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Exhibition Poster
By Ellsworth Kelly
Located in Wilton Manors, FL
Original Ellsworth Kelly exhibition poster, 1964. Gallerie Maeght. 26 x 20 inches. Lithograph on paper.
Gentle creasing lower left....
Category
Mid-20th Century Abstract Geometric Abstract Prints
Materials
Lithograph
New Orleans, French Quarter
Located in Wilton Manors, FL
Nestor Fruge (1916-2012). New Orleans, ca. 1970. Watercolor on paper, 11 x 15.75 inches. Unframed. Excellent condition. Signed lower right. Unframed.
Born in Bayou Lafourche, Louis...
Category
Mid-20th Century Impressionist Landscape Paintings
Materials
Watercolor
French Quarter, New Orleans
Located in Wilton Manors, FL
Nestor Fruge (1916-2012). Courtyard, French Quarter, New Orleans, ca. 1970. Watercolor on paper, 12 x 16.5 inches. Unframed. Excellent condition. Signed lower right. Unframed.
Born...
Category
Mid-20th Century Impressionist Landscape Paintings
Materials
Watercolor
Bayou Landscape
Located in Wilton Manors, FL
Nestor Fruge (1916-2012). Bayou Landscape, ca. 1970. Watercolor on paper, 11 x 15.25 inches. Unframed. Excellent condition. Signed lower right.
Born in Bayou Lafourche, Louisiana i...
Category
Mid-20th Century Impressionist Landscape Paintings
Materials
Watercolor
Cubist abstract composition
Located in Wilton Manors, FL
Robert Lepper (1906-1991) . Cubist composition, 1931. Cut copper, brass and steel sheeting tacked to masonite panel. Panel measures 14.5 x 24 inches. Total framed measurement 20 x 29...
Category
1930s Cubist Mixed Media
Materials
Brass, Copper, Stainless Steel
Untitled, (Leatherman Cowboy), Castro, San Francisco.
Located in Wilton Manors, FL
Fisher Ross. Untitled, ca. 1975-80. Gelatin Silver print, sheet measures 8 x 10 inches. Artist studio stamp on verso. Good condition with some rippling in ...
Category
1970s Realist Black and White Photography
Materials
Silver Gelatin
Man with Cat
By Christopher Makos
Located in Wilton Manors, FL
Christopher Makos, American Photographer b. 1948. Tattooed Man Holding Cat, ca 1970. Signed in red pencil on verso.
Size 8.25 x 10 inches. Unframed and unmounted.
This example was...
Category
1960s American Modern Black and White Photography
Materials
Silver Gelatin
Vase of Flowers (Still Life)
Located in Wilton Manors, FL
Louise Delorme (b. 1928). Vase of Flowers, 1969. 26 x 36 inches; 27 x 37 inches framed. Signed lower left. Titled and dated on verso. Excellent condition.
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Oil
Male Figure at Beach
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985).Male Figure at Beach, 1952.. Gouache on cardboard panel, 9 x 10 inches, 14.5 x 15.25 inches in maple frame. Signed, dated lower left.
Born in Newark, New...
Category
Mid-20th Century American Realist Landscape Paintings
Materials
Watercolor
Female Dancer
Located in Wilton Manors, FL
Beautiful mid-century painting of a female dancer by J. Steven. Oil on canvas measures 12 x 30 inches, 21 x 39 inches framed. Signed lower left with arti...
Category
Mid-20th Century Abstract Figurative Paintings
Materials
Oil
Mother and Child
By Bruno Lucchesi
Located in Wilton Manors, FL
Bruno Lucchesi (b.1926). Mother and Child, ca. 1960. Oil and charcoal on sized paper mounted to masonite, measuring 11 x 21 inches; 15.5 x 25.5 inches in original gold leaf frame. Si...
Category
Mid-20th Century Abstract Figurative Paintings
Materials
Masonite, Oil, Paper
Still Life
By Louis Russomanno
Located in Wilton Manors, FL
Louis Russomanno (b.1948). Still Life, ca. 1975. Oil on canvas, 16 x 24 inches; 20 x 28 inches framed. Signed upper right. Excellent condition.
Detail is simply amazing in this photorealistic original painting.
Gallery label affixed on verso. Contact number with no area code suggests a mid-1970's range in which to date the piece.
A native of New York, Russomanno has exhibited widely and with success and is the recipient of numerous prizes and juried awards including from the Phillips Mill...
