Copper Table Lamps

Willy Rizzo was a remarkable Italian photographer turned furniture and lighting designer whose work bridged glamour, modernity, and functional art. Born in Naples in 1928, Rizzo firs...

Vintage table lamp with a wooden base and centre in solid brass with a sundial. The shade which is original is also made of patinated brass. Has room for two standard E27 bulbs. Give...

Made in Czechoslovakia Made of copper, cut glass With aged patina 1xE14 or E15 socket New cabling Re-polished Fully fucntional Original condition.

Table lamp designed by Nanny Still for RAAK, Amsterdam. Rare and very heavy piece. The round base is made of black marble (diameter 23 cm / app...

Monumental Swedish Art Nouveau Copper, Leaded Glass and Wrought Iron Table Lamp A monumental Swedish Art Nouveau table lamp distinguished by its powerful architectural presence and ...

Wonderful pair of rustic style tables lamps, rustic olive oil jars with carrying handles. The lightly glazed clay jars date from the middle of the 20th Century and were originally us...

This rare table lamp, produced in Denmark during the 1950s, exemplifies the material sophistication and craftsmanship central to Scandinavian modern design. The lamp’s sculptural for...

Pair of English three arm Sheffield Candelabras with trumpet floral finial , chased scrolled floral arms, and resting on chased floral wood bases. Candelabras have been converted ...

ANTIQUE BENEDICT STUDIOS Hammered Copper Lamp - W7694 This is an antique Benedict Studios hammered copper lamp. The mica is period mica and not new. No damage, no dents, no proble...

Trendy Scandinavian style and high quality manufacturing for this midcentury Danish table lamp by Johannes Hammerborg for Fog & Mørup. These six lights copper lamp was manufactur...

An exceptional Art Deco period chrome and copper table lamp. In excellent original condition. Newly re-wired, American, 1920s-1930s.

A verdigris copper table lamp by designer Ron Rezek. Made in the 1980's. The piece is in all original vintage condition with light wear around the base of the lamp and varying degr...

Art Deco vintage table lamp from copper and brass in geometric shape Vienna 1930s. An elegant vintage table lamp in geometric brass and copper worked in luscious gold and rose color...

A Pair of Unique Mid-Century Modern Craftsman Table Lamps in the style of Wharton Esherick. These exquisite Studio Furniture pieces are in the form of an abstract Arabic numeral and ...

Brass and Copper Table Lamp, Denmark, 1960s A Danish table lamp from the 1960s with a copper base and a detailed brass post. The warm metallic surfaces have developed a natural pat...

This amazing and stunning thick walled French vintage heavy lucite column lamp is attributed to the work of Romeo Paris. It has inclusions of floating copper and gold leaf elements in fractal form. It is tall, heavy and has separate lucite columns inside. This is a piece de resistance...

Stilux Milano table lamp manufactured in the 1950s. Copper anodised aluminium cone shade, enamelled steel pivot and stem, copper plated V shap...

A handsome silver-plated reflector candle lamp, English, late 19th to early 20th century. The stepped circular base supports twin turned columns surmounted by a segmented parabolic r...

An English pulpit lamp in silvered copper and brass, wired for electric use. The pulpit lamp was built as a paired candle-form fixture with spring-loaded ejector shafts rising to a f...

Table lamp of great quality in materials (marble, glass, copper and iron), and in 'design. Made in Italy 1980.

Good quality copper table lamp from the 1970s, unknown designer from Belgium. Unusual table lamp with its original lampshade adjustable to three positions. With its original lampshad...

This is a 1970s Mid-Century Modern table lamp, crafted from copper and steel, designed and manufactured in Italy. The lamp features a striking dome-shaped shade in polished copper wi...

A substantial English Art Deco industrial desk or bankers’ lamp by the General Electric Company (GEC), dating to circa 1920. Constructed principally from aged brass and copper, the ...

As found, this pair of handsome brutalist lamps designed by Richard Barr for the Laurel Lamp Company are guaranteed to make a bold, handsome, dramatic statement in any room.

2030 Hammered and incised copper lamp with black wood base.Textured surface with darkened patina. Rewired with black silk cord Height to bottom of socket 16"

Handmade Arts & Crafts Copper Lamp with Square Shade, circa 1920s.

