Furniture

simple and elegant black steel frame with white laminate side table on castors. designed by George Nelson for Herman Miller

Rare Herman Miller Geiger International Pair of Easy Chairs . Camden Series. Perfect reception or side chairs. Beautiful velvety striped fabric. Very comfortable, sturdy, and ready...

George Nelson Herman Miller Thin Profile Cabinet. Uncommon little cabinet that does not take up much space. Please request additional photos and condition report. Appears that the ...

Early George Nelson model 5062 X-Leg extension dining table for Herman Miller, 1952. Table has two 12 inch extension leaves and pull-out metal extension tracks. Table is 29 inches...

Ettore Sottsass for Design Centre/Poltronova, ‘Bruco’ wall light from the Mobili Grigi series, chrome-plated brass, methacrylate (translucent Perspex), enameled aluminum, Italy, 1970 This ‘Bruco’ wall light is created by Ettore Sottsass as part of the Mobili Grigi collection for Poltronova and produced by Design Centre in 1970. The advancements in lamp technology have influenced the design of lighting fixtures. The Bruco light was created as a result of the use of breakthrough materials and technologies of the seventies. Designer...

These authentic Eames for Herman Miller Soft Pad Management Height cream leather office chairs from the Aluminum Group Collection were manuf...

Rare early swiveling dowel leg chair with walnut legs, designed by Charles & Ray Eames for Herman Miller, model DKW-1, 1951/1952. Wire top and timeworn weaved fabric seat. Original t...

We recently acquired a set of George Nelson Rosewood Thin Edge chests out of an estate. They are vintage 1970’s and still each retain the Herman Miller Label. Please see our other li...

This vase's simple shape is complemented by its geometric decoration that features striking motifs in black on the white background of the cylindrical shape. This piece was designed ...

This is an Eames Time Life Executive Desk Chair, model ES107, initially designed in 1961 by Ray and Charles Eames for Herman Miller. This design was born as a bespoke concept for the...

This is Ultrafragola a nice mirror designed by Ettore Sottsass for Poltronova in the 1970. It is a translucent white plastic frame of undulating outline, concealing pink internal flu...

Designed as part of the iconic Aluminum Group, this low-back, side chair has the same sophisticated, refined aesthetic with extra padding. This authentic Eames Soft Pad Chair is mad...

George Nelson for Herman Miller Vintage Action Office Table or Desk The Action Office desk or conference table was designed by American designer and architect George Nelson (1908-1986) for Herman Miller. A substantial piece, It features a beautifully grained walnut top mounted on a streamlined, polished stainless steel base. The desk top edge is trimmed in black rubber. to protect it against bumps and bruises. Two small desk drawers slide out from beneath the table top. The drawers can be removed if desired. The desk top has been recently restored and is in excellent condition. Action Office was originally designed as a set of components that could be combined in multiple ways and changed as needed to evolve with the office over time. George Nelson was one of the founders of American Modernism. From 1946 until 1972, Nelson was director of design at Herman Miller. While there, Nelson introduced several important innovations in office furniture design, such as the Swagged Leg Group, which included the DAF and MAA chairs...

Gilbert Rohde for Herman Miller Open Display or Bookshelf. Newly refinished and ready to go! Perfect for your amazing collection! Pe...

The Ultrafragola mirror / lamp with its sinuous shape, evocative of a wavy female hair, belongs to the Gray Furniture series, a complete bedroom and liv...

This is a massively unusual Herman Miller Eames Lounge Chair in Zebrawood, accompanied by a complimentary period-correct Eames Ottoman in Rosewood. Models 670 and 671 were initially ...

Nice set of four Mandarin chairs designed by Sottsass for Knoll, in red fabric on foam black enameled tubular legs and silver pipping arms, simple and elegant by this master architect.

Early Charles Eames Dining Set, This set consists of Four DCW Dining Chairs in Birchwood and Rare DCW-1 Walnut Dining Table. Tables measures; 29¼ h × 54 w × 34 d in Chairs measures: ...