Category
1970s Photorealist Still-life Paintings
Materials
Oil, Linen
Pop Art reclining nude woman painting
Located in Wilton Manors, FL
Beautiful ca. 1970s Pop Art painting of a reclining nude woman based on Tom Wesselmann's 1968 screenprint, Nude with Still Life. Oil on canvas, 30...
Category
1970s Pop Art Nude Paintings
Materials
Oil, Canvas
Provence #7 (Provence France Landscape)
By Roger Mühl
Located in Wilton Manors, FL
Roger Muhl (1929-2008)
Provence #7, 1986. Signed and numbered in pencil by the artist, lower margins.
Artwork is in excellent condition with no damage or conservation.
Frame shows ...
Category
1980s Abstract Landscape Prints
Materials
Lithograph
Wellfleet #3
Located in Wilton Manors, FL
Margaret Layton. Wellfleet #3, ca. 1950. Watercolor on paper, image measures 5.5 x 16.5 inches in a frame measuring 13 x 24.5 inches. Signed lower left.
Beautiful abstract study of...
Category
Mid-20th Century Abstract Abstract Paintings
Materials
Watercolor
Ferris Wheel from the Tuileries
By Lynn Saville
Located in Wilton Manors, FL
Lynn Saville. Ferris Wheel from the Tuileries, 1999. Photographic print. Edition 5/25. Image measures 12.5 x 18 inches. Sheet is larger. Measures 21.5 x 27 framed. Signed, titled and...
Category
1990s Realist Black and White Photography
Materials
Photographic Paper
New Hope Canal, Bucks County PA
Located in Wilton Manors, FL
Norris Rahming (1886-1959). New Hope Canal, Bucks CO. PA., 1944. Watercolor on paper, image measures 14.75 x 19.5 inches; measures 22 x 26 inches in original frame. Signed lower righ...
Category
Mid-20th Century Realist Landscape Paintings
Materials
Watercolor
Life Magazine Satirical Society Cartoon Illustration
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Society Satirical Cartoon, ca. 1940s. Gouache on heavy illustration paper, image measures 17 x 14 inches; 23 x 20 inches in matting. Signed lower left. Very good condition but matting panel should be replaced. Unframed.
Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ.
For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony.
In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques.
He found that talent in Barbara Shermund.
For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice.
Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence.
“Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League.
In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.”
“While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund.
And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral...
Category
1940s Realist Figurative Paintings
Materials
Gouache
Plaza del Toros (Abstract Expressionist Painting)
Located in Wilton Manors, FL
Larry Price (1940-1989). Plaza del Toros, ca. 1961. 33 x 37.5 inches. Provenance: Estate of Larry Price. COA available from Estate by request.
Larry Price, A...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Linen, Oil
Untitled (Abstract Expressionist Painting)
Located in Wilton Manors, FL
Larry Price (1940-1989). Untitled, ca. 1959. 23.5 x 29.5 inches. Provenance: Estate of Larry Price. COA available from Estate by request.
Surface exhibits paint shrinkage consistent with age. Paint surface is stable with no flaking or loss. No conservation.
Larry Price, American 1940-1989
Craryville, NY
Exhibitions
1985 -1989 Group exhibitions at the Albany Institute of History and Art, Harmonius Beaker Center, Albany, NY.
1987 Albany Institute of History and Art, solo exhibition. Harmonius Beaker Center, Albany, NY.
1984 ‘The First Underground Show,’ Group exhibition curated by painter Thornton Willis, 456 Broome Street, New York City, NY.
1970 Bronx Community College, Solo exhibition, Bronx, New York, City, NY
1968 National Commercial Bank, Solo exhibition, Albany, NY.
1964 -1965 Various group exhibitions, New York City, NY.
1957-1959 Studied painting with brother Melville Price at Fleischer Art Memorial, Philadelphia, PA; Painting classes at The Art Student’s League with Bernard Klonis, New York City, NY
1969 - 1989 Self employed as conservator of gilded objects...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Linen, Oil
Pegasus (Abstract Expressionist Painting)
Located in Wilton Manors, FL
Larry Price (1940-1989). Pegasus, ca. 1961. 49 x 23 inches; 50 x 24 inches framed. Provenance: Estate of Larry Price. COA available from Estate by request.
Surface exhibits long cracking and paint shrinkage consistent with age. Paint surface is stable with no flaking or loss. No conservation.
