1840s Bottles

Val Saint Lambert Label Crystal vase cut to clear, Beautiful Val Saint Lambert circular Crystal vase, hand-cut-to-clear, the glass is thick, deeply and evenly cut, Origin: Belgium ...

A stunning Italian Venini mid-century blue and green Morandine art glass decanter by the father figure of Italian design Gio Ponti (Italian, 1891-1979) and designed in 1949. Gio Po...

A vintage Chinese ceramic flask from the mid 20th century, with yellow glaze. We have several available, priced and sold individually. Created in China during the midcentury period, ...

Striking hand-blown studio art glass vase, believed to be by Ben Smith, dated 1999. The elegant tapered form features an expressive abstract composition of deep cobalt blue and warm ...

Art Deco reverse pyramid quadrangular shaped fine quality cut glass perfume bottle; the fine multi faceted stopper and dauber are original to the bottle and both the stopper/dauber a...

A bird in flight adorns this charming perfume bottle attributed to famed French porcelain maker Jacob Petit. It is exemplary of the opulent artistry for which Petit is renowned, from...

London, 1898, sterling and blown glass scent bottle. Pinched form. The silver decorated with large cartouches of little angel groupings, as well as a boy and girl angel on each side ...

An iconic French perfume bottle, perfume Shalimar, by Guerlain Pairs, known as the Flacon Chauve Souris (The Bat), born 1924, Paris, France. Shown, the iconic beautiful French urn ...

A rare Antique American crystal brandy/liquor bar dispenser, circa 1880. The crystal dispenser is of monumental size. The lidded dispenser having a faceted lid with a cut & faceted f...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

Crafted of Venetian glass, this exceptional perfume bottle displays an elaborate, marbled pattern of reds, yellows, blues and golds. Late 19th century Measures: 3/4" wide x 3/4...

This beautiful scent bottle is crafted from rock crystal with an 18-karat gold top mounted with diamonds and a single Sapphire. In excellent origina...

A large American silver spirit flask, by Tiffany & Co., circa 1880, Edward C Moore era, one side chased with hunting scenes, the reverse with cartouche on...

This perfume bottle and vase were both made by the well known Herend factory of Hungary in approximatey 1970 in a Victorian style. The pairing are both composed of porcelain which ha...

A vibrant pulled-feather pattern in terracotta red and opaque white sweeps up both faces of this flattened art glass perfume flask. Formed as an upright disc with a gently tapered ne...