Mahogany Decorative Objects

A pair of carved mahogany recumbent lions resting on plain stepped painted bases, inspired by travels across Europe during the Grand Tour. Please note we are currently working to a ...

English Regency mahogany and satinwood wine cellarette with original fitted brass liner, checkered ebony and satinwood inlays, embossed brass foliage side panels, original gilt circu...

Cubic Biedermeier box, mahogany and maple, Austria circa 1840 Rare cubic shaped decorative box form the Biedermeier period. Mahogany veneered with maple inlays. Oak base. Restored a...

Caribbean mahogany hinged pedestal tea poy with fitted interior, foliate carvings, and resting on the original scrolled feet. Early 19th century.

A fine English Regency mahogany sarcophagus form cellarette. With a lift top, lion head bronze mounts with ring handles and raised on casters. England, circ...

Victorian mahogany round dial clock resting on a foliate carved bracket with centrally mounted thermometer with bone engraved register plate. Twelve inch painted dial with Roman numerals signed ‘G.Morris, Great Dover Street, London. Eight day chain fuse movement. circa 1890 Watchmakers and clockmakers of the world by Brian Loomes...

A George III period antique brass-mounted mahogany bracket clock by the London maker John Turner.  The bell-top case with brass lined front door and brass side frets stands on brass...

A flat-lidded brown polished horn box by Maitland Smith, with two beautifully inlaid and brass trimmed polished greenstone ( I believe to be amazonite tiles surrounded by a gilt bras...

A very fine French 19th century Louis XV style gilt-bronze, mahogany and porcelain Encrier (Inkwell). The oval mahogany base surmounted with an ormolu mounted trim, dual-trays and fi...

Antique turned wooden candle holder Circa 1800's. Elevate your home decor with this exquisite candle holder, featuring a sturdy wooden base complemented by a sleek turned wooden stan...

English Regency Cellaret, with ebony stringing, brass hairy paw feet & brass lions head ring handles.

Three solid mahogany display stands, 19th century, Napoleon III period. Three Napoleon III period solid mahogany display stands, 19th century, 1 large stand plus two others forming ...

A fine George III period mahogany longcase clock of excellent colour, patination and proportions, circa 1780-1790 Surmounted with three ball and spike brass finials, the inverted ...

Minimalist organic circle sculpture hand carved from a single piece of reclaimed mahogany wood with beautiful patina. Set on a modern black metal stan...

Now with brass liners. Typical form with brass bail handle tapered cylindrical form with brass banding.

Shaped like a goblet. Tapered form carved and hollowed from a single piece of wood, the exterior decorated with a bacchanalian parade of figures of Pan playing instruments on and pul...

Meant to hang on a wall. Barrel shape with alternating woods. Lift lid and cutout back to hang on a wall. Commonly referred to as treen ware.

Modern flock of birds sculpture solid brass figurines on rectangle solid walnut block.

A modernist, turned mahogany bowl with a hand-rubbed satin black finish. Unsigned, circa 1970.

A fine Regency longcase clock in the form of a domestic regulator in an architectural mahogany case with inset panels of satinwood and ebonized mouldings. The case of this clock shows the distinct influence of Thomas Hope, the eminent antiquarian and designer who was inspired by the Greek and Egyptian designs. The 12in square brass dial has a silvered finish and is engraved with Roman chapters and subsidiary second’s dial. The dial is signed within the lower section 'Barwise, London'. The eight day duration movement is of the highest quality, with five pillars, dead beat escapement, maintaining power and hour strike on a bell. The pendulum has a wood rod for temperature compensation with beat adjustment and rating nut beneath the brass bob. The clock is complete with the original brass cased weights. John Barwise was an eminent maker working in London from 1790. He was chairman of the British Watch...

A very good quality late 19th Century ebonised Victorian silvered dial mantel clock, with Westminster chime on 8 bells or gong. Having a strike / silent dial, an eight day duration movement, striking on every quarter hour. The ebonised case with gilded ormolu mounts, mouldings and finials and raised on scrolling feet. Maker J.W.Clarke . 55 Long Acre...

Early 19th century mahogany teapoy, the shaped, crossbanded and hinged top opening to reveal two wooden containers with lids, with two compartment spaces ideal ...

Pair of large Empire torches or candelabra on a three-pass base tapering to the top and inlaid with brass inlays in the form of acanthus leaves and floral motifs. Rising above three ...

HOLIDAY GIFT, Handsome English Mahogany And Satin Wood Humidor With Fitted Int.

This large wooden dresser top pocket watch stand and vide poche is unmarked, but believed to have been made in England in approximately 1890 in th...

A 19th century pair of Georgian mahogany hand carved knife boxes.

