Wood Decorative Objects

Beautiful fingers and lightly distressed with beautiful patinaed look.

Mid-Century Modern Red Tripod Bowl in Wood from Paavo Asikainen, Finland, 1960s

Art Deco green shagreen covered cedar box with double bone 'latch' and bone edges.

‘Mallard’, Carved and Painted, Signed and Inscribed With Title, by Guy Taplin (B.1939) The work of British sculptor Guy Taplin. ( born 1939 ) Taplin, who began his career as a bird...

American circa 1890 humidor.

Pair of Late 17th/Early 18th Century carved and polychrome Italian angel figures. Now mounted in modern stands. Wonderful baroque carving and retain original paint   

Inlaid table cabinet with six compartments and two handles. This is a beautifully decorated crafted box reflecting the craftsmanship and cultural influences of Goa during the colonia...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

Polished petrified wood with tangerine quartz cluster on a lucite base. Petrified wood is a special type of fossilized wood. This type of mineralized petrified wood went through an ...

Antique Japanese a sitting man doll Hinaningyo, hand made from straw, paper, silk and cotton, complete as in photos. Good conditions, some wear from time and long display. Height: 5...

An antique wood figurative head bust sculpture, circa late-19th century to early-20th century. Piece is hand-carved and decorated (polychromed.) Piece may have been from a game, orna...

PAIR Set Antique English Oak OPEN Barley Twist Candlesticks Candle Holder Brass Bobeche. Direct from England, a stunning pair of antique English oak barley twist candlesticks! These...

These large hand-woven palm sculptures are made from natural palm and provide rustic, organic modern, contemporary design for any home decor. Their unique w...

1950s Decorative Brutalist MCM Inlaid Burl Specimen Wood Box by Norman Brumm This small but striking 1950s decorative box by Norman Brumm showcases the artist’s signature Brutalist ...

Vintage Italian large footed music box in light gold color with top finely hand painted and wood inlaid with foliages floral decor, brass hardware. Small Vintage Italian handcrafted ...

Bring nature indoors. Large ball natural burl wood.

This is an antique smoker’s box. An English, oak and brass cigar case, dating to the Edwardian period, circa 1905. A superbly appointed gentleman’s...

This exquisite Art Deco modernist lidded box boasts a minimalist yet refined and sophisticated shape, featuring varnish Macassar wood adorned with tropical wooden edging trims. The r...

Round wooden box, France, 1970s. This elegant round wooden box is distinguished by its clean lines and remarkable veneer with intricate grain, offering a rich, natural look in shade...

A charming antique Tramp Art wooden box featuring intricately carved geometric chipwork panels and a richly colored red felt-lined interior. The box displays the distinctive layered ...

This outstanding and remarkable skull piece captures the free roaming spirit of the ancient bison. This extinct species of Bison is also known as the steppe bison, which was widespre...

Exquisite handcrafted Middle Eastern mosaic marquetry inlaid walnut wood box. Small box intricately decorated with Moorish motif designs which h...

A most charming estate made country house letter box with delicately inlaid LETTER BOX to front. English, George III H 27 x W 23 x D 15 cms

This exquisite early 20th century hand-carved screen is sculpted from a 200-year-old Sumatra palm trunk, showcasing the rich natural beauty and craftsmanship of the period. The scree...

Luxury Wooden Sculpture Lull No141 – NONO’s Modern Art Piece for Homes ——— Balance and tension are at the core of these sculptures. The interplay between the smooth, rounded forms ...

Magnificent 18th century French hand carved and gold gilded frame. An incredible detailed work. The frame looks Royal and luxurious. Dimensions of the interior painting size to fit a...

English late 18th-early 19th century red chinoiserie grandfathers clock. Brass dial inscribed Jan Chater. Working condition. Beautiful detail and paint. Wonderful condition.

Innovating with its small and simple models Nomon brings the Pisa T Clock to be placed on desktops or corner desks. The slim needle shape of this foot clock...

Nice Japanese glove box in red and black lacquered wood dating from the end of the 19th century. It is decorated with delicate gold, black and white flowers and foliage on all its vi...

Carved Walnut Black Forest Cuckoo Clock in form of a Chalet, with applied carved wooden leaves, grapes and bird, circa 1900, with pierced res...

Antique Polychrome Carved Head Of Cherub / Putti / Putto Exquisite 18th-century carved wood panel features a stunning polychrome head of a cherub, also...

