commitment to the practice of making art, the work of Murray Hantman represents a career of personal exploration and aesthetic refinement that took him from New York, to Los Angeles, back to New York and eventually to the serene, yet dramatic, coast of Maine where he worked as part of the artists’ colony on Monhegan Island. Born in Pennsylvania in 1904, Hantman’s family moved many times to follow his father’s business opportunities, eventually settling in New York. A childhood of economic instability and dislocation formed Hantman’s early years, making him independent and self-reliant from a very early age. Hantman’s father owned movie theatres and photography studios and, recognizing his son’s artistic ability, employed him to print and hand-color photographs as a child. When he was eleven and living in Michigan, a public school teacher arranged for Hantman to receive a scholarship to the Detroit Museum of Art School where after a year he was awarded another scholarship to study at the Detroit School of Design. He studied in Detroit for a year until his family abruptly moved to Alabama, interrupting his artistic and academic studies until the family moved to New York at the end of the first World War.
As a young man, Hantman supported himself by working many different jobs in New York and New Jersey. Steady work with his brother at the Hartford and New Haven Railroad office in New York City finally allowed Hantman to pursue his artistic studies in a formal way. In 1928, he enrolled in the Art Students League and became part of a social circle of artists and activists. While at the Art Students League, Hantman worked with faculty members Boardman Robinson and Thomas Hart Benton on two mural projects. During the years around the Great Depression, Hantman worked in Los Angeles with a group of artists known as the Bloc of Painters. Recruited through an advertisement to attend a course on fresco painting, the Bloc group was headed by Mexican muralist David Alfaro Siqueiros who had recently been exiled from Mexico for political activism. Through his work with Siqueiros, Hantman became motivated by social and political issues and their creative expression. In 1934, Hantman returned to New York and found the community of artists there equally engaged in social justice issues. While enrolling at the newly-formed Artists’ Union to advocate for the labor rights of creative workers, Hantman met sculptor Jo Levy who would become his wife.
Like many artists at the time, Hantman found work through the Federal Art Project as a member of the Easel Painting Division which strove to create “works of art for the public which have a definite social value to the community”. (1) Along with the work he exhibited as a member of the WPA group, Hantman’s personal work from this period was in the style of Social Realism he learned from Siqueiros. Hantman and his wife, Jo Levy, believed in creating art for the public good. Their Artists’ Union friends and colleagues from the Federal Art Project formed the nucleus of their social circle and would become the community of artists who worked together during summers on Monhegan Island off the coast of Maine.
In 1945, Hantman had his first solo painting show at Marquie Gallery in New York, and visits Monhegan Island for the first time. The following summer, he and Levy spend the summer in Maine, and would continue to do so for the next thirty years. The landscapes and seascapes of Maine would become a central subject in his work after 1946. The dramatic coastline of Monhegan Island had been inspiration for other New York artists before Hantman, including George Bellows and Rockwell Kent. As Hantman matured as an artist he began to reject academic narrative in his work, moving towards a more expressionistic and abstract style. During this shift into abstraction, nature remained central to his work and the seascape and Maine light provided continual inspiration. In the late 1940s, Hantman begins to reduce the landscape into elemental forms of color and shape. As he pursues this mode of painting his work moves further into abstraction, juxtaposing large blocks of saturated color to convey the drama of sea and sky. Always a student and teacher, Hantman distilled the ideologies of Abstract Expressionism and synthesized its concepts into his own work. Throughout the 1950s, he experimented with Action Painting, color, form and expression. By the late 1950s, Hantman’s mature style had developed into abstract works of pure color masses in simple geometric forms. His mastery of color and form continued into his late work, always reflecting the beauty of the natural world around him.
Dedicated to the idea of exploration in his art, Hantman made hundreds of small color and form studies that hint at the large-scale works that would follow in the late 1960s and beyond. Hantman’s work from the ‘70s and ‘80s shows even more intensity of color and distillation of composition. The landscape of the Maine coast remained his muse throughout, the stark lines suggesting the flat plane of sea and horizon line beyond.
Hantman and Jo Levy lived in New York and summered on Monhegan Island until 1975, followed by summers in Owls Head and New Harbor...
Category
Mid-20th Century Abstract Geometric Abstract Paintings
Materials
Canvas, Oil
St. Augustine Florida
By Tod Lindenmuth
Located in Wilton Manors, FL
Tod Lindenmuth (1885-1976). St. Augustine, c.1935. Oil on primed panel, 12 x 14 inches. Signed en verso. Excellent condition. Unframed.
