Revival Inkwells

Maitland-Smith Egyptian Revival inkwell desk set featuring a tomb form stamp box with a sphinx mounted on either side. The front section has a recessed pen tray. The piece is made of...

A fine antique 19th century French Empire style gilt bronze & marble double inkwell eagle desk set, circa 1880. This very elegant antique inkwell desk...

A finely cast Italian Renaissance Revival bronze inkwell dating from the late 19th century. The circular inkwell is supported by three winged figures raised on claw feet, while the l...

Attributed to Leon Messager for Francois Linke, with Rococo and seashell Decoration.

Of rectangular shape, decorated with gothic cathedral arcades, with two wells and two pen holders, raised on a Siena marble base raised on scrolled feet. Between the twelfth and six...

Large Art Deco inkwell in neo-Egyptian style, silver-plated metal and crystal, England, early 20th century. Gorgeous silvered metal inkwell with two bottles (ink and sand) made of g...

Of rectangular shape, cast with gothic style arcading, the removable top depicting a fallen knight adjacent to a broken column and opening to two wells. In the early 19th century, ...

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Inkwell with Bronze Mount and Marble Base Origin: France Material: Gilt and patinated bronze, green marble Date: Second Empire, circa 1860–1880 Dimensions: H × W × D: 10 × 13 × 16 ...

A Louis-Philippe Gothic Revival gilt and patinated bronze inkwell Rising from two-tone gilt bronze bracket feet, the patinated bronze rectangular inkwell having a band of circular...

An Antique Sienna marble inkwell / inkstand Very well shaped and decorative Made Of yellow and black / grey veined marble on gilt bronze toupie feet Style George III / Louis XVI Cond...

A richly detailed French Empire bronze and brass inkwell conceived in the archeological revival manner, after the form of ancient Roman oil lamps. The central reservoir, cast with a ...

Our client's large antique (19th century) French inkwell in the Empire style features vessel lids depicting the emperor Napoleon and his queen and is centered by a finely modeled and...

Cast in great detail in bronze in the neo-Gothic style, the top lifting to reveal three round openings, lacking glass inkwells, resting on a marble plinth base, raised on cast bronze...

Embossing & chasing techniques are highlighted in the Rococo motifs of this gilt bronze inkwell. The inkwells are shaped as garlic domes. The exaggerated rocaille shaped tray with la...

19th Century Brass Figural French Egyptian Revival Inkwell Dimensions : 11.5" Tall X 11.5" Wide X 8" Deep This gorgeous inkwell was made in France in the 19th century and was made ...

Louis XV style writing desk. Gilt bronze, stone. Possibly French school, 19th century. Gilt bronze writing desk with a metal plate at the bottom and, at the top, a decoration based ...

Circa 1880 brass & wood ink stand, English. Gothic Revival brass strapwork. Ebonized trim accents. Burl walnut. 10 1/2" W., 7 7/16" D., 3 5/16" H. Whitehall Antiques is a family bus...

19th century black marble inkwell surmounted by a patinated bronze statue featuring Moses by Michelangelo. The statue of Moses, commissioned in 1505 by Pope Julius II for his tomb and housed in the church of San Pietro in Rome, is a masterpiece of the Italian Renaissance. The Renaissance, like the Middle Ages, was a rich source of inspiration for 19th century artists, who used to imitate the works of the past. Our inkwell is provided with two gilt bronze ink...

A large William IV period bronze & ormolu Pentray having cutglass inkwells and central urn with leaf and shell border & carrying handles, supported on bold leaf scrolled feet.