Early 1700s Serveware, Ceramics, Silver and Glass

A large and magnificent Chinese famille verte enameled porcelain large dish or charger, Qing Dynasty, Kangxi Period (1662 - 1722), circa 1700, China. The shallow, shaped dish of fo...

Dutch Delft Dore Chinoiserie teapot & cover, Early 18th Century. The circular Dutch Delft Dore large teapot is painted in with Chinoiserie scenes w...

A magnificent, fine and impressive antique William III English Britannia standard silver flat topped quart tankard; an addition to our range of collectable 18th century silverware. This magnificent antique William III Britannia silver tankard has a plain tapering cylindrical form onto a spreading collet style foot. The surface of this 18th century quart tankard is embellished with an impressive engraved leaf and floral bordered coat of arms depicting party per pale to the first a chevron between three lion's heads erased and to the second a bend raguly. The upper and lower portions of the body are encircled with bands of tooled decoration, with an applied moulded border to the upper rim. This antique quart tankard retains the original double stepped flat topped, hallmarked cover surmounted with an impressive volute scrolling thumbpiece. The cover is further ornamented with a band of tooled decoration to the rim accented with an applied shaped thumbpiece to the anterior edge. The hinge is decorated with ribbed ornamentation and retains the original pin. This antique Britannia standard silver tankard is fitted with an S-scroll handle ornamented with a plain rounded terminal. The spreading collet foot is encircled with a band of applied moulded decoration to the rim. Imperial quart = 2 pints/1.14 litres. Britannia silver - The Britannia silver standard of 958 (95.84% of fine silver), denoted by the icon of the seated Britannia holding an oval shield, was introduced by William III in 1697. This was to indicate the slightly higher standard of silver from sterling silver standard of 925 (92.5% of fine silver). The armourial bearings are those of the Wyndham and Penruddocke family, to commemorate the marriage of Henry Wyndham and Arundel Penruddocke on 11th September 1735. Further detailed information available on request. Condition This antique tankard...

An Exclusive and Rare Set of Five Edo Period Japanese Arita Porcelain Imari Style Vases. This garniture set reflects the demand for decorative porcelain ensembles across Europe, part...

A magnificent, fine and impressive, rare antique Queen Anne English Britannia standard silver quart tankard; an addition to our range of collectable 18th century silverware This m...

Centerpiece white maiolica shell Ferniani factory, early period: 1693-1776 Faenza, circa 1700 Measures: 5.6 in x 14.72 in x 13.46 in (14.3 cm x 37.4...

An exceptional, fine and impressive pair of antique English cast Britannia standard silver candlesticks; an addition to our early 18th century silverware collection. These excepti...

Six maiolica “ambrogette” (tiles) Rampini manufactory, painter probably Siro Antonio Africa Pavia, 1693-1704 a) 6.88 x 5.51 in (17.5 x 14 cm); 0.55 lb (252 g) b) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) c) 6.88 x 5.70 in (17.5 x 14.5 cm); 0.54 lb (245 g) d) 6.81 x 5.51 in (17.3 x 14 cm); 0.50 lb (230 g) e) 6.88 x 5.51 in (17.5 x 14 cm); 0.50 lb (229 g) f) 7.08 x 5.70 in (18 x 14.5 cm); 0.51 lb (233 g) State of conservation: intact. These six ”maiolica fina” small “ambrogette” belong to a family of ceramic works considered among the finest produced between the 17th and 18th centuries. For a long time, this type of maiolica was attributed to the Venetian village of Angarano, but later it was definitively attributed to the pottery factories in Pavia. A fundamental study ascribed this production specifically to Pavia through an analysis of Lombard collections and a comparison with archaeological remains found near the two main manufacturing sites in the city. (E. Pelizzoni - M. Forni - S. Nepoti, La maiolica di Pavia tra Seicento e Settecento, Milano 1997). The six small oval tiles have rounded edges and are decorated with a historiated motif. They were created using high-fired polychrome technique, with a predominance of cool tones and a dominance of gray and blue, interspersed with manganese, citrine yellow, orange-yellow, and green. The six small “ambrogette” are characterized by the same stylistic features, with a similar decorative design. The first tile (a) depicts a female figure, holding a stiletto and sitting near a pedestal supporting a relief-decorated baluster vase. Behind her, a child is holding a chalice, while through the arches of a portico, a glimpse of a mountainous landscape can be seen in the background. The female figure could possibly be Lucretia, an example of virtue in ancient Roman culture. In the second “ambrogetta” b), the Biblical episode of Judith and Holofernes is depicted through canonical iconography: the decapitated body of Holofernes lies on the bed in the background, while the protagonist, Judith, is seen placing his head into a sack held by a maidservant. Through an archway a shining slice of the moon gives the perception of nighttime. Surprisingly, within the narrative, there is the presence of a basin in the shape of a large shell, closely resembling the products of Pavia's factories. The third small plaque (c) depicts a female figure standing on a plinth and framed by an architectural arch with a vast mountainous landscape in the background. The woman, with her breasts exposed, is accompanied by two children: one approaching her as if wanting to be picked up, and the other seated with an apple in his hand. The protagonist lends herself to different interpretations: perhaps she represents Rea Silvia with the two twin founders of Rome, or perhaps she is an allegory for the Pietà, a common theme depicted on maiolica. In the fourth tile (d), three characters are depicted near a column. The main figure is an old man with a sad expression, holding a cup, while a woman, wearing a turban on her head, also holds a cup in her right hand and a pitcher in her left. A second woman with her hair bound holds another pitcher behind the old man: at his feet a traveller's bag can be seen, along with some apples and a slice of cheese on a rectangular base. It is likely the sad Biblical episode of Lot and his daughters...