Poul Henningsen. Table lamp, 'PH 3½-2½ Kobber Bord' - Limited Edition from 2014. Glossy polished copper stem. Solid copper upper shade. Opal glass middle and lower shades. H. 45 cm. Ø 33 cm. Light signs of wear. Sold in its original box with the 2 large shades...

Copper Scallop Shell with Dolphins, Electric Table Lamp, A magnificent decorative piece, this stunning stand alone lamp has been made from an early 20th Century Electric heating ...

Very charming 1920s-1930s wrought iron Art Deco table lamp in the style of Edgar Brandt, Paul Kiss, etc. The stem is beautifully patinated and...

Twentieth exhibitions is proud to present the début of Hydrochrom, a family of glass sculptures by LA-based artist and designer Sébastien Léon. Hydrochr...

Large Marcello Fantoni for Raymor handcrafted Copper and Verdigris Torch Cut Table Lamp, 1950's. Torch Cut Copper and Verdigris. Made in Italy. Lamp S...

Table lamp model no. 06-017 designed by Lisa Johansson-Pape. Produced by Oy Stockmann-Ornö AB and Iittala, Kerava, Finland.

Rare Gilbert Rohde designed Art Deco onyx lamp with copper base. Has been rewired with twisted brown cloth cord, as designed. Includes original socket with bakelite lamp switch. Sha...

Art Nouveau lamp circa 1910 by General Electric France in bronze and copper. Opalescent uranium glass shade. Wired, B22 LED socket. In perfect condition. Total height: 50 cm Base di...

Created to measure by Stan Usel, this pair detail of red copper, stainless steel and brass table lamps topped with a magnificent meteorite gemstone highlighting a mosaic radiation. E...

Art deco copper table lamp features a distinctive stepped, beehive-style dome shade that provides downlit task lighting. A polished brass pitcher-style handle connects the lower stem...

Copper base, glass shade Fully functional 25W, E14 or E12 bulbs.

Art Nouveau lamp, circa 1905, in cast iron and copper. In perfect condition, wired with a B22 socket. The lampshade shown in the photos is not included. Total height: 67 cm Width: ...

Moon floor lamp (S) by SB26 Dimensions: W 125 x D 200 x H 165 cm Materials: Steel, copper, brass gilded with pure gold Moon is balanced in space and refined to its worked ends w...

Set of Three Copper naturally oxidized vessel lamps sold individually. Standard US UL wiring. Shades not included. WE JUST HAVE ONE LAMP LEFT 2 HAVE BEEN ...

A teak, copper and white opaline glass table lamp likely designed and produced in Denmark, c. 1950s. In good vintage condition, with visible wear consistent with age and use. Light ...

An exceptional Italian sculptural table lamp by Mazzega dating from the 1960s. Executed in the manner of Austrian/Swedish designer Emil Stejnar. The lamp features forty-two individu...

2 jugendstil Brass/ Copper table lamps with fabric shades vienna around 1908 Polished and stove enameled The fabric shades are repalced ( new )

Moon floor lamp (XL) by SB26 Dimensions: W 250 x D 130 x H 250 cm Materials: Steel, copper, brass gilded with pure gold. Moon is balanced in space and ...

Fantastic rare patinated green copper table lamp by Damon Giffard for Hansen. Three socket revolving on and off switch.

Pair of 1970 Candelabra, Candles Lighting

available in NY lampe base height 16" diameter 8 3/4"

ABOUT A pair of beautifully patinated, molded copper antique nautical ship lanterns, specifically designed as navigation lights. These types of lanterns were historically essentia...

Very uncommon table or desk lamp in copper with a sandstone. Very good quality of fabrication and probably made in only one example. The system of switch on/off is specific because y...

Unique table lamp of "Masterpieces of Lights" series by Lorenzo Ciompi,2021 this lamp, the N.1, supports an original dutch sculpture medal by Adam Van Vianen, a famous silversmith, ...

A Rare, French Mid-Century Modern, Marine table lamp or desk lamp in solid brass and copper with a hammered solid brass shade. The lamp is unique in it's industrial form in combinati...

Exceptional stain and textured glass table lamp, made by worldwide known Stain glass artist Shimala Peleg. Handmade masterpiece that will bring wa...

The PALIO lamp by ArteLuce is a sophisticated blend of contemporary design and timeless elegance. Crafted with meticulous attention to detail, it features a...

Exclusive Art Deco table lamp from the period around 1920 in France. Artfully designed in form of an urn, this outstanding 20th century French uplighter lamp impresses with its inser...