Larry Price, American 1940-1989
Craryville, NY
Exhibitions
1985 -1989 Group exhibitions at the Albany Institute of History and Art, Harmonius Beaker Center, Albany, NY.
1987 Albany Institute of History and Art, solo exhibition. Harmonius Beaker Center, Albany, NY.
1984 ‘The First Underground Show,’ Group exhibition curated by painter Thornton Willis, 456 Broome Street, New York City, NY.
1970 Bronx Community College, Solo exhibition, Bronx, New York, City, NY
1968 National Commercial Bank, Solo exhibition, Albany, NY.
1964 -1965 Various group exhibitions, New York City, NY.
1957-1959 Studied painting with brother Melville Price at Fleischer Art Memorial, Philadelphia, PA; Painting classes at The Art Student’s League with Bernard Klonis, New York City, NY
1969 - 1989 Self employed as conservator of gilded objects...
Category
Mid-20th Century Abstract Expressionist Abstract Paintings
Materials
Linen, Oil
Life Magazine Art Deco Showgirls Cartoon
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Showgirls Cartoon for Life Magazine, 1934. Ink, watercolor and gouache on heavy illustration paper, matting window measures 16.5 x 13 inches; sheet measures 19 x 15 inches; Matting panel measures 20 x 23 inches. Signed lower right. Very good condition with discoloration and toning in margins. Unframed.
Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ.
For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony.
In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques.
He found that talent in Barbara Shermund.
For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice.
Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence.
“Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League.
In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.”
“While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund.
And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...
Category
1930s Art Deco Figurative Paintings
Materials
Ink, Gouache
Fancy Department Store Satirical Cartoon
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Fancy Department Store Satirical Cartoon, ca. 1930's. Ink, watercolor and gouache on heavy illustration paper, panel measures 19 x 15 inches. Signed lower right. Very good condition. Unframed.
Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ.
For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony.
In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques.
He found that talent in Barbara Shermund.
For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice.
Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence.
“Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League.
In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.”
“While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund.
And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...
Category
1930s Realist Figurative Paintings
Materials
Ink, Gouache
Vintage Esquire Magazine cartoon
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Esquire Magazine Cartoon, 1951. Ink, watercolor and gouache on heavy illustration paper, image measures 9.5 x 14.5 inches; matting measures 15.5 x 21 inches. Matting board is in poor condition. Signed lower center. Painting is in very good condition. Unframed.
Provenance: Ethel Maud Mott Herman, artist (1883-1984), West Orange NJ.
For two decades, she drew almost 600 cartoons for The New Yorker with female characters that commented on life with wit, intelligence and irony.
In the mid-1920s, Harold Ross, the founder of a new magazine called The New Yorker, was looking for cartoonists who could create sardonic, highbrow illustrations accompanied by witty captions that would function as social critiques.
He found that talent in Barbara Shermund.
For about two decades, until the 1940s, Shermund helped Ross and his first art editor, Rea Irvin, realize their vision by contributing almost 600 cartoons and sassy captions with a fresh, feminist voice.
Her cartoons commented on life with wit, intelligence and irony, using female characters who critiqued the patriarchy and celebrated speakeasies, cafes, spunky women and leisure. They spoke directly to flapper women of the era who defied convention with a new sense of political, social and economic independence.
“Shermund’s women spoke their minds about sex, marriage and society; smoked cigarettes and drank; and poked fun at everything in an era when it was not common to see young women doing so,” Caitlin A. McGurk wrote in 2020 for the Art Students League.
In one Shermund cartoon, published in The New Yorker in 1928, two forlorn women sit and chat on couches. “Yeah,” one says, “I guess the best thing to do is to just get married and forget about love.”
“While for many, the idea of a New Yorker cartoon conjures a highbrow, dry non sequitur — often more alienating than familiar — Shermund’s cartoons are the antithesis,” wrote McGurk, who is an associate curator and assistant professor at Ohio State University’s Billy Ireland Cartoon Library & Museum. “They are about human nature, relationships, youth and age.” (McGurk is writing a book about Shermund.
And yet by the 1940s and ’50s, as America’s postwar focus shifted to domestic life, Shermund’s feminist voice and cool critique of society fell out of vogue. Her last cartoon appeared in The New Yorker in 1944, and much of her life and career after that remains unclear. No major newspaper wrote about her death in 1978 — The New York Times was on strike then, along with The Daily News and The New York Post — and her ashes sat in a New Jersey funeral home...
