More Clocks

This impressive wall clock is made from steel which is cut and then spot heated with a blowtorch and painted with different black oxides to evoke a warm, vibrating depth to a commonl...

Important Cartel d'époque Napoléon III, 1870, cadran signé par Gorini Daleau, à Poitiers. Bronze d'or original Measures: H 91cm, L 44cm, P 20cm. Contact us before ordering to confir...

An 18th Century Portuguese painted chestnut longcase clock with hand-carved decorations. A very striking design featuring its original paint of vivid pastel-like colors. The eight-...

Here is a beautiful 18th Century Swedish Rococo style wooden longcase Mora clock with its original paint featuring green tones. This piece has mini...

This elegant Candino ladies' watch is a fine example of Swiss craftsmanship, featuring a case made from 18-carat gold and a watchstrap crafted from 14-carat gold. The combination of ...

The extraordinary beauty and superior craftsmanship of 17th century German clockmaking is on full display in this exceptionally rare horizontal tabletop timepiece dating to 1650 Augsburg. Created by Johannes Buschman the Younger, the eminent Buschman family of clockmakers are lauded for designing some of the finest timepieces to ever be created in the South German town of Augsburg during the late Renaissance and early Modern periods. A finely moulded ebony and turtleshell casing veneered in a mottled red hue holds the clock’s fusée and chain movement with verge escapement and balance with hogs-bristle regulation. A silver figure of Minerva, Roman goddess of war and wisdom, centers the Roman numeral-engraved chapter ring, indicating the time by pointing to the hour with an authoritative military staff as the sun rotates below her feet to indicate the minute. The incredible design is finished by a gilded backplate intricately pierced and engraved with a floral motif and the signature of Johannes Buschman. Clocks are one of the greatest and most important inventions of the Renaissance period, improving steadily into the Age of Discovery. Embodying a renewed interest in science, the arts and humanism, the first mechanical timepieces began appearing in the 14th century and were large, weight-driven devices placed in the turrets of public buildings that struck the hour and lacked hands and faces. This clock was created during the first period of household clocks, when spring-driven movements made it possible to create smaller and more complex mechanisms. Such creations, however, were a luxury accessible only to the wealthy upper classes. Affluent patrons placed pressure upon artisans to create more elaborate and ornate clocks...

This mantel clock beautifully illustrates the classical myth of ‘The Abduction of Europa’. In this story, the god Zeus falls in love with a mortal woman called Europa. To seduce her, Zeus transforms himself into a white bull. Europa then mounts the bull and Zeus whisks her away from her home to Crete. Europa becomes the Queen of Crete and bears Zeus several children. The clock takes the form of a patinated bronze bull which is saddled with a gilt bronze (ormolu) clock case. This case features a circular white enamel dial with black Roman and Arabic Numerals, as well as the maker’s name ‘Michel Baltazar...

Marble clock designed by Arch. David Palterer. Size: cm. 9 x 5 x 25 H. Materials: Bianco Carrara - Nero Maequina Designed by: David Palterer.

English Victorian iron clock face with green painted wooden back. (Not working)

Gilt bronze mounted continental Porcelain clock. Porcelain and gilt bronze mounted continental clock. Loius XVI style. Figural and floral painted scenes. Features open escapement...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

Clessidra hourglass in amber murano glass by Paolo Venini and Fulvio Bianconi. Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. In 1...

A Swedish painted wood mora clock from the 19th century. This antique mora clock from Sweden features a subtle scalloped crown adorning it's head, a teardrop-shaped door and belly, t...

This neoclassical style French mantel clock is crafted from patinated and gilt bronze in addition to flecked black and grey marble. The clock body is formed from a lopsidedly mounted...

Fine three-piece clock garniture, France An Egyptian revival three-piece marble and bronze clock garniture Late 19th century Measures: Clock height 15.5 in. (39.37 cm.) Obelisks...

A 19th century Louis XVI style clock garniture, a so called 'Garniture de Chemineé'. The mantle clock with two matching vases const...

