Canvas Furniture

19th Century Framed Oil Painting on Canvas is an astonishing expression of color inspired by autumn in the Ardennes where the ancient old-growth forests have been the site of some of...

Standing nude by American artist Jane White. Well done and painted in the impressionist style during the fifties. 1 of 3 paintings by Jane white which ...

A contemporary of Paul Cadmus, and like him, highly focused on depicting the male figure in various settings and positions, John Lear never gained fame beyond his circle of admirers ...

Forsyth cowhide pillows are simply the best. The most beautiful cowhides are selected, hand-cut, hand-stitched, and hand stuffed with the finest goose ...

Intriguing abstract painting by noted NYC artist Jules Ganowitter. The painting features bold colors ( red, orange, blue, yellow ) which snake up the canvas in an organic vertical ...

A Late 17th Century Painting Depicting A Cavalry Battle Height: 115 cm Width: 75 cm Depth: 6 cm. Provenance: Private Australian Collection.

This is an incredible large scale Mid-Century Modern signed abstract oil on canvas depicting a seascape. The coloration is so vibrant and will add depth to any design project. It is ...

A fine and very large pair of late 18th Century French oil on canvas en grisaille paintings. Depicting putti at play, formally in the collection of H. M. Queen Elizabeth The Queen M...

Kaare Sunde, Norwegian artist. Exotic landscape. Oil on canvas, 1955. Dimensions: Image 32 x 80 cm Frame: 39 x 87 cm Signature: Signed “K. Sunde” lower right Date: 1955 Condition: ...

Oak and canvas. Measurements: H: 66 cm/ 2' 2" SH: 33.5 cm/ 1' 1 1/4" D: 68 cm/ 2' 2 3/4" W: 76 cm/ 2' 6 3/4". Hans J. Wegner is the father of Danish design and is well known for cr...

Classic Louis Vuitton trunk from the 1940s. 50 cm wide. Perfect for weekend trips or for storing items in the house. Case has "Louis Vuitton, Made In France, 149620" impressed on fro...

A stunning abstract painting by Australian Aboriginal artist Polly Ngala . Polly began her artistic career in 1970s. she often assisted her sisters Kathleen and the late Emily Kngwar...

Dutch multi-disciplinary artist Jan van der Meulen (1935) was born in the Frisian village of Burgum. As a 14-year-old boy, van der Meulen was employed by a graphics company and train...

Portrait painting of Walter Levin, oil on canvas, unframed. Signed Haughton College Bickerton in upper right corner, and having the original gallery label on the back. California Bay...

Ada Pratella (1901-1929) Houses at Capri, oil on canvas in gold frame, signed lower left. Italy, circa 1920 Dimensions: 17" W x 14.5" H x 1.88" D; sight 12.5" W x 10.25"H.

Athena Parthenos. Original painting by Lynn Curlee. This beautiful painting depicts the famed monumental statue by Phidias Which stood in the cella of the Parthenon in Athens. With ...

Impressive size French Trumeau mirror in the Louis XVI style dating from the early 1800s. The oil on canvas painting depicts a musician dressed in court attire, a young gentleman pla...

19th Century Orientalist Oil on Canvas by Étienne Billet (1821–1888), depicting a lively coastal village scene with figures, camels, palm trees, whitewashed architecture, and a mosqu...

Neo-Pop Art abstract interpretation of a landscape painting by Kevin T. Kelly.

Mixed media abstract painting by Edward R. Lewis (American, 1914-1992). Signed and dated 1984.

Refined pastel portrait on canvas, framed in a carved and gilded wooden frame protected by glass. The painting depicts the face of a gentleman, half-length, dressed in period attire....

Charming naive/folk early 1800s Swedish framed oil painting of a castle viewed from across a lake where figures are boating and fishing. The canvas has been laid on board and later f...

The Netherlands / 1920 / Painting / Henri Wouters / canvas, wood / Classic / Antique Beautiful oil painting in baroque wooden and gilded frame by the Dutch Artist Henri Wouters titl...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Continental School oil portrait of Maria Teresa: Portrait of Maria Theresa (1717-1780), Archduchess of Austria, Holy Roman Empress, Queen of Hungary and Bohemia This portrait was ow...

Modern Twins Outdoors Sofa, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Twins outdoors sofa brings sculptural elegance to open-air living. Defined b...

A French blue, green abstract portrait of books, oil on wood in canvas by Daniel Clesse, painted in France, signed and dated in 1964. Measures: Without the frame: 18" H x 21.5" W x ...

We are pleased to present this splendid 18th-century oil painting on canvas. The work depicts a coastal or river landscape enlivened by architecture and human figures. The foregroun...

Alvaro Delgado (1922-2016) A Spanish painter and illustrator known mainly for his portraits of political and cultural figures of his time, Álvaro Delgado’s started to study art at th...

