American Delft and Faience

An Italian Baroque Castelli albarllo, also known as a pharmacy or drug jar. It held 'Benedict Laxat' listed as far back as Aristotle as a medication used in by midwives. Beautifully decorated with buildings in landscapes in the free, almost impressionistic style typical of Castelli Maiolica...

18kt Gold and Natural Diamonds "Universal Geneve" Manual Winding Women's Watch, 1970s Manual Winding. Working clock. Elegant and functional. 18kt yellow gold and 0.72ct natural dia...

From St. Clément, Luneville and designed by Émile Gallé, a Barbotine square shaped, trompe l’oeil asparagus plate, circa 1870. Five raised asparagus spears are strewn across a bei...

Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists...

Beautiful 19th century French Majolica multi-colored Jardinere. Featuring birds and flowers. A great accessory! Circa 1890. 9 x 9

More than a method of transportation, this women's bicycle is a collector's item. Covered in hand sewn leather, it will make a striking impression no matter where you go. It can withstand all weather conditions due to its water-resistant, natural wax coating and acquires a unique patina over time. A matching, handwoven basket...

Menton French Majolica (Barbotine) Trompe L'oeil Wall Plaque on a turquoise ground with lemons molded in high relief, circa 1880, 8-inches diameter. Generally referred to as "Mento...

This splendid five-piece Delft garniture, made in Holland in the mid-18th century, circa 1760, captures the harmony and refinement of 18th-century Dutch faience at its height. ...

George Jones Majolica Trompe L'oeil Rare Tile, naturalistically molded in high relief with a large green-glazed lily pad and waterlilies, on a cobalt blue ground, the reverse with pa...

Eye-catching Majolica glazed ceramic trompe l'oeil plate attributed to Vallauris. France, 1960s. This large plate has a black background and a colorful trompe l'oeil decoration comp...

Italian Faience Trompe l’Oeil Cabbage Tureen, Cover and Stand, Garden Whimsy Italy, Circa 1950s–1960s This substantial and whimsical Italian faience tureen, cover and stand is a mas...

A sumptuous survey of over 300 women painters and their work spanning almost five centuries Great Women Painters is a groundbreaking book that reveals a richer and more varied telling of the story of painting. Featuring more than 300 artists from around the world, it includes both well-known women painters from history and today's most exciting rising stars. Covering nearly 500 years of skill and innovation, this survey continues Phaidon's celebrated The Art Book series and reveals and champions a more diverse history of art, showcasing recently discovered and newly appreciated work and artists throughout its more than 300 pages and images. Artists featured include: Hilma af Klint, Eileen Agar, Sofonisba Anguissola...

This Victorian Majolica stork vase is signed Joseph Holdcroft, inspired by Minton Joseph Holdcroft offer here a different version more rustic. It's...

Mid 19th century English silver plate pair of decorative flower wall sconces with exterior design details. Each wall sconce is in great condition, minor wear consistent with age / us...

Italian Creamware Trompe l’Oeil Duck Tureens, Pair, Nove di Bassano Circa 1786–1802 Nove di Bassano, Veneto, Italy. Pasquale Antonibon factory, period of Giovanni Maria Baccin. Each of these two soup tureens is modeled as a duck at rest upon a low oval mound base, the body divided horizontally so that the upper half, with the head and neck, lifts away as the cover and seats into the lower basin. The modeling is naturalistic throughout, the plumage and the curve of the bill worked in crisp relief, and the pair are left entirely undecorated so that nothing competes with the sculpture. They are made in terraglia, the refined cream-colored earthenware developed in Italy in emulation of the Queen’s Ware perfected by Josiah Wedgwood in Staffordshire. Terraglia all’inglese reached the Veneto in 1780, when Carlo Vicentini del Giglio introduced it at Vicenza, and Giovanni Maria Baccin took up its manufacture at Nove from 1786, working calcium and magnesium carbonate and silica into the plastic clay; gypsum quarried at Asiago gave the body its characteristic ivory tone, which the lustrous clear glaze here carries across the whole surface. Tureens in the form of birds, animals and fruit belong to a European fashion for the trompe l’oeil table...