French architecturally formed ormolu mantel clock French, 19th Century Height 52cm, width 28cm, depth 17cm This beautiful Baroque style mantel clock is crafted from gilt bronze. The highly detailed case takes the form of a piece of miniaturised architecture: a campanile of sorts, the top level contains the clock dial while the lower level, approached by shallow steps, is flanked by figurative sculptures and culminates in a bas relief frieze...

A Swedish wood carved Mora floor clock from the 19th century. This antique Mora clock from Sweden features a raised and flattened top bonnet, trimmed...

19th century French antique bronze desk or mantel clock dated circa 1870. The clock stands on curved base and features a carved sculpture of a seat...

William IV rosewood and bronze bracket clock by Frodsham 185 & Baker, the brass eight-day movement striking on a bell, the backplate numbered ‘292’, the circular brass dial with roman numerals and an engine turned centre, signed ‘Frodsham & Baker Gracechurch St. London‘, in an architectural case with applied panels, the front decorated with a lion and foliage, the corners with quoins, the sides with scrolling leaves and palmettes, with a fan pagoda top with a retractable oriental gateway handle, on leaf scroll feet, with pendulum, winding key and case key. English, circa 1830. William Frodsham was an established London clockmaker. One of his sons, John Frodsham (1785-1849), went into partnership with Baker to form ‘Frodsham and Baker’ in 1809’. They were chronometer makers to the Admiralty and also made wall...

French mantel clock by Ferdinand Barbedienne consisting of a terminal clock in the form of a fluted column in white marble and de...

This ormolu (gilt bronze) mantel clock is a stunning piece of design, which features beautiful neoclassical style low-relief decorations and three-dimensional sculptures. The clock takes the form of a tall rectangular case with a circular white enamel dial near its top. This dial features black Roman Numerals and the maker’s signature, ‘Robin/ à Paris’. The dial is displayed behind a glass lens within a foliate bezel. The case is decorated in its upper corners with rosettes, and in the lower section with a stylised depiction of a swan. The case is topped by a sculpture of a wreath, propped up on a roll of paper or parchment. To the left of the case, there is a full-length statue of a man who wears a classical robe and holds a mirror. A lyre leans against the right side of the case. The clock is set on a wide rectangular base which is decorated with a low-relief scene taken from the classical myth of Dido and Aeneas...

Designed for Olivetti management and never put into commercial production, this rare minimalist table clock has a thick domed glass body with internal hands, painted hour markers and...

French Empire gilt bronze clock French, early 19th century Measures: Height 38cm, width 27cm, depth 10cm This fine gilt bronze man...

The fine quality Sèvres-style Louis XVI gilt-bronze and jeweled porcelain turquoise mantel clock. Surmounted with a twin handled urn with grapes, the central enamel dial with Roman n...

Surmounted with an urn finial, with foliate decoration. Origin: French Date: Late 19th century Dimension: 13 3/4 in. x 7 1/4 in. x 5 in.

French antique large-sized wall clock hands. These French clock hands from the 19th century are beautifully decorated and fluid, with a series of C-scroll motifs towards the inner section of each hand. This metal clock features it's original paint, which now shows exquisite patina and age. Each hands shape...

An extraordinary rustic tripod table clock by Thomas Cole Retailed by E. White of London The circular green velvet-clad base supporting three equidistantly spaced brass imitation logs, from which the clock and its mechanism are suspended; housed within a brass bezel conformingly styled as naturalistic logs, the circular etched and engraved gilt dial with elegant blued steel hands, marked at 6 o'clock "E. White, 20 Cockspur St, London", having the hours marked in Roman numerals; the tapered two-tier movement has a six wheel train with five-spoke crossings between spotted plates, the upper section fixed by blued steel screws to the backplate, enclosing a Brocot-style deadbeat escapement incorporating rubies and train to the centre wheel, the pendulum of most unusual design styled as a lidded cauldron over a simulated fire. Complete with a glass dome and key. The front plate numbered “1637.” London made, circa 1861 Thomas Cole, (1800-1864) Son of Thomas Cole Snr, a Somerset clockmaker, his history and works are fully recorded in 'Thomas Cole & Victorian Clockmaking' by John B. Hawkins, published 1975, in Sydney. Known as a specialist in making decorative timepieces of the highest quality, Cole exhibited at the Great Exhibition at the Crystal Palace in 1851; he warranted an 'honourable mention' in the Paris Exhibition of 1855 and the London 1862 Exposition International, where he was awarded a medal for 'excellence of taste and design'. Hawkins discuss Thomas Cole's tripod clocks...

