Bone Furniture

Extra large nontypical whitetail fireball chandelier with ten lights. Antlers are a bright white color with natural variations. Chain and wire included, ready for hanging. Craftsman ...

19th century Georgian box in an octagonal form, featuring delicate penwork decoration on the lid with a central portrait medallion and floral motifs. The interior is fitted with a re...

A modern piece of functional decor that will add a striking decorative accent and a sleek texture to a contemporary shelf or bookcase, this book end is crafted of wood with a glossy ...

Matched pair of massive steer Horn chairs. Reupholstered with black leather. Came from a ranch in Montana. Came together, stay together. Stunning! Pe...

Moroccan inlay highly decorated ceramic vase, with metal and bone.

Antique Black Forest Roe Deer Trophy on Carved Plaque 1930s A vintage roe deer (Capreolus capreolus) trophy with uneven antlers mounted on a wooden carved plaque. The plaque feature...

Vintage Black Forest Roe Deer Trophy on Carved Plaque 1950s A vintage roe deer (Capreolus capreolus) trophy with abnorm antlers mounted on a wooden carved plaque. The trophy was sho...

Vintage Black Forest Roe Deer Trophy on Carved Plaque 1950s A vintage roe deer (Capreolus capreolus) trophy on a wooden carved plaque. The plaque has oak leaf carvings. The trophy w...

Black Forest Antique Roe Deer Trophy on Casted Plaque 1940s An antique roe deer (Capreolus capreolus) trophy mounted on a casted plaster plaque. The plaque is painted in green and ...

Vintage Black Forest Roe Deer Trophy on Carved Plaque 1950s A vintage roe deer (Capreolus capreolus) trophy mounted on a wooden carved plaque. The plaque features oak leaf and acorn...

Large Black Forest Red Deer Trophy on Carved Plaque - Germany 1937 A large 8-pointer red deer trophy (Cervus elaphus) from the Upper Palatinate in Bavaria, mounted on a brown wooden...

Asmat People, South Papua, Indonesia, probably late 19th century The Asmat people of Papua are known for creating "trophy necklaces," intricate pieces often made from human bones an...

Chic and beautiful tessellated horn console and matching mirror. The base of the console has an inlaid polished brass band. The mirror dimensi...

A large Art Deco silver mounted tortoiseshell easel mirror, the rectangular plate framed in tortoiseshell with large silver mounts applied to the corners comprising athemions with sq...

A set of 3 vintage deer antler trophies on hand carved, Black Forest wooden plaques. Most of them are dated on the backside, it tells they are from the 1920s or older. Measurement's ...

Not everything is organic in northern Argentinean hills. As we cast our eyes on the landscapes, we also find geometry that makes us travel with our imagination. Mini square, rectangu...

A stunning pair of Flemish early 19th century Baroque st. Tortoiseshell mirrors. Each mirror retains its original beveled mirror plates set within a beautiful unique wave like design...

A high quality and very attractive Italian 19th century Milanese st. Ebony and bone commode. The eight drawer commode is raised by a straight frieze above a bull nose support flanked...

Enter the 'Half Moon Bone Inlaid Table' — nature's vast canvas reimagined in a half-sphere. A horizon touchpoint, central to your living space, embodying the graceful arc of the crescent moon. Handcrafted to perfection, the half sphere table...

Elevate your space with the unique allure of this Vintage Boho Horn Low Stool. Crafted from natural horn, this low stool features an organic shape and rich textures that bring an ear...

Khatam kari is a fine, meticulous marquetry technique whose earliest examples date back to the Safavid period (1501-1730). This technique involves inlaying fine wood, brass or camel ...

Rare 19th century antique powder horn with scrimshaw, circa 1872. The horn is inscribed "Charles Lee" in scroll on the side of the horn and the woo...

A 19th century snuff box with intarsia A horn snuff box with a diamond-shaped embedded smaller diamond-shaped surfaces on the box in relief. The box has been a utensil and is in goo...

Black Forest Red Deer Trophy on Birch Slice - 1935 An 4 pointer red deer (Cervus elaphus) trophy from the Black Forest mounted on a birch slice. The slice features a handpainted ins...

