Canvas Furniture

Hans Buchner , 1856-1941. German. A portrait of an elegant woman holding a fan in a richly decorated parlor. These are the kind of scenes. Hans Buchner was known for… Painting of lat...

Landscape Oil Painting with Trees Framed, 1950's-1960's Europe A charming landscape featuring a classic European scene of a house surrounded by lush green trees all set back with ca...

A bright coloured painting by Artist Hugo Newton. Born in Venezuela Newton studied in both Venezuela and Italy, graduating from the Insitituto Europeo de Diseno, Milan. His work has ...

Louis Vuitton trunk dated to the late 1940s, restored to original condition. This is a travel trunk that is smaller than the normal standard size, designed to be placed very convenie...

Impressionistic Painting of an Alpine Mountain Hut in the Winter A large impressionist oil painting of a mountain hut nestled in the snowy Alps, rendered in soft pastel hues on canv...

Original vintage Louis Vuitton folding suitcase, from the 1970s. With the initials VP. This large foldable travel bag is made of leather and canvas and can be opened and hung, for ex...

1970s, Norwegian design by Jan Erik Lindgren. Armchair model "Amazon". Original light brown furniture leather, teak wood, brown canvas. Original good...

Linear abstract painting by Dutch artist Piet Franz features geometric blocks in blue, turquoise, yellow, gray, and tan tones. The composition demonstrates Franz's restrained approac...

18th century large Spanish Colonial oil on canvas painting of El Escriban, or The Scribe’, St. Augustine. Rich colors of red, gold, silver and b...

Pair of Jan Vaněk Curved Easy Chairs in Ash with Original Upholstery, Czechoslovakia, 1950s A beautifully preserved pair of mid-century modern easy chairs by Jan Vaněk, designed in ...

Stephen Cimini Artwork tittle "Stepping Up To Paradise" part of his early work collection, in very good condition.

Overscale Signed 1980s Modern Abstract Painting on Canvas Offered for sale is a large-scale 1980s acrylic abstract painting on canvas. The painting has a lovely balanced compositio...

Swedish artist, oil on canvas. Abstract composition. Colouristic palette. In excellent condition with minimal wear. Indistinctly signed and dated '55. Visible dimensions: 67.5 cm x 5...

Infuse your space with artistic flair through this Vintage Boho Original Abstract Oil Painting On Canvas, a captivating piece that radiates creative energy. The swirling hues of eart...

Sture Wickström (1921-1993) , Swedish artist. Oil on canvas. Modernist landscape. Title: "Spring". From the 1960s. Signed on the front and back. In perfect condition. Canvas dimensi...

Beautiful oil painting on canvas, framed in carved wood and gilded with gold leaf. The scene depicts a hunt, with figures of hunters on horseback in the foreground and in the distanc...

Gered Mankowitz Jimi Hendrix London 1967 print on canvas in color orange, gold and purple, size 121 x157cm. One Off - Made By The Artist For Exhibition In 1994, 3 different print...

Anonymous from the 18th century, "Little Caliph," oil on canvas, 96x73 cm; with frame cm 99,5x79

Based in Chicago, IL, contemporary artist Michael Thompson creates unique kites, collages and mixed media works assembled from material fragments of past and present collected in his...

A 19th century oil painting with original silver frame. Most probably representing the big river Garonne in Toulouse, France. Garonne was famous for its intense traffic of steamboat...

Signed B. Donahue and dated 1969 Patriotic Flag painting. On the left side a cemetery honoring fallen heroes in war. To the Right of the flag is a seemi...

