Fired Pottery

Tall vase by Walter Grau for Fohr Pottery, Germany, circa 1970. The Company Fohr started producing decorative pottery in the 1950s under Wilhelm Fohr, although they were originally f...

Stoneware vase designed by Gunnar Nylund. Hand made at Rörstrand during the 1940s. Stoneware vase with a rare light turquoise glaze with darker spots. Signed with Nylunds initials an...

Decorative Buncheong Flower Bowl by Jason Fox. A Southern Californian for over half his life, Contemporary Ceramic Artist Jason Fox draws upon his classical education in Architectur...

Decorated charger by celebrated studio pottery artists Edwin & Mary Scheier. The work is in excellent condition with no damage and features two sgrafitto figures. Inscribed on the bo...

Large rare vintage Midcentury Modern floor vase by Walter Grau for Fohr Pottery, Germany, circa 1970. The company Fohr started producing decorative pottery in the 1950s under Wilhelm...

The larger with the rich blue glazed signed both with the Michael Cohen cypher and the Herring cypher is 8x8x3". The smaller ocher/tan glazed 5 1/4"x33/8"x2" signed intaglio stamp "M...

One-of-a-kind hand thrown figural abstract mid-century modern vase by California artist Hamilton Achille Wolf (American, 1883 - 1967). This vase exempl...

Set of Two Early 1940s White Matte Pottery Bowls by Hamilton Achilles Wolf Set of two hand thrown mid-century pottery bowls by California artist Hamilton...

- Handbuilt freckles terracotta jar - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by the potter Raja. Approximate measurements: 13.4 x 11.4 x 15.8 in // 34 x 29 x 40 cm; weight 22.5 lb // 10.2 kg Handmade: Variation is to be expected, each piece differs in color, size, shape and decorations due to its handmade nature and natural pigments. Memòri is about simplicity, imperfections, and embracing the "flaws". Each piece is fired in an open fire - a dug hole during more than 12 hours, which makes unexpected and surprising results, including smoke marks on some pieces. This means that each piece is one of a kind and cannot be duplicated. Care instructions: The ceramics are not glazed. We advise you to keep it as a decorative object if you want to conserve the original aspect. About the savoir-faire, the modeled pottery The potters of northern Morocco perpetuate the ancient art of modeled pottery, which first appeared around 6,000 BC. The techniques and patterns used today are very close to those of their origins. This ancestral know-how, which has disappeared around the Mediterranean, still lives in the pre-Rif. Today, these potters are the guardians of this ancient art. The modeled pottery according to the ancestral art...

Our stoneware Totem lamp is handcrafted using slab-construction techniques. Finish - Dipped glaze, pictured in parchment - Antique brass fittings - Twisted black-cloth cord - Full...

Striking hand thrown and hand painted porcelain urn vase with 24K gold fire glaze by Chase Gamblin. Chase Gamblin is an artist primarily working in c...

STUNNING ~~Antique English Holdcroft Majolica Footed ("Hoof" Feet) Cache Pot, Planter, Jardiniere, Flower Pot, Bowl or Vase with Bird Medallions and Angel or Mermaid Supports~~c. 1870s Authentic French majolica...

This late 19th century glazed earthenware mug was crafted in the studios of Cincinnati Ohio's renowned Rookwood Pottery Company and has a traditional form with an ear-shaped handle having a thumb rest. The exterior of the piece is finished in standard glaze and features hand painted decoration executed by highly regarded artist William Purcell McDonald (1864-1931). The decor has an appealing wine harvest theme consisting of grape vines that snake across the surface. The vines are studded with leaves in various shades of green along with two dangling clusters of plump reddish grapes. McDonald's application of paint is slightly raised in places giving the image a dimensional quality. The mug is further ornamented with an ornate silver overlay manufactured by Gorham. The silver decoration covers the handle and rim and includes a series of large etched foliate scrolls and flowers that extend across the body. There is also an eye-catching latticed area that provides a strong visual contrast with the gentle curving motifs found on the other parts of the silver overlay. The underside of the mug has an impressed RP mark along with shape 422 and the letter W. It also carries the incised initials of the artist - W. P. McD - and the letter L. The underside of the silver foot rim is stamped Gorham Manufacturing Co. along with a hand engraved mark reading S 1274 S. This highly collectible Rookwood silver...

