Roan Eagle, Wanbli Hito Warrior Ledger Drawing

Sioux hair drop with brass trade beads, blue beaded background having red and yellow geometric designs. White horsehair drop dyed blue. Period: Last quarter of the 19th century Orig...

Sioux fully beaded moccasins. Red, white and blue with geometric stacked colors. Hard soles, cotton cuff edging. Period: Late 19th Century Origin: Gr...

Sioux fully beaded moccasins. Red, yellow and blue on white background. Soft soled brain tanned hide. PERIOD: Late 19th Century ORIGIN: Great Plains ...

This is an outstanding set of authentic original beaded hide high-top / high-top moccasins with hard parfleche soles from the Sioux Native American Indians dating to circa 1880. The set shows stiff Indian tanned hide moccasins with hard parfleche rawhide soles and the tops being covered in period correct 1800’s glass trade seed beads that are sinew sewn in a traditional Buffalo track geometric pattern. The moccasins have a red ocher mineral pigment paint and are completely sinew rawhide sewn. The moccasins have sewn on high top / high-top leggings done in Indian tanned hide which is very stiff and has a sewn-on section at the top of Indian tanned Buffalo Bison hide...

Pair of antique Native American moccasins dating to the late Classic Period (1650-1875). Hand crafted by a Sioux, Plains Indian, arti...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

Antique Sioux (Plains Indian) beaded hide dress, circa 1880. This one-of-a-kind, handmade dress is crafted from Native tanned deer hide adorned with Venetian glass trade beads embel...

R. S. MACDONALD (Unknown/Unidentified Artist) - 'Raven Stealing the Sun' - Aboriginal colored pencil drawing on paper - original metal frame with single matte board and glass - title...