Silver Decorative Objects

This elegant antique bowl is a striking blend of classical form and luxurious materials. Likely crafted in France or Italy circa 1960, the bowl is fashioned from carved rock crystal,...

This contemporary silver Twist Menorah is a modern metal candleholder designed with silver finish and fluid twisted form define this silver menorah as a stylish piece of Judaica that...

18th Century Green Shagreen and Silver Eyeglass Case with Monogram England or France, circa 1760–1780 Dimensions: 5" H × 2.5" W × 0.5" D Interior measures 3"d x 1.25 w A refined G...

1980s French silver plated metal candlestick by Christofle France.

This is a beautiful scent, cologne or perfume glass bottle with a gold coloured Guilloche enamel and sterling silver topped screw top lid, made in Lond...

Edwardian sterling silver cigar box. Made by Tiffany & Co. in New York in 1922. Rectangular with straight sides; cover hinged with gently curved top. On sides, alternating reeded and...

Georgian (George III) Period, sterling silver-mounted (unmarked, but tested) ram's horn snuff mull, having a hinged lid, Scotland, Ca. 1795. Measures 1 1/2 inches diameter at widest ...

Edwardian Rococo gilt sterling silver keepsake box. Made by Tiffany & Co. in New York, ca 1903. Upward tapering with reeded mouth rim and curved bottom; foot ring. Applied rose garla...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with hand-painted fire-enamelled miniature on the lid. Early 1900s English Art Nouveau style. Measurements cm. 5....

Eye-catching hand blown Opaline lime green and turquoise blue Murano glass centerpiece bowl or ashtray attributed to Seguso, Italy, 1950-1960s. Lime green at the interior part cased ...

Description: Tortoiseshell pill box with embossed silver application on the removable lid. Metal: Silver. Origin: Unknown. Brand: Absent. Weight: 8.96 grams. Dimensions: 4.3x4.3...

Beautiful letter opener in Sterling Silver 925, 14k applicated gold and a small sapphire in the middle between the blade and the handle. Marked EB.

Description: Circular silver pill box with raised plant motifs and hinged lid. Metal: Silver. Origin: English. Brand: London. Weight: 12.79 grams. Dimensions: 3x1.5cm. Content:...

Hallmarked in London in 1901 by Henry Lewis, this handsome, Victorian, Antique Sterling Silver Model of a Horse, has a cropped tail like a polo pony, and is very realistically modell...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

This beautiful set of four candelabra (or candlesticks) was made around 1900 by André Aucoc, a leading French silversmith of the time. Aucoc inherited the ...

Artfully decorated silver gilded table clock by a Viennese master: Flat, rectangular corpus containing the musical mechanism, standing on four elaborately decorated volute feet attac...

A magnificent, exceptional, fine and impressive, pair of large antique Georgian English sterling silver architectural column candlesticks; part of our ornamental silverware collection. These magnificent antique Georgian English sterling silver candlesticks have a plain subtly tapering columnar form. The large and impressive Corinthian capital of each candlestick retains the original hallmarked detachable push fit sconce ornamented with a plain moulded rim. The cylindrical columns are supported by a cuboid plinth to an impressive plain square stepped three tier base. Each plinth is embellished with a fine and impressive bright cut engraved coat of arms depicting the Head family coat of arms encircled with a belt accented with the family motto 'Study Quiet'. The bases retain the original contemporary engraved inscription 'A token of respect from Francis Head to her aunt Dame Mary Ann Head. 1803' to the lowest tier. Both candlesticks are fitted with turned mahogany bases to the underside. These magnificent Georgian candlesticks were crafted by George Eadon, George Kibbles & John Weaver of George Eadon & Co. The title ‘Dame’ was the traditional style for the wife of a baronet at this time and before although it was interchangeable with the title ‘Lady’. Condition These antique Georgian candlesticks...

1920s Antique Moroccan Silver Plated Footed Tea Caddy with hinged lid. This authentic Moroccan brass silver plated box has a beautiful etched geometri...

Description: Silver clam with reliefs and applications in perfect shape and gold interior. Metal: Silver. Origin: Portuguese. Brand: Cabeça de escravo. Weight: 185.04 grams. Dim...

Italian silver box raised on 4 feet, 1970s Italian silver box in curvy octagonal shape with repousse design of flowers and scrolls The purity de...

Original octopus tureen in crystal and silver, handmade by Florentine silversmiths, the Lisi Brothers. The hyper realistic centerpiece is transformed into a tureen by adding a detach...

Fine Continental Silver Bonbon Box with Giltwash interior, 900 Standard. Surmounted by a flowerform finial, the two part box is decorated with a twisted gadrooned border, and a gilt-...

Small vintage hammered silver plate basket with a nursery theme depicting two children and two geese. Charming oval shape with scalloped edges, the handle with a twisted rope pattern, raised on small ball feet. Hallmarked: Meriden silver plate...

A Highly Important Viennese Enamel, Silver, Lapis Lazuli, and Rock Crystal Mounted Hinged Box, Attributed to Hermann Ratzersdorfer. The box is constructed from silver-gilt and fully ...

A pair of antique French three-light candelabra in silver plate, by the acclaimed silversmith Victor Saglier (1809-1894) who was known for creating beautiful pieces in ceramic, gold ...

Victorian Period, sterling silver-mounted (unmarked, but tested) Cowrie shell snuff box with hinged lid, England, Ca. 1840's. Measures 3 inches long x 2 inches deep x almost 2 inches high. Sterling silver mount is engraved Mrs. Margaret Burke...