DIMENSIONS: Height: 16.25 inches Width: 13.5 inches Depth: 2.25 inches Frame width: 2.5 inches ABOUT MODEL Encarnación López Júlvez, known as La Argentinita (Buenos Aires, March 3, 1898 – New York, September 24, 1945) was a Spanish-Argentine flamenco dancer (bailaora), choreographer and singer. La Argentinita was considered the highest expression of this art form during that time. López Júlvez was the daughter of Spanish immigrants in Argentina, where her father had a fabric business. While living there, two of her siblings died in a scarlet fever epidemic. Consequently, she was brought to the north coast of Spain in 1901, where she began to learn Spanish regional dances. When she was only four years old, she started learning flamenco from Julia Castelao. Her first public performance was at the age of eight at the Teatro-Circo de San Sebastián, in the Basque Country. She chose the name "La Argentinita" in deference to the famous flamenco dancer Antonia Mercé (La Argentina). After travelling throughout Spain as a child prodigy, she settled in Madrid to perform at Teatro La Latina, Teatro de la Comedia, Teatro de La Princesa, Teatro Apolo and Teatro Príncipe Alfonso. Her success led her to tour in Barcelona, Portugal and Paris, and then Latin America. In the early 1920s, she returned to Spain, where she worked in Madrid. Among her early performances was the 1920 premiere of Federico García Lorca's musical play El maleficio de la mariposa as "the Butterfly". She announced her retirement in 1926, but would quickly return to the show business as part of the artistic renewal that led her to the Generation of ‘27, in which she combined flamenco, tango, bulerías and boleros. She danced to the compositions of Manuel de Falla, Joaquín Turina, Isaac Albéniz, Enrique Granados and Maurice Ravel. She helped in the development of Ballet Español. Adapting pieces to popular tradition, she toured Europe, triumphing in Paris and Berlin and participating in the artistic movements of that time along with Spanish poets such as Rafael Alberti, Federico García Lorca, Edgar Neville and Ignacio Sanchez Mejias. Sánchez Mejías, an intellectual and bullfighter, was a married man and her lover. La Argentinita retired a second time to maintain her clandestine relationship with him. However, she would return to the stage with the aid of Sánchez Mejías, who participated in the search and employment of interpreters for her subsequent performances. In 1931, López Júlvez and García Lorca recorded five gramophone slate records, which were accompanied by García Lorca's piano. The selection of songs was prepared, adapted and titled Colección de Canciones Populares Españolas by García Lorca. Among the ten songs were "Los cuatro muleros", "Zorongo gitano", "Anda Jaleo" and "En el Café de Chinitas". With the beginning of the Second Spanish Republic, López Júlvez formed her own ballet company called Bailes Españoles de la Argentinita together with her sister, Pilar López Júlvez, and García Lorca. López Júlvez staged several flamenco theatrical shows, including an adaption of Falla's El amor brujo (Love, the Magician) in 1933, and Las Calles de Cádiz (The Streets of Cadiz) in 1933 and 1940.[7] She travelled through Spain and Paris, where she was recognized as one of the most important flamenco artists of her time. Her company included the flamenco figures Juana la Macarrona, La Malena, Fernanda Antúnez, Rafael Ortega and Antonio de Triana, who was her first dancing partner until the 1940s. At the end of her tour around Spain, her lover Sánchez Mejías was gored to death in 1934 in the Manzanares bullring. She sought refuge in her work and moved to Buenos Aires to dance at the Teatro Colón; from there she embarked on a long American tour. In 1936 she achieved success in New York. Afterwards, she returned to Spain but was forced to flee the country shortly before the outbreak of the Spanish Civil War. She travelled through Morocco, France, the UK, the Netherlands, Belgium and the USA, where she remained in exile in New York. From then until her death in 1945, she developed her career and became one of the biggest stars of international dance, and even participated in movies. In 1943, she presented the flamenco troupe El Café de Chinitas at the Metropolitan Opera House in New York, with her own choreography, texts by García Lorca, scenery by Salvador Dalí and the orchestra directed by José Iturbi. In addition, she performed at the Washington DC Watergate complex with her sister. On May 28, 1945, she gave her last performance at the Metropolitan of the orchestral work El Capricho Español, composed in 1887 by Nikolai Rimsky-Korsakov and based on Spanish melodies. At the end of the event, she had to be admitted to a hospital, where she died on September 24 from a tumor in her abdomen. She did not want to have it operated on because she did not wish to abandon dancing. Her body was repatriated to Spain in December and buried in the Spanish capital. That same year, the company of Bailes Españoles de la Argentinita was dissolved. Among the honors she received after her death was a plaque consecrated at the Metropolitan Opera House, positioned among the medals of Alfonso X El Sabio and La Orden de Isabel la Católica to honor her merits in the field of culture. ABOUT ARTIST Emmanuel Fougerat (French, 1869 – 1958) was a renowned French painter, museum curator and art historian. A former student of the Regional School of Fine Arts in Rennes, Fougerat studied in the studio of Albert Maignan and that of Jean-Paul Laurens in Paris. He was appointed director of the Nantes School of Fine Arts and was also the founder and curator of the Museum of Fine Arts in the same city. Emmanuel Fougerat was named Chevalier of the Legion of Honor in 1912. In 1923, he was placed on temporary leave from the French State in order to carry out a mandate as director of fine arts education in the Province of Quebec, Canada; where he served as an art teacher and director of the École des beaux-arts de Montréal from 1923 to 1925. Emmanuel Fougerat’s paintings are in the following public collections: • Nantes Museum of Fine Arts, France. • Museum of Modern Art in Paris, France. • Rennes Town Hall: permanent decorations. • Museum of Fine Arts of Saint-Nazaire (destroyed in 1944), France • National Museum of Fine Arts of Quebec, Canada. Emmanuel Fougerat is also the author of works on several French painters, including Albert Besnard, Paul Baudry...