Biography:
Birth place: Allentown, PA
Death place: St. Augustine, FL
Addresses: St. Augustine, FL/Rockport, MA
Profession: Painter, graphic artist, block printer
Studied: Chase Sch. A.; & with Robert Henri, Ambrose Webster, George Elmer Browne, W.H.W. Bicknell.
Exhibited: AIC; S. Indp. A., 1917-19, 1922-28; PAFA Ann., 1917-18, 1923, 1927-33; Salons of Am., 1922-24; Rockport AA; PAFA (prize); Corcoran Gal. biennial, 1930.
Member: SC; A. Gld., St. Augustine, Fla.; Rockport AA; Provincetown AA.
Work: PAFA; NYPL; MFA, Houston; Newark Mus.; Pa. State Col.; Allentown Mus. FA; Bibliothèque Nationale, Paris; Springfield Mus. A.; Kansas City AI; LACMA; TMA; Rochester Mem. Gal.
A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration.
Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne.
He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association’s ‘First Modernistic Exhibition”. He exhibited regularly with the Society of Independent Artists in New York.
He married artist and illustrator Elizabeth Boardman Warren...
Category
1930s American Impressionist Landscape Paintings
Materials
Panel, Oil
Casas de Ibiza (Ibiza Spain Landscape)
By Enrique Climent
Located in Wilton Manors, FL
Enrique Climent (1897-1980). Casas de Ibiza, c.1960. Oil and sand on canvas, 35 x 46 inches; 44.5 x 55.5 inches (frame). Signed lower left. Excellent condition with no damage or conservation. Instituo National de Bellas Artes lebel affixed en verso.
Biography:
Enrique Climent ( Valencia , Spain, 1897- Mexico City , 1980) was a Spanish painter and graphic designer, present in the Spanish Pavilion of the International Exhibition of Paris in 1937 , two of whose works are conserved in the National Museum Art Center Reina Sofía , as part of the collection of the Spanish Museum of Contemporary Art (MEAC). Exiled in Mexico , country in which he died at 83 years of age. He has been associated with the driving group in Spain of the "New Art".
Born in a bourgeois family of the Valencian capital, despite paternal opposition, Climent studied at the School of Fine Arts of San Carlos , and with a scholarship received in 1919, traveled to Madrid to complete them in San Fernando . In the capital of Spain he participated in the gathering of Ramón Gómez de la Serna , for whom he illustrated some greguerías , and in the avant-garde activities of the then-called first Escuela de Vallecas , Associated with the Society of Iberian Artists . He also collaborated as an illustrator of Blanco y Negro magazine, 3 and illustrated books by Elena Fortún , Azorín , Juan Manuel Díaz Caneja and Manuel Abril . 3 Before, in 1924 he had been in Paris for two years, where he came to design some stage sets for opera shows. 6
He participated in three of the exhibitions of "Los Ibéricos" (San Sebastián in 1931, Copenhagen in 1932 and Berlin in 1933), as well as in the International Exhibitions of Contemporary Spanish Art in Paris and Venice in 1936.
He was one of the Spanish exiles who in 1939 landed in Veracruz , after the crossing of the Sinaia , along with other intellectuals and artists (such as José Moreno Villa , Arturo Souto...
Category
Mid-20th Century Abstract Landscape Paintings
Materials
Canvas, Oil
Fisherman at Dusk
By Oskar D'Amico
Located in Wilton Manors, FL
Oskar D'Amico (1923-2003). Fisherman at Dusk, c.1960. Oil on linen canvas, 16 x 30 inches; 18 x 32 inches (frame). Signed lower right. Excellent condition with no damage or conservation.
Biography:
Oskar Maria D'Amico (February 22, 1923 – May 3, 2003) was an active Italian artist in Rome, Naples, Lanciano, Cisterna, Milan, Gallarate, Torino, Zagabria, Paris, Toulouse, Melun, Carenac, Maubeuge, Madrid, Barcelona, Zaragoza, Budapest, Győr, Mexico City, Cuernavaca, Morelia, Toronto, New York City, Philadelphia, Los Angeles, San Francisco, Miami, Denver, Santa Fe, Albuquerque and Socorro, between 1943 and 2003.
He is considered a Nomad artist because of his ability to work in various styles. He had three major periods in his artistic life: Figurative, Materic and Geometric. [1]He also was an outstanding art director for more than 75 epic movies. D'Amico had a very outgoing personality. He was a non-conformist, which was reflected in his work throughout his life. D'Amico was born in CastelFrentano, Italy, a small village in Abruzzo. At a young age, he felt he had to leave and dive into the big world. After being a seminarist with the Salesiani during World War II, he left Naples, where he studied architecture, and began a great adventure in Rome.