A stylish paper knife with elongated sterling silver handle set with the Danish Royal Crown hence its name Danish Crown or Dansk Krone in Danish. Fully Hall-marked. Measurements: ...

Victorian, sterling silver -mounted (on burgundy velvet) picture frame, Birmingham, England, year-hallmarked for 1898, Deakin and Francis - makers. Sterling silver has a matte finish...

Description: Silver pill box with embossed floral motifs on the lid, surrounding a monogram card and gold interior. Metal: Silver. Origin: German. Brand: Unknown. Weight: 35.81 grams...

a white metal (most probably silver) and green glass European art nouveau vase, turn of the century

An exceptional, fine and impressive vintage George VI English sterling silver photograph frame; an addition to our vintage silverware collection. This exceptional, fine and impressive vintage sterling silver photo frame has a rectangular shaped form with an oval internal window. The surface of this impressive antique silver picture frame...

Silver enameled box by Rudolf Steiner, 1899 with a miniature painting An octagonal Austrian silver white enameled, inside gold-plated box made by Ru...

An exceptional large lidded jar designed and handcrafted by celebrated Mexican artist Emilia Castillo in Taxco, Mexico. This striking piece is executed in white porcelain inlaid with...

Swiss Silver card case by A.D.A.R., 1920s A silver card case by A.D.A.R. (Ateliers d'Art decoratif Réunies SA) Switzerland. A rectangular case with a motif of ribbon on each corner ...

This tall vase of baluster form is made of silver-plated pewter and it is the embodiment of the charm, allure, and sophistication of the French Art Nouveau style. The vase is made an...

Square external photo frame for oval photo in 925/1000 sterling silver gold plated with translucent fired enamel on guilloché and oval border ornament in French Empire Napoleon III s...

An 1894 antique Edward Souter Barnsley & Co. sterling silver and tortoiseshell powder box decorated with a silver laurel leaf and bow inset to...

A refined example of late 19th to early 20th-century vanity art, this decorative perfume bottle features a deep emerald green glass body with a narrow neck and fitted glass stopper. ...

Description: Silver-gilt pill box with surrounding strips, enamel applications with floral motifs and incorporated fleurs-de-lis, gold-colored interior. Metal: Silver. Origin: French...

Designed exclusively by Urban Art Home, this is a distinct and elegant decorative wood box made with lacquer and embellished with a sculpted sterling silver dragon. The square box ...

Octagonal wedge box in 925/1000 sterling silver with black and white colors fire enameled in Art Deco style. Measures 7.8 x 7.8 x 6 cm. Weight gr. 281. Designed by Giorgio Salimbeni ...

"Oak" vase in embossed sterling silver. The body of the vase is rounded, where embossing and chiselling have been carried out reproducing oak leaves and acorns. All completely hand-c...

Harmony coral is a unique edition photo frame designed and realized by atelier Laura G for Art with Heart collection. It is a wonderful lost wax silver model hand chiselled by master...

Round snuff box in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè and hand-painted floral miniature, surrounded by a frame with leaves on a blue bac...

A fine signed, antique trumpet form flower vase. By Tiffany & Co. In sterling silver with a lightly gilt interior With a fluted trumpet shaped top, line engraved stem, beaded knop transition, and a disc foot. Fully marked to the base. Simply a wonderful antique Tiffany flower vase...

Mid-Century Modern Silver Paper Weight & Paper Cutter by Christofle

This is a pair of antique candlesticks. An English, silver plate candle sconce, dating to the Edwardian period, circa 1910. Elegant candl...

A highly collectable and delightful silver gilt novelty egg containing a hummingbird by renowned silversmith and artist Stuart Devlin (Australian, 1931-2018) and dated 1977. Stuart D...

Unmatching pair of Art Deco cut crystal and silver decanters with stoppers. Spain, 1930s Beautiful set of a cut crystal amber drinks decanter and a clear cut crystal one. Each one has a different design and stoppers in different shape. Eye-catching placed together. The clear one has a polished sterling silver neck support and the amber decanter...

This delicate table clock features a central circular white dial with black Roman numerals and gilt detailing. The dial is signed 'E. DREYFOUS, To Their Majesties' and is mounted all...

Add a touch of timeless elegance to your interior with this exquisite and rare pair of large silver-plated bronze candelabras. Each candelabra features three gracefully curved arms s...

Fine silver, niello and vermeil silver antique snuff box depicting a handsome Scottish bagpipe player performing in a bucolic countryside setting. ...

This is an elegant high-quality pair of antique early George I revival sterling silver two-light candelabra, each bearing the maker's mark of the renowned silversmith, Elkington &...

Description: Silver basket in the shape of a basket with handle and zipper. Metal: Silver. Origin: Portuguese. Brand: javali II Title. Weight: 315.28 grams. Dimensions: 12.4x8cm. Con...

Antique Silver Inkwell & Document Box. No apparent hallmarks so we are assuming this is silver plate.

A magnificent oversized English match striker wither a sterling silver mount and well fully hallmarked for London, 1914 (slightly rubbed). It’...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Jensen himself designed and introduced the highly desirable handmade sterling silver pattern Blossom or "Magnolie" pattern introduced in 1919. The Blossom pattern is the result of Ge...

A decorative incense bowl or potpourri jar with a perforated top-mesh with swans. It made from brass and it is partially silver plated. It was designed an...