17th century Italian wood-painted figure of Christ (Provence of Lucca, Tuscany) on a coordinating smoky crystal quartz in matrix base. In Easter celebrations of the Italian Catholic...

Stunning wooden Holy Heart of Christ statue. An exceptional and deeply moving life-size hand-carved wooden sculpture of Jesus Christ, depicting the Sacred Heart. This monumental chu...

This captivating and delightfully expressive vintage folk art articulated wooden figure is a striking creation by American artist Don Ellefson. Evoking a playful mix of traditional A...

Elevate your interior with these pair of 1980s Scandinavian candle holders. Crafted with sleek, tapered designs, they feature a polished finish in rich dark brown and golden-brown wo...

Stunning mosaic design, this intricate wood box is made from multiple micro pieces of wood with some possible bone inlays. Gorgeous craftsmanship. A true work of art. Would be a ...

A near-pair of antique late 18th/early 19th century carved limewood angels, each with a characterful worn paint finish that adds to their aged, timeworn look. Over 225 years old, th...

Exquisite Antique Scottish Mahogany Inlaid Moonphase Longcase Clock (c. 1800–1830) The clock was made by John Mill Of Montrose in Scotland Description: A Masterpiece of Scottish Clockmaking: The Moonphase Longcase We are delighted to offer this exceptional antique Scottish Longcase Clock...

Exceptional polychrome wood low-relief depicting a werewolf and saint george after a woodcut by lucas cranach (“DER WERWOLF” 1512) Provenance : collection Brimo de Laroussihle colle...

American Federal mahogany pillar and scroll mantel clock with a broken arch pediment, three urn wood finials, flanking ringed columns, hinged glass d...

Polished white bird's-eye maple armored armoire with leather bow, 24-karat gold-plated accessories. Round handle with biometric opening device and emergency key integrated. Inside pullout / pull-out necklace holder and drawers lined for jewelry. Leather handles on drawers. Secret compartment. Available...

Exquisite Vintage 1950s Handcrafted Wooden Marionette with Burmese String, Reflecting Asian Opera Artistry. This splendid Burmese-Thai marionette is a testament to masterful hand carving and intricate hand painting. Adorned with ornate fabrics in red and gold colors heavily embellished with beads, sequins, colored glass, embroidery, and gemstones, this marionette is a true work of art. Whether you choose to display it on your wall, use it as a mobile to bring color to a child's room, or incorporate it into your authentic boho and ethnic decor, it will captivate your senses. A fine representation of handcrafted village folk puppets from Asia, this marionette stands out for its unique quality. What sets marionettes apart from regular puppets is their manipulation through strings controlled from above, offering an unparalleled range of movement. Operating these strings demands a high level of skill, making marionettes a cherished form of puppetry. In Asia, marionette troupes were often sponsored and patronized by royalty, and while their performances were undoubtedly captivating and entertaining, they also served a significant cultural role. This marionette is not only a collector's delight but also a stunning piece of art. It portrays Minthar, the prince, in all his vintage glory...

Antique Late 19th Century Victorian Mahogany 9 Tube Tall Case Grandfather Clock Dimensions : 95.5" Tall X 25.5" Wide X 18" Deep This stunning clock was ...

This magnificent vintage Howard Miller mahogany wall clock (Model 613-596) showcases the timeless sophistication of traditional American horological design. Crafted from rich, warm-t...

Tall laminated wood sculpture of a woman, "Ellie," by Dick Shanley, circa 1984, USA. The platform is missing. This is a very beautiful tall sculpture. Th...

Sculptural Organic Modern carved wooden bowl features a rounded form resembling a leaf, influenced by Mid Century Modern and Minimalist Styles, with soft, flowing outlines and tactil...

This is an antique wooden netsuke made in Japan around Showa period 1960s. The signature is written on the back side 'Masaoka'. Netsuke is a miniature sculpture, originating in 17th...

Carved Painted Wood Frame, 1950's Fantastic carved wood frame with liner, in a distressed finish and incredible patina. Great piece for your favorite oil painting as well as could a...

A rare and unusual French Directoire/ Empire clock depicting Napoleon standing among trophies of war including cannon, cannon balls, map scrolls and standards bearing eagles. The sil...

1920s French Miniature Jewelry Chest / Great size , proportion.. Possibly a Salesman Sample / inlay., satin , wood ,, brass mounts , brass detailing drawer fronts, Velvet lined,, co...

