Hand-Carved Decorative Objects

A pair of Art Nouveau Jugendstil Style amphora from Rudolstadt, Thuringia hailing from the Triebner Ens Manufacture and the artist Karl Ens Volkstedt. Vase decorated with a iris f...

A hand-carved white marble head of a satyr (or faun) in the Neoclassical style. The figure is depicted with characteristic caprine features, including recurved ribbed horns, a furrow...

A hand-carved Indonesian marble ring on stand, contemporary. 10" Diameter, 14" High (mounted). Stand base: 7" W x 4" D

Place this elegant, antique Napoleon III silverplated box in your master bath to keep your jewelry safe and organized. Crafted in France circa 1870, and built of bronze, the rectangular casket with raised top, sits on small scrolled feet, and is dressed with lion face handles on both sides. All sides including the top are decorated with detailed repousse floral and leaf motifs in high relief throughout; the top is decorated with a oval medallion featuring Poseidon, one of the Twelve Olympians in ancient Greek religion and mythology...

Vintage whimsical and playful American Folk Art carved wood sculpture features a hand carved and hand-painted seated cat with large expressive eyes and surprised look on its face. Th...

This elegant set of four hand-carved crystal bottles showcases refined craftsmanship and timeless charm. Each bottle is individually shaped and decorated with delicate, stylized bot...

This is a small Jizo Bodhisattva statue believed to have been made in the late Edo period (19th century). It is believed to be made of granite. Its rough texture exudes a gentle aura...

A Highly Important Viennese Enamel, Silver, Lapis Lazuli, and Rock Crystal Mounted Hinged Box, Attributed to Hermann Ratzersdorfer. The box is constructed from silver-gilt and fully ...

Introducing the Handcrafted Rugged Earthenware Storage Amphora, a piece that embodies the essence of Mediterranean craftsmanship and rustic charm. This amphora, traditionally used fo...

Stunning craftsmanship! This pair of 19th century Black Forest hunting Trophy plaques from Brienz Switzerland. Fully carved from solid ...

This petite hardwood tray from the late Qing dynasty reflects the literati's taste for fine materials and balanced proportions. The little tray is shaped as a six-petal flower blosso...

Monumental antique carved wooden trough or bowl, 19th century. This is a rare antique hand carved wooden trough or bowl, which can be used for decoration or as a (fruit) bowl or mag...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

A true masterpiece, this fully hand-carved 19th-century Black Forest jewelry box from Switzerland is a remarkable work of art. Nearly 150 years old, the wood has developed an extraor...

We are offering a wonderful Art Deco bakelite figural globe flip perpetual calendar. This is a great addition to any desktop. Has the original interior designers firm decal on the bo...

Storytelling through the use of light is central to all my designs. The idea behind the Forest Candelabra collection was to create an interplay between the variety of organic shapes,...

19th century Swedish folk Art wooden bowl dated 1791 & owner marks PPS A stunning antique organic wooden bowl with lovely patina. You can see the use of time. The bowl is made of...

Important sculptural vase carved by hand from a solid block of Arabescato marble. Vase dimension: D 52 x H 45 cm. Available in different marbles. Limited edition of 35. Each vase...

Beautiful handmade Danish modernist ceramic pitcher vase from the Tribal series by ceramic artist Marianne Starck (1931-2007). Smooth rounded shapes with striped handle. White glaze ...

Black Ammonite Decorative Catchall - Shell Fossil Stone Bowl, France 1970s This Orthoceras & Ammonite bowl is a beautiful decorative piece made from genuine ancient fossilized ortho...

Vintage Vase 'Orkidea' by Timo Sarpaneva for Iittala A large vintage 'Orkidea' (Orchid) vase designed by Timo Sarpameva for Iittala in 1953. Marked with Iittala lable and incised si...

Magnificent 21st Century English Carved Lapis Lazuli Sculpture, ''On A Golden Pond'', by Frempire. A superb quality, contemporary model of a Horse carved in the round from Lapis La...

