Native American Objects

Sioux beaded pipe bag. Having large-beaded panels both sides on brain tanned buffalo. Bead patterns feature white background with green and blue tradition...

Yakama polychrome gathering basket. Fully imbricated, one flat side, having a geometric chevron design. Exceptional piece that would display nicely in any handmade indigenous basketr...

Hopi katsina figures (Hopi language: tithu or katsintithu), also known as kachina dolls, are figures carved, typically from cottonwood root, by Hopi people to instruct young girls an...

Beautiful large Indian weaving bolster pillow. 18 x 36. Feather and Down insert and Zippered Label.

Cream slip pottery, large standing female figure with arms raised. Nicely painted red and chocolate-brown face, with a finely detail geometric headband. Scattered mineral deposits on...

Hidatsa Arikara medicine shirt worn by a warrior who deserved honors, pre-reservation. Horseshoes represent successful horse raids, and the six quilled eagle feathers signify war coups, scalps or battles. Would note, four real scalps possibly moved over from an earlier war shirt...

A very nice hand carved and painted wood totem pole, circa 1970s. The totem stands and 26" H with a 16.5" wingspan and is in excellent condition for its age...

A Surinam-themed Amsterdam long-case clock The Netherlands, 1746-1756, dial signed Nicolaas Weylandt/Amsterdam The case of the clock is made of Rio palisander veneer and snakewood, with the arch showing a painted scene of the harbour of Paramaribo, Fort Zeelandia and Dutch ships in anchorage, the spandrels decorated with figural representations of the four continents, the centre of the dial painted with Mercury, the god of trade, seated on a bale signed VCS (Vereenigde Compagnie Suriname), and one of the barrels bearing the initials “RBS,” on the left the river god of the Surinam river, with a Dutch three-master in the background. Measures: H 259 x W 60 x D 35 cm (case) Diameter 32 cm (clock dial) This exceptionally rare long-case clock probably was ordered by one of the many wealthy families living along the Amsterdam canals that owned or had shares in plantations in Surinam. It’s a successful marriage of the work of an accomplished 18th century Amsterdam clockmaker, a Dutch cabinetmaker working with exotic tropical timbers, a woodcarver familiar with both Dutch Rococo design and Surinamese iconography, and a painter with knowledge, whether first- hand or through other visualisations, of the Paramaribo waterfront. In the production of this Gesamtkunstwerk, only the name of the clockmaker is known: Nicloaas Weylandt (circa 1700-1754), who had a business situated on the Nieuwendijk near the Haarlemmersluis in Amsterdam from 1742 until his death. The case is made of imported timbers from Surinam; Rio-palisander and snakewood. A very similar clock-case, veneered in walnut, is illustrated in J. Zeeman, De Nederlandse staande klok...

A fantastic and somewhat playful mask by the Yup'ik (Yupik) aboriginal, indigenous people of South-Western & South Central Alaska. The Yup'ik people, who are related to the Inuit peoples, have a long history of ceremonial mask making. Yup'ik masks were originally and specifically designed by Shamans and made to be worn by these spiritual leaders in Winter tribal dances and sacred ceremonies. Traditionally, the masks were destroyed or discarded after use in these ceremonies. Very few of these masks survived. After Christian contact in the late 19th century, masked dancing was suppressed and the tradition all but died out. As more outsiders settled in Alaska at the turn of the century, masks were made by the Yup'ik people to sell or trade for necessary goods. It is likely that this mask was created some years later for this purpose. In the 20th century, Yup'ik mask had a profound influence on many renowned surrealist artists including, Max Ernst, Joan Miro, Leonora Carrington, Victor Brauner, and most notably Andre Breton who was an avid collector of Yup'ik masks. This fantastic anthropomorphic mask is carved of lighter wood, hand painted and decorated with pigment, and held together with natural fiber. The mask seems to represent some sort of smiling, benevolent spirit or character with its four eyes, bird beak, and cat-like ears. The mask is from a French collection. We were told that this mask, as well as others in the collection we have listed, was acquired originally in the 1950s-1960s in Alaska and the Yukon territory in Canada but as we have no way to verify or authenticate this. Please note we are listing the masks as decorative and not as actual tribal artifacts...

This folk art carved and polychrome painted totem pole is signed by an unknown artist and originated from the United States and dates to 1985 and d...

Navajo Cow pictorial weaving. Soft, thick ends with spun wool woven in colors of red, blue, cream, dark brown, yellow, green and orange. Design of serrated diamonds, birds, and cows....

