Silla, Ltd.

GRAND TOUR PATINATED BRONZE TOWNLEY VASES, A PAIR Probably French, cast circa 1870 10" H x 4" D (base) x 5 5/8" W Cast in bronze after the celebrated Roman marble known as the Town...

LOUIS CHALON French, 1866-1940 "Tannhäuser" Patinated bronze Cast after the model by Chalon during the first quarter of the 20th century Signed to the naturalistic base L. Chalon ...

ERNEST DUBOIS French, 1863-1931 "Le Pardon" (The Return of the Prodigal Son) Patinated sand-cast bronze Signed Ernest Dubois, foundry cachet for Casa Bellas Artes Avda De Mayo 625 ...

LOUIS XV PERIOD CHAISE LONGUE (OR DUCHESSE BRISÉE) Executed by Pierre Rémy (French, 1724-1798) Carved beechwood, upholstery Stamped P * REMY four times 39 1/8" H x 16 3/4" H (to s...

MEIJI BRONZE OKIMONO OF A FIRE WATCHMAN CARRYING A HYŌTAN Japan, late 19th century Patinated, lacquered, polychromed and gilded bronze over a wooden base Engraved to the bag "Hi no...

ANTONIO CANOVA (AFTER) Italian, 1757-1822 "Hebe Descending" Cast by the foundry of B. Boschetti, Rome circa 1870 Patinated bronze raised over the original cylindrical black and ver...

PAIR OF CLASSICAL SOLID FLUTED MARBLE COLUMN PEDESTALS Mid-to-late 20th century with bronze stop-fluting 40" H x 11 3/8" diameter (top) x 15 7/8" W (base) A striking pair of solid...

ÉTIENNE LE HONGRE (after) French, 1628-1690 "Allegory of Air" Reconfigured after the model of antiquity to present without the eagle by her side Carved from a single block of whit...

GIUSEPPE GRANDI Italian, 1843-1894 "Marshall Ney" (1874/75) Lost-wax cast bronze Signed "Grandi" on proper left front of base 13 1/4" H x 5 3/8" D x 5 5/8" W Provenance: Carabell...

A truly stunning pair of vasiform lamps in the Louis XVI taste, they feature solid bodies crafted of a brilliant exotic polished onyx both in the ovular upper body and the squared ba...

PATINATED AND PARCEL-SILVERED AND GILDED BRONZE OKIMONO OF A SAMURAI WARRIOR Japan, Meiji period, probably late 19th century Unmarked 9 1/2" H x 6 3/4" diameter ref. 512DMB06P A J...

ENRICO CARUSO Italian, 1873-1921 "Laughing Buddha, a Self Portrait" (1909) Sand-cast patinated bronze executed early 20th century by Roman Bronze Works (cold-stamped verso) Signed ...

BRONZE OKIMONO OF A SAMURAI Japan, Meiji Period, circa late 19th century Patinated sand-cast and engraved bronze, unmarked 20 1/2" H x 6 1/8" D x 9 3/4" W ref. 512SBP06X A finely...

CARVED FOLK ART WALKING STICK OF SKELETONS AND OCTOPUS Probably circa late 19th / early 20th century 37 7/8" L x 1 1/4" W (handle) ref. 511FQH29P Carved in low relief along the le...

A VERY FINE LATE GUSTAVIAN NEOCLASSICAL COMMODE Probably Stockholm, Sweden circa 1780 Mahogany, mahogany veneers, pine, Öland limestone, gilt bronze, brass 35 1/2" H x 47 1/2" W x ...

GIULIO MONTEVERDE Italian, 1837–1917 "Young Christopher Columbus" (1870) Patinated bronze Signed MONTEVERDE and inscribed Roma and MCCCCL Cold stamped E. COLIN & CIE PARIS on the r...

A FINE LOUIS XVI CARVED GILTWOOD FAUTEUIL Probably Paris, circa 1775 Apparently unmarked 40 3/8" H, 17 1/4" H to seat; 22 1/2" D x 23 3/8" W ref. 601SKP23Z A carved giltwood armch...

EXCEEDINGLY FINE PAIR OF JAPANESE BRONZE FIGURES OF A HEN AND ROOSTER Japan, Meiji period Each with plaque signed to the underside 秀国作 (Shūkoku saku) Patinated bronze with gilt eyes ...

GRAND TOUR Italy, late 19th century "The Discobolus" after Myron of Antiquity Patinated bronze Italy, circa 1840 Cast by A. Röhrich, Rome 21" H x 6 7/8" diameter [with base] 15" H...