Rare 17th century faience Frankfurt Delftware glazed melon form charger with chinoiserie figures. A truly marvelous addition to any collection.

Centerpiece light blue maiolica shell Ferniani factory, early period: 1693-1776 Faenza, 1700 circa 5.5 in x 14.72 in x 13.77 in (14 cm x 37.4 cm X cm 35) lb 4.40 (kg 2) State of con...

An exceptional, fine and impressive antique William III English Britannia standard silver lighthouse style caster; an addition to our silver teaware ...

A rare antique English Queen Anne period salt-glazed stoneware puzzle jug, Nottingham, dated 1706. A rare example of very early 18th century English vernacular pottery, a whimsical puzzle jug made of local Nottingham clay and salt-glazed. The top with three spouts/mouthpieces & a strap handle connected to a pierced top with circular & triangular motifs with a globular baluster shaped body below & raised on a flared foot. The globular body is decorated in relief with drunken revellers and is dated "1706" and initialed "J. B.", this rare antique puzzle jug...

Dutch Delft Large Dish with Chinoiserie Dragon Design A superb large-format Dutch Delft circular dish, dating to circa 1700. This highly decorative...

Vibrant Prosperity: A Famille Verte 'Flower Basket' Dish from the Kangxi Golden Age This magnificent Chinese Export porcelain dish, dating to the height of the Kangxi Period (c. 1700-1710), is a resplendent example of the famed famille verte (green family) palette. This enameling technique, characterized by its brilliant, translucent greens, yellows, and blues, reached its zenith under the patronage of the Kangxi Emperor, ushering in a golden age of ceramic production at the imperial kilns in Jingdezhen (Guest and Gray). Auspicious Symbolism and Design Mastery The dish is a feast of intricate design and rich symbolism, centered on an openwork beribboned basket of peony and lotus flowers. The flower basket motif is highly auspicious in Chinese art, being one of the attributes of the Daoist Immortal Lan Caihe, and symbolizes longevity and good fortune (Sotheby's, Lot 657, 2015). This meaning is powerfully reinforced by the inclusion of a central shou character (寿) in the basket, the Chinese ideograph for Longevity, a core wish in Chinese culture for a long, healthy, and prosperous life (Metropolitan Museum of Art). The presence of the shou character, often incorporated into designs for Imperial birthday celebrations during this era, underscores the dish's grand and celebratory intent. The radial design radiates outward with petal-shaped reserves in the cavetto, each containing detailed flowering plants issuing from rockwork, all set against a signature pale-green stippled ground (Dizi). The border completes the composition with an ornate pattern of green trellis-work punctuated by iron-red flower heads, alternating with oval panels containing various Precious Objects (Ba Gu), further emphasizing wealth and good fortune. This large dish, at over 14 inches in diameter, was one of the exquisite items commissioned for the European export market, particularly by the Dutch East India Company (VOC), where its vibrant colors and complex iconography were highly prized by wealthy clientele (Guest and Gray). The reverse, painted in underglaze blue with delicate floral sprays, maintains a link to the more traditional Chinese aesthetic. This piece is a tangible embodiment of the technical sophistication and artistic brilliance that made Kangxi famille verte porcelain...

A rare and early antique English hand painted porcelain tea bowl and saucer made by the renowned Worcester Flight factory and dating from around 1780. The tea bowl and saucer are mad...

An exceptional antique Queen Anne silver lidded tankard with London silver assay marks for 1706. The tankard is lavishly decorated with a front cartouche bearing the Scottish crest...

An exceptional, fine and impressive antique Queen Anne English Britannia standard silver chocolate pot, an addition to our silver teaware collection. This exceptional antique Queen Anne Britannia standard silver* chocolate pot has a plain tapering cylindrical form with a subtly flared moulded base. The plain body of this antique hot chocolate pot...

An exceptional, fine and impressive 18th century, German silver gilt beaker made in Hanau; part of our continental silverware collection. This exception...

An exceptional, fine and impressive antique William III Britannia standard silver Trefid rat tail pattern spoon; an addition to our silver cutlery collection ...

A superb example of late 17th to early 18th-century German silverwork, this magnificent silver-gilt covered bowl was crafted in Augsburg circa 1700 by the accomplished silversmith Jo...

These side handled bowls were almost certainly used as eating vessels. The bowl has circular baluster sides which rise to a straight rim. The cast handle is shaped and naively pierce...

Spanish Charger c1700 with building decoration in the centre and outer decorated rim. Old hanging retained on the back. Diameter: 30 cm / 12”