Category
1950s Realist Figurative Paintings
Materials
Watercolor, Gouache
Tavern on the Green (New Yorker Magazine cover proposal)
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). Tavern on the Green. Watercolor and ink on paper, 9 3/8 x 12 inches. Unsigned. Excellent condition.
Provenance: Ethel ...
Category
1930s Realist Figurative Paintings
Materials
Ink, Watercolor
The Soda Fountain (New Yorker Magazine cover proposal)
Located in Wilton Manors, FL
Barbara Shermund (1899-1978). The Soda Fountain, ca. 1950s. Watercolor and ink on paper, 9 x 12 inches; 13 x 16 inches framed. Signed lower right. Exc...
Category
Mid-20th Century Realist Figurative Paintings
Materials
Ink, Watercolor
Pascale Faye #1, Dancer photo
By Howard Schatz
Located in Wilton Manors, FL
HOWARD SCHATZ (American, 20th Century)
Pascale Faye #1, 1996
Gelatin silver, 1996
20 x 16 inches.
pencil annotations
Unframed
Schatz was awarded the 2015 IPA International Photogra...
Category
1990s Abstract Black and White Photography
Materials
Silver Gelatin
Portrait of Man in Trench Coat
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Portrait of Man in Trench Coat, 1950. Ink on paper, measuring 8 x 12 inches. Signed, dated and titled lower right. Unframe...
Category
Mid-20th Century American Realist Landscape Paintings
Materials
Paper, Ink
Winter Walk with Jasper, (Black Cat painting)
By Sterling Boyd Strauser
Located in Wilton Manors, FL
Sterling Strauser (1907-1995). Dorothy and Jasper, Crystal Street Station, 1970. Oil on masonite panel, 11.5 x 22.25 inches. Signed and dated lower right. Very good condition with no damage or conservation. Unframed. Framing services available.
Image depicts the artist's wife, Dorothy Strauser, walking the beloved family cat, Jasper. In the background can be seen the East Stroudsburg Pa Train Depot on Crystal Street.
Provenance: Estate of the artist's Granddaughter, Princeton NJ.
Often called a romantic expressionist and American intimist, self-taught Pennsylvania artist Sterling Strauser (1907-1995) completed his first oil painting in 1922- inspired by frequent visits to the collection of American folk art at the Everhardt Museum in Scranton. Throughout the following seven decades of his career, Strauser’s artistic pursuit was based on his own intuition and determination to paint what he saw, rather than adhering to the conventional pictorial structures prescribed by prevailing styles at the time. Strauser rejected pretension, believing instead that art should work from life as it was lived. His oeuvre therefore serves as an extremely personal record of his observations and experiences from his lifetime painting in East Stroudsburg, Pennsylvania.
Beginning early in his career, Strauser took his inspiration from American regionalists and traditional realists in the Ashcan style, as well as European movements such as Fauvism and Cubism, yet he eventually developed his own fluid realism based on subject matter beloved and familiar to him- family and friends, local landscapes and floral still lifes.
Known for his distorted pictorial space, exaggerated with vivid color, heavy impasto and an intensity of emotion, Strauser was adept at altering and rearranging the details and aspects of any given form to create a new kind of beauty.
"All a painting has to do, or a piece of sculpture, or whatever, is to entertain the critical eye. You have to have a fresh seeing eye… to look at things like a child, as if looking at the world for the first time (seeing) something that somebody else doesn’t see, something you want to identify with… Painting is largely a matter of evaluation. (It) doesn’t matter how much it looks like the subject matter. It just depends on how interesting you have made it so that it pleases the critical eye."
STERLING STRAUSER, STERLING STRAUSER: A MODERNIST REVISTED, P. 23
Sterling exhibited his work extensively throughout the country and drew the attention of many notable fellow artists including Milton Avery, Louise Nevelson, David Burliuk, Chaim Gross and Red Grooms. Sterling was also extremely influential within the arts community of Pennsylvania through his discovery and promotion of self-taught American Folk artists such as Justin McCarthy, Jack Savitsky, Joseph Gatto...
Category
Mid-20th Century Expressionist Landscape Paintings
Materials
Masonite, Oil
Ocean Beach Fire Island Cubist Painting
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Ocean Beach, Fire Island, NY, 1946. Ink on paper, measuring 9 x 12 inches. Signed, dated and titled lower right. Unframed
...
Category
Mid-20th Century American Realist Landscape Paintings
Materials
Ink, Paper
Pleasure Beach Bridgeport CT Rollercoaster
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Pleasure Beach, Bridgeport, CT, 1936. Gouache on cardboard panel, 11.5 x 18 inches. Signed, dated and titled lower right. ...
