Canvas Furniture

Decorate a library, study, or formal living room with this exceptional 19th-century Italian devotional painting. Created in Italy circa 1850, this large hand-painted oil on canvas i...

A French Louis XVI Style Belle Époque Trumeau Mirror Frame boasting a rich Verde Green hue accented with delicate parcel-gilt carvings. At its pinnacle rests an oval painting capturi...

This is a lovely antique English oil on panel of 'Three Cavaliers' by Frank Moss Bennett (1874-1953), signed and dated 1929.    The paint is dramatic and depicts three Cavaliers dres...

A large-scale original oil painting by R. DeLongprie, circa 1970s, depicting an exquisite arrangement of lush houseplants rendered in intricate, lifelike detail. Measuring approximat...

Pair of Jan Vaněk Curved Easy Chairs in Ash with Original Upholstery, Czechoslovakia, 1950s A beautifully preserved pair of mid-century modern easy chairs by Jan Vaněk, designed in ...

Panoramic grisaille wall décor inspired by the early 19th century, printed on antique-style paper and mounted on canvas. This panoramic wall covering belongs to the tradition of deco...

A specimen. This is not the NY chair. Indoor camp sensibilities for the modern age. Something of a mid century myth. Completely foldable and with removable headrest. Built tough in ...

A large Italian 18th century period hand painted Armorial Shield coat of arms, on a hand woven canvas. This exceptional piece was discovered in Southern Italy. A crowned shield depic...

Lennart Lilja Oil on canvas Dimensions 32/41 Unframed work Lennart Lilja (1924-2008). He was a Swedish artist. Student of Isaac Gründewald and Otte Sköld. In the 1950s he wrote play...

A Classical four-panel folding screen hand-painted with three maidens. Transform your space with the elegance of this vintage 4-panel scalloped folding screen, depicting three maiden...

Antique 19th Century English oil on canvas painting by noted equine painter, "John Frederick Herring Senior" (1795-1865). A favorite of Queen Victoria and the Duchess of Kent. A pain...

Decorate a wall with this colorful religious antique painting. Created in France, circa 1780, the artwork is set in the original frame and depicts the first station of the cross " Je...

Hand-painted in France, this handsome grisaille overdoor painting is from the neoclassical period, circa 1815. Grisaille is a monochromatic painting ...

This 'Wing Wingback lounge chair and ottomane were designed by Harald Relling and were produced by Westnofa in Norway. They are made from brown aniline leather on chromed tubular st...

An exquisite early 20th Century “malle haute“ (tall trunk) by Louis Vuitton. Covered in the world famous LV monogrammed canvas, with its leather trim and brass fittings, it would hav...

Pair Antique American Framed Oil on Canvas Portrait Paintings, Circa 1840. Portraits of Catherine Margaret James (1820-1854) & Colonel Robert Emmet Temple West Point, Army Albany, NY

Parisian cityscape, signed and framed oil on canvas by Serge Belloni, ‘57 This painting has all the quintessential features of Belloni’s renowned Parisi...

A 1960s “Safari” chair designed by Hans Olsen for Viska Möbler, Kinna, Sweden. This elegant Scandinavian design features a solid oak frame with beautiful joinery and organic lines th...

Antique large German painting with an Italian landscape - Many European painters came to Italy to paint its beautiful natural landscape, full of sun. This painter was Franz Krause, born in Germany 31th March 1823 , died in Leitmeritz on 18th March 1878. If you want, You can use the large frame for a MIRROR, leaving the picture free...

Oil painting "The Man in the Gold Helmet" Rembrandt van Rijn Portrait copy of the famous Dutch painter Rembrandt van Rijn, overpainted print, signed. Fr...

Immerse yourself in the captivating beauty of Haitian culture with this breathtaking original acrylic painting on canvas by the celebrated artist Philippe Dodard, signed and dated 19...

A Louis Vuitton “high trunk” trunk (from French “Malle Haute”), circa 1900's, featuring orange “Vuittonite“ canvas, all brass hardware, and leather trims. Trunks in this type of fini...

Around the turn of the 20th century, Louis Vuitton had firmly established himself as a leader in luxury trunk making. To distinguish his brand from growing competition and imitation,...

Known to many as 'the man who illuminated Finland', the legendary designer and met- alsmith Paavo Tynell is one of the leading lights of 20th-century industrial design . A classic 19...

ABOUT An antique Readyset Traveler folding camera. The body of camera is covered in a luggage canvas with a a pop out view finder and it folds smoothly closed to 1.5 inches. This ...