Pair of 2 lounge chairs by Jerry Johnson in orange canvas, USA, 1950s.

Mid Century Fruit Still Life on Canvas . Signed B. Ely. Nice colorful palette and composition. Perfect for a kitchen or dining room.

Antique musical oil painting Carl Friedrich Koch (1856-1941) Oil on canvas. House concert with two women and a listening man. Golden stucco frame. S...

Infuse your space with vibrant energy and artistic expression with this striking vintage original abstract oil painting on canvas. This captivating piece, rich with impasto textures ...

Claude Venard, French painter (1913-1999).Colorful abstract cubist oil on Canvas "Nature Morte Aux Fruits ". Signed "C. Venard", label to the back May 9, 1989, lot 60 Provenance: Collection of Litsa Tsitsera, New York;, Christie's East, NY, May 9, 1989, lot 60, "Modern and Contemporary Paintings...

This beautiful and very rare Moynat trunk features beautiful orange canvas, chocolate color leather trim, large leather side handles with stamped Moynat flanges , Moynat plaques on b...

Fine quality antique oil painting by unknown artist , much admired and celebrated River landscape, with two people overlooking at the river and a bridge .interesting with Fine detai...

Old painting, still life with fruit and an earthenware jug, classical composition, oil on canvas, signed J. Goens at the bottom right, undated but cautiously estimated at around the ...

Original oil on canvas painting of The Flight into Egypt with Mary and Christ child. Spanish School, Seville, 17th Century. Relined canvas. Age related craquelure throughout. Painti...

Italian painting from the first half of the 20th century. Oil painting on canvas, first canvas, depicting tavern in eighteenth-century style with characters and horses. Very pleasant...

Artist: Thomas Baker (British, 1809–1864) A Pastoral Landscape with Figures, Cattle and a Village Church Medium: Oil on canvas Signed and dated ‘T. Baker 1846’ lower left A finel...

Hand-sewed rice straw wall sculpture by ARKO. Title: Breath of layers The works that is made of rice straw. Her works have the feelings of contemporary tribal art, contemporary Cr...

Italian 19th century oil on canvas titled "The Music Professor" depicting a mid-19th century music-room scene of an elder man, the music professor, holding his violin, hat and umbrel...

As part of Studio Sam Klemick's second collection The Nap Chair debuted originally in 2022 during Milan Design Week at Alcova. The hand built wooden...

This early 20th-century collapsible wooden director's chair combines practicality with vintage charm, featuring an original cream-colored canvas that gracefully wears its age. The sm...

In this listing you will find a Modernist painting titled "Ohrid", painted by a renowned Yugoslav artist Aleksandar Jeremic Cibe. The painting depicts the Old Town of Ohrid, a histor...

Designed in 1972 by Italian duo Werther Toffoloni and Piero Palange for Germa, the ‘Hoop’ armchair showcases a striking geometric frame that enhances its sculptural presence. The str...

A Classical four-panel folding screen hand-painted with three maidens. Transform your space with the elegance of this vintage 4-panel scalloped folding screen, depicting three maiden...

A very fine Italian 17th century oval oil on canvas "Head of Christ Crowned with Thorns" Circle of Pierre Mignard (French, 1612-1695) within...

Ballet dancers painting by Werner. Width 28.3" - 72 cm Height 22" - 56 cm.

Unique "propeller" folding stool with carved legs by Kaare Klint.

An exquisite 17th century oil painting of the Assumption Of The Virgin Mary. Magnificently executed in oil on a hand woven canvas. Stunning.

A light-brown, green antique Austrian Baroque oil on canvas painting by Franz Xaver Hornöck in a hand crafted original black, partly gilded wooden frame, in good condition. The vinta...

Gennaro Villani (1885-1948) Amalfi Coast, oil on canvas in painted and gilt frame, signed lower left. Italy, circa 1920. Dimensions: 27" W x 23" H x 1.25" D; sight 24.5" W x 21" H.

La Estrella, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm...

El Colgado, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm H x 30 cm W x 3 cm D Unique Bla...

Pair of large scale acrylic on canvas paintings by TW Stuart, 1987, Blue Absttact Dyptich.

This is a large vintage oil on canvas of Venice "Passage to San Marco'. An unsigned Venetian street scene in quality frame, dating to the late 20th century. Capturing Venice in idyl...

A wood and brown canvas bench designed and produced in Brazil, c. 1970s. Fully refinished and brand new canvas seat replaced. Pre-restoration images available upon request. Overall...

A German genre painting depicting a doctor’s visit to a little girl, 19th century. canvas: 17 by 20 ¼ inches frame: 24 by 27 inches

Oil on board Signed lower right Framed A serene and intimate landscape by American artist Richard Peterson (b. 1947), rendered in oil on board. The composition captures an open fi...