Hardwood Decorative Objects

Mid-20th century woven Chinese rice basket with handle. Hand-woven willow with elm handle. Beautiful faded patina and texture from decades of w...

A Peter Petrochko amorphic bowl of layered hickory, signed and dated 2002 underneath. From the "Tent Series'. Bending notions of traditional vessel ...

A 19th century French mannekin head in beech with original polychrome remains.

A good quality pair of subtle Gothic Revival candelabras hand carved from beech. Skillfully hand carved and sculptured in three parts.

Basket making is an ancient and humble craft, but in the hands of a skilled weaver a simple willow basket can become a truly beautiful work of art. This bent handle basket was made i...

In the manner of Peter Blake. A Fairly large tabletop box. Unsigned. Has an architectural vibe, handmade, solid mahogany, with painted components. Fully ...

Carved from reddish brown hardwood, the hollow form rises from a cylindrical neck, the lowest part being a rounded base, then surrounded by diagonal sections. The neck is surrounded by nine rows of coral beaded necklaces (odigba) that extend to a thread motif on the back of the head. Face in full relief with straight lips, flared, flattened nose and oval eyes with set shell (nut) for the pupils. Along the forehead are six frontal scars treated with rectangular cavities in which should have inserts nutshells. In this case there is only one left Small ears on each side of the head, each C-shaped. A headband consisting of three rows of almost completely distroyed. On the right side of the head, a single feather extends upward from a beaded rosette. Behind the ear, two long braids of hair hang down to the beaded collar and then become bows that reach the roots. The left side of the head has a long, single braid behind the ear that hangs down to the beaded collar and becomes a bow that ends at the base. On each side, three strands of hair appear at the temples under the headband. Featuring an open hole with a circular motif on the top of the head and a rectangular open slit down the back. Insect damage in different areas; very old worn finish showing a lot of age. Very heavy insect damage in all areas; very old worn finish showing a lot of age. “Wooden shrine heads were permitted to sit on the altars of chiefs and important figures, in contrast to the copper alloy heads used exclusively by the kings of Benin. (Frederic Backlar, Bonhams, New York, 2012, lot 172) Osemwede (reigned 1816-1848) was the first Oba to decree that human heads could be carved for the altars of chiefs of royal lineage, rather than just wooden antelope and perhaps goat heads. Therefore, chiefs of blood enjoyed in Benin City (but not throughout the Kingdom of Benin, where antelope heads continued to be placed on the altars of their ancestors well into the 20s. Thus, the (wooden) human heads are said to be later than ca. 1816, but the actual age depends condition, insect damage, etc." (Fagg, William, Christie's, London, 1988, lot 206) "Feathers were worn by chiefs as a sign of status. The heads have a hole at the top intended to hold a large carved ivory tusk...

Pair of large early 20th century candlesticks circa 1920. Good quality pair of hand carved candlesticks made from beech, very much in the gothic taste. 2 inch wide cup, twisted ste...

Scholarly pursuits such as painting, calligraphy, and poetry were a highly respected and revered subculture in ancient China, and demanded their own set of tools that were not only f...

Solid teak bowl  

Solid teak bowl  

Small gilded wooden frieze, mounted on plexiglass. It looks like a wave, but it's a leaf: mounted on plexiglass. To be admired or used as a paper clip. ref. O/5559-5.

A very handsome early 19th century Georgian sarcophagus-shaped tea caddy in burr elm. The highly figured case fitted with a hinged canted top with a cross-banded edge, opening to an interior housing twin lidded tea canisters flanking a period cut-glass mixing bowl...

Large primitive oval-shaped dug out bowl from Sweden dating to the mid-19th century. Traces of reddish oxblood color paint on bowl exterior. Interior of bowl is scrubbed leaving a darkened finish that highlights the beautiful wood grain of the fruitwood. Inscribed on bottom "PER SODERBERG...

Minimalist teak platter or bowl hand carved from a single piece of reclaimed teak wood. Finished with a natural oil revealing the beautiful wood grain. This bowl or platter was sour...

Solid teak bowl  

Bowl with handle made of solid “imbuia” wood, designed by Jean Dobré for Tropic-Art. Brazil 1960s.

Three Point Bowl A by Olivia Tani Dimensions: W 41 x D 41 x H 17 cm Materials: Ceramic Stoneware, Slip, Soda Ash Olivia Tani is a ceramic artist living in Minneapolis, Minnesota. Sh...

Pistachio Vase B by Olivia Tani Dimensions: W 27 x D 21 x H 22 cm Materials: Ceramic Stoneware, Glaze, Soda Ash Olivia Tani is a ceramic artist living in Minneapolis, Minnesota. She...

