Ceramic Serveware, Ceramics, Silver and Glass

- Handbuilt terracotta small side table, stool for bedroom or living room - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter ...

Origin: Delft Date: Second half of the 18th century Workshop: De Porceleyne Claauw A genuine set of two blue and white tobacco jars for the storage of snuff tobacco. The jars are ...

French Faience oyster signed plate Saint Clement, circa 1890. Rustic, Country style.

1960s Arabia Green Bull Cow Milk Pitcher Kaj Franck Finland 8 D x 5.25 Tall x 5.25 W Maker stamped. Preowned original vintage condition. Refer to images provi...

Pierre Digan Extra large ceramic pitcher signed at the base Height : 40 cm Large : 30 cm Original perfect condition Light grey ceramic glaze decoration Original 20th m...

Meissen wine / champagne cooler in hand-painted porcelain with flowers and gold edge. Handles are modelled as branches. Early 20th century. Me...

Acquareccia plate Patanazzi workshop Urbino, last quarter of the 16th century It measures diameter 17.12 in; foot diameter 11.53 in; height 1.88 in (43.5 cm; 29.3 cm; 4.8 cm). Weight State of conservation: wear and a few small minimal detachments of enamel, chipping on the raised areas, peeling of enamel at the brim on the back. This large, shallow basin is equipped with a wide and convex well. It is umbonate with a contoured center. The brim, short and flat, is enclosed in a double rounded and barely raised edge. The basin has a flat base without rims; it has a slightly concave center in correspondence to the well. The shape takes inspiration from the basins associated with the metal forged amphora pourers that traditionally adorned the credenza. These were used from the Middle Ages to wash hands during banquets. Two or three people washed their hands in the same basin and it was considered an honor to wash one’s hands with an illustrious person. The decoration is arranged in concentric bands with, in the center of the umbo, an unidentified shield on a blue background: an oval banded in gold with a blue head, a gold star and a field with a burning pitcher. Rings of faux pods separate the center from a series of grotesque motifs of small birds and masks. These go around the basin and are, in fact, faithfully repeated on the brim. The main decoration develops inside the flounce of the basin, which sees alternating symmetrical figures of winged harpies and chimeras. The ornamentation, outlined in orange, green and blue, stands out against the white enamel background. This decorative style, defined since the Renaissance as “grottesche” or “raffaellesche”, refers to the decorations introduced after the discovery of the paintings of the Domus Aurea towards the end of the fifteenth century. The discovery of Nero's palace, buried inside Colle Oppio by damnatio memoriae, occurred by chance when a young Roman, in 1480, fell into a large crack which had opened in the ground on the hill, thus finding himself in a cave with walls covered with painted figures. The great artists present in the papal city, including Pinturicchio, Ghirlandaio, Raffaello, immediately visited these caves. The decorations found there soon became a decorative subject of immense success: the term grotesque , with the meaning of “unusual,” “caricatured,” or “monstrous,” was later commented by Vasari in 1550 as “una spezie di pittura licenziose e ridicole molto”( “a very licentious and ridiculous kind of painting”). The decorations “a grottesche” also widely circulated in ceramic factories, through the use of engravings, variously interpreted according to the creativity of the artists or the requests of the client. Our basin is reflected in similar artifacts produced at the end of the sixteenth century by the factories of the Urbino district. See the series of basins preserved in the main French museums, among which the closest in morphology is that of the Campana collection of the Louvre (Inv. OA1496); this however has a more complex figure decoration, while the decoration of our specimen is sober and with a watercolor style. The style, sure in its execution, approaches decorative results still close to the works produced around the middle of the sixteenth century by the Fontana workshop. The decoration is closely linked to their taste, which later finds its natural outlet, through the work of Antonio, also in the Patanazzi workshop. Studies show the contiguity between the two workshops due to the kinship and collaboration between the masters Orazio Fontana and Antonio Patanazzi, both trained in the workshop of Guido Fontana il Durantino. It is therefore almost natural that their works, often created according to similar typologies and under the aegis of the same commissions, are not always easily distinguishable, so much so that the presence of historiated or “grottesche” works by Orazio is documented and preserved in Antonio Patanazzi's workshop. Given that the studies have always emphasized the collaboration between several hands in the context of the shops, it is known that the most ancient “grottesche” works thus far known, can be dated from 1560, when the Fontana shop created the so-called Servizio Spagnolo (Spanish Service) and how, from that moment on, this ornamentation became one of the most requested by high-ranking clients. We remember the works created for the Granduchi di Toscana, when Flaminio Fontana along with his uncle Orazio supplied ceramics to Florence, and, later, other commissions of considerable importance: those for the service of the Duchi d’Este or for the Messina Farmacia of Roccavaldina, associated with the Patanazzi workshop when, now after 1580, Antonio Patanazzi began to sign his own work. Thus, in our basin, the presence of masks hanging from garlands, a theme of more ancient memory, is associated in the work with more advanced stylistic motifs, such as the hatching of the chimeras and harpies. These are found here on the front with the wings painted in two ornate ways. In addition, the theme of the birds on the edge completes the decoration along the thin brim and can be seen as representing an early style typical of the Urbino district during a period of activity and collaboration between the two workshops. Later, a more “doll-like” decorative choice, typical of the end of the century and the beginning of the seventeenth century, characterized the period of the Patanazzi workshop under the direction of Francesco. Bibliography: Philippe Morel, Il funzionamento simbolico e la critica delle grottesche nella seconda metà del Cinquecento, in: Marcello Fagiolo, (a cura di), Roma e...