Category
Mid-20th Century American Realist Landscape Paintings
Materials
Watercolor
Going to Market (Taxco). Monterey CA artist.
Located in Wilton Manors, FL
Marjorie Doolittle Hodges (1888-1972). Going to Market, ca. 1955. Oil on canvas, measuring 18 x 22 inche; 24 x 28 inches framed. Signed lower right. Signed and titled on verso. Excellent condition.
orn in Nebraska on Jan. 15, 1888, Hodges was educated at the University of St Louis and Columbia University. Upon moving to the Monterey Peninsula in 1912, she studied at the Carmel Art Institute. From 1917 to 1932 she taught in the Los Angeles public schools. She started a greeting card company called House of K.H.S. in Los Angeles together with Vivian Stringfiled and Fannie Kerns. They made handpainted greeting cards, using wood block print methods, for all seasons of the year. Inspired by the Arts & Crafts Movement and incorporating modernist aesthetics, they used their skills to produce wonderful one-of-a-kind cards.
Not only were they friends, artists, and business owners, they took part in a three woman exhibit at the Museum of History, Science, and Art, Los Angeles (now LACMA) in 1918 titled An Exhibit of Decorative Landscapes by Fannie M Kerns, Vivian F. Stringfield, and Marjorie Hodges.
After her marriage to Robert Doolittle in 1932, she returned to the Monterey Peninsula where she further studied with Armin Hansen and Ralph Johonnot...
Category
Mid-20th Century Abstract Impressionist Figurative Paintings
Materials
Linen, Oil
Cubist Female Nude Woman
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 10 x 13.5 inches. Signed, dated and titled lower right. Excellent c...
Category
Mid-20th Century Cubist Landscape Paintings
Materials
Watercolor
Cubist Female Nude Woman
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Nude Woman, 1966. Watercolor on paper, sheet measures 8.25 x 13.25 inches. Signed, dated and titled lower right. Excellen...
Category
Mid-20th Century Cubist Landscape Paintings
Materials
Watercolor
Cubist Beach Scene
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Beach Scene, 1952. Watercolor on paper, sheet measures 12 x 16.5 inches. Measures 19.5 x 24.5 inches in custom frame. Sig...
Category
Mid-20th Century Cubist Landscape Paintings
Materials
Watercolor
Construction Scene Industrial Cityscape
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Construction Scene, 1935. Gouache on cardboard, panel measures 9 x 11 inches; 19 x 21 inches framed. Signed, dated lower c...
Category
Mid-20th Century Cubist Landscape Paintings
Materials
Watercolor
Brattleboro Vermont VT Industrial Landscape
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Brattleboro, VT., 1969. Watercolor on paper, sheet measures 18 x 22 inches. Measures 22.5 x 26.5 inches in custom float fr...
Category
Mid-20th Century Cubist Landscape Paintings
Materials
Watercolor
Beach Scene Landscape
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Beach Landscape, 1948. Gouache on paper, sheet measures 9.5 x 11.5 inches. measures 20.75 x 23.25 inches in 22K custom contemporary gilt frame. Signed and dated lower right.
Born in Newark, New Jersey in 1911, Joe Kardonne...
Category
Mid-20th Century Abstract Landscape Paintings
Materials
Gouache
Tuileries Gardens Louvre Paris
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Tuileries Gardens. 1965. Watercolor on paper, sheet measures 7.5 x 8 inches glued down to a sheet measuring 8.5 x 11 inches. Signed, dated and titled lower center. Excellent condition. Unframed.
Born in Newark, New Jersey in 1911, Joe Kardonne...
Category
Mid-20th Century Cubist Landscape Paintings
Materials
Watercolor
Boothbay Harbor, Maine
Located in Wilton Manors, FL
Joseph Kardonne (1911-1985). Boothbay Harbor, Maine, 1967. Watercolor on paper, sheet measures 8.5 x 11 inches. Signed, dated and titled lower center. Excellent condition. Unframed.
Born in Newark, New Jersey in 1911, Joe Kardonne...
Category
Mid-20th Century Cubist Landscape Paintings
Materials
Watercolor
Standing Figure
Located in Wilton Manors, FL
Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 10.25 inches high. Excellent condition. Signed and dated under base.
Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho.
Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...
