1760s Pottery

An English silver tea caddy by Harrison Brothers & Howson, Sheffield 1907. An oval round shaped silver tea caddy with hinged lid. The caddy raised on a footrim and 4 ball sha...

England, circa 1830. An early nineteenth century matched pair of pearlware cow creamers, the first with black and red patches and the other purple and red, both mounted on a grassy ...

A large and very handsome glazed terracotta walnut oil jug, dating from the 18th century and originating from the south of France. Featuring two side handles and a single pouring spo...

Turn of the century earthenware water jug with cream glaze and green and red finger style markings motif with handled lid and thin spout. Once a common piece of pottery used daily in...

This good sized bowl is a great example of the majolica wares produced in Italy throughout the 15th, 16th, 17, and 18th centuries. Humble and simple but highly decorative and enterta...

Early 19th century English Sheffield silver plate tableware five pieces tea/coffee service. The coffee/tea features intricate exterior floral details and paw. The set include a tall ...

An English sterling silver plate covered biscuit box or tea caddy with hinged finial lid top, attached claw footed gallery tray, and exterior repou...

Mum is a porcelain teapot with smooth geometric lines, and is natural to the touch. The CAP disappears on the top, and the profile retains its essential design. Porcelain teapot, mat...

Mid-late 18th century Delft blue & white floral charger in the Chinese taste, Dutch. Paneled border, after 17th century Kraak porcelain from China. The Dutch had the most important c...

A near pair of 19th century Sancai green glazed pottery teapots. Both with yoked handles, spouts and lids. Both also have the Republic era official government wax red seal signifying...

A very fine 18th century Dutch Delft pottery vase or jar. Of typical vasiform shape with medium and deep blue Chinoiserie landscape decoration, dot border to the top rim, and swag...

Etruria, Staffordshire, c.1780, thrown in four parts and bolted to a plinth built of five small slabs, decorated by molded handles with horned returns to high relief goats’ masks with drapery festoons, circular seal at bolt impressed “WEDGWOOD & BENTLEY: ETRURIA,” 18 in. Provenance: Dr. Ellis F. Rubin & Suzanne Borow Rubin. Exhibited at the Mint Museum in Charlotte, NC in 2020 and illustrated in “Classic Black: The Basalt Sculptures of Wedgwood...