Canvas Furniture

A pair of original antique oil portraits, dating from around 1870. These 19th century paintings show Baron Adam Franz Bernhard von Hirschberg and his wife Charlotte, Baroness von Hir...

Preben Fjerderholt (Danish 1955-2000). Oil on canvas landscape painting by Preben Fjederholt. Depicts a beech forest clearing, with the sunlight glowing through the trees. Dimens...

Signed Lionel Royer and dated 1882 (?) Former Salon exhibition label at the top right, n°538 Indication of an exhibition in Lyon on the back of the frame, n°163 Beautiful painting ...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

19th century artillery shell carrier, England circa 1900, now as lamp and having original leather carrying handle and royal coat of arms.

Painting signed and dated lower right "Eug. Péchaubès - 1920". It is an oil on canvas depicting a cart driven by a coachman and launched at high speed by three horses. Golden frame i...

This strong pair of early 19th century French antique landscape paintings, executed circa 1820, is painted in oil on canvas and reflects the refined pastoral tradition carried over f...

Titled 'Tangent' - Buffalo artist James Koenig paintings reflected many phases of American painting Styles including scenes from The WPA period, abstrac...

Vintage Warren Fischer abstract oil painting. Offered for sale is an abstract oil painting on canvas by the American artist Warren Fischer (1943-2001). The painting is part of the...

The Wassily Chair, also known as the Model B3 chair, is a famous and iconic piece of modern furniture design. It was designed by Marcel Breuer in 192...

Mid Century abstract in primary colors. Perfect pop of color for that empty wall. Red, blue, yellow and orange oil on canvas. Unsigned. This item can parcel ship.

Unknown artist. Composition. Oil on canvas, late 20th century. Indistinctly signed. In very good condition. Measures: 100 x 81 x 1 cm.

The colors remain vivid in this original oil on canvas painting of allegorical scene, Italian School, circa 1800. Condition: Age related craquelure and peelings throughout, hole (between trees), old repairs. Remains of red paper (perhaps from board?) are adhered to sections of the backside of canvas. Canvas may benefit from light cleaning which we leave to discretion of buyer. Please refer to professional photos for clear understanding of color, condition and details; photo lighting, individual monitor display and home lighting may all impact how item is viewed. With over 37 years of experience selling European antiques, our brick-and-mortar storefront, Round Top Ranch Antiques...

Abstract Mid-Century Modern painting titled "Lumieres". Signed by artist Lee Clarke. Nice composition of yellow orbs with blue and white light. Celestial, ...

Beautiful detailed original painting of a family of ducks in gorgeous jewel tones. The darling newborn chicks will melt your heart. Ornate gilded frame. Canvas is 16 x 12

Mid-Century still life painting in original giltwood frame signed S.Mitruk '61. Measures: 46".

Oil on canvas, “The Descent from the Cross” (La Descente de la Croix), executed in the style of Peter Paul Rubens. Few compositions capture the emotional intensity and dramatic power of the Baroque period as compellingly as The Descent from the Cross. Celebrated for its monumentality, this iconic scene also marks the beginning of Rubens’ Classicist phase (circa 1612–1620), where harmony and structure meet expressive movement. This highly desirable period copy after Rubens’ celebrated masterpiece offers a rare opportunity to bring that same grandeur into a private interior. The composition draws the viewer in immediately, with its dynamic arrangement of figures and masterful use of light and shadow creating a powerful focal point in any space. Whether placed in a classic or contemporary setting, it commands attention and invites closer viewing. The painting has aged gracefully, with some restorations consistent with its history, yet it retains a rich and evocative surface. Once displayed, it reveals itself as an impressive and decorative antique canvas...

Surrealism - Symbolism Art Measures : 60x50,5cm Without Frame : 55,5x46cm Walter Lewy (1905–1995, Dortmund, Germany) was a German-born Brazilian painter and illustrator best known ...

