North African Decorative Objects

Large Moroccan Mamounia glass lantern with Moorish design. Elegant Impressive intricate pierced metal and glass Moroccan lantern. Large 29 inches tall with clear, blue, green, red an...

Moroccan Moorish metal candle lantern with open metal work Moorish design. Hurricane candle lamp handcrafted in Morocco by artisans, metal handcut and ...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 8...

Pair of very decorative brown and green handcrafted Moroccan ceramic vases from Fez with two handles hand-graved with green Arabic Art writing ca...

Contemporary Moroccan free form shaped onyx bowl. Grey and taupe in color. From a large collection of different shapes, sizes and colors.

These four exquisite canopic jars, meticulously crafted from limestone, stand as guardians of secrets and pathways to eternity. Their purpose transcends mere mortuary vessels; they a...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 8...

Fine quality Antique Silver articulated fish Hallmarked A very fine quality Articulated silver fish model Expertly crafted with beautifully detailed silver workmanship, Hallmarked...

19th Century Moroccan Vessel Discover the enchanting beauty of Moroccan craftsmanship with this exquisite mid-19th-century vessel. A testament to the rich history and artistry of ...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 1...

- Hand built decorative fish sculpture - made of clay collected from the potter's surroundings. - decorative motifs painted with a goat hair brush made by the potter to apply natur...

- Hand built decorative cat sculpture - made of clay collected from the potter's surroundings. - decorative motifs painted with a goat hair brush made...

Pottery from Morocco. Inspired by Swedish midcentury pottery like Stig Lindberg. Designed and made by a local artist in Rabat.

Vintage Moroccan perfume bottle: a rosewater sprinkler hand crafted most likely in Marrakech. These bottles are all one-of-a-kind, made in an art-deco/baroque by skilled artisans fro...

Vintage decorative Moroccan Red Glass Perfume Bottle Sprinkler with Embossed Metal Overlay. Handcrafted Moroccan Moorish red painted glass perfume bottle or rose water sprinkler with...

Creel and Gow Wicker (Rattan) pedestal with Urn. Made exclusively for Creel and Gow in Tangier Morocco.

Standout Moroccan vase handcrafted in terracotta in classic form hand decorated on floral designs in distinctive Mediterranean colors under jewelry-like filigree metalwork.

An ancient Egyptian stone vessel/jar, Old Kingdom, 2600-2800 BCE. This is an original lime stone jar from the time of the pyramid builders, these vessels where hand carved with the u...

Standout vintage Moroccan vase handcrafted in terracotta in classic form with an olive tone glaze and decorated with jewelry like metalwork.

vintage Moroccan brass round trinket box decorated with multicolored jewelled beads in turquoise blue, ruby red, emerald green and onyx black. handcrafted metal brass box with lid fi...

Alabaster cylindrical vase Egyptian style, 20th century. A planar base and lightly flared accentuated with a segmented, cord-patterned ring in relief, all ...

Handmade mosaic trinket box in beaded brass metal over wood with bone inlays. The box has a geometrical octagon design with a footed base and lidded top. It features incised metal ...

PRESENTING a very RARE Early 19C (or possibly even earlier) Ornate Middle Eastern Bronze Bin. We are of the opinion that this large bin/bucket/planter or water pail is from the very...

VANADINITE ON BARITE Mibladen, Aït Oufella Caïdat, Midelt Cercle, Midelt Province, Drâa-Tafilalet Region, Morocco 12.7 cm tall x 14 cm wide The Drâa-Tafilalet Region of Morocco, best...

Two Large Kabylie Ceramic Dishes Kabylie Berber People Algeria Late 19th to early 20th century Hand molded ceramic, painted designs Diameter: 17" and 17.75" Depth: 2 3/4...

A pair of West African incised iron and copper wire axe form currency pieces. On custom mounts. In the form of a ritual axe, which in many parts of Africa was carried over the shoul...

