More Clocks

Surmounted with an urn finial, with foliate decoration. Origin: French Date: Late 19th century Dimension: 13 3/4 in. x 7 1/4 in. x 5 in.

French architecturally formed ormolu mantel clock French, 19th Century Height 52cm, width 28cm, depth 17cm This beautiful Baroque style mantel clock is crafted from gilt bronze. The highly detailed case takes the form of a piece of miniaturised architecture: a campanile of sorts, the top level contains the clock dial while the lower level, approached by shallow steps, is flanked by figurative sculptures and culminates in a bas relief frieze...

Important Cartel d'époque Napoléon III, 1870, cadran signé par Gorini Daleau, à Poitiers. Bronze d'or original Measures: H 91cm, L 44cm, P 20cm. Contact us before ordering to confir...

Swiss music box, circa 1890. Rosewood miniature case with satinwood line stringing, the top decorated with beautiful inlay. The hinged cove...

- An incredibly rare single sided Gents' of Leicester station clock of huge proportion, English circa 1940. - A very heavy solid black outer casing with original backplate featurin...

The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

A Swedish painted wood mora clock from the 19th century. This antique mora clock from Sweden features a subtle scalloped crown adorning it's head, a teardrop-shaped door and belly, t...

19th century French bronze urn and marble table clock.

Movement and comtoise clock head with beautiful brass decoration and enamelled dial with Roman numerals by Adolphe Almond in Périgueux. (Enamel cracks a...

This exquisite gilt bronze-mounted pedestal clock is the creation of the famed French clockmaker Paul Garnier (1801-1861). Garnier worked in Paris during the first half of the 19th C...

Wax Clock Altar by Panorammma Dimensions: D 60 x W 60 x H 50 cm Materials: Steel, wax candle. Panorammma is a furniture design atelier based in Mexico City that seeks to redefine ou...

Extra large late 19th century metal decorative wall clock. A wonderfully bold addition to a large room. This clock is for decoration only and does not have clock mechanism. Shows som...

This mantel clock beautifully illustrates the classical myth of ‘The Abduction of Europa’. In this story, the god Zeus falls in love with a mortal woman called Europa. To seduce her, Zeus transforms himself into a white bull. Europa then mounts the bull and Zeus whisks her away from her home to Crete. Europa becomes the Queen of Crete and bears Zeus several children. The clock takes the form of a patinated bronze bull which is saddled with a gilt bronze (ormolu) clock case. This case features a circular white enamel dial with black Roman and Arabic Numerals, as well as the maker’s name ‘Michel Baltazar...

A fine quality late 19th century French bronze and ormolu garniture, the 8-day striking enamelled dial movement by AD Mougin - Paris, contained in ormolu cas...

Designed for Olivetti management and never put into commercial production, this rare minimalist table clock has a thick domed glass body with internal hands, painted hour markers and...

French Retro bronze porcelain remontoir gear mechanical swing clock, with beautiful painted sky details. Protected by a tall oval glass panel. Europe, 19th...

The magnificent neoclassical style clock set would make a beautiful addition to any elegant interior. The three-piece, antique French clock set comprising a central clock and a p...

French mantel clock by Ferdinand Barbedienne consisting of a terminal clock in the form of a fluted column in white marble and de...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture. Additional Information: Material: Glass Color: Bamboo/Grape/Horizon Dimensions: W 13.5 x D 13.5 x H 54 cm Available in other color options: Grey/light pink,/red...

A fine quality 19th century English bracket clock of the Georgian era. The classical styled numerals and gilt topped case are surmounted by a floral sculpture. Marked on the face 'Le...

The acclaimed French bronze foundry, Delafontaine, created this remarkable mantel clock. At the time this piece was crafted, in c.1860, the company was directed by Auguste-Maximilien Delafontaine (1813-1892). The firm was famous for its high-quality artistic bronzes, which can today be viewed in major art collections, such as the Louvre in Paris. Shaped like an upside down ‘T’, this gilt bronze...

19th century French antique bronze desk or mantel clock dated circa 1870. The clock stands on curved base and features a carved sculpture of a seat...

French antique large-sized wall clock hands. These French clock hands from the 19th century are beautifully decorated and fluid, with a series of C-scroll motifs towards the inner section of each hand. This metal clock features it's original paint, which now shows exquisite patina and age. Each hands shape...

Limited edition - 1 of XX The master glassmaker removes the object from the fire using a rotating rod, while other workers place thinner pieces of glass in the exact spot indicated ...

