Dining Room Decorative Objects

Early Vase designed by Just Andersen in the 1920s. A fine piece for the exquisite home. * A fan-shaped metal vase with vertical lines and lugs * Designer: Just Andersen * Model: D20...

An elegant Belgian blue and white glazed earthenware lidded ginger jar, produced by Boch in the Delft tradition, dating to circa 1920. This beautifully decorated piece features a ge...

Distinct heavy sculptural vase with the refined geometric aesthetics of the 1920s-1930s. Copper, brass and black metal colored swirling decorative sharp-edged stripes from top to bas...

A superb design masterfully handcrafted of mouth-blown glass in Venice, this candle holder is created in light, colored borosilicate glass. The Dolce Vita candle holder is a colored ...

Vase #531 by Karen Gayle Tinney Quiet symmetry and front-facing fringe details make this vase perfect for display on a shelf or table. Hand formed beige stoneware with black glaze. Black tencel...

The striking and unique Hesse Vase in Glacier is handmade by artist Elyse Graham in her Los Angeles studio. This collection of vessels is inspired by our...

This Mid-Century Modernist Murano glass vase is a striking example of Murano's renowned craftsmanship from the 1960s, showcasing the expert hand-blown techniques Italian artisans per...

Exquisite French colored glass vases. Pink and green glass or Rubina Verde as they are called in France. Executed with vertical ribbings. Distinct...

1697 Antique Japanese carved green stone containter with precicely fitted lid

Early 20th-Century Chinese Cloisonné Table Lamp, Floral Motifs, Brass Accents This exquisite early 20th-century Chinese cloisonné table lamp is a stunning example of traditional enamel craftsmanship. Adorned with intricate floral motifs in vibrant shades of light blue, deep blue, red, and green, this lamp brings elegance and a touch of exotic charm to any interior. Its aged brass base and top further enhance its authenticity and refined character. Note: An electrical plug adapter for U.S. outlets is included. Lampshade not provided. Cloisonné Enamel Work: The lamp showcases classic Chinese cloisonné craftsmanship, with delicate floral designs set against a richly colored enamel background. Color Palette: The harmonious blend of blue hues, red, and green creates a visually striking piece, perfect for adding warmth and personality to any space. Brass Accents: The aged brass base and top feature a beautiful patina, adding to the lamp’s antique charm and timeless appeal. Versatile Elegance: Whether placed in a modern, traditional, or eclectic setting, this lamp enhances its surroundings with a touch of history and cultural artistry. Decorative and Functional: Beyond its decorative value, the lamp provides a soft, ambient glow, making it ideal for bedside tables, living rooms, or study areas. This early 20th-century Chinese cloisonné lamp is more than just a lighting fixture—it is a statement piece that brings heritage, artistry, and vibrant color into any home. A rare find for collectors and interior design enthusiasts alike. Chinese cloisonné lamp, early 20th-century enamel lamp, antique Chinese lighting, floral enamel table lamp, vintage brass and cloisonné decor, colorful Asian lamp, traditional Chinese craftsmanship, decorative cloisonné lighting.

A substantial English creamware centerpiece bowl by Wedgwood, made exclusively for the distinguished Philadelphia retailer Bailey Banks & Biddle. Accompanied by its original illustrated explanatory leaflet, this handsome commemorative design combines finely detailed Williamsburg Sepia decoration with a warm ivory ground. #5781 The exterior features historic Philadelphia views, including Christ Church, the Merchants’ Exchange, Lemon Hill, and Independence Hall buildings, interspersed with botanical motifs representing the city’s Chestnut, Walnut, Cherry, and Mulberry streets. Artist Alan Price...

Solid rosewood catchall by Odile Noll, signed 6x3

Antique Silver-Plated Evening Purse with Finger Ring Chain & Green Velvet Interior A beautifully decorative antique silver-plated purse, combining elegant period craftsmanship with a...

A rare surviving example of 19th century American perfumery, this Lazell, Dalley & Co. “Heliotrope” perfume bottle dates to the 1880s. The clear glass bottle retains its original lab...

Striking and elegant, the Rectangle Bubble Vase has a unique silhouette that brings a modern and playful feel to any space. Styled in built-ins or filled with florals, this vase is a...

An antique Japanese copper vase with polychrome cloisonne enamel decor. Late Meiji period, before 1912. Baluster shape, flower brunches and birds decor against turquoise background. ...

Beautiful purple and blue Mid-Century Modern Italian Murano glass vase. Made using the Sommerso (submerged) glass technique.