George Jones Majolica cheese keep which features a straw thatched beehive, bound with rope. The base in the form of a wooden platform. Yellow ground versio...

A nice 135 piece set of Meissen porcelain dinnerware including a reticulated footed center fruit bowl (14.5 inch), oval platters (18 & 16 ...

A French green square ceramic ashtray branded Hine Cognac. A central circular tray meets beveled cigarette rests at each corner. Two sides are embossed with the Hine Cognac logo; a r...

"Dora" ABC Girls by Lisa Larson Gustavsberg, 1958 Stoneware figure Perfect condition Measure: H 27 cm.

Art Deco Sgraffito vase decorated with a floral motif, by Josef Ekberg for Gustavsberg. Sgraffito is a way of combining two layers into a pattern, the second layer is scraped of and ...

A pretty set of soft green and raised gilded demi tasse cup and saucers made by America's re known porcelain factory Lenox. This group of 9 cups and 9 saucers feature a raised bead s...

Exquisite Hand-Painted and Gilt Gold Russian Lomonosov Porcelain Coffee & Tea Service for 8, Designed by A. Vorobievsky (1990s) This stunning 34-pie...

Elevate your dining experience with this remarkable Sèvres porcelain service, a prestigious 1890 reissue of the renowned "Service de l’Empereu...

A very unusual and beautiful French barbotine majolica asparagus serving platter, oval in shape and featuring a typical 'trompe l'oeil' textured decoration of globe artichokes and pu...

General characteristics: Type of object: Decorative dish or presentation plate. Artist: Jean Lurçat (1892-1966), French artist known for his tapestries, ceramics and posters. Manufa...

Antique 19th century Staffordshire porcelain cream pitcher in the shape of a red and white cow on a grassy oval base. Gilt horns. Tail curls to form handle. No stopper. Dimensions: ...

Ikat patterns are an integral part of our colorful world, celebrating the beauty of this timeless textile technique. Inspired by its rich heritage, we’ve transformed some of our most...

19th Century ceramic majolica pitcher in the form of a cockatoo. The colors are lovely and vibrant. The handle of the pitcher is in the form of bamboo, which is a really interesting ...

One-of-kind pitcher hand-painted by Giovanni Desimone, great design signed, Made in Italy a rare piece nice large size.