Category
Late 20th Century Neo-Expressionist Figurative Sculptures
Materials
Wood, Latex
Standing Figure
Located in Wilton Manors, FL
Tom Cramer (b.1960). Standing Figure, 1988. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base.
Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho.
Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...
Category
Late 20th Century Neo-Expressionist Figurative Sculptures
Materials
Wood, Latex
Standing Figure
Located in Wilton Manors, FL
Tom Cramer (b.1960). Standing Figure, 1998. Carved wood and polymer paint. Measures 17.5 inches high. Excellent condition. Signed and dated under base.
Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho.
Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...
Category
Late 20th Century Neo-Expressionist Figurative Sculptures
Materials
Wood, Latex
Standing Figure
Located in Wilton Manors, FL
Tom Cramer (b.1960). Standing Figure, 1980. Carved wood and polymer paint. Measures 11.5 inches high. Excellent condition. Signed and dated under base.
Tom Cramer is an American artist working in Portland, Oregon noted for his intricately carved and painted wood reliefs and ubiquity throughout the city of Portland. Often called the unofficial Artist Laureate of Portland,[2] Cramer is one of the most visible and successful artists in the city. The influences on his work are both organic and technological. He is widely collected and is in many prominent west coast museum and private collections. He is in the permanent collections of the Portland Art Museum[3] in Portland Oregon, the Halle Ford Museum in Salem Oregon, the Jordan Schnitzer Museum in Eugene, Oregon, the Boise Art Museum in Idaho.
Cramer made a name for himself in the 1980s and 1990s becoming a bridge between historical Oregon artists like Clifford Gleason and Milton Wilson...
Category
Late 20th Century Neo-Expressionist Figurative Sculptures
Materials
Wood, Latex
#9 (Hard-Edge geometric sculpture Minimalist)
Located in Wilton Manors, FL
Inderjeet Sahdev (Canadian, b.1938) #9, 1974. Wood and polymer paint. Signed, dated, titled and numbered on base. Minor paint loss in various areas as depicted in detail photos.
Al...
Category
1970s Hard-Edge Abstract Sculptures
Materials
Wood, Polymer
White Fins
By Martin Schreiber
Located in Wilton Manors, FL
Martin Schreiber (1924-2005). White Fins, 1972. Painted steel. 9" h., 16" w., 6" d. Signed and dated on base. Minor staining, oxidation and paint loss evident. Metal structure itself is in perfect condition with no bent areas or conservation.
Born in Berlin, Germany, after his family moved there from Poland, Martin Schreiber immigrated to the United States in 1939 to escape war-torn Europe, and later served as a US Army soldier in WWII. He was a student of the late Reuben Tam...
Category
1970s Hard-Edge Sculptures
Materials
Steel
Surrealist Rooftops Collage
Located in Wilton Manors, FL
Rita Boley Bolaffio (née Luzzatto; Trieste, Italy, 7 June 1898 - New York City, United States, 20 May 1995. Surrealist Rooftops. Collage on fabric, measures 19 x 34 inches framed. Ar...
Category
Mid-20th Century Surrealist Mixed Media
Materials
Fabric, Paper
Sailors at Cafe du Globe
By Charles Rocher
Located in Wilton Manors, FL
Charles Rocher (1890-1962. Sailors, ca. 1920s. Gouache on paper. Sheet measures 19 x 25 inches. Considerable damage and loss as depicted. Signed lower left.
Category
1920s Realist Figurative Paintings
Materials
Gouache
Abstract Female Nude
Located in Wilton Manors, FL
Beautiful abstract photo depicting female nude, Signed N. Scott. Image measures 10 x 12 inches; 19.25 x 21.25 inches framed and matted. Excellent condition.
Category
21st Century and Contemporary Abstract Black and White Photography
Materials
Photographic Paper
Olivelands Limoneira Ranch 1913 Antique Photograph Santa Paula CA
Located in Wilton Manors, FL
Schuyler U. Bunnell. Dormitory & Cottages, Olivelands Ranch, Santa Paula California, 1913. Period, antique photo. Paper measures 41.5 x 8 inches; 43.5 x 9....
Category
Early 20th Century Realist Black and White Photography
Materials
Photographic Paper
Portrait
Located in Wilton Manors, FL
Manuel Pardo (1952-2012). Portrait, 1989. Oil on canvas, 11 x 17.5 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition.
Manuel Pa...