Kay Bojeson guardsman figure. Hand painted white red with black feet. Sold by Laurids Lonborg Denmark retains original label. Completely original condition with little to no wear.

Lily Vase by Olivia Tani Dimensions: W 26 x D 29 x H 35 cm Materials: Ceramic Stoneware, Glaze, Soda Ash Olivia Tani is a ceramic artist living in Minneapol...

Mid-Century Modern Artisan Studio Made Bowl / Vessel, Cherry Burl Unique live edge tableware entirely made of cherry burl by Tom Frey. This work is signed and dated on it's undersid...

Meant to hang on a wall. Barrel shape with alternating woods. Lift lid and cutout back to hang on a wall. Commonly referred to as treen ware.

It is an ancient gonden wooden frame, perfect for a painting (internal size cm. 66 x 50) or for a mirror. It's elegant , classical, alone it furnishes a wall. ref. O/1886-1.

A sublime Burmese carved, lacquered and gilt hardwood crowned Buddha seated in a "western pose", early to mid 20th century, Burma (Myanmar). The elegant and graceful Buddha is portrayed wearing an elaborate six pointed crown with two large "wings" to the side, and a simple robe wrapped around the body and draped over one shoulder. He is seated upon a high stepped throne, his feet resting upon a double lotus pedestal. The Buddha's face is serene. He stares out in the distance calmly, with eyes slightly downcast, and a slight smile on his face. His long, pendulous earlobes blend in with the wings of the elaborate crown upon his head. A lotus bud finial would originally have surmounted the head, but is now missing. He holds one hand in his lap, palm up in a meditative gesture. His other hand rests gently on his knee. This pose, with the Buddha seated upon a raised throne, with both legs planted on the floor, is often referred to as a "western pose". The pose is most often associated with the Bodhisattva Maitreya...

These are hand carved sculptures in the shape of a tree The elements are gilded in silver and gold gilt hues. They are set in a faux marble planter. They are beautifully Carved and ...

Turned vase shape solid rosewood table lamp Mid-Century Modern Mint.

A refined and elegant pair of huanghuali nesting trays. An exotic hardwood, huanghuali (which translate to "yellow flowering pear wood"), has long been prized in China. These trays would originally have graced the desk of a scholar and aided him in his scholarly pursuits. The larger tray features a wonderful golden hue, and a prized "ghost face...

Joel Escalona's Unseen Force #57: Solid Oak Table, Sculptural Presence ——— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of beauty i...

Sculptural Elegance Unseen Force #53: Joel Escalona's Solid Wood Coffee Table ——— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of b...

Unseen Force #50: Oak Coffee Table by Joel Escalona, Art-Decor Fusion ——— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of beauty in...

Art Table Unseen Force #48: Solid Oak by Joel Escalona, Elegance Defined ——— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of beauty...

Sculptural Harmony Unseen Force #47: Joel Escalona's Oak Coffee Table ——— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of beauty i...

Solid Wood Unseen Force #46: Joel Escalona's Coffee Table, Artistic Craft ——— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of beau...

flawless carl auböck wood bowl.

Decoration Modern Art Abstract Solid Wood Unseen Force No39 by NONO —— This monolithic sculpture, designed by the talented Artist Joel Escalona, is a towering example of beauty in c...

Abstract Dark Wood Art Modern Decoration Unseen Force No32 by Joel Escalona —— This monolithic sculpture, designed by the talented Artist Joel Esc...

Dark Wood Sculpture Contemporary Art Unseen Force No31 by Joel Escalona —— This monolithic sculpture, designed by the talented Artist Joel Escalo...

Made of Chinese northern elmwood, this smooth block of wood was once used by an upper-class woman as a headrest. The soft curve and height of the block not only supported her head an...

This elegant, delicately crafted lantern was made in northern China over a century ago. The simple frame is crafted of a fine hardwood and inset with panes of frosted glass. Lanterns in China have a history that goes back over 1,800 years to the Han dynasty: during the Lantern Festival (which falls on the 15 day of the first lunar month) people hang lanterns...

Mid-Century Modern vintage paper basket or basket from ash and brass in conical shape Austria 1960s. The wonderful paper basket features slats from ash wood which are connected with ...

Dramatic tree sculpture on iron disk.

Standing at over two feet tall, this 17th century pair of angel candlesticks has been carved out of a beautiful French elm wood. Because elm wood typically has an interlocked grain, it can be quite difficult to carve or split. These candlesticks were produced by a master craftsman in France during the 1600s. Our angels have long, wavy hair that extends past their shoulders. They are wearing long flowing gowns with scalloped collars and half sleeves. The loosely draped robe reaches their ankles, exposing bare feet that stand upon a round base. One leg is also visible from behind the material due to a slit at mid-thigh. Each angel is holding a turned candle holder that has a large wrought iron pricket with a lobed bobeche. In France, this type of candle holder is known as an Ange Céroféraire. A ceroferary is the acolyte...

