Lead Glass

Legras Style Enameled and Hand-Painted Decoration Glass Vase, 1930s Period: Early 20th century Origin: St. Denis, France Color: Enameled with magenta crimson hues on a peach ground ...

Rare Rene Lalique original Grey Black stained Faune Menu - Ref Marcilhac 3502 page 784 (black edition) -signed 'R Lalique France n: 3502'. This type of Menu holder uniquely was desig...

Beautifully and ornately hand painted and hand blown Venetian art glass compote centerpiece by Salviati of Murano (label in tact)

Rare Rene Lalique clear glass square Perles table panel 1934. As well as the usual Vases, Bowls, tableware, car mascots etc Rene Lalique made Architectural Installations -some of the more famous of these went into Churches, but he designed a wide range of glass panels for rooms, walls, tables etc. These were not for sale as individual items and could only be acquired as part of an installation. A larger version is documented as a Carre Perle pattern . The fact that it is an unused single panel and signed (they were usually not signed) suggests this was a salesman's sample. The larger version is Documented in the Lalique book...

This fish platter is a true work of art! Classic Aesthetic Movement whimsical decoration with fish in motion and in conversation with the viewer, it has a three-dimensional feel. Rea...

A brilliant Bohemian ruby cased and polychrome enameled cut glass decanter with stopper from the 19th century. Exquisitely handcrafted and detailed for the Islamic market, having Mid...

Aesthetic Movement soup tureen with ladle. Aesthetic Movement soup tureen with ladle and cover in brown, yellow and green Faisan pattern with t...

Beautifully Hand painted on yellowish glass with Secessionist motifs in the Weiner Werkstatte manner. Unmarked

This outstanding hand painted 19th century French ceramic charger was made by Hautin Boulenger & Cie at Creil & Montereau. The highly detailed Aesthetic Movement charger features polychrome decoration depicting a Japanese quail perched in a flowering cherry tree bearing vivid green foliage. The bird's gaze is fixed on a colorful butterfly with intricately patterned wings which is located off to one side. The image is set on a gilt ground which bears a series of repeating raised gilt motifs. The charger's shoulder is finished in cobalt blue with stylized gilt hearts separated by light blue floral and foliate elements. The 4lb 11oz charger bears an impressed mark used by Creil et Montereau between 1876-1884. The foot rim is not pierced. This beautifully executed hand painted French charger...

A striking French Art Deco glass vase by Jean Luce, signed, produced in France circa 1930. This exceptional piece features a bold geometric acid-etched panel with a stepped square m...

A very handsome matched pair of 19th century cut glass decanters, both showing necks with navette & scalloped vertical cut flutes, th...

Elegant and beautifully crafted, this etched panel, in purplish-blue glass, is a superb examples of Moderne design with a strong graphic appeal. The artist, Ivan Rigby, was a native ...