Unusual and small table lamp composed of a stylized base in copper, brass and black-painted metal. Over this configuration a floating opaline sphere in white glass. In Scandinavia we...

A sophisticated pair of mid-century modern table lamps designed and produced in Czechoslovakia during the 1970s by the prestigious glass and lighting manufacturer Kamenický Šenov. Re...

A tall stylish architecturally perceived table light featuring an octagonal base, hammered panels/details, bakelite socket and a fluted Le Klint shade. The base of this light has a r...

Pair of Mid-Century Modern golden brass and glass table lamps by Stiffel, United States By: Stiffel Material: brass, copper, zinc, metal, glass, crystal, cord Technique: cast, molde...

Art nouveau lamp circa 1910. Brass and copper base. Iridescent glass tulip signed Quezal. In perfect condition and electrified. Total height: 38.5 cm Base diameter: 15.5 cm Width: 30 cm Quezal Art Glass Quezal Art Glass – The Journal of Antiques and Collectibles – April 2003 By Malcolm Mac Neil Some of the most beautiful and alluring art glass made in America during the early part of the 20th Century was made by the Quezal Art Glass and Decorating Company. Often in the shape of blossoming lilies with brilliant gold interiors and colorfully decorated with floral and other motifs inspired by nature, Quezal art glass ranks right alongside the iridescent glass of Louis Comfort Tiffany and Frederick Carder. Quezal artisans created an extensive range of decorative and useful items, including vases, compotes, finger bowls, open salts, candle holders, and shades for lighting fixtures, which are equivalent in terms of beauty and quality of craftsmanship to Tiffany’s Favrile and Carder’s Aurene glass. In recent years, glass collectors have discovered anew the special charms and appeal of Quezal art glass, and collector desirability for this lovely glassware has increased dramatically. The Quezal Art Glass and Decorating Company was incorporated a century ago, on March 27, 1902. It was founded by Martin Bach, Sr., Thomas Johnson, Nicholas Bach, Lena Scholtz, and Adolph Demuth. The factory was located on the corner of Fresh Pond Road and Metropolitan Avenue in Maspeth, Queens, New York. In October 1902, the trademark “Quezal” was successfully registered. By 1904, roughly fifty glassworkers were employed at the works. Martin Bach, Sr. was the president, proprietor, and guiding force behind this successful company. Born in 1862 in Alsace-Lorraine to German parents, he emigrated to the United States in 1891. Before his emigration, Bach worked in Saint-Louis, France, at the Saint-Louis Glass Factory. After Bach arrived in this country, he was hired by Louis C. Tiffany as the latter’s first batch-mixer or chemist at the newly established Tiffany Glass and Decorating Company, in Corona, Queens. After a period of about eight years, Bach left Tiffany and established his own glassworks. By this time, Bach had already started his small family. He and his German-born wife, Anne-Marie Geisser, whom he married in the fall of 1889, in Paris, France, had three children. Two daughters, Jennie and Louise, were born in France and a son, Martin, Jr., was born in Corona. Bach was assisted by Thomas Johnson, an English immigrant, and Maurice Kelly, a native of Corona, both of whom were gaffers or master glassblowers. Johnson and Kelly helped pave the way for Quezal’s early accomplishments and later recognition. Thomas Johnson, like Bach, was a founding member and also previously employed by Louis C. Tiffany. Johnson’s association with Quezal, however, was relatively short lived. Around 1907, Johnson left for Somerville, Massachusetts, where he became involved in making Kew Blas glass, under William S. Blake at the Union Glass Company. Maurice Kelly’s tenure with Quezal was also brief. Kelly worked at Quezal from January 1902 until July 1904, but by November 1904, he was making Favrile glass at Tiffany Furnaces, where he would happily remain until 1918. To this day, the belief still exists that there once existed a man named Quezal, who worked for Louis C. Tiffany, and it is after him that Quezal glass is named. In truth, however, the founders of the Quezal Art Glass and Decorating Company named the company and its products after one of the world’s most beautiful birds, the elusive and rare quetzal, which dwells in the treetops of the remote tropical forests of Central America. A rare company promotional brochure provides a vivid description of the quetzal: Of all the birds of the America’s, it is the most gorgeous. No more splendid sight is to be seen in all the world than a quezal, flying like a darting flame through the depths of a Central American forest. Its back is of a brilliant metallic green, so vivid it shines even in the twilight of the woods like a great emerald