Carrara Marble Furniture

Mid century Hollywood regency European marble-top table. Wood base which is gilt was carved in Spain, marble from Italy. In excellent vintage condition with minimal wear. A great game...

Cork & Marble Coasters – Elegant Symmetry Meets Natural Texture Dimensions: - Diameter: Approx. 9 cm - Thickness: Approx. 1 cm - Weight: Substantial feel without being bulky This set...

An antique shallow sink basin hand carved in limestone with a natural aged patina. Wear consistent with age and use. Circa early 18th century, Bourgogne, France.

Carv occasional table is Cut from a single block of Nero Marquina marble. Essential and organic design, naturally creating a flat tabletop flowing to a Y - shaped foot, revealing the...

Carrara marble. Rare object by Up&Up design Excellent condition One foot restored.

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and ...

This vintage antique chimney piece in white Carrara marble is a Louis XVI style from the 19th century. It was installed in a library in a Parisian apartment. Measurements: 150 cm Ext...

Louis XV style fireplace in Carrara marble circa 1880 Hearth dimensions: 83 x 105.5 cm

A very fine and monumental pair of antique French Louis XVI doré bronze and white carrara marble covered vases with ram’s heads and serpentine handles, attributed to Henry Dasson. Th...

Very rare dining table by unknown designer. Probably produced in Sweden.

Salvaged from a Hamptons Estate, this architectural pair of antique hand-carved solid carrara marble sink basins sitting atop of custom made painted cabinets in the French provincia...

A very elegant pair of Italian 18th century Louis XVI period cherrywood demilune freestanding consoles, circa 1780. Each console is raised on slender tapered legs below the rounded p...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

Stylish French Art Deco period washstand or vanity featuring a patinated bronze finish and Carrara marble shelves. Crafted from an iron frame with fitted bronze round sleeves on the ...

Antique Directoire Style French Mahogany Buffet with Carrara Marble Top is a striking and elegantly proportioned piece, distinguished by its richly figured veneer and refined, archit...

'Il Colonnato' oval dining table in white Carrara marble with evident gray veins by Mario Bellini for Cassina. The table features an...

Sculpture, Male torso, classical art, Greek art, Torso, white Carrara marble, classical sculpture, ancient torso, Greek torso, statuary marble sculpture. Male torso carved on statuar...

This is a very rare clock with the original movement still inside. However, this clock is NOT WORKING, and its completeness is unknown, being sold as-is, as a wall prop. We are not clock collectors or professionals, this is an estate procurement. No damage to marble or pendulum window. Writing and numbers wearing off marble surface. Bottom back wood case has some cracks, but all there. A very heavy clock. W 14.5 x D 4 x H 29.75 in. E. Howard & Co., Boston, Mass., "No. 27" marble front...

Cast-off cedar logs are given second life as a crystalline form. Named Little Gem, the natural beauty of reclaimed wood is harnessed in this side table and sculpture piece where nature informs design. Each Little Gem is hand-shaped and faceted based on the different characteristics of the log used, and variations in wood grain. Top surface and finish further ensure that no two are alike. Left to weather outdoors, this piece will acquire a natural silver finish. Stool is sold as an individual piece. Shown in main image is carbon-dyed Western red cedar...

19th Century Italian carved marble Architectural Frieze Sculpture of Caesar, Of rectangular form the finely carved Carrera Marble 50" x 20" slab w...

Mid-Century Modern 1970s Glass & marble coffee table with a chrome flat bar frame on casters. Located in Brooklyn NYC Measures 38” x 25” x 16” high including casters  

A remarkable 19th-century ecclesiastical tabernacle, masterfully carved from fine Carrara marble in the Gothic Revival style. Rich in architectural detail and symbolic ornamentation,...

Very fine 19th century French Louis XVI burl walnut server with Carrara marble top. Excellent quality and so elegant!!

This elegantly bold Mid-Century Modern Carrara Marble Abstract Sculpture originates from the United States, Circa 1970. Features an abstracted geometric form with a remarkable sense ...

The Levante wall sconce with its circular shape is a strong reference to the sun. The possibility of placing the discs in 12 different positions offers original plays of light and shadow projected on the wall. The brass structure and disc, combined with the other veined alabaster disc...

French Hollywood Regency Jansen style ebony center or dining table. Part of our extensive collection of over forty dining tables and chair set...

A lovely Italian early 19th century solid white Carrara marble statue of a young maiden. The seasoned figure is raised on a solid circular base. The bare footed maiden is draped in c...

Modern Bordeira Nesting Coffee Table, Set/3, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bordeira nesting coffee table was designed to bring the ess...

The Sottsass-inspired “Sass Tables” are simple, sculptural accents for any interior space. Made from stacked wooden bases and a honed marble-top, Sass tables are perfect individually...

Contemporary console with Carrara marble top resting on carved fluted cherry wood base. The Carrara marble top is lovely with beautiful subtle veining and the carved cherry wood base...

Stunning and very rare Mid-Century side table designed by Vico Magistretti and produced in Italy during the 1970s. A superb example of Magistretti’s minimalist and architectural desi...

A very impressive and imposing late 19th century French, marble topped side cabinet, having a brass gallery to the top, three frieze drawers, the central one with a wonderful gilded ...

A nice pair of post-modern Italian carrara marble vases, circa 1970s. Gorgeous black veins of marble throughout each vase. The pair are in very good vintage condition with no chips o...