19th Century beaded and quilled bowcase, quiver, bow and arrow set from the Northern Cheyenne ex-Forest Fenn collection. The piece exhibits Indian tanned body that is sinew sewn with...

Native American beadwork gauntlets with Indian Chiefs in feathered headdresses, probably souix, Ca 1880-90 Native American beadwork gauntlet...

This amazing antique American Indian totem pole came from a trading post in New Mexico originally.We obtained it from a Folk art collection in California....

Early American Pre-Historic Human Effigy Stone Paint Pallet, Anasazi culture 900 AD All stone carvings from America's Prehistoric southwest are scarce. The majority of known carved stones come from the Mimbres, Hohokam or Casas cultures. So examples of stone carvings from the Anasazi culture (circa 900–1300 AD) are rare especially human forms which are the rarest and some consider most desirable. This pallet is likely unique. The distinguishing characteristic of our paint pallet from the Anasazi culture is its creation from red sandstone- a material that was not used by the Mimbres, Hohokam or Casas cultures. Dimensions: 9.25 inches tall, 4.87 inches wide Quality: it exhibits no less than seven distinct pigment colors on the surface. The obverse has a distinctive head with three dimensional eyes and nose; there are four horizontal bands of color: red, white, dark red/white and black. The center of the pallet has a distinctive white pigment and the border is executed in both red and black. There are two well-defined legs, one red and the other black, which terminate in distinctive feet. On the reverse we find in the center seven clearly defined concentric painted rings, each a different color. Provenance: old New England collection Lifetime guarantee of authenticity: All of our works of art come with our lifetime authenticity guarantee. Our gallery has been dealing in authentic Native...

20Thc Navajo Indian weaving bolster pillow. This is made from a saddle blanket weaving. The backing is a brown cotton linen. The insert is down & feather insert.

Heavily adorned presentation grade pipe tomahawk with pewter inlaid fish, moon, acorn and war axe on cast iron blade. Period: Mid-19th century Origin: Eastern...

This early 20th-century Navajo double saddle blanket, woven circa 1920s, is a remarkable example of traditional Southwestern textile artistry. Ha...

This fun group of weaving pillows have the initial E on them and are all have cotton linen backings. Down and feather fill. Sold as a group of three.

TRADITIONAL OJIBWAY TRIBAL SHOES WITH FLORAL BEAD DETAILING Originating from the Ojibwe (Ojibwa) people from what is currently Southern Canada and the North Mid-Western United States. Handmade from smoked moose leather with fur trim. Hand-beaded by an Ojibway artist in the floral style typical of the classic Eastern Woodlands style...

20th C hand woven large Papago Indian tray. Great condition. Great look for Southwestern or cabin decor. Great as as a collection on a shelf or table.

This large neutral Yea- Navajo weaving is in fine condition. It is in unusual colors.

This exceptional pair of antique Arapaho moccasins dates to circa 1880, offering a rare and authentic example of 19th-century Plains Indian craftsmanship. Hand-sewn from native-tanne...

"Chief Bull Aparoke" is a legendary work of art from renowned Arizona Native American artist, Bruce Law. Hand-carved from a solid trunk of a rough-hewn Ironwood tree, Chief Bull Aparoke's polished, deeply lined, life size face emerges to evoke the spirit of a stoic Indian Chief who has seen much hardship. Brass plaque beneath the face reads, "Chief Bull Aparoke Sculpture Bruce Law" and has a carved mark of two intersecting bent arrows. Measures: 16.5" high x 11" wide x 11 deep. Weighs 27 pounds. Bruce Law grew up in Phoenix, and now resides in New River, Arizona. Collectors of Bruce’s work include the honorable Barry Goldwater...

Very rare and unusual piece, a sterling silver "note holder" fronted by an Indian Chief on the front in high relief. A bale on top provides for a necklace and hanging as a decorative piece of jewelry. Other decoration on the front includes a tomahawk and a peace pipe criss-crossed beneath the Indian. The back is plain with a decorative "repousse" floral border, and "sterling" clearly marked in the lower left (see image). It is 2 7/8" high  x 2" wide resembling and in the style of a match safe; probably manufactured by Unger Bros. of Newark, New Jersey, circa 1880, but difficult to observe all of the surfaces because of the frontal "notes" in permanent place. A note holder would have been used to write down reminders and/or notations by the user; the surfaces appear to be a celluloid type material. Condition is excellent with six notes intact; a very slight "crease" to the back side; hardly noticeable (see image). Appropriate Americana for the discerning collector with a Western Native American...