This is an absolutely stunning 18th century topographical painting, genre of which known as “veduta”. The crucial role in the development of that genre played Caspar van Wittel or Gaspar van Wittel -known in Italian as Gaspare Vanvitelli...

Todd Boppel (American, 1934-2000) Catawba 1982, Oil on canvas, Signed on verso and dated 82. Todd Boppel (American, 1934-2000) is among listed painters. His style was Abstract Geom...

Charles Levier born of a French Father and American mother. He was was active/lived in New York, California / United Kingdom, France and is known for landscape, still life and figura...

El Sumo Sacerdote, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm H x 30 cm W x 3 cm D Unique Blackwood frame with plexiglass ___ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fireproof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

El Mago, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm H x...

El Sol, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm H x 30 cm W x 3 cm D Unique Blackwood frame with plexiglass ___ Maria Jose Franco Maldonado’s family was her art school by the hand of Georgia O`Keefe, Elaine de Kooning, Lee Krasner, Artemisia Gentileschi, Matisse, Leonor Fini, Leonora Carrington, Louise Bourgeois, Maripaz Jaramillo, Judy Chicago, Basquiat, and so many others. She then formalized her studies in art direction and advertising in Buenos Aires, Argentina. In 2015, she showed her work for the very first time in three group exhibitions around New York at Shervin's Café Gallery, Brooklyn Fireproof Gallery, and Greenpoint Gallery. That same year her illustrations accompanied Pilar Gualco`s literary work in Buenos Aires at Fauna Estudio Taller. In 2017, she fell in love with embroidery. Slowly, she connected techniques and in the process dressed up a lot of weird humans. She showed her work in 2019 at Noches San Felipe and Open San Felipe with SGR and Bandy Bandy galleries in Bogotá, Colombia. Her series AFFAIR was shown at Noches del Millón, from Feria del Millón in Medellín, Colombia at the end of 2019. Closing 2019 she was lucky to have her own exhibition alongside Daniela Moreno, a great Colombian textile...

El Ermitaño, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm...

El Loco, 2019 by Maria Jose Franco Maldonado From The Ventura Series. Embroidery thread on canvas Image size: 27 cm H x 17 cm W Frame size: 40 cm H x 30 cm W x 3 cm D Unique Blackw...

A moody and thought-provoking acrylic painting on canvas titled "Body Armour" by Michigan-based artist Jeff Cornish. Signed on the bottom right with a 1988 ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th...

This striking oval portrait, attributed to the circle of Nicolas de Largillière, exemplifies the refined elegance and artistic sophistication of late 17th to early 18th-century Frenc...

Saint Stephen. Oil on canvas. 17th century, following Aegidius Sadeler's engraving (inspired by Jacopo Palma). The figure of the Saint appears in the ...

This is the Good Shepherd With Lamb Painting. It depicts an oil painting in canvas of the Christ Child seated in a large rock holding with his right hand the shepherd stick and the l...

Scott Kerr is a self-taught Contemporary Abstract Artist. As a young boy, he was exposed to the art world by his father through the works of a local Texas artist, David Brownlow. Ama...

This French trumeau painting from the late 19th century features a beautifully executed painted scene on canvas, reminiscent of a technique situated between the grisaille or the verd...

Hard Edge New York School Ab Ex Oil on Canvas Painting by Dennis Ashbaugh 1976 Signed. Stunning work by the superstar contemporary NY artist, Dennis Ashbaugh. From his early series...

Boldly impassioned and masterfully composed, this 1959 abstract oil painting by M. Gargiulo (signature and date intact) offers a rich interplay of geometry and painterly expression. ...

Original oil on canvas landscape painting of three cows laying beside cart and yoke. The golden glow creates the feeling of dusk approaching. Artist attributed to H.V. Battens Canvas...

Titled ‘Net Work’ buffalo artist James Koenig paintings reflected many phases of American painting styles including scenes from the WPA period, abstract...

