Mahogany Decorative Objects

Georgian mahogany bracket clock Finely figured flame mahogany break arch case inset at the front and sides with fishscale silk lined sound frets standing on a raised plinth and resting on brass bracket feet. The arch with brass bound single pad above an opening full door. Brass bezel supporting a painted dial with Roman numerals, ‘blued’ steel hands and signed Robert Wood, London. Fine quality substantial double fusee eight day movement striking the hours and repeating at will on a large bell. The backplate with beautiful border engraving and signed within a cartouche ‘Robert Wood, London’. Regulating pendulum and pendulum holdfast. C.1790 ‘Watchmakers and clockmakers of the world’ by Brian Loomes lists Robert Wood as working in London from 10, Horseshow Alley, Moorfields. He was a maker of repute making several fine musical and automation clocks...

A very fine French 19th century Louis XV style gilt-bronze, mahogany and porcelain Encrier (Inkwell). The oval mahogany base surmounted with an ormolu mounted trim, dual-trays and fi...

English Regency Cellaret, with ebony stringing, brass hairy paw feet & brass lions head ring handles.

This vintage mahogany wooden bowl showcases timeless craftsmanship and understated elegance. Expertly hand-turned, the bowl features a beautifully balanced shallow form with gently s...

Typical cylindrical tapered with brass strapping and brass bail handle.

A refined set of four 20th-century carved Mahogany busts representing influential literary and historical figures (From left to Right): Friedrich Schiller, William Shakespeare x2 wit...

Victorian mahogany round dial clock resting on a foliate carved bracket with centrally mounted thermometer with bone engraved register plate. Twelve inch painted dial with Roman numerals signed ‘G.Morris, Great Dover Street, London. Eight day chain fuse movement. circa 1890 Watchmakers and clockmakers of the world by Brian Loomes...

A Regulator clock by William Chisholm, London. Baillie has no record of the maker but by the design of its original case, we believe it to be late 18th century circa 1790. The 8 day ...

A fine and unusual English, George III mahogany and satinwood inlaid bracket clock. The twin fusee movement most unusually chiming the quarters on two bells as well as striking the hours. Signed on the dial and the backplate James Duncan...

Three solid mahogany display stands, 19th century, Napoleon III period. Three Napoleon III period solid mahogany display stands, 19th century, 1 large stand plus two others forming ...

This exquisite hand-turned lidded bowl is a masterclass in mid-century studio woodcraft, celebrating the rich diversity of natural timber. Constructed from laminated segments of vary...

Large Empire grandfather clock with a mahogany-veneered case in the shape of a lyre. The grandfather clock stands on a chest with three drawers and diamond-shaped fillings. Above it ...

This Antique French Mahogany and Brass French Empire Style Waste Basket exudes elegance and sophistication. With its intricate brass detailing and classic mahogany construction, this...

Rare antique english mahogany brass bound travel box, circa 1800.

Georgian mahogany bracket clock by Hector Simpson, London. Georgian bracket clock in a finely figured flame mahogany case standing on a r...

Antique Brandt Furniture Co. Inlaid Mahogany 4 Bottle Decanter Spirit Box This Brandt Furniture Co. decanter box has a beautiful four bottle ...

Wine cellarette with a beautifully carved center depicting a group of grapes the side of the box has an oval laurel wreath carving. The shape of the ...

Meant to hang on a wall. Barrel shape with alternating woods. Lift lid and cutout back to hang on a wall. Commonly referred to as treen ware.

Fine pair of George III mahogany torcheres having hexagonal tops with lacy pierced galleries, over graceful tripartite stands with scrolled feet.

Music and jewelery box, Asprey London. Movement by Reuge, Switzerland. Miniature jewellery and music box in the style of a grand piano in a mahogany and walnut veneered case inlaid with marquetry throughout featuring musical instruments, raised on three turned tapered legs. The front opening to reveal a traditional keyboard with brass button slider. The top opening to reveal a green baize lined jewellery compartment bearing a brass plaque signed ‘Asprey, London’. c.1970 A separate compartment opening within to reveal a Swiss musical movement by Reuge playing three airs by Tchaikovsky: March of the toy soldiers Waltz of the flowers Dance of the sugar plum...