Austrian Framed Oil on Canvas Painting of European Countryside, circa 1950's. A very charming lifelike rendering of a Countryside typical in any European city. This 20th Century ...

Álvaro Guillot Surrealist Fortress Landscape Oil Painting, Signed Uruguayan painter Álvaro Guillot (1931–2010) created atmospheric dreamscapes that merged architectural fantasy, met...

Monumental carved walnut fireplace with atlantes and painted medallion Imposing ceremonial fireplace in solid walnut, richly carved in a Neo-Renaissance style. It features two full-r...

NOTE: We are unable to classify the artist on the 1stdibs form because the site doesn’t recognize the artist’s name. This screen was painted, signed and dated by the artist Phi...

PRESENTING A STUNNING, IMPORTANT AND HIGHLY DESIRABLE 19th Century English Landscape painting of ‘Salisbury Cathedral’, Oil on Canvas by Edmund John Neimann 1876. Large painting of ...

19th Century Biedermeier Landscape Painting with Lake and Trees An antique landscape painting in a golden frame depicting a peaceful rural setting with large trees, a small hut, a l...

Beautiful antique Mexican oil on canvas painting of Saint Anthony with the infant Jesus. There are a few old repairs as shown on photos. Framed with ...

The Inheritance Sofa by Stephen Kenn is as comfortable as it is unique. The design features an exposed construction composed of three elements - a steel frame, plush upholstery, and supportive belts. The deep seating area is perfect for a relaxing lounge experience. This sofa comes with removable cushion covers to allow for easy cleaning should the need arise. Every Stephen Kenn piece is made to order through our Los Angeles studio in partnership with a number of small businesses and fabricators in the LA area. With this highly customizable sofa you can select from a wide range of finishes and materials to complement your home and lifestyle - please message us to see our Customization Guide with all available options. Since the development of the Inheritance Collection, Stephen Kenn has been inspired by the history inherent in vintage military-issue materials. This version of our Inheritance Sofa is upholstered with salvaged vintage military canvas...

Jennifer Gibbs draws artistic inspiration primarily from meditation and nature. Her extensive body of work ranges from abstract expressionism to delicate botanicals to her charcoal l...

Gunstein, Swedish artist. Oil on canvas. Abstract composition. Mid-20th century. The canvas measures: 72 x 63 cm. The frame measures: 1.5 cm. In excellent condition. Signed.

An exquisite and complete Louis Vuitton trunk from the early part of the 20th century. An absolutely essential item for elite travellers of its time the trunk is adorned in the iconic LV monogrammed canvas, accented by lozine trim and brass fittings. This trunk stood as the epitome of luxury over 100 years ago, boasting an unparalleled level of sophistication and elegance, it remains a timeless masterpiece that transcends eras. The captivating allure of the Louis Vuitton trunk transforms it into more than a mere luggage accessory; it becomes a focal point for any room. With its impressive dimensions, it is perfectly suited as a striking coffee table, side table, or even as a standalone centrepiece, seamlessly integrating into any interior, whether modern or traditional. An extraordinary piece that not only pays homage to the past but also serves as a statement of unparalleled luxury in the present. A brief history about Louis Vuitton trunks: Louis Vuitton was born in 1821 to a farmer and milliner and came from a long-established working-class family in eastern France. Vuitton grew up understanding the effects of perseverance and a strong work ethic from watching his family. At the age of 16, he made the decision to walk 292 miles from his hometown to Paris to try and make a new life for himself. When he arrived the city was in the midst of industrialization with current modes of transportation evolving quickly allowing for longer journeys. With this came the need for sturdy travel pieces. Vuitton was taken as an apprentice for a successful box maker and packer named Monsieur Marechal. He learned to craft durable containers and how to pack them properly – a well-respected profession at the time.In 1854, years after he had mastered his craft and became well respected for it, Vuitton ventured out on his own to open a shop on Rue Neuve des Capucines. It was here that he began to establish himself as a luggage maker. Then, in 1858, Vuitton designed the first Louis Vuitton steamer trunk. At the time trunks had rounded tops to allow for water to run off but this did not allow for convenient stowage. Vuitton introduced a flat, yet waterproof, trunk that was easily stackable. The first of his trunks were outfitted with a grey canvas referred to as Trianon – it wouldn’t be until several decades later that the signature monogram would be introduced. With a burgeoning business, Vuitton moved his family and workplace to Asniere, where he employed twenty workers to craft his trunks. By 1900 he would have 100 employees, and in 1914 the company would more than double in size. After years of success, Vuitton began to experiment with the design of his luggage by introducing a new striped canvas pattern (1876) and later the still well-known Damier print (1888). The hand-painted patterns were developed to prevent counterfeits. Even in the late 1800s, Louis Vuitton was enough of a status symbol to warrant counterfeiting. In 1886, his son George invented and patented an ingenious locking system that made it impossible to pick the lock of their trunks. This lock is still used today. 1892 would prove to be a time of mourning for the family as Louis Vuitton passed...

