Breccia Marble Furniture

A small Louis XV commode attributed to Antoine Mathieu Criaerd, called “Criard“ (circa 1727-1787, maître from 1747), with two small drawers and one lon...

19th century pair of brass and marble table lamps. In the form of a classical urns raised on brass plinths.

Pair of Italian Neo-classic (19th Century) "Grand Tour" breche marble columns on a green porphyry square base and having an Ionic carved alabaster capital (PRICED AS Pair)

Fabulous Italian side table from the 1940s.

An antique French fireplace in quality breche marble with ormolu mounts and original cast iron chamber. In typical Empire Style, and well-proportioned having fine tapering columns supported on square foot blocks and ormolu mounts, again caped with ormolu egg...

Italian Neo-classic (Late 18th Century) grey painted & parcel gilt trimmed console table with a centered head in relief on the apron supporting a breche arquelino veneered marble top...

Italian Neapolitan neo-classic (circa 1820) walnut pedestal form center table with fluted basin and gilt carved trim supported on an octagonal base with a round Breccia marble top.    

Beautiful pair of Italian marble vases, Grand Tour, mid-19th century era, with gilt bronze applications. Perfect and in excellent condition Marble Breche Medicis ( Stazzema, Lucca Tu...

A stunning French Louis XV - XVI Transition style Brèche d'Alep marble-top chest of drawers commode in the manner of master Parisian ébénistes Pierre Macret (1727–1806) & Charles Top...

French. Marble. Bronze. 47 3/8" h x 12 1/2" w x 12 1/2" d. Condition One foot on bottom loose, otherwise good condition

A beautiful Pompadour chimneypiece in a boldly veined breche violette fireplace. The serpentine panelled frieze is supported by angled panell...

A charming pair of Louis XVI style marble top and brass mounted wood square side tables in good vintage condition. Measure 13"W x 13"D x 18.5H.

Pair of vases in Medici breccia marble.

"Poésie" a 19th century French Polychromed Symbolist marble sculpture A Carrare, Sienna and very rare Skyros Marbles Symbolist Sculpture Group. Figuring Poetry under the appearance of Dante and Béatrice resting on a rock, Dante holding in his hand a parchment titled "Poetry". It rests on a Neo-Renaissance moulded and hand-carved walnut rotating sellette, the barrel consists of three fluted Corinthian columns, decorated with foliage at the base, resting on a truncated column decorated with female masks connected by a drape. It’s joined, in the upper part, by arcatures with a background of foliated foliage and masks of women crowned alternately with cutout RT monogram. Moulded triangular base, with curved sides and rising from lobed angles with a frieze of oves at the base. Circa 1870 Measures: Sculpture: H. 75 CM • 29 1/2 IN. Sellette: H. 112 CM W. 44 CM - D. 49 CM H 44 1/8 IN. W 17 3/8 IN. D 19 1/4 IN. The poetry of Dante Alighieri (1265-1321) Beatrice Portinari, simply known as Beatrice or Beatrix, commonly refers to the muse of Dante Alighieri, whom he glorifies and loves. But she is also a woman whom, if one follows the New Life, Dante loved from his childhood, and to whom he dedicated a place in all his works. More sensitive than all is the resolute amplification which, after the pathetic force and expressionist intensity of Hell, intensifies with the more elegiac and penetrating emotion of Purgatory and leads to the miraculous triumph of the imaginary in Paradise. Of the three «hymns», it is Hell which is the most known, the most popular one can say: the taste of the picturesque, spread by the romantic criticism, is much to it. Dante, however, had the conviction, repeatedly affirmed in his poem, that by rising from one kingdom to another, he raised his poetry each time by a level which made it worthy of an ever more «high» matter. At a distance of six and a half centuries, there is certainly no obligation to share this view, however assured it may be for the poet. Anyone, however, who wants to enter the world of the Comedy must refuse the scale, eliminatory in its consequences of fact, which puts such a section above the other or brings the Comedy to a rosary of episodes more or less «beautiful» Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti...

Exquisite carved French lacquered server with breccia violet marble. Extraordinary carving on the piece, a mirrored back and shelves for display and stor...

Exceptional circa 1760 Irish Chippendale mahogany slab or side table having breccia pernice marble top surmounting carved geometric interlacement band frieze with central carved 'cel...