Copper Table Lamps

An extremely rare version of the Conrad Fehn Amsterdamse School fringed copper desk lamp. A one off with a different design than the more common ones like depicted in the ''Living in...

Classic Brutalist school table lamp designed by Harry Balmer and Harold Weiss, for the Laurel Lamp Co. circa 1960/70's. Known as the Ribbon Lamp, this piece features an exaggerated ...

Vintage Dirk van Erp Style Arts & Crafts Copper & Mica Table Lamp 20thC Measures - 20.75"H x 15"W x 15"D A vintage Arts & Crafts table lamp in the style of ...

An early 20th century wall lamp made in England by GEC. c.1920 Simply designed brass metalware with its original oxidised copper finish complete with Holophane 'Stiletto' prismatic ...

An elegant Art Deco style table or desk lamp, made of copper colored metal. At the bottom of the stem a crystal cut knop. The lamp has a two E27 lamp fittings. The lamp is in working...

Postmodern table lamp by Los Angeles lighting designer Ron Rezek, c.1980s. The lamp features a verdigris copper frame and removable shade with polished brass ring accent that sits at...

Copper Banker's Desk Lamp, with an adjustable pivoting dark green shade, England 1930's. Nice patina.

Big Italy glass and copper table lamp with fabric shade around 1970s Copper polished and stove enameled The fabric shade is replaced ( new )

An antique copper table lamp made of copper, the stem is made of metal. The tulip-shaped lampshade is made of paste-glass (Patte Verte) and s...

An exceptionally rare, signed Conrad Fehn Amsterdam School desk lamp - identical to the example featured in the famous reference work 'Living in the Amsterdam School' (see in the vid...

An elegant and large antique table lamp dating from the 1920s, beautifully embodying the decorative spirit of the Amsterdam School/Arts & Crafts period. The patinated copper base...

Magnificent luxurious table lamp of a tropical bird with a large gilded bush. Created by the Italian brand Giulia Mangani, circa 1960-1970 The bird and pedestal are made of porcelai...

Design Classic from the Art Déco Era. Table lamp, model "Mazda" France 1920s - 1930s. The wooden shaft and the wooden base have been professionally painted in high-gloss Black lacqu...

French brazed-copper table lamp with a strong sculptural presence, dated 1975 and bearing an indecipherable signature. The hand-worked copper reveals a deeply textured patina, typica...

Poul Henningsen & Louis Poulsen - Mid-Century Modern Design A beautiful 5/ 3 'Millionaire' table lamp by Poul Henningsen (1894-1967). The lamp is rare due to its size and age - ...

Fabulous simple yet elegant dancing nude woman from the Art Deco period. Copper over iron and cast precisely. Amber glass is flawless and fits perfectly. Electric components are all ...

Pair 1960's Mid Century Floor (or tall table) Lamps in the manner of Stewart Ross James for Hansen or Paul Evans. Probably by Laurel Lamp Co. This interesting pair of lamps is each...

A teak, copper and beige fabric table lamp produced by ASEA, Sweden, c. 1950s. Very light oxidation present on bronze, light scratches present on wood. Stain present to vintage fab...

Mini version of the Pipistrello lamp designed by Gae Aulenti in 1965. Table lamp diffused lighting. Glazed stainless steel structure, white opal methacrylate diffuser. Base and knob...

Art Nouveau desk lamp, circa 1905. Brass and copper frame. Rare iridescent glass shade signed Quezal. Electrified and in very good condition. Height: 60.5 cm Width: 21 cm Depth: 35 cm Weight: 2.6 kg Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas...

An orange glass, copper and beige parchment paper table lamp designed and produced in France, c. 1950s. Dimensions of Lamp with Shade (inches): 10.125"H x 8.0"W x 8.0"D Dimensions ...

1930's RARE PARCEL-SILVERED ART DECO BAUHAUS MUSHROOM STYLE DESK LAMP Probably American Visually satisfying high quality table lamp evoking Machine Age Era design patinated copper...

Pair of Perry A. KING & Santiago Miranda Palio model table lamps for Arteluce, Italy designed in 1985.  Copper shades arranged on a double structure of chromed metal wires w...

Elegant Pair of Copper Urn Lamps, circa 1940s or earlier. The lamps measure 23"H to the tops of the shades shown in the first photo. The lamp shades ar...

A dark-stained wood and copper table lamp designed and produced in France, c. 1930s. Scuffs and wear present as illustrated. Dimensions of Lamp (inches): 12"H x 6.25"W x 6.25"D Di...

Poul Henningsen & Louis Poulsen, Mid-century Modern design This is the iconic Poul Henningsen (PH 4/3) table lamp with original copper shades. Stand, switch and socket house of bro...

Wonderful quality antique Victorian copper and brass oil lamp, having a quality antique oil lamp having a glass chimney and etched glass globe above a double brass burner and a Krali...

Step back in time to the 1940s with this exquisite table lamp designed and produced by JUMO Brevete in France. Founded by Yves Jujeau and Pierre and André Mounique, the JUMO company ...

Poul Henningsen & Louis Poulsen, Scandinavian Modern The iconic Poul Henningsen (PH 3/2) table lamp with shades in amber glass. Stand and socket house of browned brass. Bakelite sw...