18th century French large Vernis Martin gilt bronze cartel clock and console The impressive and large clock case decorated overall with very fine ‘Vernis Martin’ lacquer paint wit...

A fine quality 19th century English bracket clock of the Georgian era. The classical styled numerals and gilt topped case are surmounted by a floral sculpture. Marked on the face 'Le...

Rococo style gilt bronze mounted porcelain clock garniture French, late 19th century Measures: Clock: Height 38cm, width 27cm, depth 13...

A fine quality late 19th century French bronze and ormolu garniture, the 8-day striking enamelled dial movement by AD Mougin - Paris, contained in ormolu cas...

Marble, gilt, and patinated bronze three-piece clock set by Barbedienne French, late 19th century Measures: Clock: Height 93cm, width 60cm, depth 28cm Candelabra: Height 97cm, width 46cm, depth 33cm This monumental marble, gilt, and patinated bronze three-piece set is a stunning example of Barbedienne's craftsmanship during the Parisian Belle Époque. Paul Dubois' 'Le Courage Militaire...

Maker: Léon Messagé (1842-1901) Origin: Paris, France Date: Early 20th century Size: 11 3/4 in x 9 in x 6 1/4 in. Signature: signed Messagé to the right side of the lion pelt...

A French 19th Century Dore Bronze Chinoiserie Style Figural clock with a Woman Resting on a Seat. This is a beautiful example of French dore bronze craftsmanship mixed with the Chino...

A 19th century Northern Swedish clock an exaggerated bonnet/crest. This handsome Swedish clock is very special, it was obtained in Northern Sweden and features a distinct and uniquely adorn crest, which we lovingly refer to as "Napoleon" as we find it reminiscent of a bircorn (a two-cornered/horned twill military hat). The crest is further designed in a ridged pattern, with a pierced keyhole or escutcheon at it's center. There is a carved fan motif about the neck, with molded accents above and accentuating the waist. This nicely curved clock, rests on a mostly flat base with a pair of petite star carved scrolls at it's center. This clock has an old scraped finish with traces of greyish/ blue/green tones showing throughout. This clock would be a wonderful decorative object. Though it retains it's original face and movement, it is not currently in working condition, but can be quartzed to keep perfect time, for an additional cost. A quartz battery would then be added behind the face. The original hands are too heavy to carry the quartz movement, so they would be changed to black hands, similar in style. The clock would then chime (the chime can be turned off even though the sound is quite delightful. A pendulum selected to work with the quartz movement would be added behind the glass opening. This Swedish 1820s Fryksdahl clock with lions...

Regency bracket clock by John Garth, Harrogate Mahogany case standing on a stepped base with ribbed decoration and standing on four brass bal...

This beautiful early 20th Century clock set with later lapis veneer will make a stunning Neoclassical style addition to a mantelpiece and a bold i...

Watch winder black leather with bezel in blackened aluminum, structure in aluminum in nickel finish. Rotating small case for automatic watches covered w...

Watch Winder gold leather with bezel in blackened aluminium, structure in aluminium in nickel finish. Rotating small case for automatic watches covered ...

A very fine early 19th century Tole wall clock, the circular bullseye shape with a central white enameled dial within a gilt bronze mount. The clock body finished in red japanning an...

19th century French bronze urn and marble table clock.

Limited edition - 1 of XX. Glass entirely fills up with bubbles, creating a sparkling effect. Rich and intense marine hues against a solid colored background lend elegance and har...

