Crystal Ashtrays

Pair of Bohemian crystal and sterling silver ashtrays, 1980s. Very elegant items. Assembled by an Italian silversmith who created the supports for the two Bohemian crystal ashtrays. ...

This original vintage glass element was designed and produced in the 1970s in Lombardia, Italy. It is made in Sommerso Technique and has a fantastic faceted form. The vibrant color m...

This Mid Century Clear Crystal Ashtray from the 1960s is a striking blend of minimalist design and timeless elegance. Crafted from heavy, high-quality crystal, its clear and versatil...

Bi-color crystal ashtray, circa 1970.

A beautiful and substantial Scandinavian Modern Swedish Modern Strombergshyttan crystal glass ashtray or vide-poche catchall with etched deer buck animal design at center, circa mid-...

Max Ingrand, Fontana Arte, Mid-Century Modern, Ashtray, Cut Crystal, 1960s Max Ingrand's 1960s cut crystal ashtray, designed for Fontana Arte, exemplifies mid-century modern design ...

Beautiful octagonal crystal ashtray by Villeroy & Boch, circa 1990s. This piece is no longer in production and exemplifies the beauty and craftsmanship of Villeroy & Boch. This cry...

Luxury set smoke steel and 1970 Swarovsky crystals for a big yacht diamonds chic. Precious objects of great value, of great quality of execution. Cigarettes box height cm.13.5, dia...

This is an original Baccarat astray in excellent condition. Like new. Timeless design and the best quality.

Bohemian crystal ashtray, France, 1960s.  Peculiar Bohemian engraved crystal ashtray in blue and transparent color that exudes luster. It can also used as pocket emptier bowl. The gi...

Vintage 1960's Waterford Crystal 5" Ashtray. Original gold/green foil label. Old Waterford Gothic Mark can be found on the bottom outer edge/rim area. The Seahorse logo of Waterford...

A fine and unusual French Hollywood Regency gilt bronze mounted cut crystal ashtray of rectangular form embellished with superb gilt bronze mounts.

AMBIANIC presents: European Art Deco Crystal Ashtray Stackable Set of 5 Cut crystal silver plated finish 7.5 h x 4.5 diameter, ashtray 3.5 dia...

Article: Crystal glass ashtray Producer: ART VANNES FRANCE (marked) Age: 1970s   Wonderful heavy glass element designed and produced by Art Vannes in France i...

Made in Czechoslovakia Made of Crystal Glass Re-Polished Good Original Condition.

Amazing red and blue ashtray by Flavio Poli in Murano glass. Made in Italy. It is a sculpture The item is in very good condition.

Max Ingrand, Fontana Arte, Mid-Century Modern, Ashtray or Decorative Bowl/Platter, Cut Crystal, 1960s Max Ingrand's 1960s cut crystal ashtray, designed for Fontana Arte, exemplifies...

Midcentury set by Leerdam three ashtrays and small vase Measure: Vase 10 x 12 cm, ashtrays 8.5 cm.

The Following Item we are offering is a Rare Estate Beautiful Heavy French Glass Prism Triangle Centerpiece Ashtray Bowl. Beautifully Chiseled and Etched with Exquisite Detail!! Ta...

Tiffany & Co Sierra Triangular Clear Cut Crystal Bowl Ashtray. This stunning Tiffany & Co. cut crystal candy dish is a must-have for any collect...

Mid-century Italian rock crystal large ashtray/soap dish with fluted leaf form design.   

Fontana Arte rare Ashtrav 1950 emerald green color, Italy.

Swedish Mid-Century Modern cut crystal round ash tray (signed MATS JONASSON MALERAS).   

A Stunning Art Deco figural female nude gracefully sitting by a pool with a crystal glass ashtray by NuArt Creations. This spelter metal sculptural featuring an elegant bronze finish...

Made in Czechoslovakia Made of crystal glass The Ashtray has a scratch on the side(see foto) Good original condition.

This ashtray features the distinctive signs of style: a hexagonal form and flat cuts, giving it timelessness and functionality. Harcourt This is an iconic Baccarat piece. Bring eleg...

Two Crystal Ashtrays from the Early 20th Century We present you two crystal ashtrays from the Interwar Period. These items are in particularly good condition, undamaged.

Ashtrays in Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button...

Set of 6 bowls or ashtrays made of emerald-colored glass with a steel holder. Designed by Gallotti & Radice in the 1970s, Italy 11cm x 11 cm High : 3 cm

Monumental molded crystal ashtray Cristal de Sevres, France 1970s Large cubic shape on a circular base, with a modernist design Acid signed 'Sevres' ...

Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

Elevate your living space with this stunning crystal ashtray adorned with intricate silver 800 details. This exquisite vintage piece exudes elegance and sophistication, making it a p...

Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

Art glass bowl by Vicke Lindstrand for Orrefors.

Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads ...

Crystal ashtray signed by the famous Daum house dating from the 1960s. Very beautiful workmanship with engraved decoration. Work of great finesse typical of this manufacture. Signed ...

Mid-Century modern (Scandinavian) 1950s round crystal cigar ashtray. (signed: KOSTA)

Crystal We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest community of Italians outside...

Beautiful crystal ashtrays in a deep blue hue, reminiscent of the distinctive style of the renowned Daum house. These elegant and timeless pieces from the 1970s-1980s will bring a to...

Italian Mid-Century Modern crystal flower shape table ashtray, 1970s. Table ashtray with round crystal base. The structure resembles a four-petal flower, with a circle in the middle....

Franck Benito begins his process by tracing his designs onto uncut forms. These are then milled by hand, and the rough cut refined—the patterns channeled deeper and deeper, to the ve...

Franck Benito begins his process by tracing his designs onto uncut forms. These are then milled by hand, and the rough cut refined—the patterns channeled deeper and deeper, to the ve...

Franck Benito begins his process by tracing his designs onto uncut forms. These are then milled by hand, and the rough cut refined—the patterns channeled deeper and deeper, to the ve...

Stunning large square Italian ashtray by M. Caciagli with butterflies drawings. 1987

Franck Benito begins his process by tracing his designs onto uncut forms. These are then milled by hand, and the rough cut refined—the patterns channeled deeper and deeper, to the ve...

Franck Benito begins his process by tracing his designs onto uncut forms. These are then milled by hand, and the rough cut refined—the patterns channeled deeper and deeper, to the ve...