A pair of monumental limestone sphinxes of Pharaoh Nectanebo I, from the processional avenue of the Serapeum of Memphis, 30th Dynasty, circa 379 - 360 BC. The sphinxes of the Serapeum have captivated travellers since Roman times. However, despite their significance, they are conspicuously absent from the collections of most major museums. Indeed, their existence in private hands is so improbable, and their imitations so numerous, that the present sphinxes were assumed to be modern copies throughout their recent ownership history. Finally recognised and conserved after an extraordinary chance discovery at a garden furniture sale...

Rare sculptural vessel from the popular crafts of southern Morocco made of hammered metal. Morocco 1970s

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

Contemporary Moroccan free form shaped onyx bowl. Polished and smooth finish. Shades of grey , beige and cream. From a large collection.

Impressive antique Moroccan lidded chest handcrafted in classic form with a domed top ambitiously inlaid with bone and dyed bone having intricate jewelry-like metal work highlights.

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

Contemporary Moroccan free form shaped onyx bowl. Tan and cream in color. From a large collection of different shapes, sizes and colors.

Carcharodontosaurus (Dinosaur) tooth in a glass display box From Tegana Formation, North Africa. Cretaceous Age 65 million years Carcharodontosaurus is one of the longest and heavi...

Exceptionally Fine Wooden Sarcophagus Mask Third Intermediate Period, 21st Dynasty, circa 1069-945 BC. Acacia wood, rosewood, hippopotamus ivory Masterfully carved from a single piece of fine-grained hardwood, the present mask is characteristic of the most exquisite funerary art made during the 21st Dynasty, and was probably commissioned for a particularly high-ranking individual. The oval face displays a gently smiling mouth with full, outlined lips, furrows at the corners and a bow-shaped philtrum. The straight nose with rounded nostrils, the cheeks full and fleshy and the large, almond shaped eyes with heavy lids and tapering cosmetic lines, set below long, sweeping eyebrows. Social collapse across the Mediterranean in the Late Bronze Age meant that the 21st Dynasty in Egypt was a period of great turmoil. Trade routes were disrupted, governments collapsed, and mass migration occurred. Economic scarcity meant that traditional funerary practices in Egypt were also affected, with a lack of material and financial resources leading to the reuse of preexisting material. As a result, during the 21st Dynasty, 19th and 20th Dynasty coffins changed ownership rapidly and were heavily recycled for new purposes. Tombs were also unmarked allowing them to be shared by many people. These new practices brought forth a shift in the understanding of funerary paraphernalia. No longer important objects owned forever by the deceased, they were now simply seen as short-term transformative devices, whose symbolic and ritualistic meaning could be appropriated for others. However, paradoxically, the art of coffin-making also reached new heights during this period, and many of the richly dec- orated “yellow” coffins, characteristic of the 21st Dynasty, are remarkable works of art in their own right. Indeed, knowing that coffins were being reused throughout Egypt, the Egyptian élite set themself apart by commissioning lavish sarcophagi decorated with the images and texts meant to help guide them to the afterlife, and which would otherwise have adorned the tomb walls. As coffins were the chief funerary element which now identified the dead and allowed them a physical presence in the world of the living, their quality and appearance were of the utmost importance. The traditional coffin ensemble was made of three parts: a wooden mummy cover, which laid directly atop the mummy, an inner coffin, and an outer coffin, both made of a lid and case. Additional decorative elements, such as masks, were carved out separately and later glued or pegged to the lids. After the completion of the painted decoration, the sarcophagus was covered in a varnish to give it its yellow colour. Gilding was sometimes used for the coffins of the high priests’ families, notably on parts representing naked skin, such as the face mask. However, some of the élite tactically avoided gilding altogether as to ensure that their coffin would not be looted. When manufacturing the inner and outer coffins, particular attention was paid to the woodwork. Displaying the skill of the carpenter, this type of funerary art has largely remained unparalleled throughout Egyptian history. The principal wood used to craft the present mask is Acacia nilotica. The evergreen Egyptian acacia was considered sacred and said to be the tree of life, the birthplace of the god Horus, as well as symbolic of Osiris, the god of the dead and resurrection. The modelling of the face in the wood is superb, but the inlays also help mark this mask out as exceptional. Inlaid eyes and eyebrows were extremely rare and reserved to the finest and most expensive coffins. Traditionally, eyes were made of calcite, obsidian, or quartz, and eyebrows of coloured glass paste or bronze. Here, the pupils, eyebrows, and cosmetic lines are inlaid with Dalbergia melanoxylon, a rare type of wood which belongs to the rosewood genus. In antiquity, however, it was known as Ebony of the Pharaohs, from the Egyptian word “hbny”, meaning dark timber, because of its black, lustrous appearance. An extremely dense and hard wood requiring significant skill to work with, ebony was a luxury material highly coveted by the pharaohs themselves, to make furniture, decorative and funerary objects. The wood was imported with great effort from the southern Land of Punt, most likely modern Sudan, Ethiopia, Djibouti, and Eritrea, alongside other luxury goods such as gold and ivory. A magnificent ebony throne, recovered in the tomb of King Tutankhamun, illustrates the incredible aesthetic potential of this material and why it was so highly valued by Egyptian royalty. Only élite members of Egyptian society could have afford- ed Ebony of the Pharaoh inlays for their funerary mask. The sclerae on the present piece were once both inlaid with hippopotamus ivory. Whiter than elephant ivory, this type of ivory is also denser, and more difficult to carve. The use of this luxury material, reputed for its gleaming appearance, enhances the lifelikeness of the eyes. For the Egyptians, hippopotamus ivory was imbued with magic powers. The hippopotamus was indeed both feared and venerated due to its aggressive behaviour. Whilst the male hippopotamus was associated with danger and chaos, the female was benevolent and invoked for protection, especially of the house and of mothers and their children, through the hippopotamus goddess Tawaret. Thus, not only was hippopotamus ivory used as an inlay and to make practical objects, such as combs and clappers, but it was also used to make talismans like apotropaic wands or knives. Made during a time of scarcity where few could afford made-to-order coffins, the present mask could have only belonged to one of the highest-ranking individuals in society. Undoubtedly one of the finest Egyptian coffin...