A stunning Art Nouveau foliage design art pottery vase decorated in iridescent glazes by world renowned ceramic artist Clement Massier (French, 1845-1917) dating from the latter end ...

Mid-Century Modern Minimalist Danish Studio Pottery Vase by Jette Andersen Keramik, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece has an attribution mark, Additio...

Hand-painted ceramic pitcher, made by Bruno Gambone in the 1970s Ø cm 20 h cm 17 Bruno Gambone (1936-2021) was an influential Italian ceramicist and artist, widely recognized for h...

Three Sommerso Murano glass dishes attributed to Flavio Poli, Italy, 1950s, sold together as a set: one blue and yellow, one violet, one green and yellow. Each dish is hand-blown in...

Elegant conical pewter vase designed and made by Just Andersen in the 1950s. * Conical pewter vase raised on a small foot * Designer: Just Andersen * Manufacturer: Just Andersen * M...

Vase #696 by Karen Gayle Tinney Featuring a large gestural knot, this vase takes inspiration from the braided details of Karen’s one of a kind wall sculptures...

1960s Gorgeous red ashtray or catchall by Flavio Poli for Seguso in Bullicante Murano Glass. Made in Italy The item is in excellent condition. Dimension: 3,93 diameter x 1,96 H inche...

Vase #531 by Karen Gayle Tinney Quiet symmetry and front-facing fringe details make this vase perfect for display on a shelf or table. Hand formed beige stoneware with blue shino g...

A Stylish Example of a Fine Pair of Hand Cut Full Lead Crystal Mantle Lusters or Candlesticks of outstanding heavy gauge quality and medium size proportions, all though unmarked were...

A striking ten-light candelabra handcrafted from naturally shed reindeer antlers, sourced in Scandinavia. This sculptural piece combines rustic Nordic charm with refined craftsmanshi...

Set of two Gio Ponti for Ginori athletic dishes. Vintage Richard Ginori shaped nut dishes/ small saucers from the athletic series designed by Gio Ponti featuring a lithe male diver a...

A striking pair of antique French Rococo-style candelabras, beautifully crafted in the Louis XV tradition with elegant scrolling arms, acanthus leaf detailing, and richly ornamented ...

Beautiful set of two Mid-Century Italian Murano facetted glass vases. Made using the Sommerso (submerged) glass technique. One is red with orange The smallest one is purple with yel...

Spaghetti special vase, Clear Amber, Matt Mauve Vase in soft resin designed by Gaetano Pesce in 1995 for Fish Design collection. Measures: L - ø 22cm x H 36cm Colours: Clear Amber,...

A large organically shaped pinewood bowl designed and produced by Stig Johnsson for Smålandsslöjd in the 1970s. Turned from a piece of edge glued Swedish pinewood. Hallmarked “Smålandsslöjd Stig...

Made in France in the nineteenth century, this grape hod is a vessel of the type used during the wine harvest to carry picked grapes. The shaped form follows its working purpose, des...

A captivating and highly sculptural mid-century silver-plated vessel (marked Prima N.S.), complete with its original clear glass insert. The defining feature of this unique statement...

A pair of identical antique Japanese copper vases with cloisonne enamel design. Late Meiji period, circa 1885. Baluster shape, solid base, pronounced neck. Golden stone flake ground,...

1960s Flavio Poli designed tall, narrow pink Murano glass vase with a teardrop shape made in Italy for Seguso Vetri d’Arte. The Italian hand-blown glasswork is crafted using the Somm...

A sculptural black basalt shell bowl by Wedgwood, made in England circa the 1960s as part of the manufacturer's Basalt range. Slip-cast in black stoneware, the bowl takes the form o...

This elegant pair of French Biot glass hurricane candle holders exemplifies the enduring tradition of glassmaking from the village of Biot, located in the South of France. Mouth-blow...

Raija Uosikkinen Decorative Plate for Arabia of Finland, 1985. Retains the original box.

Rosenthal white and gold porcelain centerpiece, made in the 1960s Ø cm 37 Ø cm 21 h cm 14 Rosenthal is a well-known and respected German manufacturer of porcelain products. Rose...

A beautifully understated stoneware vase by Danish ceramicist Myre Vasegaard (1911–2001), made in her own studio in the 1960s. The organically rounded form is characteristically rest...

A classic blue and white ginger jar, decorated throughout with delicate bird and flowering branch motifs. The pattern is dense yet balanced, wrapping the form in movement while maint...