Piero Fornasetti ceramic complete set of neo-classical gold coasters, Mitologia Pattern, Mythology Pattern, 1950s Measures: Diameter 4 1/8 inches x...

An antique set of 12 elaborately decorated plates custom ordered through Lenox. Interesting cobalt blue bands in the wide and extended collar decorated with raised tooled gilding and...

Antique 19th century Staffordshire porcelain cream pitcher in the shape of a red and white cow on an oval base, molded and painted with a yellow daisy. Tail curls to form handle. Gil...

Brown Glazed Lidded Stoneware soupe tureen. It has been made in England circa 1950. The glaze is beautiful. Large Size. Stampted underneath.

Meissen, Germany, Pink Indian, oval serving dish. Approx. 1900. Marked. Third factory quality. In excellent condition with no signs of use. Dimensions: L 29.0 x W 21.0 x H 3.0 cm.

Distinguished Royal Copenhagen white porcelain antique taza with gilded decoration A striking centrepiece from Royal Copenhagen circa 1890 Stamped and numbered 8530 Measures: hei...

- Handbuilt white side tables, stool for bedroom or living room - made of clay collected from the potter's surroundings. - slip applied with natural pigments as whitewash with water ...

A set of 14 antique French porcelain dishes made in the last quarter of the 19th century circa 1870-1880. Attributed to the factory of ...

Enhance your summer entertaining with the elegant Ceramic Saint Jacques Salad Bowl. Expertly handcrafted and beautifully hand-painted in Italy, this feature distinctive scalloped-edge detailing inspired by the iconic Saint Jacques seashell. The charming design and artisanal craftsmanship make them a perfect choice for stylish outdoor dining or festive indoor gatherings. Ideal for serving fresh seafood, pasta and salads, these plates add a touch of Mediterranean flair and sophistication to your table...

French country majolica rooster tureen, circa 1950 signed Caugant.

Very large and incredibly colorful set of Fiestaware, Harlequin and Riviera. Set includes, First the Fiesta, 8 lunch plates 9.5in. Yellow, cobalt, 1 ivory. 6 dinner plates 10.25 4yellow, 1med.green, 1 cobalt. 4 divided plates 11.75 2 yellow 2 cobalt. 2 chop plates 12in. 1 yellow 1 cobalt. 2 platters 12.5 1 ivory 1 cobalt. 2 deep plates 1 red 1 grey. 5 salad plates 6.5in. Various colors - blue, grey, turq, ivory. 2 bread plates 7.5in. Turq. And ivory. 2 disc water pitcher turq and yellow. 2 teapots cobalt and yellow. 1 onion soup ivory. 1 yellow utility tray. 2 gravy boats grey and 1vory. 6 saucers various colors. 1 ring handle creamer grey. 3 teacups 2med green, 1 yellow. 1 coffee mug medgreen. 2 small nappys 5.5, 4.75. 3 salt and pepper red, cobalt, yellow. 1 red candle holder...

Benoit Montreau - Virebent Edition 20th mid century porcelain ceramic vase Grey and brown ceramic glazes colors Singed under the base Original perfect condition Height 17 cm Lar...

Majolica Art Nouveau asparagus plate signed Keller et Guerin Saint Clement, unusual shape. Every important French manufactures produced at the end of the 19th century asparagus and a...

Mid 20th C. Italian, a large charger made of glazed ceramic signed "Nino Parrucca" at lower right. Numbered #155 and marked Made in Italy to underside. The plate features a lively scene of grape harvesting, a common theme in Mediterranean art...

Ceramic sculpture by Roger Capron. Roger Capron was in influential French ceramicist, known for his tiled tables and his use of recurring motifs such as stylized branches and geomet...

A ceramic vase with yellow / lightyellow (beige) glaze designed by Carl-Harry Stålhane at Rörstrand. The vase is 13 cm (5.2") high and 7.5 cm (3") in diameter and in very good condit...

Made as a premium for the British and Irish pubs, and used for water when mixing a whiskey, a scarce advertising face jug. The French Sarreguemines majolica ...