A large and exceptional Louis XVI style gilt-bronze and white marble figural mantel clock, by Grohé Frères, Paris. The dial signed ‘Grohé, A Paris'. ...

A very fine early 19th century Tole wall clock, the circular bullseye shape with a central white enameled dial within a gilt bronze mount. The clock body finished in red japanning an...

A 19th century Northern Swedish clock an exaggerated bonnet/crest. This handsome Swedish clock is very special, it was obtained in Northern Sweden and features a distinct and uniquely adorn crest, which we lovingly refer to as "Napoleon" as we find it reminiscent of a bircorn (a two-cornered/horned twill military hat). The crest is further designed in a ridged pattern, with a pierced keyhole or escutcheon at it's center. There is a carved fan motif about the neck, with molded accents above and accentuating the waist. This nicely curved clock, rests on a mostly flat base with a pair of petite star carved scrolls at it's center. This clock has an old scraped finish with traces of greyish/ blue/green tones showing throughout. This clock would be a wonderful decorative object. Though it retains it's original face and movement, it is not currently in working condition, but can be quartzed to keep perfect time, for an additional cost. A quartz battery would then be added behind the face. The original hands are too heavy to carry the quartz movement, so they would be changed to black hands, similar in style. The clock would then chime (the chime can be turned off even though the sound is quite delightful. A pendulum selected to work with the quartz movement would be added behind the glass opening. This Swedish 1820s Fryksdahl clock with lions...

English bracket in red lacquer with chinoiseries and bronze finials, late 18th century Signed in dial ''Jhon Waldron Cornhill London'' Movement cleaned and restored. Eight days movem...

A French 19th Century Dore Bronze Chinoiserie Style Figural clock with a Woman Resting on a Seat. This is a beautiful example of French dore bronze craftsmanship mixed with the Chino...

Limited edition - 1 of XX. Glass entirely fills up with bubbles, creating a sparkling effect. Rich and intense marine hues against a solid colored background lend elegance and har...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

This large and impressive gilt bronze mantel clock is by the French Michel-François Piolaine. The clock body is raised by an architecturally formed, plinth-shaped base, set to the fr...

An aneroid desk barometer by C W Dixey, the 4inch silvered dial with blued indicator and gilt recorder needles divided to 32 millibars, with curved bar Fahre...

Watch winder black leather with bezel in blackened aluminum, structure in aluminum in nickel finish. Rotating small case for automatic watches covered w...

Watch Winder gold leather with bezel in blackened aluminium, structure in aluminium in nickel finish. Rotating small case for automatic watches covered ...

French neoclassical style lyre-form gilt bronze clock French, 19th century Measures: Height 50cm, width 19cm, depth 13cm This wonderful mantel clock, crafted entirely from gilt bronze, is a magnificent example of the Louis XVI style. The clock is designed about the motif of the lyre—a popular form for Louis XVI style clocks. The clock features a stepped plinth-form base, raised on four bun feet. The base supports the clock case itself, which is wrought to resemble a lyre: the dial is set into the body of the lyre, while the twin lyre arms spring from the shoulders of the case. The arms are joined above by a garland held by scrolled swan’s head finials, between which is situated an Apollo sunburst mask. The gilt bronze surrounding the dial is richly moulded with scrolled forms and grasping acanthus leaves. The dial itself, with a pierced centre, features Arabic numeral hour marks on individual circular enamel cartouches. The movement is signed ‘Le Roy a...

A lovely and attractive English trunk dial clock made c. 1840. The mahogany veneered case is of an original design with slightly shaped sides to the trunk and a Sheraton-like she...

A rare Louis XVI style gilt-bronze mounted marble annular dial pedestal clock in the manner of Jean-André and Jean-Baptiste Lepaute, attributed to Dufaud, Paris. The eight-day twin-train movement with circular plates and lateral lever escapement on a gilt platform, with cut bimetallic compensation balance, flat balance spring and index regulator, striking the hours and half-hours on a bell. The dial having twin revolving chapter rings with white enamel cartouches with Roman numerals on a revolving ring, with a revolving minute ring above with Arabic numerals, the time indicated by Cupid pointing with an arrow. This fine annular dial or ‘cercles tournants’ clock...

