Embossed Barware

Wear consistent with age and use. As a vintage item, light cosmetic wear might be present but with no structural damage. Wear consistent with age and use.

A beautiful mid-century Italian glass decanter featuring a soft pink body paired with a contrasting green stopper. The form is clean and geometric, with subtle faceting that catches ...

Fabulous 1970’s large red goatskin parchment pepper mill by Italian designer Aldo Tura. Constructed of wood covered with red dye goatskin and clear lacquer to protect it. In beaut...

Vintage Crystal footed drinking glasses, goblets. Crystal glasses with platinum silver rim. These crystal champagne glasses are a versatile home bar essential...

Celebrate the art of wine service with this elegant wine decanter dispenser, crafted in France circa 1950. The hand-blown glass decanter, delicately etched with grapevine and leaf mo...

For true infusions' lovers. Elevate your tea-drinking ritual with a wooden box covered outside with genuine calf leather. Its inner walnut wood structure is divided inside by compar...

Mid 20th century traveling cocktail set, made in England for Brooks Brothers. A tan cow hide case with fitted suede interior holds silver plate and glass bar supplies including a coc...

A magnificent cocktail set which came to us as a set but started life on two different sides of the Atlantic; New York meets London! The cocktail shaker was made by the top-notch ...

A fine antique Scottish sterling silver gilt George III period wine goblet, made in Edinburgh in 1810 by George Fenwick. This very fine quality goblet stands on a stepped circular f...

Mid-20th century Modern cut crystal/glass decanter with stopper stamped by Baccarat, France By: Baccarat Material: crystal, cut glass, glass Technique: cast Dimensions: 5 in x 9.5 i...

Mid Century Decanter Set consisting of a decanter and 6 small roll poly glasses.

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...