A FINE TRENCH-ART CARVED AND POLYCHROMED “CONFERENCE DE LA HAYE” CANE Continental, probably French, executed during World War I 33 3/8" L x 3 5/8" D x 4 1/4" W ref. 511DAL29Q A ca...

PAIR OF JAPANESE PATINATED BRONZE VASIFORM LAMPS Japan, early 20th century 23 1/2" H x 5 9/16" W x 5 9/16" D ref. 512BDQ06P A matched pair of Japanese bronze urns later converted ...

JAPANESE BRONZE FIGURAL OKIMONO Japan, Meiji period, late 19th century 18" H x 7 5/8" D x 11 5/8" W ref. 512KST06P A very finely cast bronze okimono depicting a standing samurai a...

EDITH BARRETTO PARSONS American, 1878-1956 "Duck Baby" Verdigris patinated bronze Signed "E.B. PARSONS" to base Marked "Roman Bronze Works, N.Y." to edge of base 41" H x 9 1/2" W ...

JEAN-BAPTISTE CLESINGER French, 1814-1883 "Sapho" Sand-cast bronze in medium-brown patination Raised on original rouge marble Signed "J. CLESINGER", titled "SAPHO" and signed "Mais...

FRENCH MODERNIST CERUSED OAK SIDEBOARD BUFFET Jean Claude Mahey for Maison Romeo French, circa 1980 Brass signed Mahey plaque lower right 33 1/16" H x 82 3/8" W x 21 7/8" D Constru...

ALFRED BARYE French, 1839-1882 "Walter Scott: Cheval de'Selle de L'Empreur" Patinated bronze Titled to base in the towel, signed "Barye Fils" 15 1/2" W x 13 1/8" H x 5 3/8" D Ori...

ROBERT WEIR ALLAN, R.S.A., R.W.S., R.S.W. Scottish, 1852-1942 "In from the North Sea: A Dutch Herring Fleet" Oil on canvas, signed lower left "Robert W. Allan" Provenance: Caelt G...

A VERY FINE FRENCH EMPIRE ORMOLU-MOUNTED MAHOGANY CONSOLE TABLE With polychromed winged sphinx supports Paris, France circa 1815 38" H x 45 5/8" W x 19 1/4" D A perfectly balanced ...

GRAND TOUR Italy, 19th century "Bust: Portrait of Socrates" Carved from a single solid block of white marble Unsigned Circa 1860-80 18 1/2" H x 10" W x 7 1/2" D Carved from a sin...

HENRY SCOTT, R.S.A. British, 1911–2005 "Frisco Bound: The Great American Clippers 'Dreadnought' and 'New World'" Oil on canvas Signed lower left "Henry Scott" 20" H x 30" W [canva...

SET OF SIX MODEL 83 TEAK DINING CHAIRS Designed by Niels Otto Møller for J.L. Møller Denmark, circa 1970 31 3/8" H x 18 7/8" D x 19 1/2" W, 17 1/2" H to seat A very nice vintage se...

REGENCY ROSEWOOD CIRCULAR CENTER TABLE England, probably London circa 1825 28 5/8" H x 48" diameter A remarkably striking circular center table of the Regency period, it features s...

CARVED FOLK ART CANE WITH WHIMSICAL FIGURAL MOTIFS Probably early 20th century 34 3/4" L Carved from a single length of hardwood, this highly expressive folk art cane is conceived ...

JEAN-ANTOINE HOUDON (after) French, 1741-1828 "Bust of Voltaire" Patinated bronze signed to reverse HOUDON Foundry cachet for Susse Freres and engraved "cire purdue" Cast circa la...

HENRY SCOTT R.S.A. British, 1911-2005 Fine Weather and a Fair Wind - Clipper Ship 'Red Cloud' Oil on canvas signed lower left titled on reverse of stretcher bars 24 5/8" H x 34 ...

FINE LOUIS XVI MAHOGANY MARBLE-TOP COMMODE Executed by Joseph Gegenbach known as Canabas Stamped to top corner of commode (beneath marble) J. CANABAS Paris, circa 1775 35" H x 22 1/...

CHARLES F. BLAUVELT (AMERICAN, 1824-1900) "The Relic Hunter" (1854) Oil on canvas Signed lower left "Blauvelt 1854" 30 1/8" H x 24 7/8" W [canvas]; 41" H x 35 1/2" W x 3 1/4" D [...

EBONIZED CAMPAIGN-STYLE DESK Probably English, late 19th century, with later alterations 30 1/4" H x 28 5/8" D x 54" W 24" knee clearance A most attractive campaign-style desk of r...

PAIR OF FRENCH NEOCLASSICAL GILTWOOD WEDDING MIRRORS Probably Paris, circa 1850-70 With sculpted birds at play in crest and bold bevelled mirrored borders 50 3/4" H x 35 1/4" W x 6...