A 19th century pair of Georgian mahogany hand carved knife boxes.

Elegant Inlaid Mahogany Mantel Clock by Wray, Son & Perry, c.1900 This fine and delicate Victorian mantel clock is a prime example of the period’s elegance. Manufactured by Wray, So...

Early 19th century mahogany teapoy, the shaped, crossbanded and hinged top opening to reveal two wooden containers with lids, with two compartment spaces ideal ...

Pair of large Empire torches or candelabra on a three-pass base tapering to the top and inlaid with brass inlays in the form of acanthus leaves and floral motifs. Rising above three ...

Nuneham Park Country House mail box. Used by guests of Viscount Hartcourt to send letters and postcards.

Shaped like a goblet. Tapered form carved and hollowed from a single piece of wood, the exterior decorated with a bacchanalian parade of figures of Pan playing instruments on and pul...

Edwardian mahogany Grandmother clock standing on a stepped base with inset roundel, break arch pediment with long trunk door. Brass dial...

English Regency period mahogany collectors chest with ebonized detail. The mahogany case having six drawers with turned pulls, figured mahogany top with molded edge and sitting on a ...

An intricately carved and painted classical urn of pleasing proportions on a square plinth base. Please note we are currently working to a 30-36 week lead time and that this item is...

Cubic Biedermeier box, mahogany and maple, Austria circa 1840 Rare cubic shaped decorative box form the Biedermeier period. Mahogany veneered with maple inlays. Oak base. Restored a...

Salesman size chest with lifting top concealing a compartment. Three working drawers below. Bracket feet.

A late 18th century mahogany long case clock, by B. Francis of Gravesend, having arched top with brass finials and fluted columns, enclosing eight-day striking movement with silvered...

This stately vintage candlestick is a beautiful tribute to traditional English design, featuring a classic barley twist shaft that exudes timeless elegance. Crafted from solid wood w...

Circular footed with copper strapping. Constructed with individual pieces with light color wood banding.

Early 19th Century mahogany brass bound backet of circular form tapering down towards the bottom, good quality bucket and having a nice warm mahogany colour. Circa 1830.

Candlesticks pair of English mahogany, 18th century, England. A pair of candlesticks made during the 18th century in England. Made from mahogany with candleholders in brass.   

Mahogany Longcase clock by Mummery, Dover. Late Georgian longcase clock in a finely figured mahogany case with satinwood stringing and quadrant shell inlay to the raised, moulded...

Elegant in its simplicity, this Victorian era jewelry/trinket box rests on four bun feet opens to reveal a spacious felt-lined casing. Great for storing jewelry, silver tableware, ba...

A very imposing fine quality 19th Century French longcase clock, having an ormolu casting of Father Time on the hood, the white enam...

A modernist, turned mahogany bowl with a hand-rubbed satin black finish. Unsigned, circa 1970.

Mahogany solid wood, Shellac and-polished. Brass hinges and lock. Dimensions: H 60 cm x W 28.3 cm x 16.5 cm.

19th Century English Mahogany Schooner Ship Model, Great Attention To Detail. This came out of a very important collection.

Original wood sculpture 2021 Walnut and African mahogany Measures: 10.5 L x 2.75 W x 3 H in. / 27 x 7 x 8 cm.

George I longcase clock by William Holloway, London Georgian longcase clock in a finely figured mahogany case standing on a stepped ba...

According to motto "Perseverantia et Amicis" (Perseverance and Friends) with Bird (dove) holding olive-branch, this amazing, luxurious "necessaire" comes from family ofacknowledged L...

Georgian Mahogany Longcase Clock with Rocking Ship Automation, Joseph Kent, London. Fine flame mahogany case with break arch hood, reeded pillars with...

Made in the late 18th century into the early 19th century in the style of Georgian, and made from strong mahogany wood. Clamped together by metal hardware. There was once a key to lo...

Bracket clock circa 1880 playing on 2 tunes Westminster and old St. Paul’s playing on gongs Measures: Width 42cm Height 90cm with bracket Deep 30cm (pending confirmation).