and its breast is a crimson so deep and bright that every motion of the wonderful creature is a flashing of rubies among the trees and giant creepers. It bears a true golden crown upon its head – a helmet of bright yellow and green, shaped just as the helmet of old Aztec kings were shaped. Its tail is composed of lacelike plumes, extending more than two and one-half feet beyond its body. The quezal was certainly an appropriate designation for the company’s resplendent glassware. One of the most prized characteristics of Quezal art glass is the shimmering and dazzling brilliance reflected in the iridescent surfaces on the interior as well as exterior of the glass. The radiant rainbow colors in metallic hues, including gold, purple, blue, green, and pink, to name only a few, were certainly inspired by the quetzal and its feathers. Not surprisingly, lustrous feathers, in shades of opal, gold, emerald, and blue, are among the most common decorative motifs encountered on Quezal glass. The enduring hallmark of Quezal art glass is its unique expression of the Art Nouveau style, based on organic shapes and naturalistic motifs coupled with technical perfection in the execution. Vases, compotes, drinking vessels, and shades for lighting fixtures were often fashioned to resemble flowers such as crocuses, tulips, calla lilies, casablanca lilies, and jack-in-the-pulpits. Variously colored inlaid threads of glass, pulled and twisted by hooks, simulate naturalistic floral and leaf patterns, lily pads, clover leafs, and vines. Opal, gold, and green colors prevail and the glass is generally opaque. Red is the rarest color of all. Compared with Tiffany’s Favrile glass, the crisp, vivid, and colorful decoration of Quezal art glass is distinctively precise, symmetrical, and restrained. Other Quezal wares recall shapes and styles favored in ancient Egypt, Persia, Greece, and Rome, as well as the Italian Renaissance and the Georgian period in England. This is especially true of classic-shaped vases and bowls of translucent amber glass, which have a single surface color such as iridescent gold or blue. Still, others were inspired by traditional Chinese and Japanese forms. The Gorham Manufacturing Company in Providence, Rhode Island, and the Alvin Silver Manufacturing Company in Sag Harbor, Long Island, purchased Quezal art glass, which they in turn embellished in their shops with silver overlay decoration in the fashionable Art Nouveau style and later resold. Gorham’s silver overlay designs mostly include stylized floral motifs. Alvin’s silver designs are wonderfully organic. One sumptuous design is of a group of sinuous iris blossoms with carefully articulated petals surrounded by attenuated meandering vines. Collectors should note that not all silver-deposit pieces are marked with a maker’s mark since the silversmith had to be quite careful not to damage the glass underneath. A rare 1907 retail catalog survives from Bailey, Banks, and Biddle Company, a luxury goods retailer in Philadelphia, which reveals original retail prices of Quezal art glass. A surprising revelation provided by this catalog is that Quezal art glass was nearly twice as expensive as comparable French imported glass made by such renowned firms as Gallé and Daum. Hock glasses, a stemmed glass used primarily for drinking German white wine, were sold by the dozen and retailed between $50 and $75. Fingerbowls were also sold by the dozen and retailed between $50 and $100. These high retail prices were nearly the same as those charged for Tiffany’s Favrile glass, and suggest Quezal art glass was also marketed towards the high-end or luxury market. Electricity was a brand new invention in the late 1800s and American glass manufacturers developed novel approaches for concealing the electric light bulb, which was rather harsh to the eye and perhaps unflattering to the domestic interior. Tiffany, Steuben, and Quezal responded to this need with the most extraordinary and beautiful art-glass shades, all of which were  hand-made and exquisitely fashioned. Many other companies also made art glass shades for table and floor lamps, electroliers, hallway fixtures, and wall sconces, but it was Quezal that excelled in this area and was the most prolific. Quezal art glass shades were available in an infinite variety of shapes, sizes, colors, and decorations. Some shades are formed and decorated as lilies while others are bell-shaped and have ribbed or textured decoration. Rims are usually plain but sometimes are notched or ruffled. Common motifs include feather or hooked feather, leaf and vine, applied flowers, drape, fishnet, King Tut, and spider webbing. The workmanship shown on most Quezal shades...

Brutalist table lamp designed by Tukiainen Aimo Ossi Kalevi. Produced by Moonlight Ltd., Finland, 1960s. The body of the lamp is made of ...