Anglo-Raj-Indian Inlaid Elephant Ceremonial Processional Hardwood Panel India, Circa 1900s Overall Measurements: 9" H x 30" W x 1" D A beautifully crafted Anglo-Raj-Indian inlaid ...

A very good quality pair of French late 19th century French Louis XVI style Boulle side cabinets, each with their original white marble tops, red ...

Tortoiseshell and silver heart photograph frame date London, 1897 Maker Henry John Batson & Albert Edward Batson This frame is in excellent cond...

This magnificent 19th-century French Continental Boulle Desk / Center Table is a masterpiece of luxurious craftsmanship and timeless European elegance. Featuring an ebonized wood fin...

Early 20thC Viennese Mahogany Inlaid Gentleman's Vanity Table with hinged top and fold out compartments with faux tortoiseshell accessories a...

This highly sophisticated Mid-Century Modernist Walking Stick in Ebonized Walnut w/ Genuine Bone and 14K Gold Inlay Pommel Originates from Italy, Circa ...

The Nima round floor lamp makes a stunning statement with its soaring solid wood conical base and intricate bone marquetry pattern. The light illuminate...

Not only Sleeping Beauty's hair has the color of ebony wood, so do a number of details of this antique spinning wheel. The well shaped lances and bu...

Imposing chandelier made of antlers. The chandelier is made of red deer and fallow deer antler.

An elegant comb hand-carved from cow horn with naturally occurring variations in color and pattern.

PRESENTING A GORGEOUS 19C Anglo Indian Highly Carved Sadeli Mosaic Sarcophagus Sewing Box. Made in Bombay, India circa 1860-80. Box made of sandalwood with highly carved teak wood reliefs and panels on all sides. Edged with bone and ebony veneers and glorious sadeli mosaic, made from tiny pieces of faux ivory, pewter, green semi-precious stone. The box is in a sarcophagus form with domed lid. The original brass carry handles are on the sides. The interior is in great condition and consists of a removeable mirror under the lid portion, with the original red velvet lining behind it. The base is removeable and contains a number of lidded compartments. 6 of the interior lids on the base, are each inlaid with sadeli mosaic banding. The rest are also carved and chased. The interior is fully complete with 7 lidded faux ivory/bone, thread canisters with sadeli domes and the original bone thimble. The box sits on 4 brass ball or bun feet with the original velvet lining on the base. Some minor repairs and losses, but this box is fully complete. This is ‘rare’ as many of these boxes have not survived in such condition! Included in the sale are 2 photos that were in the box (under the base tray). Interestingly, one of them is a view of downtown Nassau, New Providence (Bermuda) from the early 20C and stamped on the rear. What a ‘journey’ this piece has made! Made in India … travelled to Bermuda, probably via Britain … back to Ireland (where we bought it) …. then to Texas! These boxes were made by superb Indian craftsmen, specifically for sale to the ruling British elite. These types of boxes, carved padouk and sandalwood, (whilst beautiful and superbly crafted) were of a lesser quality, than the more profusely and intricately mosaic inlay, tortoiseshell and ivory boxes, made for the British ‘Upper Classes’ in the areas of Bombay and Vizagapatam. These type of boxes were much more affordable back in 1880 (and indeed today) and would probably have been bought by mid-level diplomats, civil servants or visitors. Sewing boxes (in general), were in EVERY Victorian home in Britain in the 19th Century and like other boxes etc were ‘status symbols’ of your place in society! The more ornate the box, the more ‘Upper Class’ you were! Of it’s type, this one, is one of the very higher quality one’s, than the norm! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A stunning and extremely high quality French 19th century Louis XVI st. Ebony, ormolu Tortoiseshell and brass inlaid chandelier from the collection of Charles Aznavour...

Set of three 19th century horn spoons with silver shields on the handles. They are so charming and would look wonderful on any table setting, or in a cup on a bookcase or in a cabin...

This vintage-inspired mug is an excellent way to serve a refreshing drink, improving the taste of any beverage while keeping it perfectly chilled. From the Animals collection, the el...

A very attractive Italian early 19th century Louis XVI st. ebony table. The table is raised by tapered legs with topie feet joine...