Carved from a large length of northern elmwood, this primitive tray charms with its humble rustic finish and simple form. Marked with use and traces of ...

A carved wood container with carved wood oblong object within, by Jon Brooks (b.1944).

Pair of Asian Javanese (19/20th Cent) carved teak large figures with drape over shoulder and sword.

A rare and unusually large nut shell, skillfully etched with elephant figures and objects. Despite extensive research, we have limited information on the origin and age of this piece. The etched detail suggests African origin...

‘Earthly Treasures No 27’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from burred English Elm inlaid with Cornish Turquoise. Morrison turns beautiful wooden spheres from damaged or diseased trees that have been felled as they can no longer survive. Using aged wood such as this, reveals cracks and crevices which the artist can inlay with precious minerals. The results are breathtaking. These take on the role of globes and are evocative of old maps. The minerals suggest undiscovered islands and continents. During Thomas’ time as a designer and maker of furniture it was usual practice to mask and hide any blemishes or cracks in the wood, however much like the Japanese art of Kintsugi (where ceramic breakages are repaired with gold and precious metals) Thomas highlights the anomalies in the wood by inlaying them with naturally formed colorful minerals, many taken from his personal collection which he still adds to. Recent visits to the ‘World Famous’ Blue John Mine and also a working Fluorspar mine in Derbyshire has meant new materials for future inlays. With the wood hard to find and unpredictable to turn, the resulting union of the Earth’s natural resources are patiently and skilfully jigsawed together, resulting in truly unique treasure-laden artworks. Is his own words: ‘The two mediums I combine both come directly from the Earth. The trees form and grow at the surface whilst the minerals can form at great depth. It is not unknown for some trees to have accumulated pieces of crystals in their roots. The thought of this combination of a substance formed during explosive episodes in the Earth millions of years ago with a gently formed living substance, which may have been growing for hundreds of years before finally coming to an end, is both exhilarating and intriguing. I think of it as a fusion between animate and inanimate, above and below the ground, naturally both beautiful, and without which, we as humans could not survive’ Morrison Thomas was born at New Inn Cottage in the tiny village of Charlton near Banbury, Oxfordshire. His father was a cabinet maker & carpenter who was also a wheelwright and blacksmith, as with many village craftsman of the time, he was skilled in all things. Keeping the family tradition, Thomas continued in his father’s footsteps and is a fourth generation woodworker. As a furniture designer & maker Thomas has exhibited his work in numerous high profile galleries and undertaken many prestigious commissions. He has written articles on woodworking with his work appearing in numerous publications. Previously the chairman of the Surrey Guild of Craftsmen and with a listing in Debrett’s Who’s Who, his achievements are many, especially in consideration that he received no formal training, with his skills obtained from observing and listening to his father. For many years Thomas designed and made contemporary furniture but mainly due to health reasons stopped making larger-scale works. With woodworking in his blood and a material he simply couldn’t stop creating with, he resumed his creative skills some years later by making unique hand-turned wooden vessels...

Unusual set of 4 ancient tall Italian wooden candlesticks, lacquered green - Different from other candlesticks! It is possible also to buy a pair - O/6196.

Brass and wooden cigarette box, designed by Carl Auböck, shows a beautiful guilloche top surface. The brass shows fine patina, enriched by the contrast of the wooden sides of the box...

Pair of large adjustable candle sticks.

Antique Solid Wood 2 Parts Hat From

A Treen Sphere Enclosing Needle and Thread Spool A wonderful piece when unscrewed to open it reveals inside a needle case at the centre and a double thread spool which slips over it...

Modern Elegance Unveiled in Dark Burned Oak, NONO's Still Stand No89 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testam...

Dark, Modern Totem in Burned Oak, Escalona's Vision, Still Stand No81 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testa...

Mid Century Natural Teak Rood Floor Statue The Mid Century Natural Teak Rood Floor Statue is a stunning piece of art that embodies the elegance and simplicity of mid-century design...

Dark Elegance Carved in Black Solid Wood, NONO's Still Stand No86 —— Joel Escalona's wooden standing sculptures are objects of raw beauty and serene grace. Each one is a testament t...

Sleek Black Solid Wood Sculpture, NONO's Art, Still Stand No82 Joel Escalona's wooden standing sculptures are objects of raw beauty and serene ...

Heavy Mid-Century Modern chunks of bronze abstract sculpture root looking bronze on a wooden base.

Cinta Lotus Teak Wood Sculpture by Mary Verspoor Dimensions: D 94 x H 46.5 CM Materials: Teak wood Mary Verspoor, of Indonesian-Dutch descent, is a Bali-based designer and creator. ...