The design of the Aluminum group chairs came from Girard's lament to Charles Eames that there was no well designed outdoor furniture when he was working with Eero Saarinen on the cre...

Venini Nopuram table lamp in red by Ettore Sottsass. Numbered edition for year Year of manufacture: 1994-2017 Marble base Color: Red Measurements: Ø 15.74", H 25.98" 1 x max ...

This is an original Eames Lounge Chair and Ottoman, model 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to 1964, per its label. The shells ...

These are Eames Aluminum Group Management Desk Chairs, Model EA335, designed by Ray and Charles Eames for Herman Miller in 1958. These particular examples were produced in 2007. The ...

Grande posacenere in ABS nero, Ettore Sottsass per Olivetti Synthesis, serie Sistema 45, 1973. Oggetto iconico del rivoluzionario sistema di mobili per ufficio Synthesis 45, presenta...

This comfortable Verus task office chair by Herman Miller features a breathable supportive suspension mesh fabric that provides integrated lumbar support and cooling comfort, that wo...

We are delighted to offer for sale extremely rare and important lightly restored, original, Herman Miller No1 1960's black leather and Rosewood lounge armchair and ottoman This is...

A rare birch dining or desk chair by Ernest Farmer of George Nelson and Associates for Herman Miller. Professional reupholstery available at pass-thro...

Herman Miller Eames Round Table Herman Miller Round top with walnut finish , the base is anodized in black with aluminum spider attachment. Great in and office or a home setting .

The "Demistella" console, designed by Ettore Sottsass for Up & Up, features a solid wood structure with briar root and lacquered wood accents. Its cylindrical legs are crafted from M...

This is an Eames Aluminum Group Management Chair, Model EA335, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples were produced in the ...

Probably the most iconic of all Ettore Sottsass' designs, the colourful Carlton is half room divider, half bookcase and full size sculptural marvel. Des...

Unique opportunity to acquire a complete Herman Miller dining set, which includes four Caper Chairs, designed by Jeff Weber and dated 2006 , plus the iconic Eames design dining table...

Marble console table, Montenegro model, by Ettore Sottsass, Ultima Edizione, Italy, 1980 The top is made of black marble and held by two white marble pedestals. Iconic designer Etto...

Ettore Sottsass (1917-2007) Circa 1974 Édition Bedding Brevetti Wood, polyurethane foam, velvet, cotton jersey, felt Height: 71 cm Depth: 112 cm Width: 180 cm

This is an ES-108 Three-Seat Walnut Sofa, initially designed by Ray and Charles Eames for Herman Miller in 1984. This example dates to the 1990s. Its design consists of a solid alumi...

These are Eames Aluminum Group Soft Pad Executive Desk Chairs, Model EA437, initially designed by Charles and Ray Eames for Herman Miller in 1969. These pieces are newer examples, da...

This is an Eames Aluminum Group Management Desk Chair, model EA335, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples date to 2007. Th...

Hard-to-find First Generation Eames LKX (Low/Wire/X-base) lounge chairs, only made one year with this configuration; 1951. Made by Charles & Ray Eames for He...

George Nelson for Herman Miller Mid Century Basic Series Walnut Two Door Cabinet - Pair Each cabinet measures: 40 wide x 18.5 deep x 39.75 inches high All pieces of furniture can b...

The Deneb vase in multicolored glass was originally designed by Ettore Sottsass in 1982 for Memphis. Signed “E.Sottsass per Memphis Milano”. Ettore Sottsass was born in Innsbruck in...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to ca. 1958. The shells on this se...

These are Eames Aluminum Group Management Desk Chairs, model EA335, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples date to 2013. Th...

This is an ES-108 Three-Seat Teak Sofa, initially designed by Ray and Charles Eames for Herman Miller in 1984. This example dates to the 1990s. Its design consists of a solid aluminu...