Museum-Worthy Daum Nancy Antique Vase, Wheel Carved & Powder Colour with Rare carved Spider relief. Step into the world of Belle Époque artistry with this extraordinary Daum Nancy art glass...

An Exceptionally Rare 18th Century Louis XV Ormolu Mounted Meissen Porcelain Chinoiserie Elephant, Snail, and Flower Mantel Clock. The clock drum is painted with floral reserves on a yellow-ground porcelain case, surmounted by a seated monkey modeled in cream-glazed porcelain. The dial is inscribed “MILLOT / Her DU ROY,” referring to the Parisian clockmaker Millot, horloger du roi, and retains its original single-barrel movement with platform lever escapement. The interior of the case bears a stamped “B.” The entire composition is supported by a scrolling structure of polychrome porcelain flowers mounted on ormolu branches, leading to a central Meissen figure seated on a saddled elephant, positioned on an elaborately cast gilt bronze rocaille base. The composition centers around a chinoiserie theme, which was highly fashionable in mid-18th century France, particularly during the reign of Louis XV. In this example, the chinoiserie elements are expressed through the seated porcelain figure in Chinese dress, riding atop a caparisoned elephant with a vibrantly painted red and gold saddle and bright yellow cushion. The elephant, modeled with expressive naturalism, features finely detailed ears, trunk, and legs in Meissen’s distinctive hand-painted porcelain, with further ornamentation in applied gilding. Surrounding the central figure and timepiece is an elaborate framework of metal branches issuing dozens of individually modeled porcelain blossoms. These include peonies, roses, and tulips in various stages of bloom, each petal uniquely hand-shaped and painted in hues of lilac, ivory, pink, and violet, with naturalistic green leaves extending outward on slender bronze stems. The gilt bronze mount is executed in the Rococo taste, with asymmetrical shell forms, Snails, C-scrolls, and foliate scrollwork typical of French bronze work from the Louis XV period. The ormolu is mercury-gilded, a process common in the 18th century which involved the application of an amalgam of gold and mercury to the surface of the bronze, followed by firing to vaporize the mercury. This technique created a matte yet luminous surface, prized for its depth and lasting quality. The ormolu is cast in a deeply three-dimensional style, with scrolled feet and boldly molded foliate ornaments that cradle the base of the Meissen elephant...

Bowl sculpted by hand from a solid block of Calacatta marble. Velvet finishing. Dimensions: Big L 56 x W 27 x H 12 cm. Also available: Small L 35 x W 17 x H 8 cm. and Medium L 45 ...

This skillfully executed hand carved figural bull is fully dimensional and has a rich brown color. The bull is depicted in a standing position atop a shaped wooden plinth. The muscular animal has been finished with realistic detail with particular attention given to the bull's facial features and folds of skin. The plinth itself is slightly domed at the center and bears carved elements which include a large rock and stylized plants. The bull measures 8" tall and the base is 10.75" x 4.125". It weighs 1lb 15oz. The carved bull is in very good vintage condition with no cracks or signs of wear. This early 20th century hand carved bull statue...

Antique Egyptian stone bust 19th century This sculpture was purchased at a wine-producing château in Bordeaux. Good condition with good patina due to age. Shipping: 14 / 12 / 15 c...

Antique wooden dough bowl, Konebachi. - Hand-carved from the one solid wood piece , circa 1870s - 1900s. dough bowls were widely owned by the ordinary Japanese households, the most ...

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

Dimensions: 39 inches high x 9 inches wide x 9 inches deep. Truly outstanding palatial pair of Empire style malachite and bronze ormolu mounted obelisks, representing an extraordina...

Antique German or Swiss sculptural fern leaf shaped bowl or empty pocket. This is a remarkable piece of best craftsmanship regarding its finest carving, dating back to approximately ...

Hand carved wood in a form of an elephant. No tusk

This fine early hand carved dough bowl was found in the mid west and is in worn and aged condition. The dry patina is fantastic and condition is...