He specialized at the time in decorating nightclubs and bars, and invented a special type of double ceiling to hide the lights. D'Amico, who was self-taught as a teenager in drawing and painting, burst onto the filmmaking scene in Rome when an art director asked him to do a perspective of a set design. Soon other moviemakers were calling him.[2]
D'Amico was an art director on 75 films including two by Orson Welles. D’Amico was able to create a real marble floor in the set of the palace of the King Saul, in "David and Goliath" directed by Orson Welles. Art directors previously painted a simulated marble on top of concrete due to the cost of the real thing. D'Amico became an associate of Jadran Films in ex-Yugoslavia, which specialized in Roman and Egyptian constructions.
While an art director, he never stopped painting. His faceless clowns, reflecting the people who had no identity after World War II, were a big success. In the early 1960s, D'Amico moved with his family to Toronto, Canada, another place he felt was too small. He left for Philadelphia and New York City, which affected his work. He turned his focus to abstract, and for more than a decade created abstract Expressionist paintings "on the plane of all matter" that he called "Materic". The Materic style, which he invented, was done in several media and could not be changed once on the canvas. The paintings were very well received. D’Amico sold more than 400 in Philadelphia and New York City. Unfortunately he had to stop doing the Materics because the colors he used were harmful to his liver.
In the mid 1970s, he returned to his architectural roots and developed a new vision for Abstract Constructivism using just acrylic colors. Presented in Paris by his French Art dealer, Francoise Tournier, at the Grand Palais de Paris, and in Mexico City, D'Amico's interpretation of the "New Geometry" was widely admired. In 1983, when he presented the work at the Bodley Gallery, people whispered that he had the potential to be the new Picasso because of his eclecticism and the Nomad nature of his styles.
In 1987, D'Amico abandoned the gypsy life and settled in New Mexico. Albuquerque was the perfect place to dedicate himself 100 percent to his work.[3] There were no distractions and a good climate that reminded him of his beloved Cuernavaca in Mexico. Staying in close contact with his French art dealer Tournier, D’Amico had several shows in Denver at the Helen Karsh Gallery and in Albuquerque at the Black Swan and Café Galleries.
At least once a year, D’Amico went to Europe to immerse himself in the antique world and visit museums and galleries. In 1992, visiting Tournier at the Castle of Saint Cirq Lapopie, he met the man who founded the MADI movement in 1940, Carmelo Arden Quin...
Category
1960s Abstract Figurative Paintings
Materials
Canvas, Oil
Friday Hangover, March 1985
Located in Wilton Manors, FL
Ronald Bateman (b.1947). Friday Hangover, March 1985, 1985. Oil on canvas, 8 x 10 inches; 9 x 11 inches framed. Signed , title and dated lower margin. ...
Category
1980s Realist Still-life Paintings
Materials
Oil, Linen
Male Portrait (William Rapp)
By Birge Harrison
Located in Wilton Manors, FL
Lovell Birge Harrison (1854-1929). Portrait of William Rapp, c.1870s. Oil on academy board, 11 x 14 inches; 13 x 16 inches framed. Signed en vers...
Category
1870s American Impressionist Portrait Paintings
Materials
Oil, Panel
Pink Gin
By Lara Schnitger
Located in Wilton Manors, FL
Lara Schnitger (b.1969). Pink Gin, 1999. Collage of cut vintage papers on illustration board, measures 10 x 14.25 inches. Measures 17.5 x 21.5 inches framed. Provenance: Anton Kern Gallery.