Vintage Moroccan footed box, handcrafted from brass with overlay carved bone in orange amber color and white. Decorative Moroccan vintage brass canister...

Rare sculptural vessels from the crafts of southern Morocco made of hammered metal. Morocco 1970s

Rare sculptural vessel from the popular crafts of southern Morocco made of hammered metal. Morocco 1970s

Vintage Polished Brass Moroccan Pillar Candle Holder 1950s. Vintage Moroccan altar etched brass candlestick, pillar candle holder. Handcrafted tall Moroccan polished solid brass candle holder mounted on a wooden base. Mid Century vintage Moorish Revival engraved brass candle-stand, large heavy solid brass with nice Moorish etched design. Very elegant it will make quite a statement. Heavyweight. Circa 1950's. Dimensions: 30 in. tall, the plate is 10in. diameter. ( dimensions are without the candle). Note: Chair is not included in the sale it is used for scale only. Tall Moroccan candle holder, Boho wedding décor, magnificent on a buffet, dining table, credenza or console or on the floor near the fire place...

An elegant pair of handmade gold brass table or hanging lanterns, candle or tea light holder. Beautifully carved in a Moorish style and decorated with multi-color glass in red, green...

Contemporary Moroccan polished onyx balls. Decorative as a collection. Bowl is not included.