EUGENE LAURENT French, 1832-1898 "Zeno of Elea" Patinated bronze raised on contemporary Nero Portero marble base Signed to side "Laurent sculp" 6 1/2” W x 5 7/8” D x 12 1/2” H re...

THE DANCING FAUN OF POMPEII After the model of Antiquity Grand Tour, Italy cast ca. 1880 With a fine verdigris patination and "ancient" surface treatment...

NEAPOLITAN CARVED AND POLYCHROMED CRÈCHE FIGURE OF AN ANGEL Italy, circa second half of the 18th-century 14 3/4" H x 5" D x 6 1/2" W [dimensions approximate] ref. 511CMB09X An exquisite carved and polychromed Neapolitan crèche figure...

MODEL "ØRESUND" OAK BOOKCASE AND EIGHT-DRAWER DRESSER BY BØRGE MOGENSEN Executed by Karl Andersson & Söner, Sweden circa 1960s; original label inside bookcase 33" H x 53" W x 14 1/4...

PAIR OF POLYCHROMED WROUGHT-IRON AND SADDLE-LEATHER SAVONAROLA CHAIRS With cerule form, probably early 20th century 33 1/2" H x 18 3/8" D x 26" W; 19 1/4" H to seat A very compelli...

GEORGES GARDET French, 1863-1939 "Bison et Jaguar" (1892) Medium brown patinated sand-cast bronze cast circa 1920 Signed G. GARDET, cold-stamped 6963 Foundry cachet (undoubtedly S...

GRAND TOUR Italy, circa late 19th/early 20th Century Bust of Young Gaius Octavius Augustus Carved Carrara marble, unsigned 17 1/4" H x 8 3/4" W x 5 5/8" D A good Grand Tour bust ...

PIERRE LE FAGUAYS French, 1892-1962 "The Lock" Verdigris patinated bronze signed verso P Le Faguays, sealed with LN Paris foundry cachet Cold-stamped BRONZE and numbered 118 28 1/2" W x 8" D x 16 7/8" H An incredibly fine example of "The Lock" by Pierre Le Faguays, the model is a perfect embodiment of essence of the Art Deco period capturing a canal worker at the moment of full torsion as he uses the weight of his body to rotate the huge wooden lever. Cast by the foundry of J. Lehmann, stamped to the reverse with his circular cachet noting "LN Paris JL" (which stands for "Les neveux de J. Lehmann"), the present example is the large version of this model and a difficult example to find. It features a fabulous surface texture and complex overall verde patination with hints of brown, caramel, black and yellow. PIERRE LE FAGUAYS Born in 1892 in Nantes, France, Pierre Le Faguays would become famous for his contribution to the Art Deco movement. His education under the guidance of James Vibert at the Geneva University of Art and Design was pivotal in shaping his artistic style. Le Faguays' work began to gain recognition shortly after his first exhibition at the Salon des Artistes Français in 1922, a key event that marked the onset of his most productive years. In 1926 and 1927, Le Faguays received honorable mentions that served as public acknowledgments of his growing stature. His choice of materials was diverse, ranging from bronze and terracotta to more exotic mediums like ivory and alabaster. His sculptures often depicted lithe female figures and many of his models are reportedly influenced by the terracotta figurines of ancient Tanagra in Greece. Le Faguays regularly collaborated with his peers in the burgeoning and highly active artistic community in France, contemporaries that were also working to promote the new modernist vision that became recognized as the Art Deco movement. He co-founded the "Stele and Evolution Group" with Maurice Bouraine, working alongside artists such as Sibylle May...

REGENCY PARCEL-GILT AND EBONIZED BOOKCASE CABINET Continental, circa second half of the 19th century 59 3/8" H x 17 1/4" D x 42 3/4" W An ebonized and gilt one-piece bookcase cabin...

FLOYD TENNISON DEWITT United States, 1934-2021 Headless Female Nude (1992), no. 4 of 15 Lost-wax cast and patinated bronze on granite Signed in artist's cypher, numbered, dated on ...

AMERICAN CHIPPENDALE WALNUT TEA TABLE Pennsylvania, probably Chester County Circa 1770 26 5/8" H (rested) x 31 3/4" A fine walnut tea table of the Chippendale period, the tilting t...

CARVED WOOD HORSE FORM, POSSIBLY USED AS A MOLD MASTER FOR PAPIER-MÂCHÉ PRODUCTION Probably French, mid-to-late 19th century 22 3/4" H x 6 7/8" D x 20 7/8" W A carved hardwood mode...