Search terms: woman artist; Feminist artist: Feminist
Lara Schnitger
1969
Born in Haarlem, Netherlands
1987-1991
Koninklijke Academie voor beeldende Kunsten, Den Haag
1991-1992
Academie Vyvarni Umeni, Prague
1992-1994
Ateliers ´63, Amsterdam
1999-2000
C.C.A., Kitakyushu, Japan
Lives and works in Los Angeles and Amsterdam
Solo Exhibitions
2018
Suffragette City, Frieze Live, Frieze Art Fair, Randall's Island, NY
2017
Don't Let The Boys Win, Galerie Gebr. Lehmann, Dresden, Germany
Suffragette City, Kunsthaus Dresden, Germany
Lundgren Gallery, Mallorca, Spain
2016
In Real Life: Lara Schnitger, Hammer Museum, Los Angeles, CA
2015
Suffragette City, FRAC Champagne-Ardenne, Rheims, France
Suffragette City, Parcours, Art Basel, Lichthof Building, Basel, Switzerland
2014
PINK POP Festival, Bonnefantenmuseum Pavilion, Maastricht, Netherlands
Stuart Shave/Modern Art, London, UK
Never Alone, Anton Kern Gallery, New York, NY
2012
Lara Schnitger, Wilhelm Müller: Colored Fabrics, Galerie Gebr. Lehmann, Dresden, Germany
Lara Schnitger & My Barbarian: The Butterfly’s Evil Spell, Anton Kern Gallery, New York, NY
2010
Damned Women, Modern Art, London, UK
Two Masters and Her Vile Perfume, Sculpture Center, New York
The Artist's Museum, Museum of Contemporary Art, Los Angeles
2009
Anton Kern Gallery, New York
Dance Witches Dance (with My Barbarian), Luckman Fine Arts Complex, Cal State,
Los Angeles
2008
Museum of Modern Art Arnhem, Holland, Netherlands
Dance Witches Dance (with My Barbarian), Museum Het Domein, Sittard [cat.]
Double Happiness, Galerie Gebr. Lehmann, Berlin
2007
Stuart Shave/Modern Art, London
Anton Kern Gallery, New York
2005
My Other Car is a Broom, Magasin 3, Stockholm, Sweden traveling to Stroom den Haag, The
Hague, The Netherlands [cat.]
Anton Kern Gallery, New York [cat.]
Blacks on Blondes, Triple Candie, New York
2004
Air 2 Paris, Paris
2003
Liesje Leerde Lotje lopen langs de lange Lindenlaan, Revalidatie Centum Friesland,
Beesterswaag, Netherlands
2002
Civilized Special Zone, Lara Schnitger and Matthew Monahan, Chinese European Art Center,
Xiamen
Anton Kern Gallery, New York, NY
2001
Statements, Basel Art Fair, Basel
Raum Aktuellekunst, Martin Janda Gallery, Vienna
Project Room, Santa Monica Museum of Art, Santa Monica, CA
2000
Kunstwerke, Berlin
Gozaimas, Lara Schnitger and Matthew Monahan, Bureau Amsterdam, Amsterdam
1999
Anton Kern Gallery, New York, NY
Up & Co, New York, NY
1998
Hyper Space, Galerie Daniel Blau, Munich
Basel Art Fair, Galerie Daniel Blau
SpaceInvader, Vleeshal, Middelburg, Netherlands
1997
University of Buffalo Art Gallery, Buffalo, NY
1996
Anton Kern Gallery, New York, NY
Group Exhibitions
2018
Other Walks, Other Lines, San Jose Museum of Art, San Jose, CA (opening November)
Pussy, King of the Pirates, Maccarone, Los Angeles, CA
“Do I contradict myself? Very well then I contradict myself. (I am large, I contain multitudes.), curated by Emmanuelle Lainé, FRAC Champagne-Ardenne, Reims, France
bitch MATERial, Kunstquartier Bethanien, Berlin, Germany
Reclaimed, Linda Pace Foundation, San Antonio, TX
2017
3. Berliner Herbstsalon, Maxim Gorki Theatre, Berlin, Germany
Brightsiders, curated by Adam D. Miller, Verge Center for the Arts, Sacramento, CA
Hope and Hazard: A Comedy of Eros, curated by Eric Fischl Hall Art Collection, Reading, VT
Do Disturb, Palais de Tokyo, Paris, France
2016
Revolution in the Making: Abstract Sculpture by Women, 1947 – 2016, Hauser, Wirth &
Schimmel, Los Angeles, CA [cat.]