A wonderful vintage Native American engraved silver overlay "Storyteller" concho belt in the Hopi style, by the celebrated Navajo silversmith Willie Yazzie, circa 1960. his beautiful...

A wonderfully hand-painted and decorated Native American Hopi Kachina Katsina doll. We believe this was a child's cradle first Kachina doll. It is hand carved from light wood (likel...

Exhibiting a rich patina and a beautifully irregular pattern of pitted wear, this petite redware olla vessel shows many telltale signs of Pre-Columbian pottery. The vessel has a glob...

Water Serpent (Palulukang) and Mud Man (Koyemsi) - Kachina Doll Brightly painted, dynamic sculpture by an unknown artist. The figure is dressed as a medicine man, with feather and fur accents. The Mud Man is holding a piece of leather and a drum, about to wrestle with the Horned Water Serpent (Palulukang) that is emerging from a pottery jar , or Mudhead kachina clown...

Pawnee pipe tomahawk. File burnt and tacked with remnants of yellow paint over entire shaft. Exhibited in the Wichita Falls Museum 1967, Maryland Academy of Art and Science 1969, Flo...

A nicely made, handwoven Native American Navajo green, beige and brown rug/blanket Would be a nice addition to your Native American collection or make for an eye-catching accent pie...

Native American Sioux fully beaded patriotic vest with teepees, crosses and four flags. Sinew sewn on brain tanned deer skin then flour sack lined. 15" at shoulders, 19" at chest, 19...

Important early signed Hopi Bowl by 'First Frogwoman'.

Colorful Alaskan three figure winged totem. Carved and painted by Marlin Alphonse. Noted on back "purchased by Brad and Hazel Ritter on board Royal Princes, Sitka, Alaska 1986. His name heavily carved on back. PERIOD: 1986 ORIGIN: Alaska SIZE: 13"H x 12"W x 3 1/2"D Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American carvings & totems native American Indian native American totem poles n.

This rare and authentic pair of antique Sioux moccasins dates to the 1870s, during the late Classic Period of Native American artistry (circa 1650–1875). Handcrafted by a skilled Pla...

Navajo Indian weaving bolster pillows - pair feather and down insert and zippered case. Colors: Black, off white, tan, and purple.

Northern Plains pipe tomahawk. File burnt shaft decorated with brass tacks. Great patina on shaft and blade. Shaft 26"L so could be used on horseback. Exceptional piece for a handma...

A highly decorative 20th-century American Navajo rug. Ivory, Yelow, and browns Measures: 3'1'' x 4'11''.

Makah TOTEM by Young Doctor (1851-1934). Neah Bay, Washington. This monumental pole is a significant piece of Northwest Coast art and Seattle history that was previously owned by Joseph Edward “Daddy” Standley, the founder of the iconic Ye Olde Curiosity Shop in Seattle, Washington. The pole was displayed for years on the grounds of Standley’s “TOTEM Place” estate in West Seattle, across the bay from his iconic ethnographic art and curio shop on the Seattle Waterfront. So popular amongst tourists was the TOTEM Place estate grounds, that the Southwest Seattle Historical Society has stated that “for decades... it was a place where tour buses stopped, and flashbulbs popped. It probably was the most gawked-at, talked-about residence in West Seattle.” This pole was even featured in situ at Standley’s West Seattle home on a postcard that was sold to visitors through Ye Olde Curiosity Shop. While there are multitudes of model poles and other artifacts available to collectors that were sold as souvenirs from Ye Olde Curiosity Shop, objects that were actually owned by Standley are virtually unknown in the art market. The vast majority of objects that Standley esteemed and considered his private collection have remained with his family and descendants and are on permanent display in the store. Among the objects owned by Standley to make their way into the Smithsonian was a Spirit Canoe sculpture by Makah master carver Young Doctor (1851-1934), the likely carver of this pole. It would appear that Standley and Young Doctor had a good working relationship as a number of pieces, including this TOTEM, an elaborate transformation mask, the aforementioned Spirit Canoe model at NMAI, and a full model set of a Makah whaling crew and canoe were made for Standley by the artist. This large-scale TOTEM pole is an exceptional example of turn-of-the-20th-century Northwest Coast carving...

Tobacciana trade sign carved by Samuel Robb, New York, Circa 1885. Figure holds a knife and bundle of cigars with tobacco boxes. Retains original base. Total height from floor is 74"...