Exhibiting the fine design and craftsmanship of French clockmakers Raingo Frères (Raingo Brothers), this impressively large clock, measuring over 1 meter tall ( 3 feet +), is an example of the “Second Rococo” period beginning circa 1830, when the highly ornate "Cartel" style of the early 18th century came back into fashion. The clock is crowned at top center by the figure of a putto or cherub, holding in one hand a dove and the other a garland of flowers. This allegorical figure can represent innocence or purity, and was a popular subject for sculptors of the 19th century. The term "Cartel clock" comes from the French "Pendule à Cartel" meaning roughly "clock in a frame for the wall" - the word "Cartel" meaning in this context "decorative frame". These clocks were almost always made from gilt bronze (also known as "ormolu") and highly decorated. The clock is complete and includes a winding key, and will be checked by our specialist clockmaker to ensure it is functioning properly before shipping. Established in the early 1800s, Raingo Frères was one of the leading makers of precision clocks...

This mantel clock is a wonderful piece of French Neoclassical design. It is an unusual and very beautiful item, which has been expertly crafted from gilt bronze (ormolu). The clock will add elegance and sophistication to a mantelpiece. The clock features a table-form body which is topped by a classical urn. The urn is crowned by a pomegranate finial and mounted with twin handles in the shape of rams’ heads with rings in their mouths. The urn is decorated with twisted and cabled fluting, a belt draped with foliate swags, panelled motifs and a ropework band. The urn stands on a table-shaped body which is surmounted by outward-pointing pinecone finials and laurel branches. The stepped tabletop has scalloped corners and is decorated with an egg-and-dart and leaf-and-dart band, as well as a central Green Man mask. This top is supported on six legs which feature leafy scrolled tops draped with swags and hoof feet. Between the legs, there is a drum clock...

A Beautiful and Great Quality Late 19th Century Gilt Bronze Cartel Clock The large bronze clock topped by an urn above a large mask of Apollo with ...

19th Century French Bronze Gold Plated Clock.

Established in the early 1800s, Raingo Frères (Raingo Brothers) was one of the leading makers of precision clocks and astronomical “orrerey” devices du...

Fine three-piece clock garniture, France An Egyptian revival three-piece marble and bronze clock garniture Late 19th century Measures: Clock height 15.5 in. (39.37 cm.) Obelisks...

A Napoléon III Marble Mantle Clock With A Patinated Bronze Figure of 'Phryné' by James Pradier. France, Circa 1860. Surmounted by a finely cast pa...

Limited edition - 1 of XX A silver leaf inserted into glass lends an unexpected precious flair to the appliqués, contrasting with the subtle hues of the base and the darker shades o...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

A colorful hourglass enclosed in glass. Space meets time in its architecture. The sand flow carries with it the thoughts of the past and the future that Tadao Ando wished to capture ...

English Victorian iron clock face with green painted wooden back. (Not working)

An Empire gilt bronze clock mantel, circa 1800 The case surmounted by an Alexander the Great bust. Dial signed: "Rocquet à Paris” France.  

This neoclassical style French mantel clock is crafted from patinated and gilt bronze in addition to flecked black and grey marble. The clock body is formed from a lopsidedly mounted...

Detailed marble French clock set embellished with gilded bronze.

Antique French Belle Époque Rococo style bracket clock by Henry Dasson French, 1882 Measures: Total height 136cm Clock height 86cm, width 37cm, depth...

Apollo mantel clock by Edvin Klasson Dimensions: D 7 x W 16 x H 25 cm Materials: coated and uncoated laser-sintered,nylon, vinyl wrapping film, dyed feathers, and, clock mechanism ...

Comprising a central clock and a pair of flanking candelabra, the ormolu clock with circular dial and roman numbers signed 'F. Barbedienne', decorated with foliate scrolls and shells, surmounted by a putto, the pair of flanking three light candelabra similarly decorated on scrolling feet. The elegance of this beautiful antique ormolu clock...

Rococo style gilt bronze mounted porcelain clock garniture French, late 19th century Measures: Clock: Height 38cm, width 27cm, depth 13...

French neoclassical malachite and gilt bronze mantel clock French, circa 1830 Measures: Height 51cm, width 33cm, depth 14cm This mantel ...

William IV rosewood and bronze bracket clock by Frodsham 185 & Baker, the brass eight-day movement striking on a bell, the backplate numbered ‘292’, the circular brass dial with roman numerals and an engine turned centre, signed ‘Frodsham & Baker Gracechurch St. London‘, in an architectural case with applied panels, the front decorated with a lion and foliage, the corners with quoins, the sides with scrolling leaves and palmettes, with a fan pagoda top with a retractable oriental gateway handle, on leaf scroll feet, with pendulum, winding key and case key. English, circa 1830. William Frodsham was an established London clockmaker. One of his sons, John Frodsham (1785-1849), went into partnership with Baker to form ‘Frodsham and Baker’ in 1809’. They were chronometer makers to the Admiralty and also made wall...