Vintage French ceramic flower vase by Le Mûrier (circa 1960s). A charming cylindrical vase in the unmistakable Le Mûrier Provençal style with their trademark stylised mulberry flower...

Beautiful purple glass vase made by Orrefors Sweden, realized in Sommerso technique, original manufacturer label to the front, signed and numbered to the bottom. Excellent condition....

Mid-Century Pewter Carafe Vase with Teak Handle from K.M.D. Tiel Royal Holland Pewter, 1960s, in Very Good conditions. Designed 1960 to 1969 This piece h...

Elegant Pewter Flower Vase designed by Ellen Schlanbusch for Just Andersen in the late 1940s. * Flower-shaped pewter vase * Designer: Ellen Schlanbusch * Manufacturer: Just Anders...

Antique Silver Plated Butter Dish with Domed Lid Vintage English Covered Butter Server Elegant Tableware & Collectible Dining Décor Introduce timeless sophistication to your dining table with this elegant antique silver-plated butter dish, beautifully crafted with a fitted domed lid and an ornate scroll finial handle. Featuring a refined oval silhouette and an intricately decorated floral border, this charming vintage piece embodies the elegance of traditional English silverware while remaining both practical and decorative. Designed to serve butter, soft cheeses, pâté, preserves, or gourmet accompaniments, this covered butter server makes a striking centrepiece for breakfast tables, afternoon tea, formal dining, or country house interiors. Its softly aged silver-plated finish has developed a beautiful character over time, enhancing its authentic antique appeal. Whether displayed in a classic farmhouse kitchen, a Victorian or Edwardian dining room, or incorporated into a contemporary luxury interior, this exceptional piece effortlessly combines history, craftsmanship, and everyday functionality. Perfect for collectors of antique silver, interior designers, and anyone seeking unique vintage tableware, this butter dish also makes a thoughtful wedding, anniversary, or house-warming gift. Features Authentic antique silver-plated butter dish with matching domed lid Elegant oval design with decorative floral border Beautiful ornate scroll finial handle Ideal for serving butter, cheese, pâté, preserves, or hors d'oeuvres Classic English tableware with timeless appeal Lovely vintage condition with a naturally aged patina consistent with age and careful use Suitable for Victorian, Edwardian, French Country, Traditional, Farmhouse, and Modern Classic interiors This beautifully preserved antique butter dish is more than a serving piece—it's a statement of refined taste, adding elegance and heritage to every table setting. Keywords: Antique Silver Butter Dish...

This is an antique presentation prize bowl. An English oak, silver plate and ceramic display or fruit dish, dating to the Edwardian period, circa 1905. A charming and versatile servi...

A composition of onyx with alpaca metal. Inspired by the pure and essential lines of a structure of solid stones, with a vertigo stability. Our pieces are made by hand. One of a kin...

Enchanting Murrine Vase with a complex web of Murrine. Looking carefully these are squared Murrine with an design of a rose. The Murrinas are made of Cobalt blue and acquamarine, the...

Émile Gallé long neck Cameo vase, Art Nouveau, 1904-1906 Émile Gallé (Nancy, 1846 –1904) was a French glassmaker and furniture designer Émile Gallé 30 cm high long neck Cameo vase m...

An organic shaped porcelain bowl with a tactile exterior surface and a smooth glazed interior. Small & precious, yet surprisingly practical, the Kawa Dishes are equally well-suited as a jewelry dish, salt cellar, sauces & dips bowl...

Bronze Mounted Iridescent Loetz Vase. Circa 1900, Art Nouveau An elegant Art Nouveau vase by Johann Loetz (1848–1933), featuring luminous iridescent glass in rich blue with green and...

A rare candelabra floor lamp by Erik Höglund for Boda Sweden circa 1960's 12 arm floor standing candelabrum with clear glass elements, the lower pendants featuring impressed abstrac...

Design and purpose best describe this one-of-a-kind custom picnic basket. This basket features an authentic classic Louis Vuitton fabric liner inside the basket as well as a sturdy g...

Organic modern ceramic vase with asymmetrical soft waves around the circular body. Spotted warm gray glaze with a blue tint. Beautiful condition.

A generously scaled early 20th-century American gathering basket, handwoven from oak splints in the traditional buttocks form. The broad double-lobed body is shaped by a beautifully ...

1960s Gorgeous amber and yellow ashtray or catchall by Flavio Poli for Seguso in Murano sommerso glass. Made in Italy. So rare to find it in this color. The item is in excellent cond...

Vintage ceramic or pottery vase features traditional rounded body with elongated bulbous neck with flared rim; the shoulder is accented with textured band of abstract graphic element...

