Rattan Pottery

This is a stunning well worn green glazed pancheon. Most likely Spanish in origin. The worn glaze is what makes this so decorative. It is a repaired piece but solid now and takes not...

Mid-20th Century Studio Pottery Vessel in Citron Hand-thrown studio pottery vessel, mid-20th century, finished in a luminous citron glaze with subtle tonal variation and fine speckl...

A monumental-scale mid-20th century American studio hand-thrown glazed ceramic bowl with fantastic texture and earthy neutral glaze colors. Signed illegibly on the bottom.

Vintage Italian "Faux Bois" ceramic vase, Bellini, 20th Century. Hand-turned, classic form vase with a beautiful glaze, simulating wood grain.

A mid 20th century hand turned clay lidded jar with a lava glazed finish. Signature marked on the bottom of the jar. This jar is of a slightly egg-like shape. Majority of the body ...

Standout example of a Rockingham brown glazed earthenware pitcher with a dog or hound handle. Probably manufactured in Bennington Vermont.

Beautiful brown salt glazed studio pottery vase or vessel. The piece is signed by the artist but we have not yet been able to identify them. Most cer...

This exquisite vintage clay pottery piece showcases a stunning matte gray finish that beautifully accentuates its unique texture. The surface features captivating variations in color...

A French Provincial spheroidal pottery cooking pot from the 19th century with green glazed accents, molded handle and tripod base. Created in Southern France during the 19th century,...

This rustic mezcal bottle is a replica of an antique bottle or demijohn which was used to store mezcal, drunken during folk theaters in Oaxaca, Mexico. The bottle is done with cerami...

Vintage ceramic vessel or vase features pitcher shaped body with decorative handle. The lower half of the body is lightly faceted, resulting in octagonal outline when the vessel is viewed from above; the upper half has rounded form with lightly flared rim. The minimal handle is accented with tear or water drop shaped element on top. The vase is decorated with complex blue and white glaze with foaming effect; the free-flowing pattern of larger bubble elements adds tactile, textural quality to the unusual glaze. The vessel is signed by the artist on the bottom; same signature can be seen on the bowl in E. John Bullard Collection of Bates College Museum of Art. Provenance: the vessel was acquired at the arts, antiques, and Folk Art collector estate in Western New York state. Clara Katherine Nelson (1890–1984) was a renowned American cubist painter and ceramic artist. She attended the Rhode Island School of Design and taught at the Carnegie Institute in Pittsburgh. Nelson was invited by Charles Fergus Binns to teach painting and drawing at Alfred University at the School of Ceramics in 1920, replacing Marion Fosdick, who shifted to teaching modeling and pottery. Nelson worked with Binns and Fosdick to develop pioneering curriculum for functional ceramic education and started to work in pottery and ceramics herself; in 1927 they were joined by Charles Harder, who brought in the “New Bauhaus” aesthetic and studied with Lásló Moholoy-Nagy in Chicago. Fosdick, Harder and Nelson created the Ceramic Art curriculum throughout the 1930s and oversaw its transformation into Industrial Ceramic Design (from 1939–1951), and on into a more Bauhaus-inspired Ceramic Design (1951–1965). Nelson's students included Jane and Gordon Martz, Glidden Parker, Herb Cohen...

Group of Four Ancient Pottery Vessels from Various Cultures/Countries, comprising: pinch lip pot, red jar, Holy Land oil lamp with olive leaf motif, Pe...