Category
1980s Neo-Expressionist Figurative Paintings
Materials
Oil
Reclining Nude
Located in Wilton Manors, FL
Edwin Kosarek (b.1929). Reclining Nude, 1952. Oil on wood panel, 17 x 48 inches. Signed and dated on verso.
Edwin Kosarek
Born: 1929
Studied: The Cit...
Category
Mid-20th Century Abstract Abstract Paintings
Materials
Masonite, Oil
Portrait of an African-American Man
Located in Wilton Manors, FL
Edwin Kosarek (b.1929). Portrait, 1951. Oil on masonite panel, 20 x 24 inches; 25 x 29 inches in period frame. Signed and dated on verso.
Edwin Kosarek...
Category
Mid-20th Century Abstract Abstract Paintings
Materials
Masonite, Oil
Mallorca Spain (Spanish Mediterranean landscape)
By James Floyd Clymer
Located in Wilton Manors, FL
Beautiful abstract painting by American artist, James Floyd Clymer (1893-1982). Mallorca, ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin.
Ships rolled with matting removed.
James Floyd Clymer ( 1893-1982 ) known for his Regionalist style of land, sea and cityscapes, created paintings with an emphasis on color and form. His works possess a clear and simple style, easily understood by the masses.
Born in Perkasie Pennsylvania, 20 miles north of Philadelphia, Clymer was the
youngest of seven children. Losing his mother during childbirth, he was raised by his eldest sister. He attended Drexel University in Philadelphia, studying Art and Architecture and worked as an Architect in the years following World War I.
During this time, Clymer met the artist Gwenyth Waugh, daughter of the renowned marine painter, Frederick Judd Waugh. His thrust then changed from Architect to Artist. Together, the couple travelled to destinations such as Spain and Newfoundland, where they gave birth to their only daughter.
In the early 1920's, Clymer and family settled in Provincetown, MA and quickly became associated with notable artists such as Helen Sawyer, Edwin Dickinson and the Waughs. About 1940, Clymer moved to New York City, and in 1946, he and his family settled in a home on Schunnemunk Mountain in New York (close to Newburgh, New York, in the Hudson River Valley). He lived there until circa 1978, when he moved to his granddaughter's house near Schenectady, New York, where he later died.
Clymer worked with ease in the mediums of watercolor and oil painting, much like James Fitzgerald...
Category
Early 20th Century Abstract Abstract Paintings
Materials
Watercolor, Rag Paper, Pencil
Mallorca Spain (Spanish Mediterranean landscape)
By James Floyd Clymer
Located in Wilton Manors, FL
Beautiful abstract painting by American artist, James Floyd Clymer (1893-1982). Mallorca, ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin.
Ships rolled with matting removed.
James Floyd Clymer ( 1893-1982 ) known for his Regionalist style of land, sea and cityscapes, created paintings with an emphasis on color and form. His works possess a clear and simple style, easily understood by the masses.
Born in Perkasie Pennsylvania, 20 miles north of Philadelphia, Clymer was the
youngest of seven children. Losing his mother during childbirth, he was raised by his eldest sister. He attended Drexel University in Philadelphia, studying Art and Architecture and worked as an Architect in the years following World War I.
During this time, Clymer met the artist Gwenyth Waugh, daughter of the renowned marine painter, Frederick Judd Waugh. His thrust then changed from Architect to Artist. Together, the couple travelled to destinations such as Spain and Newfoundland, where they gave birth to their only daughter.
In the early 1920's, Clymer and family settled in Provincetown, MA and quickly became associated with notable artists such as Helen Sawyer, Edwin Dickinson...
Category
Early 20th Century Abstract Abstract Paintings
Materials
Watercolor, Rag Paper, Pencil
Sea Birds in Surf
By James Floyd Clymer
Located in Wilton Manors, FL
Beautiful seascape painting by American artist, James Floyd Clymer (1893-1982). Seabirds, ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin.
SHIPS ROLLED. Matting removed.
James Floyd Clymer ( 1893-1982 ) known for his Regionalist style of land, sea and cityscapes, created paintings with an emphasis on color and form. His works possess a clear and simple style, easily understood by the masses.
Born in Perkasie Pennsylvania, 20 miles north of Philadelphia, Clymer was the
youngest of seven children. Losing his mother during childbirth, he was raised by his eldest sister. He attended Drexel University in Philadelphia, studying Art and Architecture and worked as an Architect in the years following World War I.