Sculptural 18th century Italian hand-carved wood figure of Christ on an optical calcite crystal base. The original red bole shows through on the artifact and coordinates with the pha...

Czech artist Josef Kratina lived in Paris for several years and was a student of Auguste Rodin. He lived in New York from around 1907 onwards. Note: We highly recommend shipping thr...

Ferdinando Codognotto Wooden Hand Sculpture, Roma, 2015. Expertly carved from what we gather as Swiss Pine. The hand sits upon a dowel on the...

Walnut and Copper Wall Clock C.1920. The clock is in practically mint original condition, has been fully serviced and tested and is in perfect working condition. The clock runs on ...

This exquisite Art Nouveau wooden box features a beautifully carved cherry motif on its lid, capturing the organic elegance typical of the early 20th century. The intricate relief wo...

Sculptural Brazilian rocking chair in the style of Joaquim Tenriero. Amazing quality and design. Original cane seat in need of restoration. (see photo). Hand delivery avail to New Yo...

A rare and very fine bronze corpus of Christ after a model by Michelangelo, cast ca. 1597-1600 by Juan Bautista Franconio and painted in 1600 by Francisco Pacheco in Seville, Spain. The present corpus reproduces a model attributed to Michelangelo. The best known example, lesser in quality, is one on display at the Metropolitan Museum of Art (MET). The association of this corpus with Michelangelo was first brought to light by Manuel Gomez-Moreno (1930-33) who studied the wider circulated casts identified throughout Spain. The attribution to Michelangelo was subsequently followed by John Goldsmith-Phillips (1937) of the MET and again by Michelangelo expert, Charles de Tolnay (1960). While Michelangelo is best known for his monumental works, there are four documented crucifixes he made. The best known example is the large-scale wooden crucifix for the Church of Santa Maria del Santo Spirito in Florence, made in 1492 as a gift for the Prior, Giovanni di Lap Bicchiellini, for allowing him to study the anatomy of corpses at the hospital there. In 1562, Michelangelo wrote two letters to his nephew, Lionardo, indicating his intention to carve a wooden crucifix for him. In 1563 a letter between Lionardo and the Italian sculptor Tiberio Calcagni, mentions this same crucifix (a sketch of a corpus on the verso of a sheet depicting Michelangelo’s designs for St. Peter’s Basillica [Palais des Beaux-Arts in Lille] may reproduce this). That Michelangelo was working on small corpora in the last years of his life is further evidenced by the small (26.5 cm) unfinished wooden crucifix located at the Casa Buonarroti, considered his last known sculptural undertaking. Michelangelo’s contemporary biographer, Giorgio Vasari additionally cites that Michelangelo, in his later years, made a small crucifix for his friend, Menighella, as a gift. Surviving sketches also indicate Michelangelo’s study of this subject throughout his career, most notably during the end of his life but also during the 1530s-40s as he deepened his spiritual roots. The occasional cameo of crucified Christ’s throughout his sketched oeuvre have made it challenging for scholars to link such sketches to any documented commissions of importance. All the while, in consideration that such objects were made as gifts, it is unlikely they should be linked with commissions. Nonetheless, a number of theories concerning Michelangelo’s sketches of Christ crucified have been proposed and some may regard the origin of the present sculpture. It has been suggested that the corpus could have its impetus with Michelangelo’s work on the Medici Chapel, whose exclusive design was given to the master. It is sensible smaller details, like an altar cross, could have fallen under his responsibility (see for example British Museum, Inv. 1859,0625.552). Others have noted the possibility of an unrealized large marble Crucifixion group which never came to fruition but whose marble blocks had been measured according to a sheet at the Casa Buonarroti. A unique suggestion is that Michelangelo could have made the crucifix for Vittoria Colonna, of whom he was exceedingly fond and with whom he exchanged gifts along with mutual spiritual proclivities. In particular, Vittoria had an interest in the life of St. Bridget, whose vision of Christ closely resembles our sculpture, most notably with Christ’s proper-left leg and foot crossed over his right, an iconography that is incredibly scarce for crucifixes. The suggestion could add sense to Benedetto Varchi’s comment that Michelangelo made a sculpted “nude Christ…he gave to the most divine Marchesa of Pescara (Vittoria Colonna).” Of that same period, two sketches can be visually linked to our sculpture. Tolnay relates it to a sketch of a Crucified Christ at the Teylers Museum (Inv. A034) of which Paul Joannides comments on its quality as suggestive of preparations for a sculptural work. Joannides also calls attention to a related drawing attributed to