This exceptional table lamp was designed by Harald Notini in the late 1920s and produced by Arvid Böhlmark's Lampfabrik in Sweden. This rare model, numbered '6839', is documented in ...

Already designed in 1938, this "seashell" lamp is considered as one of the first modernist table lamps by Paavo Tynell. A lamp that broke the earlier borders of the Art Deco and Bauh...

This rare table lamp, produced in Denmark during the 1950s, exemplifies the material sophistication and craftsmanship central to Scandinavian modern design. The lamp’s sculptural for...

Called a "lampe bouillotte" in French, this late eighteenth century Louis XVI period lamp was originally used for the card game of the same name, la bouillotte, which became popular ...

A pair of Muller table lamps from the French Art Nouveau period. The base is made of gilded bronze/brass. The lamps have pasta glass (pate de verre) lampshades, made and signed by Muller Frères from France. The glass has very nice bright green and orange colors. The orange-green color is already somewhat rarer within the muller shades...

A table lamp by Poul Henningsen with browned brass frame, socket cover and top, mounted with 3/2 patinated copper shade set. No switch on the frame. Stamped 'Pat. Appl.' (highly valu...

POUL HENNINGSEN (Denmark, 1894 - 1967).
Table lamp PH 4/3 pat appl, 1927.
Gilt brass and copper shades.
Exhibits wear marks and light wear to the back of the ...

Vintage Dirk Van Erp Style Arts & Crafts Copper & Mica Table Lamp 20thC Measures - 21.5"H x 16.75"W x 16.75"D A vintage Arts & Crafts table lamp in the styl...

PH 3½-2½ - Table lamp with upper shade in copper/white opal glass (both shades included) and middle and lower shade in white opal glass. Anniversary edition. Original box included wi...

This exceptional table lamp was designed by Harald Notini in the mid 1920s and produced by Arvid Böhlmark’s Lampfabrik in Sweden. The lamp is model 6834 and is pictured in Böhlmark’s...

Rare table lamp model PH 3½/2 designed by Poul Henningsen. Produced by Louis Poulsen in Denmark. Marked “PAT. APPL”.

Designed in 1965 by Gae Aulenti for Martinelli Luce, the lamp is made with innovative techniques for the diffuser in methacrylate for the time in which it was designed. The shape of ...

Art Nouveau lamp circa 1910 by General Electric France in bronze and copper. Opalescent uranium glass shade. Wired, B22 LED socket. In perfect condition. Total height: 50 cm Base di...

A 1960s brutalist-style lantern-shaped table lamp with a copper body and handle adorned with four hand-cut colored glass panels. Attributed to Jean-Simon Labret and Jacques Avoinet, ...

Copper and mica arts and crafts style lamp and shade made by the Mica Lamp Co., Glendale, Ca. base and shade with makers mark. Shade with serial number. Roun...

A copper, teak and brass table lamp designed and produced in Sweden, c. 1960s. Dimensions of Lamp (inches): 10.4"H x 6.5"W x 6.5"D Bulb Specifications: B22 (Bayonet) Bulbs Bulbs a...

Rare early ’PH 3,5/2 table lamp’ with patinated browned brass frame and original red/golden copper shades. Designed 1926 and made at Louis Poulsen, 1927-1928. Stamped ‘PAT.APPL.’ Th...

Classic Art Deco Brass & Copper "Guardsman" Table / desk Lamp by Faries,,, wonderful original condition.

An elegantly shaped opaline glass lamp with copper gallery, likely made in England by GEC. c.1930 Of oval form, heavy duty opaline glass with slight violet tint and original coppe...

A masterfully hand-carved wooden lamp features a beautiful sculpture of a night watchman with a lantern and halberd. The lantern is made of glass and co...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

Nice Vintage table lamp, with a figurine of a blue parrot, made of porcelain. The lamp foot is made of bronze and leafs are made of copper. The porcelain is marked Sèvres. The lamp s...

Art Deco Poul Henningsen table lamp model PH 3½ / 2 made in the early 1930s. Poul Henningsen was one of the most unique and world famous architect in the past 20th century. Besides ...

Stunning table lamp or floor lamp manufactured by Potteri D'accolay in france consising of a reeded earthenware base with two toned brown finish onto which the most remarkable copper...

Art Deco style Machine Age brown metal gooseneck desk lamp with a pen holder.

Condition: Original Vintage Condition

Shade Size: 18 1/4"Dia x 12 1/8"H Dong Shan Table Lamp Antiqued Copper Copper Metal Hand Repoussé Tan Linen Shade Limited Edition Each piece is individually crafted and is unique. ...

At first glance, Serena appears to be in motion—it is a leaf blown by a gentle breeze, dancing through a current of wind. Inspired by the simple beauty of nature, this piece features...

A very fine and decorative copper lamp featuring a copper and mica shade. Dimensions: H 25", D 25", 4 lights. NI520.

‘Love’ table lamp, circa 1968 Steel body, copper inner elements and plastic rheostat. Manufactured in Italy. Dimensions: 35 x 65 H cm / 13.8 x 25.6 H in Willy Rizzo was a photograp...

Early 20th century Strindberg Model Table Lamp in Hammered Copper Base and Frosted Art Glass Shade.