Reveal the Rats, The Pit, Los Angeles, CA
2015
NO MAN’S LAND: Women Artists from The Rubell Family Collection, Rubell Family Collection,
Miami, FL
Poor Art - Rich Legacy. Arte Povera and Parallel Practices 1968-2015, Museum of
Contemporary Art, Oslo, Norway
Beating around the bush Episode #4, Bonnefanten Museum, Maastricht, The Netherlands
2014
Beating around the bush Episode #2, Bonnefanten Museum, Maastricht, The Netherlands
2013
Girls Just Want to Have Funds, La Mama Gallery, New York, NY
Paintings, Sculptures, Drawings and Mixed Media Artworks, The Rema Hort Mann Foundation,
New York, NY
2012
My Barbarians Collaboration / Performance, Anton Kern Gallery, New York, NY
More to Tell, Museum Het Domein, Sittard, Netherlands
Chasm of the Supernova, Center for the Arts Eagle Rock, Los Angeles, CA
Niki de Saint Phalle Tirs: Reloaded, Getty’s Pacific Standard Time Performance and Public
Art Festival
Without Hope, Without Fear, Mottahedan Projects, Al Quoz, Dubai, UAE
The Butterflies Evil Spell, Anton Kern Gallery, New York, NY
2011
The Artist's Museum, Museum of Contemporary Art, Los Angeles
Investigation of a Dog: Works from the FACE collections, Magasin 3 Konsthall, Stockholm,
Sweden; La Maison Rouge, Paris, France
2010
Ordinary Madness, Carnegie Museum of Art, Pittsburgh, PA
Investigation of a Dog: Works from the FACE collections, Ellipse Foundation, Cascais, Portugal;
Deste Foundation, Athens, Greece; Fondazione Sandretto Re Rebaudengo, Turin, Italy
2009
Group Exhibition, Honor Fraser, Los Angeles
Strike a Pose, Stephen Friedman Gallery, London
Directions, A Palazzo Gallery, Brescia, Italy
Double Dutch, Hudson Valley Center for Contemporary Art, Peekskill
Investigations of a Dog, Fondazione Sandretto Re Rebaudengo, Turin
(re)Visions:(di)Visions, Foster Gallery, University of Wisconsin, Eau Claire
2008
Sonsbeek Sculpture Exhibition, Arnhem
Attribution problems, Johann König, Berlin Carried away, Museum Moderne Kunst, Arnhem, NL
2007
Read Me! Text In Art, Armory Art, Pasadena
Unmonumental: The Object in the 21st century, New Museum, New York
Wild West, Galerie Gebr. Lehmann, Berlin
USA Today, Hermitage, St. Petersburg, Russia
To Be Continued…, Magasin 3 Stockolm Konsthall, Stockholm, Sweden
Frac des pays de la loire, Carquefou, France
Don’t Let the Boys Win, Mills College Art Museum, Oakland
Fantastic Politics, The National Museum of Contemporary Art, Oslo, Norway
Eight Sculptors from Los Angeles, Sabine Knust, Munich
Uneasy Angel/Imagine Los Angeles, Sprueth Magers, Munich
2006
Lara Schnitger, Lily Van Der Stoker, Sue Williams, Modern Art Inc., London
Ridykeulous, Participant Inc., New York, NY
La Retour de la Colonne Durutti, Gallery Isabella Bortolozzi, Berlin
USA Today, The Saatchi Gallery, London
Implosion, Anton Kern Gallery, New York
The “F” word, Andy Warhol Museum, Pittsburgh, USA
Red Eye: L.A. Artists from the Rubell Family Collection, Miami, FL
2005
THING New Sculpture from Los Angeles, Hammer Museum, Los Angeles, CA
Both Ends Burning, David Kordansky Gallery, Los Angeles [cat.]
Follow Me: A Fantasy, curated by Malik Gaines, Arena 1 Gallery, Santa Monica, CA
Forms after David, Accademia di Belle Arti, Florence, Italy
My Barbarian, Powerplant, Toronto, Canada
2004
Obsession, Galerie Diana Stigter, Amsterdam, NL
M.B. The Mary Blair...
Category
1990s Contemporary Mixed Media
Materials
Paper
Red Above Blue, 1966
By Michael Loew
Located in Wilton Manors, FL
Michael Loew (1907-1985). Red Above Blue, 1966. Acrylic on canvas, 39 x 56 inches. Signed lower right. Signed, titled and dated en verso. Excellent condition.
Biography:
Michael Loew was born in 1907 and was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Student’s League.
In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists, including Max Schnitzler...
Category
1960s Hard-Edge Abstract Paintings
Materials
Linen, Acrylic
Collage, 1958
Located in Wilton Manors, FL
Berto Lardera (1911-1989). Collage, 1958. Paper, cardboard, paint. 29 x 40.5 inches; 31.5 x 42 inches framed. Signed and dated lower right. Bears origina...
Category
1950s Abstract Expressionist Abstract Paintings
Materials
Paper, Tempera, Cardboard
Still Life Cabbage
By Elizabeth Osborne
Located in Wilton Manors, FL
Elizabeth Osborne (b.1936). Still Life Cabbage, 1983. Watercolor on paper, sheet measures 22.5 x 30 inches; 29.5 x 37 inches in custom frame. Original Fischbach Gallery label affixed...