Raffaello da Montelupo copying what is believed to be a lost sketch by Michelangelo. Its relationship with our sculpture is apparent. Montelupo, a pupil of Michelangelo’s, returned to Rome to serve him in 1541, assisting with the continued work on the tomb of Pope Julius II, suggesting again an origin for the corpus ca. 1540. The earliest firm date that can be given to the present corpus is 1574 where it appears as a rather crudely conceived Crucifixion panel, flanked by two mourners in low-relief and integrally cast for use as the bronze tabernacle door to a ciborium now located at the Church of San Lorenzo in Padula. Etched in wax residue on the back of the door is the date, 27 January 1574, indicating the corpus would have at least been available as a model by late 1573. The Padula tabernacle was completed by Michelangelo’s assistant, Jacopo del Duca and likely has its origins with Michelangelo’s uncompleted tabernacle for the Basilica of St. Mary of the Angels in Rome. The impetus for the Padula tabernacle’s Crucifixion panel begins with a series of late Crucifixion sketches by Michelangelo, depicting a scene of Christ crucified and flanked by two mourners (see British Museum Inv. 1895.0915.510; Ashmolean Museum Inv. 1846.89, KP II 343 recto; Windsor Castle RCIN 912761 recto; and Louvre Inv. 700). A faintly traced block possibly intended for sculpting the sketch of the crucified Christ on its recto was discovered by Tolnay on a version of the composition at Windsor Castle. The Windsor sketch and those related to it appear to have served as preparatory designs for what was probably intended to become the Basilica of St. Mary’s tabernacle door. Vasari documents that the project was to be designed by Michelangelo and cast by his assistant, Jacopo del Duca. Michelangelo died before the commission was complete, though on 15 March 1565, Jacopo writes to Michelangelo’s nephew stating, “I have started making the bronze tabernacle, depending on the model of his that was in Rome, already almost half complete.” Various circumstances interrupted the completion of the tabernacle, though its concept is later revitalized by Jacopo during preparations to sell a tabernacle, after Michelangelo’s designs, to Spain for Madrid’s El Escorial almost a decade later. The El Escorial tabernacle likewise encountered problems and was aborted but Jacopo successfully sold it shortly thereafter to the Carthusians of Padula. An etched date, 30 May 1572, along the base of the Padula tabernacle indicates its framework was already cast by then. A 1573 summary of the tabernacle also describes the original format for the door and relief panels, intended to be square in dimension. However, a last minute decision to heighten them was abruptly made during Jacopo’s negotiations to sell the tabernacle to King Phillip II of Spain. Shortly thereafter the commission was aborted. Philippe Malgouyres notes that the Padula tabernacle’s final state is a mixed product of the original design intended for Spain’s El Escorial, recycling various parts that had already been cast and adding new quickly finished elements for its sale to Padula, explaining its unusually discordant quality, particularly as concerns the crudeness of the door and relief panels which were clearly made later (by January 1574). Apart from his own admission in letters to Spain, it is apparent, however, that Jacopo relied upon his deceased master’s designs while hastily realizing the Padula panels. If Michelangelo had already earlier conceived a crucifix model, and Jacopo had access to that model, its logical he could have hastily employed it for incorporation on the door panel to the tabernacle. It is worth noting some modifications he made to the model, extending Christ’s arms further up in order to fit them into the scale of the panel and further lowering his chin to his chest in order to instill physiognomic congruence. A crude panel of the Deposition also follows after Michelangelo’s late sketches and is likewise known by examples thought to be modifications by Jacopo based upon Michelangelo’s initial sculptural conception (see Malgouyres: La Deposition du Christ de Jacopo del Duca, chef-d’oeuvre posthume de Michel-Ange). Jacopo’s appropriation of an original model by Michelangelo for more than one relief on the Padula tabernacle adds further indication that the crucifix was not an object unique to Jacopo’s hand, as few scholars have posited, but rather belongs to Michelangelo’s original...

Beautiful Art Nouveau Desk Clock .Manufactured by Erhard & Söhne in Austria 1910 Burl wood with Brass inlay . Superb craftsman work . The movement was worn out . So i sent it to a...

Frederic Weinberg Grandfather Clock with Display Shelves. Hard to find clock, and this one still retains its second hand! Items display on 3 levels. Working condition with great c...

A massive late 19th century American oak splint basket with a double-banded rim and likely used for storing wool in a barn. We've been collecting basket for years, and we've never se...