A very large 19th century North-Western Indian figural Carved Wood Totem Pole. This very rare Pole measures 8" in diameter and stands 7.5 feet tall. This is one of the rare historic Totem pole that survived the late 19th century ban of Totem poles. Nearly all Totem-pole-making had ceased by 1901. Carving of monumental and mortuary poles continued in some, more remote villages as late as 1905; however, as the original sites were abandoned, the poles and timber homes were left to decay and vandalism. In the 19th and early 20th centuries, before the passage of the American Indian Religious...

A striking abstract sculpture crafted in solid cherry wood, originating from France and dating to the 1970s. This work is composed of two interlocking elements, thoughtfully designed...

Vintage Murano Tutti Frutti Art Glass Bowl 1950s A vintage Murano art glass bowl, crafted in the style of AVEM's 'Tutti Frutti' or 'Rest of the Da...

So light up your home and the festival with this beauty! Candlestick The pair of candlesticks Keijser & Co, Westerås. Height 15 cm.

Softwood bord hand-carved with zodiac decoration. Fitted with a battery movement. Signed B. Strid, Västervik, 1945.

This striking Renaissance style carved gilt wood sculpture depicts a "grotesque" dolphin surmounted on a wood plinth base. The sculpture is modeled after classical Greco-Roman descr...

Heavily Inlaid with Mother of Pearl and Abalone From our Writing Box collection, we are pleased to offer this stunning Antique Inlaid Writing Box by Hausburg. The Writing Box of rec...

Offered is a pair of Foo Dog sculptures on a black base. These are a classic Asian decorative piece, they are made from soapstone. This type of sculpture typically depicts two guardi...

Beautifully carved and richly expressive, this antique dog head letter opener is a fine example of late 19th-century Black Forest or Brienz craftsmanship. Hand-carved from wood, the ...

With a Fitted Sewing Box Interior From our Tunbridge Ware collection, we are delighted to offer this Tunbridge Ware Sewing Box. The Rosewood box of rectangular form extensively inla...

Italian Carved Walnut Casket Box, 16th century, with low relief carved birds in roundels in recessed roundels with trellis motif and iron handle. 5.5" H x 12.25" W x 5.75" D. Prove...

19th century Swedish gilt and églomisé ornate wall clock circa 1840. Fine quality Swedish wall clock of the empire period circa 1840. Beautifully carved, surmounted with doves. 2 si...

FREE WORLDWIDE SHIPPING Tea chest with Chinoiserie decoration, of rectangular sarcophagus form with a slightly tapered body and angled lid, raised upon four brass ball feet and dat...

A monumental Italian tazza hand-carved from luminous Carrara marble, dating from the late 18th to early 19th century. Elegant in proportion and sculptural in presence, the vessel ref...

Mid century rococo revival gilt clock by Westerstrand circa 1950. Good quality rococo influenced clock by well known swedish maker westerstrand. Fitted with a twin train 8 day move...

Ladies’ cigarette case rectangular convex “olive” shape in 925/1000 sterling silver with black and white fire enamel with Art Deco style design. With “lost” hinge, that is semi-invis...