This box is from France. It has been made in 1940, it is an art Deco Item. The box is in wood. It is a cigar box but It can be used as a docorative box...

A striking Tibetan ritual trumpet, traditionally known as a kangling, crafted from a human femur bone and adorned with low content silver metalwork and mounted coral beads. These cer...

Contemporary Indian bone box with natural cream colored rectangular box design Also available in a smaller size ( S6530 ) as well as three sizes of tra...

A bone and plated metal pedestal table by Anthony Redmile, mid-late 20th century, the top of square section with rectangular bone veneer plaques to the edges, on a square tapering pedestal applied with hardstone cabochons (most probably lapis lazuli, all on an ebonised base. Anthony Redmile burst into the London interior design...

A decorative 19th century sailor made or scrimshaw model of Peggy, a four masted schooner presented in a glazed mahogany case.  

Fusing Art Deco sensibility with handcrafted technique. This console table is imbued with camel bone chips that are individually mounted to form a herringbone pattern. The table work...

Attractive English silver and tortoiseshell and silver pique mantel clock. The silver case hallmarked for 1921 Birmingham, England. Dome topped silver case on a rectangular base with four silver bun...

Vintage Wild Boar Tusk Trophies with Sterling Silver Mounting plaques - Set of 3, Spain 1942, 1945, 1946. A vintage trio set of wild boar (Sus scrofa) t...

Transporting British Colonial fan handcrafted in organic tortoise shell with its iconic variegated color scheme mounted on a wood handle and ready for use. Signed Seychelles Islands ...

Antique French Napoleon III box with inlaid bone decor, polished black color surface, natural silk textile inside. Includes key. After the renovation - very good condition.

This is a beautiful trilobite (Zlichovaspis rugosa) from Atchana, Morocco. It is laid out nice and prone with excellent detail including visible eye facets in both eyes. Trilobites ...

These interesting inkwells were crafted in Britain between the Victorian period and early to mid-20th century. The works have been created from horse hooves, applied with sterling silver mounts. Each hoof has been set onto a silver horseshoe and features a silver top and lid. Two of the tops have been engraved to imitate real horse hair, while the third is more simple, with banded ornament. All three have been given covers, two of which feature commemorative inscriptions. One lid states, ‘The Grey/1907-1917’ — presumably the name of the favourite racehorse, whose hoof this is — and another reads, ‘Mavourneen/ Died June 29th / Aged 53’. ‘Mavourneen’ is an Irish Gaelic word meaning ‘my beloved’. The dedicatee’s age of 53 implies that they were a human, perhaps a jokey, or racehorse owner. The lids open up onto a silver-lined interior, intended to be used for storing ink as part of a desk arrangement. The inkwells are stamped, on their underside, with silver hallmarks and maker’s marks, ‘J.T.’ and ‘C & CS’. This set of three horse hoof inkwells...

A rare pair of French 19th Century Boulle inlaid serpentine card tables. Each with wonderful red stained Tortoiseshell, inlaid classical decoration, gilded ormolu mounts and moulding...

Maitland Smith Tessellated Horn and Leather Desk Blotter. Certainly a luxurious addition to any executive desk. Designed for both function and elegance, this handcrafted desk accesso...

Pair of 1950s carved horns with dragon motif on wood base. They are a definite statement piece.

African Water Buffalo Skull on customer iron wall mount. Circa 1960. Dimensions: roughly 13" H x 34" W

Antler tray with shot glasses. The tray is made of a big fallow deer antler. A wonderful and stylish way to offer your guests a drink.

An ostrich egg sculpture by Glyn Lockett with silver brass stem and the applied plaque with coral and seed pearls on buffalo Horn silvered base s...

A lovely dome shaped bone box from India. The box can be decorative or hold anything from rubber bands to 420. A compliment to cocktail tables, shelves, bedside or on an end table ...

This functional and refined vanity desk merges minimalist lines with mid-century flair in a compact and aesthetically alluring look. Raised on four sinuou...

Fabulous Indian box made of bone and pierced brass with a wood bottom.A very nice design. Turn of the century, India.