California Landscape A mid-century California landscape painting signed C.B.L. and dated 1951. sight: 23 ½ by 15 ½ inches frame: 27 ½ by 19 ½ inches

A powerful, large-scale abstraction that blurs the boundaries between landscape and emotion. Layers of oil paint build a dynamic field of shifting clouds, muted earth tones, and sudd...

Painting study of figures in a landscape, unsigned oil on panel. France, 1970s.

Surreal hyper realistic trompe l'oeil oil painting by Latin American artist Victor Del Castillo. Peaches, grapes and cherries in rich brilliant colors and incredible detail. Measures...

"Tremme" Ottoman by Børge Mogensen for Fritz Hansen. New foam and Teddy faux fur upholstery.

Swedish modern Oak leather and natural canvas safari lounge chair in the style of Arne Norell. Lovely natural canvas sling seat and back wit...

17th C representation of the Roof of Folly: An Allegory of the Fall, German School This enigmatic 17th-century painting, laden with symbolic content, echoes the allegorical traditio...

Painting representing a still life composed of grapes overflowing from a basket, two pears, a ceramic-covered pot and a vermeil coffee pot. Autumn-coloured vine leaves contrast with ...

The painting depicts the Greenland ice sheet with several icebergs. One of Eva's last big project was to paint motifs from the arctic. This painting is from her estate and there...

This is a signed 19th century countryside landscape oil painting is from the Flemish school of Impressionism and features a pastoral field with cows. It is presented in a large, orna...

Mid-Century Danish Abstract Painting Osmund Hansen (1908 - 1995) This captivating piece by the Danish artist Osmund Hansen, entitled "Abstract Fish Painting," is a mesmerizing ble...

Large 1945 John Sennhouser Abstract Oil Painting On Canvas, Framed and Signed Offered for sale is a large 1945 John Sennhouser ((Swiss-American 1907-1978) abstract oil painting on ...

This compelling mixed media abstract painting by Garcia Miró showcases a sophisticated interplay of texture, form, and restrained color. Executed o...

This is a charming late 19th c. Orientalist paintings of a young girl seated in a traditional doorway. Alfred Joseph Woolmer is a well-listed English 19th century genre and literary ...

- An amazing Baroque Period painting named "La Fille Grondé'' (Disobedient daughter) by the renowned painter Paul Emile Destouches (1794-1874). It depicts a family scene with the be...

19th century oil portrait of a young man Original oil on canvas. Dimensions: 27.5" W x 39.25" H x 1" D Signed lower left "Samuel"

Abstract acrylic on canvas painting by Blaisdell. This painting shows a lot of movement, has a great composition, and a well-balanced use of color. We are highlighting the most visib...

Jean Chaleye (French, b. 1878 - d. 1960) "Framed flowers" - Oil on board, signed lower right. Featuring a bouquet of red and pink flowers inside a painted...

Pair of portraits of Italian bandits, oil on panels, gilded frames, circa 1880

Whimsical folk art painted suitcase or valise featuring a striped canvas covered exterior with a painted face by artist Ira Yeager (American 1938-2022). The case is covered with vintage western European ports of call with a lovely aged, distressed patina. The interior has a green intact silk lining with pockets. Used as a prop in Yeager's Gallery studio in Calistoga, CA. Made by US manufacturer...

Barn in Moonlight by Frederick John Mulhaupt American Oil Canvas Laid on Board “Barn in Moonlight” By FREDERICK JOHN MULHAUPT (1871 – 1938) AMERICAN. Signed / Oil On Canvas laid on...

Very early American circus or carnival Sideshow Banner, circa 1890-1900. Fantastic paint detail. Great example of American folk art banner painting. The Great American African Camel...

Lovely original oil on 16 x 20 canvas by American artist Helen Ferne Slimp (1890-1995) having horn shaped vase with cascading white dogwoods. The Belgian ornate lemon gilt frame...