1931 - 2022 Original artwork. Naomi Caryl Hirshhorn was an obscure artist and socialite that lived in the Hollywood Hills. She lived a long and ...

A very fine French 18th-19th century oil on canvas portrait of a posing lady with flowers, after Jean-Marc Nattier (1685-1766) within an ornate gilt wood carved frame, circa 1800. ...

Selection of oil on canvas paintings by Philip Bornarth, American, circa 1940s. Philip Bornarth was born in Chicago, IL in 1929. He attended the Art Institute of Chicago and received...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved two-tone gilt wood, gilt-patinated and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. Circa: 1890-1900. Subject: Religious painting Painting diameter: 28 inches (71.1 cm) Frame height: 55 1/8 inches (140 cm) Frame width: 46 inches (116.8 cm) Frame depth: 5 1/8 inches (13 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

A great still life painting from France depicting Classic kitchen elements. The canvas is framed simply in wood trim. Signed by the artist M. Robert in the bottom left corner. Fixed ...

This model of the J-Class Ranger J5 yacht was produced in Scandinavia during the 1960s. The model was made with the utmost attention to detail, the details have been carefully reprod...

Antique 19th Century Russian Oil on Canvas Painting, Portrait of a Young Lady, by Vincent Stiepevich (1841-1910).

Vintage painting of elegant woman looking forward gracefully, with mysterious look, nice colors combinations, great decorative painting. Sig...

“Serra Floreale” – Authentic Italian Fresco of a Classical Conservatory Garden, 100 x 150 cm This exquisite fresco, titled “Serra Floreale” ("Floral Conservatory"), captures the ser...

Antique Lombard painting of the 17th century. Oil painting on canvas of considerable size depicting a shepherd with his dogs immersed in a countryside landscape. Painting of great pi...

A captivating Russian oil painting titled “Night of Nowgorod” by Alexander Isachjow, dated 1974. Executed in the Realist style, the work depicts an architectural view of Novgorod, on...

Harry Hutchinson Shaw (1897-1989) - "Untitled" - American Impressionist fine art oil painting on canvas - featuring a majestic Egret in a marshy ...

American Folk Art Portrait of a Young Child Holding a Slipper, c. 1830–1850 Oil on Canvas - In later Italian Frame. Measures: 31 5/8 × 26 5/8 in. A cherubic young child sits serenel...

Signed, located and dated G. Simoni. Paris. 1881 Dimensions with frame – Height : 165 cm (64,9 in.) ; Width : 105 cm (41,3 in.) This large pair of oval paintings depicts elegant la...

Museum bench with newly upholstered heavy black canvas fabric on square tubular chrome frame by Metropolitan Furniture, 1986.

Absolutely beautiful example of an original French trumeau mirror with painting of what appears to depict a scene from the famous o...

19th-century marine painting, signed lower right by the artist H. Elmar. This finely executed work captures a traditional fishing scene at sea, bathed in dramatic light and under sto...

American Victorian oval oil painting portrait of lady in black with cameo in gilt filigree carved frame.  

This evocative oil on canvas captures The Wrapped Reichstag, Christo’s landmark installation realized in Berlin in 1995, translating a fleeting moment of contemporary art history int...

Oil on board Impressionist style landscape painting, likely American, circa 1940s. Signed lower right. It measures 17"H x 21", framed.

Decorative mural stillife oil paintings with birds in wood frame. Measures: 49".

A very large Mid 19th Century Aubusson tapestry cartoon painted in the pastoral style, depicting a serene landscape framed by an elaborate garland of flowers and scrollwork with perc...

Large scale colorful abstract oil on canvas painting, American, circa 1970s. It measures 48"H x 32"W, unframed.

The Jetson Chair, designed by Bruno Mathsson for DUX in the 1960s, is a true icon of Swedish mid-century modern design. This particular piece, featuring its original striking pink su...

Great 18th-century architectural capriccio with figures. Oil on canvas painting depicts an evocative architectural capriccio with ruins, enlivened by elegant figures in oriental cost...

Oil on Canvas of Nude Art Woman Modeling This warm and charming original vintage oil depicting a woman posing. We believe this canvas to be from a California artist.

Monumental Harley Francis abstract male nudes oil painting on canvas Offered for sale is a monumental abstract oil painting by Harley Frances ( 1940...