An unusual flame mahogany long-case clock attributed to Maples with a Smith & Sons 3-train movement, the case with a stepped base, the hood with two fluted columns and brass fini...

Georgian mahogany Longcase clock by John Paine, Brentford A slim finely figured flame mahogany case with stepped base and raised moulding to the plinth. Long break arch trunk door...

Large early Victorian box, Mahogany on oak, England circa 1840 Large body in mahogany veneered on oak. In the lid with fan inlay work in maple. Standing on 4 carved feet. Inside with 1 brass...

French mahogany balloon clock standing on brass bun feet with dentil moulding and brass inlay. Silvered dial with Roman numerals signed W.Barfoot, London...

Georgian Lyre Shape Mahogany Bracket Clock by Moncas, Liverpool Georgian mahogany English bracket clock housed in a lyre shape case with ebony i...

A little poem in wood, this early 20th-century Swedish tobacco box is a quiet testament to the beauty of everyday ritual. Hand-turned from golden-hued burled birch, its surface is al...

A modernist female bust elegantly carved from a single block of mahogany. Signed and dated.

Capture the refined elegance of the English Regency period with this stunning antique marquetry box. Masterfully crafted in the 19th century, its rich, dark wood body is adorned with...

A Fine Scottish Two-Day Marine Chronometer Signed and Numbered D. McGregor Glasgow No 2241, c. 1870 A classic beautifully produced 19th century Scottish chronometer in a three-tier...

A tall pair of mahogany torchère or lamp stands This is a fine quality pair of mahogany torchère they have a circular flat top with a raised moulded rim. They each stand on a carv...

DIMENSIONS height: 23 inches width; 12 inches depth: 6 inches MARKINGS Signed at the bottom in back. DETAILS Original hand-crafted black-painted wood plinth. REFERENCES Originally, sold to Papillon Gallery of Los Angeles. CONDITION Excellent antique condition, wear consistent with age and use. Enid Bell Palanchian (American, 1904 – 1994) a/k/a Mrs. E. B. Palanchian, Mrs. Enid Bell Palanchian and Mrs. Missak Palanchian was an important American sculptor, author, illustrator and professor who was primarily active in the New York/New Jersey area, but who established a respected body of work recognized throughout Europe and the United States as reflected by awards received in Paris, New Jersey, New York, New Mexico and Florida. Her achievements included numerous public works projects (e.g., the design of the Congressional Gold Medal) on display at public institutions and museums around the country, private commissions and sales throughout the world, group and solo exhibitions, generous donations of art and compilations, and the passing on of her knowledge and skills to 24 years of art students of the Newark School of Industrial and Fine Arts. Enid Bell was born in London, England, and later studied at the Glasgow School of Art and then at the St. John’s Wood Art School; as well as studying with fellow Scot Sir William Reid Dick in London. Then, after moving to the United States, she taught at the Art Student League in New York City at Miss Chapen’s School. Essentially a figurative, direct carving in wood artist, she was based in New Jersey where she became the head of the sculpture program of the Fedral Art Project for that state and was herself the creator of several FAP commissions. In 1932, she married Armenian/American businessman and artist, Missalk Palanchian athough she retained her name “Bell” for professional purposes. Following the end of the Federal Art Project in 1944, she taught as instructor of sculpture and Head of the Sculpture Department of the Newark School of Fine and Industrial Art until 1968, and was active was a member of the National Sculpture Society. Enid Bell died in 1994 in Englewood, New Jersey. WORK • Birds, Leonia Public Library in Leonia New Jersey (installed 1981) • Untitled, Boonton Post Office in Boonton, New Jersey (1938) • Boonton Post Office, Boonton, New Jersey • Colonizing America, Center for Youth Education, Newark, New Jersey, (1934) • Little Indian Dancer, Englewood Public Library, Englewood, New Jersey • Alexander Hamilton Troy Public Library in Troy, New York • bird bath, Music, Science, Union City...

Carved and black lacquered mahogany bust of Buddha on mahogany plinth with white Lucite pedestal. The back of the head is open and can be used creatively. In this case, it is as a ve...