A giving joy beautiful French Fayence Floor Vase fantastic Art Nouveau pattern - Impressing Colours Manufacturer unknown - marked Design Period 1915 - 1925 Country of Manufacture : France H / height: 46 cm ~ Gew. / weight: 4550 grs DM / diameter max: 28 cm ~ DM oben / diameter inner rim: 19.8 cm .... an ode to Southern France A Legend of Provence by Adelaide Anne Procter (30 October 1825 – 2 February 1864) The lights extinguished, by the hearth I leant, Half weary with a listless discontent. The flickering giant-shadows, gathering near, Closed round me with a dim and silent fear. All dull, all dark; save when the leaping flame, Glancing, lit up a Picture's ancient frame. Above the hearth it hung. Perhaps the night, My foolish tremors, or the gleaming light, Lent power to that Portrait dark and quaint, — A Portrait such as Rembrandt loved to paint, — The likeness of a Nun. I seemed to trace A world of sorrow in the patient face, In the thin hands folded across her breast: — Its own and the room's shadow hid the rest. I gazed and dreamed, and the dull embers stirred, Till an old legend that I once had heard Came back to me; linked to the mystic gloom Of that dark Picture in the ghostly room. In the far south, where clustering vines are hung; Where first the old chivalric lays were sung; Where earliest smiled that gracious child of France, Angel and knight and fairy, called Romance, I stood one day. The warm blue June was spread Upon the earth; blue summer overhead, Without a cloud to fleck its radiant glare, Without a breath to stir its sultry air. All still, all silent, save the sobbing rush Of rippling waves, that lapsed in silver hush Upon the beach; where, glittering towards the strand The purple Mediterranean kissed the land. All still, all peaceful; when a convent chime Broke on the mid-day silence for a time, Then trembling into quiet, seemed to cease, In deeper silence and more utter peace. So as I turned to gaze, where gleaming white, Half hid by shadowy trees from passers' sight, The Convent lay, one who had dwelt for long In that fair home of ancient tale and song, Who knew the story of each cave and hill, And every haunting fancy lingering still Within the land, spake thus to me, and told The Convent's treasured Legend, quaint and old: — Long years ago, a dense and flowering wood, Still more concealed where the white convent stood, Borne on its perfumed wings the title came: " Our Lady of the Hawthorns " is its name. Then did that bell, which still rings out to-day, Bid all the country rise, or eat, or pray. Before that convent shrine, the haughty knight Passed the lone vigil of his perilous fight; For humbler cottage strife or village brawl, The Abbess listened, prayed, and settled all. Young hearts that came, weighed down by love or wrong, Left her kind presence comforted and strong. Each passing pilgrim, and each beggar's right Was food, and rest, and shelter for the night. But, more than this, the Nuns could well impart The deepest mysteries of the healing art; Their store of herbs and simples was renowned, And held in wondering faith for miles around. Thus strife, love, sorrow, good and evil fate, Found help and blessing at the convent gate. Of all the nuns, no heart was half so light, No eyelids veiling glances half as bright, No step that glided with such noiseless feet, No face that looked so tender or so sweet, No voice that rose in choir so pure, so clear, No heart to all the others half so dear, So surely touched by others' pain or woe, (Guessing the grief her young life could not know,) No soul in childlike faith so undefiled, As Sister Angela's, the " Convent Child. " For thus they loved to call her. She had known No home, no love, no kindred, save their own. An orphan, to their tender nursing given, Child, plaything, pupil, now the Bride of Heaven And she it was who trimmed the lamp's red light That swung before the altar, day and night; Her hands it was whose patient skill could trace The finest broidery, weave the costliest lace; But most of all, her first and dearest care, The office she would never miss or share, Was every day to weave fresh garlands sweet, To place before the shrine at Mary's feet. Nature is bounteous in that region fair, For even winter has her blossoms there. Thus Angela loved to count each feast the best, By telling with what flowers the shrine was dressed. In pomp supreme the countless Roses passed, Battalion on battalion thronging fast, Each with a different banner, flaming bright, Damask, or striped, or crimson, pink, or white, Until they bowed before a newborn queen, And the pure virgin Lily rose serene. Though Angela always thought the Mother blest Must love the time of her own hawthorn best, Each evening through the years, with equal care, She placed her flowers; then kneeling down in prayer, As their faint perfume rose before the shrine, So rose her thoughts, as pure and as divine. She knelt until the shades grew dim without, Till one by one the altar lights...