Music and jewelery box, Asprey London. Movement by Reuge, Switzerland. Miniature jewellery and music box in the style of a grand piano in a mahogany and walnut veneered case inlaid with marquetry throughout featuring musical instruments, raised on three turned tapered legs. The front opening to reveal a traditional keyboard with brass button slider. The top opening to reveal a green baize lined jewellery compartment bearing a brass plaque signed ‘Asprey, London’. c.1970 A separate compartment opening within to reveal a Swiss musical movement by Reuge playing three airs by Tchaikovsky: March of the toy soldiers Waltz of the flowers Dance of the sugar plum...

A Fantastic and Very Important Empire Period German Ormolu-Mounted Mahogany Jardiniere Mounted on Dore Bronze Turtle Feet, In The Manner Of Johannes Klinkerfuss And Casimir Münch. This is truly a masterpiece jardiniere and was crafted by two of the greatest cabinet-makers of all time Johannes Klinkerfuss and Casimir Münch. This piece has an octagonal form with foliate and swan-decorated dore bronze hand-chiseled and two-tone matted gold gallery above a molded top. The gorgeous mahogany wood glistens beside the dore bronze mounts. Each inch of this piece is crafted of the finest quality. The upper mahogany jardiniere is mounted on eight gorgeously life-like top-quality dore bronze turtles, each hand-chiseled, chased and matted with two-tone gold. Stuttgart, Circa: 1815. Provenance: The Tony Ingrao...

Made in the late 18th century into the early 19th century in the style of Georgian, and made from strong mahogany wood. Clamped together by metal hardware. There was once a key to lo...

Rare Monk of the 18th century-Ayutthaya-Thailand Superb large lacquered and gilded bronze monks of large size Very beautiful face In superb condition an...

Elegant Inlaid Mahogany Mantel Clock by Wray, Son & Perry, c.1900 This fine and delicate Victorian mantel clock is a prime example of the period’s elegance. Manufactured by Wray, So...

Antique turn of the century carved Italian mahogany casket in the style of a tomb with scrolls, acanthus leaves, bellflowers and a punch work background with winged griffons on the s...

Regency Mahogany Bracket Clock, William Barrow, Dublin Regency bracket clock housed in a finely figured mahogany brass bound case with chamfer top. Sid...

A very impressive Victorian period ebonised, chimming three train mantle clock on bells and gong. The eight day duration movement strikes on the hour and half hour. (strike silent op...

French Art Nouveau mahogany cased mantel clock with arch top above satinwood inlay depicting a Viking longboat at full sail. Enamel dial with Arabic numerals. Eight day movement sig...

This exquisite hand-turned lidded bowl is a masterclass in mid-century studio woodcraft, celebrating the rich diversity of natural timber. Constructed from laminated segments of vary...

Original wood sculpture 2021 Walnut and African mahogany Measures: 10.5 L x 2.75 W x 3 H in. / 27 x 7 x 8 cm.

This Antique French Mahogany and Brass French Empire Style Waste Basket exudes elegance and sophistication. With its intricate brass detailing and classic mahogany construction, this...

A fine 19th century French Louis XV mahogany and gilt bronze mounted Grandfather clock. The clock has beautiful mounts and parquetry inlay. The clock rings ...

ABOUT SCULPTURE Crafted with great taste and skill by an unidentified sculptor (signed 'Needle'), this stunningly shaped and proportioned remarkable modernist sculpture looks exquis...

A fine quality early 19th century mahogany wall drop dial timepiece by this prestigious family of clockmakers. The fully signed white painted wooden 12 inch dial retains its original...

Regency bracket clock in an arch top case with brass inlay and dentil moulding, side carrying handles and standing on four brass ball feet. Painted dial with Roman numerals and original spade hands signed ‘Memess, Trafalgar Square, London’. Glazed rear door to the fine quality eight day single fuse movement with arch shaped plates and ‘regulating’ pendulum. C.1820. ‘Watchmakers and clockmakers of the world’ by Brian Loomes...

A pair of late 18th century Sheraton period faded and figured mahogany serpentine fronted cutlery boxes, having boxwood strung and tulipwood crossbanded tops with central oval urn...

Attractive antique Edwardian inlaid mahogany balloon shaped mantle clock. Quality mahogany case with decorative foliage inlay and a white enamel dial raised on four bun feet. Circa...

This fine antique American Federal style grandmother's long case clock features book matched crotch grain mahogany and walnut case with bracket feet, and a chamfered block base. The arch crest pendulum door features satinwood stringing and inlaid fan. The door is flanked by quarter engaged reeded columns. The face box...

Large antique Victorian quality mahogany and glass desk set having a large quality mahogany stand of a rectangular shape with pen trays and the original pair od glass ink wells.

Small regency bracket clock. Mahogany chamfered top case surmounted by a brass pineapple finial with brass inlay, standing on a raised plint...

A fine English Regency mahogany regulator longcase, the beautiful flame veneered case with shallow arch and ogee moulded hood. The 12 inch ogee shap...