These are Eames Aluminum Group Management Chairs, originally designed by Charles and Ray Eames for Herman Miller in 1958. These particular examples were produced in 2009. Their desig...

Iconic LCM lounge chair by Charles and Ray Eames for Herman Miller. Unique edition as it has been issued with the wood finished with red aniline dye and covered in black Mongolian la...

Ettore Sottsass designed this armchair after having known the Indian culture. A crucial journey in his formation is that of 1961 in India, undertaken with Fernanda Pivano. On this jo...

Charles Eames (1907-1978) & Ray Eames (1912-1988) for Zenith Plastics / HermanMiller DAR Eiffel rope-edge chair Venice, California / Zeeland, Michigan, 1950 fiberglass, enameled steel early sticker label Measures: 24 7/8" W x 23 5/8" D x 31 3/8" H All original parts, including rare first gen. feet, which date the piece to the first batch of production (1950). Labelled. Gorgeous museum worthy piece. Quite possibly one of the most famous and iconic chairs ever, the Eames DAR would most commonly become known as the ‘eiffel chair’ due to its sculptured wire base resembling that of Europe’s most notorious landmark. The very first generation of the Eames DAR Eiffel Chair was recognizable not only for the ‘rope edge’ shell but also due to the protruding ‘1st gen’ feet as opposed to boot glides or later plastic feet. The abbreviated Eames DAR Chair stands for the Eames Dining (D) height, Arm (A) Chair, on Rod (R) Base released in the first year of arm chair production of the fiberglass series developed to the marketplace in 1950. The early success of the Eames arm chairs, released in 1950, was a co-ordinated effort between the Eames . Office (Designers), Zenith Plastics (Manufacturers) and Herman Miller (Distributors). The chair series was always designed to have interchangeable bases and the DAR was one of the ‘original 5’ alongside the DAX X-base, LAR cats cradle...

This pair of vintage mid century modern green Model 3475 Eames Time Life Lobby Chairs designed by Charles & Ray Eames for Herman Miller were manufactured in 1996. These classic offic...

The Cosm stool sophisticated ergonomic design instantly responds to your body, movements, and posture to provide natural balance and total support. The revolutionary seat combines Au...

Slat platform bench designed by George Nelson for Herman Miller, marked underneath.

The curvaceous pink ‘Ultrafragola’ mirror designed by Ettore Sottsass is probably the most iconic of all his many designs. Originally produced in the 1970s by Poltronova, the ‘Ultrafragola’ formed part of a series of Sottsass designs named Mobili Grigi. When illuminated, the lights within the mirror transform the white opaline acrylic shell into a stunning multi-pink display. This unique, individually numbered, re-edition piece is still produced by the same Florentine company today and is sold with a “Certificate of Authenticity”. The perfectly pink ‘selfie’ mirror!

Playful reading lamp by Ettore Sottsass for Stilnovo. Aptly called the "Don", this lamp nods (or bows) its straight neck from an emerald cube base, topped by an adjustable shade in t...

Authentic and rare RAR Rocking chair designed by Ray & Charles Eames for Herman Miller. This rocking chair was manufactured in the 1960s. The rocking chair is in original vintage con...

This is an original Eames Lounge Chair and Ottoman, models 670 and 671, designed by Charles and Ray Eames for Herman Miller in 1956. This set dates to 1964. The shells on this set ar...

DCW (Dining Chair Wood) chair created by Charles and Ray Eames around 1945. These are second generation chairs produced by Herman Miller USA between 1950 and 1953 (the production of...

These are Eames DSS Chairs, originally designed by Ray and Charles Eames in the 1950s. These particular examples were produced by Herman Miller in the USA in 2015. The listed price i...