Austrian porcelain coffee service, 19th century, Napoleon III period. A beige and gold porcelain coffee service with enamelled bird decorations, Napoleon III period, 19th century, c...

Antique Hand Painted and Gilt Porcelain Teapot C1890 Measures - 5.75"H x 8.75"W x 5.25"D

A gorgeous set ! Please click on the pictures to see the detail and enlarge. Heavy raised paste gilding on a vibrant green collar and custom ordered through the fine Gilded Age Retai...

Chinese Export Famille Rose porcelain bowl with Chinese "Antiques" & Scholar's items on Furniture, Qianlong Period, circa 1735-1740. The Chinese Export porcelain bowl is finely painted inside and out with famille rose enamels. On the front is a depiction of an unusual grouping of Chinese domestic...

This mid-century porcelain dice ashtray is a playful yet sophisticated addition to any collection of vintage decor. Made in Japan during the 1930s, this piece showcases the iconic cr...

Finely hand-painted, this set of 9 decorative red clay plates takes inspiration from the Sicilian legend of "Colapesce," a half-man, half-fish creature who chose to save his beloved ...

A handcrafted slip made art pottery piece referred to as California pottery hence produced in the state . This dark blue glazed piece still retains it's original lid and wooden handl...

Matthew Williamson one of the most well known fashion designer has created a tabletop and textile collection for Les-Ottomans. Colors is a must in all Williamsons’ designs as well as the peacock’s references that are here revealed in several new and original patterns. This listing shows his magnificent multi-color peacock porcelain...

Set of twelve (12) antique porcelain cabinet plates with exceptional gilt borders and lovely transfer scenes of Roman nymphs and muses frolicking with putti after Angelica Kaufmann, ...

Colorful French Majolica green oyster plate with stylized leaves, circa 1890. Very rare color.

Gustave Reynaud, Le Murier Studio, Mid-Century Ceramic Plate, Vallauris, 1960s A charming mid-century ceramic tray by Gustave Reynaud for L'...

Charming French Majolica plate fruits (blackberries, cherries, berries) signed Salins, circa 1890.

Fabulous dinner set of 50 pieces by the Henriot Quimper co. Their beautiful yellow color with the traditional peasant man ,& woman. Handmade & hand painted set is a classic. Set cons...

A fun ceramic barware horse mug by Dorothy Kindell, circa 1940s. This hard to find piece is in good vintage condition (some crazing is present) and measures ...

A set of 8 (eight) place settings (40 total pieces) in the signature Casablanca pattern by Christian Dior. Features a white, gold and multicolor pattern with panther and palm tree motifs throughout, gilt accents throughout and brand stamp at undersides. Includes the following 40 pieces: 8 dinner plates...

French Majolica bird plate Keller & Guerin Saint Clement circa 1900.

French faience plate with flowers Moustiers style Martres Tolosane, circa 1940.  

The Collection This collection offers ideas for contemporary décor through sophisticated revelations of art bound to the tradition of ceramics of Caltagirone, objets d’art that co...

Fabulous deep and large blue willow platter from England. Late 19th century in excellent condition with no damage, chips or cracks. Excellent color retention. The best serving platte...

Vintage collectible large blue and white porcelain bowl. This beautiful Japanese bowl is hand painted in blue and white with a beautiful scene of a peacock on a tree. "Blue Peacock Collection". It features blue and white floral design with a peacock in the center, and brown-trimmed scalloped edge. If you are a lover of blue and white porcelain, this bowl is the perfect addition to your collection. Perfect for display or using as a centerpiece. Signed in the back. Measures: 2.5 inches tall, and is 10 inches in diameter. Condition, one small chip, see pictures. Toyo. Andrea by Sadek...

Exceptional tea set consisting of: a teapot, a sugar bowl, a milk jug, twelve tea cups with saucers, twelve cake saucers. Painted and hand-worked: note the lace-like fretworks on po...

Hand-painted and thrown ceramic by this important Italian Abstract Expressionist artist.