An important and rare table clock from the workshop of David Roentgen. The case with an oval stepped plinth top with gilt bronze handle, decoration of the case with ormolu mille raie banding, beaded edges and brass fluted columns to the front flanking the square brass dial, foliate engraved spandrels to the corners, centred by the white enamel Arabic chapter ring, signed Delolme, pierced brass hands, convex glazed bezel, square plated eight-day movement with four back-pinned pillars, verge escapement, silk suspension, rack and count wheel strike, striking the hours and quarters on two bells above, the back plate also signed, glazed side panels. There is only a small series of comparable table clocks from the workshop of David Roentgen known. The present clock seems to be the first example of the cooperation between David Roentgen and the court clockmaker Delolme in Brunswick. The case is meticulously crafted and both case and movement are of superb quality. David Roentgen, called the "most celebrated ébéniste in Europe" by his contemporaries, was a successful entrepreneur who transformed the business founded by his father, Abraham Roentgen...

Itzhak Ofer (Polish, 1910-1988), sculpture, mahogany, “embracing couple”, signed on base, "OFER", 25" h. x 12 1/2" w. x 9 1/2" d. including base. Itzhak Ofer was a Sculptor. b. 1910, Poland. Immigrated 1935. Studies: 1941-45 American University, Cairo, plastic arts and drama. Prize: 1968 Public Council of Culture and Art for Best Play. 1981 Initiated and directed a competition of Environmental Sculpture, Ramat Gan...

A little poem in wood, this early 20th-century Swedish tobacco box is a quiet testament to the beauty of everyday ritual. Hand-turned from golden-hued burled birch, its surface is al...

Edwardian Double Fusee Bracket Clock, Dent, London Edwardian bracket clock housed in a mahogany arch top case with inset front panel banded in brass with brass inlay, stepped plinth...

This exquisite pair of vintage candlesticks is a superb example of artisanal studio woodcraft, featuring an intricate multi-toned wood inlay that creates a mesmerizing checkered patt...

Carved and black lacquered mahogany bust of Buddha on mahogany plinth with white Lucite pedestal. The back of the head is open and can be used creatively. In this case, it is as a ve...

DIMENSIONS height: 23 inches width; 12 inches depth: 6 inches MARKINGS Signed at the bottom in back. DETAILS Original hand-crafted black-painted wood plinth. REFERENCES Originally, sold to Papillon Gallery of Los Angeles. CONDITION Excellent antique condition, wear consistent with age and use. Enid Bell Palanchian (American, 1904 – 1994) a/k/a Mrs. E. B. Palanchian, Mrs. Enid Bell Palanchian and Mrs. Missak Palanchian was an important American sculptor, author, illustrator and professor who was primarily active in the New York/New Jersey area, but who established a respected body of work recognized throughout Europe and the United States as reflected by awards received in Paris, New Jersey, New York, New Mexico and Florida. Her achievements included numerous public works projects (e.g., the design of the Congressional Gold Medal) on display at public institutions and museums around the country, private commissions and sales throughout the world, group and solo exhibitions, generous donations of art and compilations, and the passing on of her knowledge and skills to 24 years of art students of the Newark School of Industrial and Fine Arts. Enid Bell was born in London, England, and later studied at the Glasgow School of Art and then at the St. John’s Wood Art School; as well as studying with fellow Scot Sir William Reid Dick in London. Then, after moving to the United States, she taught at the Art Student League in New York City at Miss Chapen’s School. Essentially a figurative, direct carving in wood artist, she was based in New Jersey where she became the head of the sculpture program of the Fedral Art Project for that state and was herself the creator of several FAP commissions. In 1932, she married Armenian/American businessman and artist, Missalk Palanchian athough she retained her name “Bell” for professional purposes. Following the end of the Federal Art Project in 1944, she taught as instructor of sculpture and Head of the Sculpture Department of the Newark School of Fine and Industrial Art until 1968, and was active was a member of the National Sculpture Society. Enid Bell died in 1994 in Englewood, New Jersey. WORK • Birds, Leonia Public Library in Leonia New Jersey (installed 1981) • Untitled, Boonton Post Office in Boonton, New Jersey (1938) • Boonton Post Office, Boonton, New Jersey • Colonizing America, Center for Youth Education, Newark, New Jersey, (1934) • Little Indian Dancer, Englewood Public Library, Englewood, New Jersey • Alexander Hamilton Troy Public Library in Troy, New York • bird bath, Music, Science, Union City...

George III bracket clock by Christopher Bullock, London Finely figured mahogany bell top case with four ‘pineapple’ finials surmounted by a h...

A rare example of a late French Empire portico clock combining the use of mahogany casing with gilt bronze mounts and cut crystal. The four pillars linking the top and bottom section...

Late 18th century, English George III mahogany knife box fitted out for letters / ballots. The interior voided of the old knife compartments. One small remov...

18th century English diminutive mahogany chest with satin wood banding. Top opens to an compartment over two drawers. Great color and patina. Can be used as a tabletop decoration...

A tall pair of mahogany torchère or lamp stands This is a fine quality pair of mahogany torchère they have a circular flat top with a raised moulded rim. They each stand on a carv...