We are delighted to offer extremely rare and important pair of fully restored, original, Herman Miller No1 & Herman Miller Hillie circa 1958-1960 black leather and Rosewood lounge armchairs and ottomans These are pretty much the most iconic and well known armchair and ottoman ever made, exhibited countless times, displayed in the V&A, Metropolitan Museum of Art, winners of countless awards these are the simply put the finest suite around They have been on a journey, I’ve had all pieces stripped to the bare shells, the frames have been washed back and traditionally French polished, the leather all restored and hand dyed the original nero black, they are the finest example pair anywhere in the world today One suite has the black Herman Miller No1 label, the other, the earlier redish Herman Miller Hillie label Condition wise, the restoration has been done in such a way to keep all the original charm and patina but make them gallery ready, they will have age and use related patina marks here and there but mostly they are in very fine order Dimensions armchairs Height:- 80.5cm Width:- 85cm Depth:- 86.5cm Seat height:- 41cm Dimensions ottomans Height:- 42cm Width:- 65.5cm Depth:- 53.5cm Please note all measurements are taken at the widest point, MUST READ! The Eames Lounge Chair and ottoman are furnishings made of molded plywood and leather, designed by Charles and Ray Eames for the Herman Miller furniture company. They are officially titled Eames Lounge ( 670 ) and Ottoman ( 671 ) and were released in 1956 after years of development by designers. It was the first chair that the Eameses designed for a high-end market. Examples of these furnishings are part of the permanent collection of New York's Museum of Modern Art. Design Charles and Ray Eames sought to develop furniture that could be mass-produced and affordable, with the exception of the Eames Lounge Chair. This luxury item was inspired by the traditional English club chair. The Eames Lounge Chair is an icon of Modern style design, although when it was first made, Ray Eames remarked in a letter to Charles that the chair looked "comfortable and un-designy". Charles's vision was for a chair with "the warm, receptive look of a well-used first baseman's mitt." The chair is composed of three curved plywood shells covered with veneer: the headrest, the backrest and the seat. The layers are glued together and shaped under heat and pressure. The shells and the seat cushions are essentially of the same shape, and composed of two curved forms interlocking to form a solid mass. The chair back and headrest are identical in proportion, as are the seat and the ottoman. The products have changed in various ways over time. Beginning in 1956 and running through the very early 1990s, the shells were made up of five thin layers of plywood which were covered by a veneer of Brazilian rosewood. The use of Brazilian rosewood was discontinued in the early 1990s, and current production since then consists of seven layers of plywood covered by finishing veneers of cherry, walnut, palisander rosewood (a sustainably grown wood with similar grain patterns to the original Brazilian versions), and other finishes. Small changes include the sets of spacers between the aluminum spines and the wood panels, originally of rubber, later hard plastic washers, and the number of screws securing the armrests, originally three, changed to two in second-series models, while the "domes of silence" (glides/feet) on the chair base originally had thinner screws attaching them to the aluminum base than those on later chairs, and the zipper around the cushions, either brown or black on early models, was later black only. Further, early ottomans had removable rubber slide-on feet with metal glides, and early labels are of oblong foil. History The Eames Lounge Chair first...

This is a Steel Frame No 4000 Series Dresser, initially designed by George Nelson for Herman Miller in 1954. Its model number is 4013. It features a frame of white powder-coated bent...

Introduced in 1946, the slat platform bench was one of Nelson's first designs for Herman Miller after becoming their design director. Intended to serve as a table, a seat, or a base ...

This is an Eames Aluminum Group Management Desk or Side Chair, model EA-108, designed by Charles and Ray Eames for Herman Miller in 1958. These examples were produced in 2012. The li...

The curvaceous pink ‘Ultrafragola’ mirror designed by Ettore Sottsass is probably the most iconic of all his many designs. Originally produced in the 1970s by Poltronova, the ‘Ultrafragola’ formed part of a series of Sottsass designs named Mobili Grigi. When illuminated, the lights within the mirror transform the white opaline acrylic shell into a stunning multi-pink display. This unique, individually numbered, re-edition piece is still produced by the same Florentine company today and is sold with a “Certificate of Authenticity”. The perfectly pink ‘selfie’ mirror...