This is such a fantastic early mini Apache basket in mint condition.Very rare to find in such great condition and rare size.

Mary Ellen Toya Story Teller Jemez Mexico 7.25" tall with 11 babies. Singing Mother Motif, Singing Traditional Cochiti Songs. Am listing many American Ind...

This is a very simple geometric pattern Indian weaving bolster pillow. The backing is a black cotton linen. The condition is very good.

Rare Indian weaving bolster pillow. Down and feather insert and zippered case. Measures: 22 x 36

Patriotic Native American Sioux beaded doctor's bag. 62 American flags and crests. Large doctors bag; Sioux beaded. Came from a trading post in South Dakota; estimate first half 20th century, sold in the 1970's for $16,500. Bright, visual, patriotic and great condition for age (see photos). Beadwork over a vintage leather doctor's bag. Period: 1st half 20th century Origin: Sioux, Plains Size: 10" x 12" x 18". Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, and one-of-a-kind pieces that define the history of America and the Old West. Our pieces range from American Indian to Cowboy Western and include original items of everyday life, commerce, art, and warfare that tamed America’s frontier. Our 14,000 square foot gallery opened in 1996 in beautiful Coeur d’Alene, Idaho. Personal Service Cisco’s operates on old fashioned values – honesty and integrity, and all of our items are backed by our money back guarantee. We appreciate the opportunity to earn your business. Whether you desire assistance with a jewelry purchase, choosing a gift, identification, or even selling – we hope to be your trusted source. Native American beadwork native American Indian beadwork...

Heavily adorned split horn headdress with ermine drops, silk ribbons, hawk bells, stroud covered horns, brass trade beads and brass buttons on red strou...

These saddle blanket weaving's have red stars pattern in the end corner of each pillow. There are two pairs in inventory. The backing is in a black cotton linen. Condition is very go...

Taos Pueblo pow wow drum with beaters. The drum's wooden body is made of hollowed-out cottonwood over which a tight drum head of animal skin is stretched. Hide is attached with criss...

Native American pipe tomahawk with brass head engraved with American eagle having crest and "Hull Curttss, November 1, 1776". Shaft has tacks, pewter inlays and file burnt. Not sure ...

From Native America comes this unique ancient hand carved granite stone head head effigy, attributed to the Yokuts People. It was collected on a private ra...

Polychrome pictorial Mission basket with ten cats on a fence. Period: Last quarter 19th century Origin: California Size: 6" x 4". Family Owned & Operated Cisco’s Gallery deals in...

A nicely woven wool mat/rug in a geometric pattern which the Navajo tribe is famed for. In fantastic vintage condition. Originally acquired some years ago and placed in storage for good keeping. From a large collection of Native American artifacts...

Geometric Navajo Indian weaving pillows in good condition. Brown cotton linen pillows. Sold as a pair.

Siberian Eskimo people were introduced to tobacco in the 17th century, acquiring it from European traders in exchange for furs. Pipes based on European models, such as this example, ...

This is an outstanding set of authentic original beaded hide high-top / high-top moccasins with hard parfleche soles from the Sioux Native American Indians dating to circa 1880. The set shows stiff Indian tanned hide moccasins with hard parfleche rawhide soles and the tops being covered in period correct 1800’s glass trade seed beads that are sinew sewn in a traditional Buffalo track geometric pattern. The moccasins have a red ocher mineral pigment paint and are completely sinew rawhide sewn. The moccasins have sewn on high top / high-top leggings done in Indian tanned hide which is very stiff and has a sewn-on section at the top of Indian tanned Buffalo Bison hide...

This is interesting and very colorful. We have one other similar pattern like this pillow. So you could have a pair if need be. Condition is good.

Beautiful coloring and geometric patterns for which the Navajo tribe is famed. In fantastic vintage condition. Originally acquired some 50-60 years ago and placed in storage for good keeping. Ingeniously clever design. The pattern changes when viewed horizontally and then vertically. From a large collection of Native American artifacts...

A stunning set of Sterling and Turquoise by the noted Navajo Craftsman Pete Sierra. The set dates to the 1970's we believe. Pete Sierra studied under the m...

This pillow was constructed from a wide ruins Navajo weaving and dates to the early 1920s. The weaving shows an intricate pattern of triangles bordered in r...

Native American Missouri war axe. Pewter blade with inlayed brass weeping heart on one side and crescent moon on other. Vame from an Osage family in Pahuska, Oklahoma. Spontoon style...