Category
1980s Realist Still-life Paintings
Materials
Archival Paper, Watercolor
Revere ware Still Life
By Jeanette Pasin-Sloan
Located in Wilton Manors, FL
Jeanette Pasin-Sloan (b.1946). Still Life with Revere ware, 1988. Mixed media on paper. 13 1/8 x 13 3/4 inches (image) ; 18 x 20 inches (sheet); 22 x 23.5 ...
Category
1980s Photorealist Paintings
Materials
Mixed Media
Classical Female Head (woman portrait)
By Federico Castellon
Located in Wilton Manors, FL
Beautiful 1950 drawing by Spanish artist, Federico Castellon (1914-1971). Graphite on wove paper, sheet measures 12 x 18 inches. Excellent condition with no restoration or damage. Signed lower right. Unframed. From a recently discovered collection of over 60 important Castellon drawings and watercolors c.1939-1950.
Birth place: Almeria, Spain
Death place: New York, NY
Addresses: NYC (immigrated 1921; citizen, 1943)
Profession: Painter, graphic artist, sculptor, etcher, illustrator, teacher
Exhibited: Weyhe Gal., 1934, 1936-40; AIC, 1935-47 (prize, 1938); AFA traveling exh., 1937; WMAA, 1938-45; PAFA, 1938-39, 1940 (prize), 1941-42; Carnegie Inst., 1942; PAFA, 1943-53; Assoc. Am. Ar., 1946 (prize), 1952 (solo); Corcoran Gal, 1947; LOC, 1949 (prize); Paris, France, 1952; Bombay, India, 1952; Gallery 10, 1961; Dintenfass Gal., N.Y., 1963; Phila. Pr. Cl., 1964 (prize); Hudson Gld. A., 1964; Great Neck, L.I., 1964; SAGA, 1964 (prize). In 1953, under the auspices of State Dept. Specialist Div., of I.E.S., he exhibited in Venezuela, Colombia, Peru, Chile, Bolivia, Uruguay, Argentina, Paraguay, with lectures in each country. Awards: F., Spanish Republic, 1934-36; fellow, Guggenheim Fnd., 1941, 1950; Nat. Inst. A. & Let. Grant, 1950.
Member: NA; SAGA
Work: WMAA; PAFA; MoMA; PMA; MMA; BM; AIC; NYPL; LOC; Univ. KY; San Diego Mus. FA; Newark (NJ) Pub. Lib.; Princeton Univ. (Frank Jewett Mather Coll.).
Comments: A Surrealist painter whose imagery of the 1930s was greatly influenced by Dali. His full name was Federico Cristencia de Castellón y Martinez. Teacher: Columbia Univ., 1946-61; Pratt Inst., Brooklyn, 1952-61. Illustrator: Shenandoah, 1941; I Went into the Country, 1941; Bulfinch's Mythology, 1948; The Story of Marco Polo, 1954; The Man Who Changed China, 1954; The Story of J. J. Audubon, 1955; The Little Prince, 1954; The Life of Robert L. Stevenson, 1954. Reproduction of paintings on The Sumerian Civilization" for Life series "The Epic of Man," 1956; 15 paintings on "The History of Medicine" for MD magazine, 1960-61; The Story of Madame Curie...
Category
1950s Abstract Portrait Drawings and Watercolors
Materials
Graphite
Seated Figure
By Alan Tompkins
Located in Wilton Manors, FL
Beautiful figural abstraction by American artist, Alan Tompkins (1907-2007). Seated Figure, 1956. Oil on Devoe academy board measures 11 x 13 inches; 15....
Category
1950s Abstract Figurative Paintings
Materials
Board, Oil
Still Life
By Hans Weingaertner
Located in Wilton Manors, FL
Hans Weingaertner (1896-1970). Oil on canvas measures 8 x 10 inches; 14 x 16 inches in a frame of the period. Signed lower right. Excellent, clean condition with no damage or restoration. Signed with monogram and dated 1966 en verso.
Biography:
Birth place: Krailburg, Germany
Addresses: Lynhurst, NJ; Belleville, NJ
Profession: Painter
Studied: Royal Acad., Munich, Germany, and with Ludwig Klein, Moritz Hyman, A. Jank.