PAIR OF REGENCY INLAID INDIAN ROSEWOOD CHIFFONIERS WITH BRASS GRILLS London, circa 1810 44 1/8" H x 11 7/8" D x 29 3/4" W An elegant pair of Indian rosewood chiffoniers of fine qua...

GUSTAVIAN MAHOGANY SECRÉTAIRE À ABATTANT WITH MARBLE TOP Sweden, circa 1790 34 3/16" H x 17 3/4" D x 36 1/8" W Writing area: 13 1/4" D x 30" W x 26 3/8" from floor to underside of writing area A finely crafted mahogany chest of drawers surmounted by a green-teal marble top. The uppermost drawer functions as a fall-front secretaire, the hinged front panel opening to reveal a fitted interior with multiple small drawers and compartments arranged around a central recess. The interior is polished mahogany with turned brass knobs and hand-cut dovetail joinery throughout. The two lower drawers provide additional storage, each mounted with circular brass pulls and brass key escutcheons. The case is outlined with applied brass edging, the drawers framed in applied brass cockbead moldings, the fluted corner stiles terminating in tapered legs with inset brass fluting below applied triangular brass mounts. While the form reflects the Neoclassical aesthetic common throughout Northern Europe in the late 18th and early 19th century, the restrained ornamentation, lightness of proportion and use of gilt-brass accents are particularly characteristic of Swedish Empire furniture...

PAIR OF NEO-GREC BRONZE URNS ON BLACK MARBLE WITH CANDLESTICK CREST Probably France, circa 1880 14" H x 5 1/4" W (base diameter 4 3/4") A finely cast pair of patinated and parcel-g...

FINE GEORGE II CARVED GILTWOOD WALL MIRROR United Kingdom, probably Scottish Circa 1750 38 7/8" H x 3 1/2" D x 19 3/8" W A finely carved George II period giltwood mirror retaining ...

A FINE GEORGE III SATINWOOD-INLAID SERPENTINE SIDEBOARD London, circa 1790-1810 34 1/2" H x 75 1/8" W x 29 3/4" D A very good George III period Cuban mahogany sideboard, the serpen...

PAIR OF HOLLYWOOD REGENCY GILT BRONZE AND BLACK GRANITE DEMILUNE CONSOLE TABLES Manner of Maison Jansen Probably France, circa 1950 26 3/8" H x 12 1/4" D x 24 1/8" W A refined pair...

EUGÉNE DELAPLANCHE French, 1836-1891 "La Danse" Medium-brown patinated bronze Signed in cast E. Delaplanche Incised "F. Barbedienne Fondeur Paris" & numbered 225; sealed with A. Collas reduction cachet 29 3/8" H x 8" D x 9 1/4" W This is a very fine casting of La Danse after the original model by Eugene Delaplanche and executed by the Ferdinand Barbedienne foundry in Paris circa 1890-1910. It is titled in Kjellberg's monumental work as Zéphyr and is noted as Fée Aux Fleurs (The Flower Fairy) in Berman's volumes. The sculpture depicts a young nymph as she gracefully spins on a smooth dirt path while her diaphanous dress spins around her body while the the wind catches the bottom and carries it wildly into the breeze. La Danse was initially exhibited at the Salon of 1886 as no. 3768 in plaster and the following year he exhibited the same model executed as Salon catalogue entry no. 4000, a life-size marble. His final exhibition of the model was it at the Paris Exposition Universelle of 1889. The sculpture was cast by Barbedienne in several editions, including 40 cm, 61.5 cm, 97 cm and 115 cm. The present example shows the careful attention of the ciseleur and shows beautiful chasing of the details. An attractive overall medium-golden-brown patina leaves the surface rich and full of life, being overall translucent and glowing throughout. Every detail is vivid, from the flowers and foliage held gently in her fingers, to the wrinkles of these fingers, her perfectly detailed face with a sharp little nose, eyes that are full of laughter and joy and a firm jaw. The naturalistic base is inscribed both "Delaplanche" and "F. Barbedienne Fondeur, Paris" and is numbered 225. EUGÉNE DELAPLANCHE Born in Belleville, France in February of 1836, Eugéne Delaplanche was a student of August Deligand and Francisque Joseph Duret...

BALTIC NEOCLASSICAL MAHOGANY, LEATHER AND BRASS BUREAU PLAT WITH CARTONNIER Eastern European, probably the Baltic States Circa late 19th century, the tambour cabinet with alterations...

PIERRE-JULES MÊNE French, 1810-1879 "Jockey à Cheval no. 1, Vainqueur du Derby" Patinated bronze on an original ebonized wood base Signed to terrace "P.J. MENE" Post-humously cast ...