This mantel clock is a wonderful piece of French Neoclassical design. It is an unusual and very beautiful item, which has been expertly crafted from gilt bronze (ormolu). The clock will add elegance and sophistication to a mantelpiece. The clock features a table-form body which is topped by a classical urn. The urn is crowned by a pomegranate finial and mounted with twin handles in the shape of rams’ heads with rings in their mouths. The urn is decorated with twisted and cabled fluting, a belt draped with foliate swags, panelled motifs and a ropework band. The urn stands on a table-shaped body which is surmounted by outward-pointing pinecone finials and laurel branches. The stepped tabletop has scalloped corners and is decorated with an egg-and-dart and leaf-and-dart band, as well as a central Green Man mask. This top is supported on six legs which feature leafy scrolled tops draped with swags and hoof feet. Between the legs, there is a drum clock...

An Empire gilt bronze clock mantel, circa 1800 The case surmounted by an Alexander the Great bust. Dial signed: "Rocquet à Paris” France.  

English bracket in red lacquer with chinoiseries and bronze finials, late 18th century Signed in dial ''Jhon Waldron Cornhill London'' Movement cleaned and restored. Eight days movem...

Established in the early 1800s, Raingo Frères (Raingo Brothers) was one of the leading makers of precision clocks and astronomical “orrerey” devices du...

Wrist watch designed by Alessadro Mendini for Museo Alchimia, '90s. This manual wind watch was a prototype for the Swatch, a well-known company for whic...

French Champleve Gilt Bronze and Enamel Clock Garniture three piece set . Includes clock and a pair of candlesticks Paris - France, c. 1880s candlesticks - h 9.75 in; diam 4.5 in cl...

E.F. Caldwell & Co., Inc., New York A patinated bronze and yellow Siena marble clock by Edward F. Caldwell & Co., New York, early 20th century, the circular dial with Roman numerals...

Detailed marble French clock set embellished with gilded bronze.

Marble One Cut table clock - Moreno Ratti Dimensions: D 9 x W 20 x H 20 cm Materials: Calcata Oro marble. The idea of this collection comes from the desire to take the concept of minimalism to the extreme, as in the Recisi series: a single cut of a geometric figure (the square) allows the creation of a functional object where the two pieces that compose it, respond to a need. The family consists of: a table lamp (Moon Lamp) with a touch-sensitive ignition system, a clock and a solifleur. Moreno Ratti "When I was young I played with pieces of marble, like now. There are a lot of marble waste...

19th Century French Bronze Gold Plated Clock.

An Exceptional Late 19th Century Gilt Bronze Cartel Clock and Companion Barometer By Henry Vian after Jean-Charles Delafosse Henry Vian after Jean-Charles Delafosse The tops with a...

Apollo mantel clock by Edvin Klasson Dimensions: D 7 x W 16 x H 25 cm Materials: coated and uncoated laser-sintered,nylon, vinyl wrapping film, dyed feathers, and, clock mechanism ...

A work of exceptional detail, this magnificent Viennese clock takes the art form of enameling to new heights. The elaborately fashioned timepiece rests atop the head of a soldier, who stands on a pedestal populated by sphinxes. Exceptional details encase the entire piece, from the rooster finial to the gem-studded base. A hand-painted portrait of the heroic soldier on the reverse completes this stunning piece. Particularly popular during the 19th century, Viennese enamels...

French neoclassical malachite and gilt bronze mantel clock French, circa 1830 Measures: Height 51cm, width 33cm, depth 14cm This mantel ...

Little grains of sand, impalpable and unnoticeable as a whole yet so real, like time ticking away. Clessidra – designed by Fulvio Bianconi and Paolo Venini in 1957 – evolves in 2015,...

Antique French eclectic style enamel and gilt bronze clock set French, late 19th century Measures: Clock: Height 41cm, width 30cm, depth 15cm Candelabra: Height 36cm, width 17cm, depth 17cm This gilt bronze and enamel garniture contains a mantel clock and a pair of candelabra, all designed in the charming Belle Époque manner. The mantel clock, supported by a flat gilt bronze base, is constituted of a central plinth surmounted by a cylindrical clock...

This gilt bronze mounted mantel clock is formed about a beautiful sky-blue, parcel gilt Sèvres style porcelain vase. The enamel dial is mounted within a gilt bronze drum that is drap...