Exhibited: Soc. Indep. Artists, 1929-40; BM, 1932; New Haven PCC, 1934-39; AIC, 1936; traveling exhib., 1936-37; Corcoran Gal biennial, 1939; Montclair AM, 1938, 1939; New Jersey State Mus., Trenton, 1939; Newark Mus., 1940, 1944; Carnegie Inst., 1941; VMFA, 1946; Penn. State Teachers College, 1944, 1946; PAFA Ann., 1951; WMAA; NAD; CAFA; Salons of Am. Awards: prizes, Montclair AM, 1949, 1950; New Haven PCC, 1950; Newark Art Club, 1951; Bamberger purchase, 1964
Member: Mod. Artists, New Jersey; Soc. Indep. Artists; New Haven PCC; New Jersey AA; Audubon Artists; New Jersey WCS
Work: Newark Mus.; Rutgers Univ.; Jefferson H...
Category
1960s American Realist Still-life Paintings
Materials
Oil, Canvas
Arcadian Figures
By Wright Saltus Ludington
Located in Wilton Manors, FL
Beautiful Art Deco era drawing by American artist, Wright Ludington (1900-1992). Graphite on paper measures 7.75 x 9 inches; 14.5 x 16 inches framed. No damage or restoration. Sheet is glued down to cardboard backing. Partial signature in margins under matting identifies artist.
Biography:
Born in New York on June 10, 1901. By 1940 Ludington had settled in Montecito. He died there on May 13, 1992. Exh: Montecito Country Club, 1940.
Noted philanthropist, art collector and founder of the Santa Barbara Museum of Art, Wright Luddington was a friend of Lockwood de Forest...
Category
1920s Art Deco Figurative Drawings and Watercolors
Materials
Paper, Graphite
Cherubs
By George Henry Hall
Located in Wilton Manors, FL
George Henry Hall (1825-1913). Cupids, 1875. Oil on canvas, 6 x 9.25 inches; 10 x 13.25 inches framed. Original frame with label verso. Excellent condition with no damage or restoration. Signed and dated lower right.
Price on request
Biography:
Birth place: Manchester, NH
Addresses: Primarily in NYC from 1852
Profession: Still-life, genre, portrait painter
Studied: between 1849-52 in Paris and Rome; and Düsseldorf Royal Acad. with Eastman Johnson
Exhibited: PAFA, 1853-68; Royal Acad., British Inst., Suffolk Street Gal., all in London, 1858-74; Brooklyn AA, 1861-81; NAD, 1862-1900; AIC, 1888; Boston AC, 1881, 1889
Member: ANA, 1853; NA, 1868; Century Assn.
Work: MMA; BM; BMFA
Comments: Best known for his still-lifes, he specialized in detailed and vividly colored fruit and flower...
Category
19th Century Realist Figurative Paintings
Materials
Oil, Canvas
Plaza Del Carmen, Madrid
By Juan Bayon-Salado
Located in Wilton Manors, FL
Beautiful c.1962 painting by Spanish artist, Juan Bayon-Salado (1903-1995). Plaza del Carmen, Madrid. Oil on canvas measures 60 x 73 cm (approx. 23.5 x 29 inches). Unframed. Depicted...
Category
1960s Abstract Abstract Paintings
Materials
Canvas, Oil
Otto Fenn 1956 Andy Warhol photograph
By Otto Fenn
Located in Wilton Manors, FL
Otto Fenn (1913-1983). Andy Warhol, 1956. Gelatin silver print, 9 7/8 x 10 inches; 11 x 14 sheet. Studio stamp, verso. Measures 12 x 15 inches in a walnut frame.
Biography:
Otto Fenn photographed fashions, decorations and food for Harper’s Bazaar, Town & Country, Good Housekeeping, Ladies’ Home Journal, McCall’s, House Beautiful and House and Garden magazines.
Among the celebrities he photographed were Tallulah Bankhead, Jackie Gleason, Sid Caesar, Bette Davis, Yves Montand and Rosalind Russell. He also did Lord & Taylor’s advertising photography.
Mr. Fenn served as chairman of the Sag Harbor Historic Landmarks District. He lived in the Nathan P. Hand house, which dates to the 1600′s and is named for a whaling captain who once owned it.
Since 1964 Mr. Fenn and Mr. Krug operated the 1964 Sag Harbor Antiques Shop.
Born in Manhattan, Mr. Fenn grew up in Lincoln Park, N.J. He studied at the New York School of Design and taught painting there.
Early in his career he made sets for summer theater and backgrounds for fashion sittings and painted murals for the 1939 World’s Fair and the passenger ship America...
Category
1950s Pop Art Portrait Photography
Materials
Photographic Paper
Nexus
By Jack Youngerman
Located in Wilton Manors, FL
Abstract sculpture by American artist, Jack Youngerman (b.1926). Nexus, 1990. 24.5 inches. Aluminum, numbered 2/3. Signed and numbered on base.