Sture Wickström (1921-1993) , Swedish artist. Oil on canvas. Modernist landscape. Title: "Spring". From the 1960s. Signed on the front and back. In perfect condition. Canvas dimensi...

Afra & Tobia Scarpa "Monk" dining chair for Molteni, ivory canvas and walnut, Italy, 1974. The particular feature of this model is the support structure composed of two equal trestl...

This captivating painting by Gladys Kemarre (1937-2017), a respected Anmatyerre artist from Utopia in the Northern Territory, is a powerful expression of Aboriginal Dreaming—a visual...

Austrian Framed Oil on Canvas Painting of European Countryside, circa 1950's. A very charming lifelike rendering of a Countryside typical in any European city. This 20th Century ...

A stunning early 20th century Louis Vuitton wardrobe trunk covered in the world famous LV monogrammed canvas. With its lozine borders and brass fittings it would have been the top of...

A beautiful waterscape painting " A view on the Amstel " by William Raymond Dommersen (British, 1859-1927) Signed, Signed with initials, and Inscribed on reverse, late 19th Century in date. The painting has a captivating illuminating light with beautiful vibrant colours, it depicta a busy waterway with fishing and sailing boats in the foreground and the town of Amsterdam in the back ground. William Raymond Dommersen was a painter of genre and landscapes in and around Scotland and Northern England. His works are widely exhibited throughout the European and North American continents and are on show at many galleries worldwide. William travelled quite extensively in Europe on painting expeditions with his father Dommersen’s paintings have been much admired over a period of time and it is evident that he is now firmly established in the history of architectural painting as is refelected in the auction prices at Christies: Nineth century European Art: 12 September 2007, London South Kensington, Lot 29 £4,750 The Arthur Ackermann and Peter Johnson Collection: 8 May 2008, London, South Kensington, Lot 42, £4,000 Old Masters and 19th Century Art 9 November 2010, Amsterdam, Lot 110 £5,250 Nineth century European Art: 28 April 2010, London South Kensington, Lot 221 £5,250 Condition: In really superb condition the painting and frame having been beautifully cleaned, please see photos for confirmation. Dimensions in cm: Height 59 x Width 50 x Depth 7 - Frame Height 34 x Width 44 x Depth 7 - Canvas Dimensions in inches: Height 1 foot, 11 inches x Width 1 foot, 8 inches x Depth 3 inches - Frame Height 1 foot, 1 inch x Width 1 foot, 5 inches x Depth 3 inches - Canvas William Raymond Dommersen was born at the end of 1859 in Stratford, West Ham, London as the only son of the Anglo / Dutch fine art painter Pieter Cornelis Dommersen and Anna Petronella Synja. His parents had moved from the Netherlands in 1855 to London, England. His uncle, Cornelis Christiaan Dommersen, was also a painter in the Netherlands. It is possible that when his father received British nationality that they changed their family name – van Dommershuijsen – into the more English sounding surname Dommersen. Dommersen painted between 1875 and 1927 genre pieces, landscapes, marine scenes, village- and town-scenes of quality. His best known works are the European villages and towns along rivers and canals...

Inspired by the cozy elegance of Sergio Rodrigues' armchairs, Alessandra Delgado created the Rô armchair, a modern reinterpretation that captures the maste...

Alberto Carlieri (Rome 1672-1720) "Architectural capriccio with the preaching of Saint Paul in the Areopagus of Athens" Oil on canvas, measures with...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

C. Maratta went to Rome in 1636 and became an apprentice in the Studio of Andrea Sacchi. Pope Alexander VII commissioned many paintings from him. Maratta’s paintings of the later 165...

A fine, large, stunning trumeau dating back to the Louis XV period in France. Typical of the period, the trumeau has Rococo style tastefully carved accents which house the double sta...

A Louis Vuitton steamer travel bag covered monogram canvas and natural tan leather, serves as a quintessential representation of the brand's unwavering commitment to a design that ha...

Superb handmade tapestry of a large dimension, composed of 14 parts of different dimensions and weaving points revolved from 3 yarns and a fourth lower one. Representing a series of diverse tropical...

This superb Goyard trunk features the very sought after chevrons canvas as well as all solid brass fittings: brass studs , brass lock and brass latches. This Goyard steamer has got a...

This is a painting of the Coast of Italy. Its a wonderful view of the warm sunset at evening time. The Coast is alive and full of life as the residents day comes to a close. The pai...

The category Antique Paintings, Portraits Of Elegant Ladies offers a Large Oil Painting On Canvas Dell'800.  This is a portrait of a seated and elegantly dressed woman in a silk dre...