Egyptian Scarab Brass Beetle Figurine on stone stand after the Egyptian Museum antiquities.A unique and beautiful addition to any Egyptian Art Deco collection. This Vintage solid cast brass Egyptian scarab beetle sculpture figurine on a black stone stand could be used as a paperweight or just as a collectible Egyptian Museum decorative piece of history. The beautiful all-over antique patina of the bronze shows its age and history, adding character and depth to the piece. This Egyptian revival bronze scarab is a striking collector's item and a testament to the fascination with Egyptian culture timeless design and historical significance make it a valid addition to any collection. Dimensions: Height: 2 in Width: 3 in Depth: 2.25 in. About the Scarab in ancient Egypt: The scarab beetle held significant cultural, religious, and symbolic importance. The scarab beetle, also known as the dung beetle, played a central role in Egyptian mythology and daily life. Here are some key aspects of the scarab beetle beliefs in ancient Egypt: 1) Symbol of regeneration and rebirth: The scarab beetle was associated with the concept of regeneration and rebirth. This connection was primarily observed in the insect's behavior of rolling balls of dung in which it laid its eggs. Egyptians saw parallels between this process and the sun god Ra's daily journey across the sky, disappearing at night and re-emerging in the morning. 2) Representation of the sun god Ra: The scarab beetle became a symbol for the sun god Ra, who was one of the most important deities in the Egyptian pantheon. The rolling of the dung ball by the beetle was likened to Ra's journey across the sky, and amulets in the shape of scarabs were often worn as protective charms. 3) Protective amulets and jewelry: Scarab beetles were popular motifs in ancient Egyptian jewelry...

Contemporary Moroccan free form shaped onyx bowl. Tan, cream and dark grey in color. From a large collection of different shapes, sizes and colors.

Antique handcrafted Moroccan jewelry wooden box with camel bone inlay trunk. A large early 20th century decorative Moroccan camel bone casket with bra...

An unusual and exceptionally carved Central African tribal anthropomorphic wooden double head palm wine cup originating from the Kuba Kingdom and dating from the 20th century. The K...

Contemporary Moroccan free form shaped onyx bowl. Tan and cream in color. From a large collection of different shapes, sizes and colors.

Spinosaurus (meaning "spined reptile") is one of the largest carnivorous dinosaurs to ever exist. This behemoth lived in present-day Morocco during the upper Albian to upper Turonian...

This 100% complete trilobite fossil of the species drotops megalomanicus on its natural limestone matrix is estimated to date back 400 million years to the Devonian period. Out of Mo...

This 100% complete trilobite fossil of the species crotacephalina on its natural limestone matrix is estimated to date back as far as 400 million years. Out of Morocco, this specimen...

Moroccan Glass Vase – Blue Moroccan Glass Vase – Blue. Hand-made in Morocco. The glass is mouth blown and available in an assortment of colours. Approx...

This 100% complete trilobite fossil of the species crotacephalina on its natural limestone matrix is estimated at approximately 400 million years old, dating back to the Devonian per...

Contemporary Moroccan onyx bowl. Free form shape. Shades of striated horizontal gold lines. Smooth polished finish. From a large collection.

This type of Egyptian Vessel was carved from a very hard stone using a simple drill and was most likely used for the storage of ointment or liquids. The small lug handles allowed the...

This 100% complete trilobite fossil of the species zlichovaspis rugosa displayed on its natural limestone matrix is estimated at approximately 400 million years old, dating back to t...

Secure and display your favorite books with this beautiful Oak Wood Book End! Hand-crafted from natural oak wood, this book end is both durable and attr...

- Handbuilt black ikebana vase - Made of clay collected from the potter's surroundings. - Made in the Moroccan Rif mountains by the potter Houda. ...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 13.5 x 9 x 14 in // 39 x 27 x 35 cm; weight 6 lb // 9 kg Handmade: Variation is to be expected, each piece differs in color, size, shape and decorations due to its handmade nature and natural pigments. memòri is about simplicity, imperfections, and embracing the "flaws". Each piece is fired in an open fire - a dug hole during more than 12 hours, which makes unexpected and surprising results, including smoke marks on some pieces. This means that each piece is one of a kind and cannot be duplicated. Care instructions: The ceramics are not glazed. We advise you to keep it as a decorative object if you want to conserve the original aspect. About the savoir-faire, the modeled pottery The potters of northern Morocco perpetuate the ancient art of modeled pottery, which first appeared around 6,000 BC. The techniques and patterns used today are very close to those of their origins. This ancestral know-how, which has disappeared around the Mediterranean, still lives in the pre-Rif. Today, these potters are the guardians of this ancient art. The modeled pottery according to the ancestral art...

- Hand built decorative dog sculpture - made of clay collected from the potter's surroundings. - decorative motifs painted with a goat hair brush made...