A Large European Carved Limestone Celtic Votive Head of a Male Warrior Wearing a Typical Flowing Moustache Small Beard and Curling Locks of Hair Stiffened with Lime Wash the Slit Mouth Open as if in Command Circa 1st Century BC - 1st Century AD Size: 31cm high, 22cm wide, 25cm deep - 12¼ ins high, 8¾ ins wide, 9¾ ins deep / 42cm high - 16½ ins high (with base) From about 500 BC, first Greek and later Roman historians mention peoples living in a large area of non-mediterranean Europe as Celts. These classical chroniclers seem to have recognised these communities as having sufficient shared cultural traditions to justify their being given a common name, ‘Keltoi’ by the Greeks, and ‘Celtae’ or ‘Galli’ by the Romans. The earliest allusions to Celts by such Greek historians as Herodotus (485 - 425 BC) were followed by Polybius (200 - 118 BC) and Livy (59 BC - AD 17) who discuss the expansion of the Celts from their central European homelands during the 4th and 3rd centuries BC. They document the presence of Celts in Spain, France, Italy, Greece and Asia Minor, specifically central Turkey. They testify to the successful Roman resistance to the Celts in Italy, after the ignominy of the sacking of Rome by them in 387 BC, and describe the huge defeat suffered by the Celts at the battle of Telemon in northern Italy in 225 BC. The Celts in Greece who sacked the sacred site of Delphi in 279 BC were defeated by King Antigonos Gonatas of Macedon in 278 - 277 BC and in Turkey by Altalus of Pergamon in 240 BC. The Celts in Spain fell under the shadow of Rome from 2nd Century BC and the Celtic heartland known by the Romans as ‘Gaul’ was conquered by the Romans under Julius Caesar in the mid 1st Century BC. Britain was not referred to as Celtic by the ancient historians, but Caesar recognised the close similarities between Britain and Gaul especially in their political organisation. Tacitus (55 - 120 AD) and others chronicled the conquest of Britain between 43 and 84 AD some mentioning the fierce nature of the Celts who went into battle naked. Celtic art therefore belongs to an artistic tradition in the early history of Europe which is no less important than that of the classical world. Art was central to Celtic identity and was closely related to the objects which it decorated. The Celts were used to seeing art as an integral part of their everyday lives. Provenance: Ex Finch and Co...

Round snuffbox in gold-plated 800/1000 silver with translucent fired enamel on a guilloché pattern with a blue line, in the English Art Nouveau style of the early 1900s. External dia...

Vintage Cut Crystal Biscuit Box / Ice Bucket with Silver-Plated Lid and Handle An elegant vintage cut crystal biscuit box or ice bucket featuring a beautifully faceted geometric cut-...

A pair of large Late 20th Century Thai hand carved wooden horse sculptures. Circa 1980s Feature two horses trotting, carved from single piec...

A 1930's French Gilt Lacquered Wood Pagoda Form Chinoiserie Platinum Painted Box, Attributed to Jansen. At first glance, the box's visual allure is simply breathtaking. Adorned with ...

Outstanding neoclassical carved dark alabaster urn lamp, Italy, 1920s-1930s. This Art Deco period alabaster urn lamp has an elegant neoclassical des...

Classic 1890s Black Forest desk accessory carved from wood in the shape of a wild boar. A lovely addition to your room or just to use on your desk. Made from hand carved wood. Found ...

Vintage jeweled elephant sculpture paper weight wearing traditional ceremonial costume. Finely hand painted animal sculpture of an elephant...

A Very Large and Rare German Ormolu Mounted Meissen Porcelain Three Piece Clock & Candelabra Garniture Set. This impressive set consists of three pieces: a center clock and two candelabras, each adorned with the most intricate and delicate details that have been executed to perfection. Each three armed candelabra is remarkably elaborate with foliate arms that are embellished with gilt-covered beautifully twisted branches and curling leaves on an ornate botanically-inspired base. Embraced by the arms of the candelabras are two 18th Century Meissen Porcelain figures of musical lovers, dressed in brightly detailed traditional clothes. The round clock face, with roman numerals, a white base, and ornate hands is surrounded by a flourish of gorgeous gilt foliage, exuding an air of elegance and refinement. Perched atop the clock is a stunning Meissen Porcelain figurine of a beautiful woman posed in mid-movement, her dress aflutter, and baring her leg as she gazes up at her left hand which is holding a bunch of grapes, while also grasping a wine goblet in her lowered right hand, representing the festivities of the moment. Surrounding the clock and extending down both sides the gilt foliate leads the eye to two cherubs each admiring tiny vases of exquisitely detailed flowers. Below the cherubs, on either side, are four white ceramic pillars...

An impressive object entirely shaped and finished by hand, it reveals very different glaze treatments inside and out. While expertly worked to achieve a scalloped edge and channeled ...

Pair antique 18th century French Louis XVI carved wood fruit basket finial urns. Originally part of an architectural decorative scheme. Each vase shaped wood basket is relief carved....