During this time, Clymer met the artist Gwenyth Waugh, daughter of the renowned marine painter, Frederick Judd Waugh. His thrust then changed from Architect to Artist. Together, the couple travelled to destinations such as Spain and Newfoundland, where they gave birth to their only daughter.
In the early 1920's, Clymer and family settled in Provincetown, MA and quickly became associated with notable artists such as Helen Sawyer, Edwin Dickinson...
Category
Early 20th Century Realist Abstract Paintings
Materials
Watercolor, Rag Paper, Pencil
Newfoundland Landscape (Canada)
By James Floyd Clymer
Located in Wilton Manors, FL
Beautiful lanscape painting by American artist, James Floyd Clymer (1893-1982). Newfoundland, ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin.
SHIPS ROLLED.
James Floyd Clymer ( 1893-1982 ) known for his Regionalist style of land, sea and cityscapes, created paintings with an emphasis on color and form. His works possess a clear and simple style, easily understood by the masses.
Born in Perkasie Pennsylvania, 20 miles north of Philadelphia, Clymer was the
youngest of seven children. Losing his mother during childbirth, he was raised by his eldest sister. He attended Drexel University in Philadelphia, studying Art and Architecture and worked as an Architect in the years following World War I.
During this time, Clymer met the artist Gwenyth Waugh, daughter of the renowned marine painter, Frederick Judd Waugh. His thrust then changed from Architect to Artist. Together, the couple travelled to destinations such as Spain and Newfoundland, where they gave birth to their only daughter.
In the early 1920's, Clymer and family settled in Provincetown, MA and quickly became associated with notable artists such as Helen Sawyer...
Category
Early 20th Century Realist Abstract Paintings
Materials
Watercolor, Rag Paper, Pencil
Newfoundland Landscape (Canada)
By James Floyd Clymer
Located in Wilton Manors, FL
Beautiful abstract painting by American artist, James Floyd Clymer (1893-1982). Newfoundland, ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin.
James Floyd Clymer ( 1893-1982 ) known for his Regionalist style of land, sea and cityscapes, created paintings with an emphasis on color and form. His works possess a clear and simple style, easily understood by the masses.
Born in Perkasie Pennsylvania, 20 miles north of Philadelphia, Clymer was the
youngest of seven children. Losing his mother during childbirth, he was raised by his eldest sister. He attended Drexel University in Philadelphia, studying Art and Architecture and worked as an Architect in the years following World War I.
During this time, Clymer met the artist Gwenyth Waugh, daughter of the renowned marine painter, Frederick Judd Waugh. His thrust then changed from Architect to Artist. Together, the couple travelled to destinations such as Spain and Newfoundland, where they gave birth to their only daughter.
In the early 1920's, Clymer and family settled in Provincetown, MA and quickly became associated with notable artists such as Helen Sawyer, Edwin Dickinson...
Category
Early 20th Century Abstract Abstract Paintings
Materials
Watercolor, Rag Paper, Pencil
Newfoundland Landscape (Canada)
By James Floyd Clymer
Located in Wilton Manors, FL
Beautiful abstract painting by American artist, James Floyd Clymer (1893-1982). Newfoundland, ca.1930. Watercolor and pencil on paper measures 14 x 20 inches. Signed lower margin.
James Floyd Clymer ( 1893-1982 ) known for his Regionalist style of land, sea and cityscapes, created paintings with an emphasis on color and form. His works possess a clear and simple style, easily understood by the masses.
Born in Perkasie Pennsylvania, 20 miles north of Philadelphia, Clymer was the
youngest of seven children. Losing his mother during childbirth, he was raised by his eldest sister. He attended Drexel University in Philadelphia, studying Art and Architecture and worked as an Architect in the years following World War I.
During this time, Clymer met the artist Gwenyth Waugh, daughter of the renowned marine painter, Frederick Judd Waugh. His thrust then changed from Architect to Artist. Together, the couple travelled to destinations such as Spain and Newfoundland, where they gave birth to their only daughter.
In the early 1920's, Clymer and family settled in Provincetown, MA and quickly became associated with notable artists such as Helen Sawyer, Edwin Dickinson...
Category
Early 20th Century Abstract Abstract Paintings
Materials
Watercolor, Rag Paper, Pencil
Portrait
Located in Wilton Manors, FL
Manuel Pardo (1952-2012). Portrait, 1991. Oil on masonite panel, 18 x 24 inches. Unframed. Signed, dated and dedicated on verso. Excellent condition.
Man...
Category
1980s Neo-Expressionist Figurative Paintings
Materials
Oil