This evocative 1910s French oil on canvas portrait captures the refined elegance and introspective mood characteristic of early 20th century portraiture. The sitter is depicted in th...

Signed and dated 1924. Jean Germain-Jacob was a French artist who was born in the 20th Century. Possibly of "Rue animée" which Jacob has used as a backdrop in some of his street pain...

Welsh sailor's sea chest with canted sides. Painted red chest has black canvas top embossed with brass studs forming anchors to the corners. Carved Becket handle supports bearing i...

Evoke a sense of serene movement and vibrant energy with this captivating vintage abstract oil painting. Rooted in the Boho Chic aesthetic, this original artwork features a dynamic i...

Mastro chair produced by Molteni design Afra Tobia Scarpa year 1981. Black fire-painted steel structure, seat and back in black stain-resistant fabric. End caps and feet in P.V.C. bl...

Antique Framed Oil Painting on Canvas by Euphrasia Loutchinsky (1887-1974) is a particularly impressive work showcasing the artist's talents. She was born in St.Petersburg and gradu...

Cottage in Geilertshausen, 1977 – Oil Painting by Alexander Michael This painting, titled 'Cottage in Geilertshausen' and dated 1977, captures the c...

A late 19th century Baroque revival style Beaux Arts period oil on canvas laid down on board. Most likely this was part of a larger mural at one time. Elaborate still life, beautifu...

Antique painting Martyrdom of St. Bartholomew, by northern European painter of the 17th century Oil on canvas 100 x 150 cm Painting based on a subject by Martin de Vos (1532-1603) a...

This is a beautiful antique watercolour entitled "The Music Recital" by Attillio Simonetti (Italian 1843 - 1925)  signed Attillio Simonetti, Roma, bottom right and Circa 1890 in date...

Reply of the Zaporozhian Cossacks to Sultan Mehmed IV of the Ottoman Empire, also known as Cossacks of Saporog Are Drafting a Manifesto. Late 19th Century. Monumental oil on canvas, set within an original carved giltwood frame. Unsigned. Measures: Canvas: 62 X 105in (157 X 266cm). Frame: 80 X 123in (204 X 312cm). This painting is after Russian artist Ilya Repin...

A charming Louis Vuitton hard-sided case, late 20th century, the exterior finished in the famous monogram canvas with brass fittings. This beautiful example is in great condition, al...

Fantastic pair of early 19th century American folk art portraits featuring a family. One painitng with the father and the other with the mother and child holding a dove, each wth landscape in the background. This pair has been professionally conserved and tastefully framed. They are ready to hang and enjoy. Provenance: Private collection, NYC Bradbury Antiques...

The Vintage Boho Original Male Nude Painting on Canvas captures the essence of American artistic expression with its bold and evocative portrayal. T...

1999 Limited Edition Print on Canvas of “Carmel, Sunset on Ocean Avenue” by Thomas Kinkade. This limited EP edition is #418 of 680 and features a romantic, nostalgic street scene of ...

The Archangel Raphael and Tobias, 17th-Century School Oil on canvas This 17th-century painting depicts one of the most renowned episodes from the Book of Tobit: the young Tobias, ac...

Alexandre-François Desportes (1661–1743) Attributed to “Déjeuner Gras” (Still Life with Lavish Meal) Oil on canvas, 18th century This exceptional 18th-century still life, traditiona...

Fabric sofa that can be opened as a bed by Alessandro Becchi, Anfibio model. Bed dimensions: Height: 40 cm Width: 245 cm Length: 200 cm. Wear due to time and age  FOR SHIPPING, REQUE...

Erik Hoppe 1896 - 1968, oil on canvas. Motive: Søndermarken 1949. Title: "Midday light". Dimensions without frame: 65 x 76. Incl. Frame D 3 W 87 H 77 cm Exhibited: Birchs kunsthandel 24/2 - 11/3 1951. Cat. No. 4. Reviewed by Pola Gauguin (catalogue foreword). Separate exhibition with "Reality and fable". Prov. private collection. Erik Hoppe (1896–1968) was a Danish painter who is remembered for his paintings from the Copenhagen area, especially those with young ladies in the park at Valby. Hoppe also mastered the effects of light and color. His earlier work is typified by greens and dull shades but later he produced compositions benefitting from bright sunlight. His style reflects the peculiarly Danish form of modernism, initially based on the sombre everyday-realism of around 1930.[1] Affinities with the work of Edvard Weie and Harald Giersing...