1926 Born, St. Louis, Missouri; moved with family to Louisville, Kentucky in 1929
1943-44; 1946-47 Attended University of Missouri
1944-46 U.S. Navy, University of North Carolina
1947-49 Ecole des Beaux-Arts, Paris
1949-55 Lived and worked in Paris
1956 Returned to the United States; lived in New York City 1956-1995
1995-current Resides in Bridgehampton, New York
ONE MAN EXHIBITIONS:
1951 Galerie Arnaud, Paris
1958 Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968)
1959 Museum of Modern Art, New York, "Sixteen Americans"
1962 Galerie Lawrence, Paris (also 1965)
1963 Galeria dell' Ariete, Milan
Everett Ellen Gallery, Los Angeles, California
The Phillips Collection, Washington, D. C.
1971 Pace Gallery, New York (also 1972, 1975)
1972 Portland Center for the Arts, Oregon
Seattle Art Museum, Washington
1973 The Arts Club of Chicago, Illinois
Galerie Denise Rene, Paris
1975 Hopkins Center, Dartmouth College, Hanover, New Hampshire
1976 Parrish Art Museum, Southampton, New York
1981 Washburn Gallery...
Category
1980s Abstract Abstract Sculptures
Materials
Aluminum
Out of the City
By Benton Murdoch Spruance
Located in Wilton Manors, FL
Benton Murdoch Spruance (1904-1967). Out of the City, 1930 (FL #33) Ed. 28. Lithograph on wove paper, plate measures 9.75 x 12.25 inches. Signed in pencil lower right. Titled and numbered 27/28 lower left. Sheet is not glued.
Biography:
Birth place: Philadelphia, PA
Death place: Phila.
Addresses: Germantown, PA; Phila.
Profession: Lithographer, painter, educator
Studied: Univ. Penn. School FA; PAFA with D. Garber (Cresson traveling scholarship); G. Harding; R. Nuse; A. Lhote in Paris.
Exhibited: many nat. print exhs., 1929-65; Phila. Pr. Club,1929 (prize), 1932 (prize), 1929 (prize), 1941, 1953, 1956; WC Ann., 1937 (prize); WMAA, 1933-45; AIC, 1937-38, 1941; PAFA Ann., 1939-53 (gold medal 1946); Corcoran Gal. biennial, 1941; Laguna Beach AA, 1943, 1944; Audubon Artists, 1947; LOC, 1948; Boston Printmakers, 1949; Phila. Art All., 1951; NAD, 1953, 1957, 1959; Am. Color Pr. Soc., 1954, 1960, 1961; SAGA, 1955, 1962; Calif. Etchers, 1959; Bay PM, 1959; Joslyn Mus. Art , 1954 (retrospective); Mt. Holyoke, 1954 (retrospective); Swarthmore, 1954 (retrospective); Woodmere Art Gal., Phila., 1960; Phila. Sketch Club, 1965 ( Medal for Distinguished Service to Art); Phila. Art All., 1965 (Medal of Achievement). Solos in numerous colleges, universities, galleries & museums nationally, 1954-65. Other awards & medals: Pennell medal, 1937; Eyre medal, 1939; Beck medal, 1946; Guggenheim Fellowship, 1950, 1963; hon. D.F.A., Phila. College of Art, 1962; PAFA Fellowship, 1964
Member: NA; SAGA; Phila. Pr. Club; Phila. Art All.; Am. Artists Congress.
Work: MoMA; WMAA; CI; LOC; NGA; PMA; SAM; PAFA; NYPL; AGA. Murals, Municipal Court Bldg., Phila.; Philadelphia House...
Category
1920s Art Deco Prints and Multiples
Materials
Paper, Lithograph
Vase
By Leonard Edmondson
Located in Wilton Manors, FL
Leonard Waegell Edmondson (1916-2002). Ceramic with sgraffito and fired opaque polychrome. 6.5 inches tall. 4.5 inches circumference. Excellent condition with no damage or restoratio...
Category
1950s Cubist More Art
Materials
Ceramic
Plant-like
By James Brooks
Located in Wilton Manors, FL
James Brooks (1906-1992). Plantlike, c.1945. Oil on canvas measures 18 x 24 inches; 24 x 30 inches in a painted wood frame of the period. Signed "J. David Brooks" lower right, Signed...
Category
1940s Abstract Expressionist Abstract Paintings
Materials
Cotton Canvas, Oil