An early 1980s stoneware tile by Nancy Wickham Boyd featuring a green leaf motif. The sgrafitto design is highlighted with green, brown and grqphite-colored glazing. Like quite a few...

Etruria, Stoke-on-Trent, Staffordshire, England, 1910-1925, olive green jasper dip on white stoneware, white jasper sprig decoration, sgraffito scrolling and text-decoration by Harry...

Large Abstract Raku Glazed Studio Ceramic Bowl, Japanese-Style Mid-Century Design, Large Raku Fired Studio Pottery Bowl Attributed to Michel Brainin, Japanese-Style Glaze, Exceptiona...

A French fired clay and green glazed pottery heater from the 19th century with lid, large handle and petite holes at the top. This 19th-century French fired clay and green glazed pot...

Large vase designed by Gunnar Nylund. Hand made at Rörstrand during the 1950s. Flower petal shape with a rare turquoise glaze with dark grey spots. Very good vintage condition with f...

- Handbuilt freckles terracotta jar - Made of clay collected from the potter's surroundings. - Made in the Moroccan Rif mountains by the potter Aïcha. Approximate measurements: 8.7 x 8.7 x 15.7 in // 22 x 22 x 40 cm; weight 6.6 lb // 3 kg Handmade: Variation is to be expected, each piece differs in color, size, shape and decorations due to its handmade nature and natural pigments. memòri is about simplicity, imperfections, and embracing the "flaws". Each piece is fired in an open fire - a dug hole during more than 12 hours, which makes unexpected and surprising results, including smoke marks on some pieces. This means that each piece is one of a kind and cannot be duplicated. Care instructions: The ceramics are not glazed. We advise you to keep it as a decorative object if you want to conserve the original aspect. About the savoir-faire, the modeled pottery The potters of northern Morocco perpetuate the ancient art of modeled pottery, which first appeared around 6,000 BC. The techniques and patterns used today are very close to those of their origins. This ancestral know-how, which has disappeared around the Mediterranean, still lives in the pre-Rif. Today, these potters are the guardians of this ancient art. The modeled pottery according to the ancestral art...

A stunning three hooped ‘Pagoda Pot’ by Dorset potter Alan Ashpool, with a flared bowl to the top, tiered forms made from a mixture of thrown and slipcast sections joined together, culminating in a bell shaped base. Predominantly in an ecru colourway, followed by a dark grey glaze, then a turquoise/blue glaze, culminating in a stunning bronze manganese glaze. There are also beautiful blue flecks in the ecru finish, which were created in the firing process. A wonderfully impressive and tactile piece measuring 40cm in height, in very good condition with no chips or cracks. Alan Ashpool backstamp to the base alongside the original address label. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

Set of 2 French vintage golden Liqueur bottles from the 60s A Creation of the DENBAC factory (Denert and Balichon) in Vierzon Made for the Destillerie Saint- Amand-Montrond of Mon...

Exceptional unique marked / signed masterwork artisan hand carved art pottery by British ceramic / clay / stoneware master-craft artist Maggie Barnes, circa 1987. This piece represen...

This elegant water jar for tea ceremony (Mizusashi), from the Okayama prefecture of Japan features striking mottled tones of grey and rust which are the result of charcoal ash staini...

A wonderful three hooped ‘Pagoda Pot’ by Alan Ashpool, tiered forms made from a mixture of thrown and slipcast sections joined together, in an ecru / pale green colourway, with three matt green slip stripes. In very good condition with no chips or cracks. Alan Ashpool backstamp to the base. Dorset based potter Alan Ashpool, studied pottery under Heber Matthews (1905-1959), a foremost student of William Staite Murray and teacher of Hans Coper. During the 1960s Ashpool’s pots were sold in leading design stores such as Heal’s, alongside those of Dame Lucie Rie...

Pair of antique French Provincial Amphora pottery. One stands approx 14" tall and the other is approx 13" tall. Very similar colors and patina. One ...