Rich 19th century Trois coquilles mantelpiece made of very white statuary quality bianco carrara marble. The front and the entire styles of this fireplace have coquilles and flower d...

Large Mid-Century Modern console table, Italy, Carrara area in Italy, circa 1980s. The vintage console table is made of two black sculpted marble legs and a brass rectangular top, co...

Architectural restraint, carefully balanced proportions and meticulous craftsmanship define this elegant Italian chest of drawers, produced during the 1950s and unmistakably inspired...

A very fine pair of French Louis Philippe walnut marble top commodes. Very fine figured walnut. Carrera marble tops . Original keys and locks

A large and impressive Louis XVI style fireplace mantel in Italian Carrara marble. The scrolled console legs, with decorative carved ribbon twist, carved acanthus to top, carved scro...

The marblelous bookend large is a minimalist style bookend made of treated Carrara marble. The product consists of a one solid marble prismatic block. Josep Vila Capdevila, head des...

Sculpture, Male torso, classical art, Greek art, Torso, white Carrara marble, classical sculpture, ancient torso, Gaddi torso Sculpted male torso on white marble from carrara, origi...

Great female statue of Judith in bronze with brown patina and white marble from Carrara. This young woman holds in her hands, stretched over his head, a scimitar in its scabbard, re...

Pair of classical style Table lamps consisting of fluted brass columns with Corinthian capitals and white marble plinth. perfect for that library or living room. Made by Westwood Ind...

Stilnovo floor lamp model 4052 has three opaline glass lantern shades suspended on gilt lacquer arms and black enameled stem ending on a Carrara marble ...

Beautiful antique and all handcrafted, solid Carrara marble sculpture. This rare work of religious art is entirely hand carved out of white marble. We are not certain, but we feel t...

Sophisticated modern round dining table featuring a stunning Italian Carrara marble top with elegant gray veining, paired with a sleek white powder-coated steel pedestal base. Measur...

Modern Fold Bedside Table, Set of 2, Modern Collection, Handcrafted in Portugal - Europe by Greenapple. The Fold bedside table is inspired by the elegance of a single metal sheet, d...

Pair of Arabescato marble side tables designed by Angelo Mangiarotti. The tables belong to the "Eros" series that he designed for Skipper ...

An antique Carrara marble bust of a Roman empress. This bust is a depiction of Roman noblewoman or empress, possibly Livia, wife of the first Roman emperor Augustus. Dating to the ...

A substantial Italian '70s modern or postmodern [Post-Modern] chrome and Carrara white marble side, end or coffee/cocktail table from Italy, circa 1970s. Carrara marble octagonal top...

This magnificent abstract sculpture, crafted from White Carrara marble, is a masterpiece by the renowned Italian-American sculptor Arturo Di Modica, famous for the Charging Bull Bron...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a fantastic quality and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble...

Miniature Walnut Cabinet with Carrara Marble Top, France, 19th Century Charming and finely crafted miniature armoire in walnut, featuring delicate inlaid lines and a mirrored door a...

Antique French Louis XVI style pair of nightstands or side tables topped with a Carrara marble, fluted legs finished with golden bronze clogs. Brass gallery and two front dovetailed ...

Designed in 1968 by Tobia Scarpa and produced by Flos, the Biagio table lamp consists of a body carved from a single hollowed block of white Carrara marble. The Biagio table lamp is...

A 17th century architectural fragment probably part of a sculpted colomn or doorway. With a spiraling bread between two straight angels carved out meticulous and skilfully. As a obje...

This finely executed bust of a Naiad is attributed to the neoclassical sculptor John Gibson (1790 – 1866). A Naiad was a type of mythological water nymph and is depicted here with her head bowed and cocked slightly to the side, displaying her strong neo-Hellenistic profile. In her hair, the nymph wears a headdress that is comprised of long and slender reed leaves, which not only identifies her iconographically as a water spirit, but draws a close comparison with those worn by the female figures in John Gibson’s Hylas Surprised by the Naiades (1827 - 1837) (fig.1). The downwards and off-centre orientation of our Naiad bust mirrors that of the taller figure on the left of the group, who rests her cheek on the head young Hylas (fig.2) Her facial physiognomy follows the neo-Hellenistic archetype established by Gibson and can be closely compared with his Tinted Venus – one of the most important statues of the Victorian era (1851–56, Walker Art Gallery, Liverpool) (fig.3). While Gibson’s Tinted Venus is known best for its controversial polychrome ‘tinting’, the essential structure of the face—broad brow, finely drawn nose, wide (and slightly drooping) almond-shaped eyes - provided a template that Gibson returned to repeatedly in his depiction of mythological maidens. Critics of the time noted the consistency of his female types, with some seeing their idealised severity as an antidote to the sentimentality of much mid-Victorian sculpture (fig.4 – 6). The facial physiognomy is also very similar to a drawing by Gibson at the Royal Academy that depicts Hero weeping over the dead body of Leander (fig.7). The socle style of the present work also finds comparisons with Gibsons busts of Cupid and Aurora. This was of course somewhat standardised, but it is interesting to note the extent of their similarity with our bust. John Gibson RA is considered by many to be the greatest British sculptor of the nineteenth century working in the Neoclassical style. It is hard to overestimate the impact Rome had on the life and art of the artist. He first arrived in the city around 1817, when he was just twenty-six, and remained a resident there until his death. Not only did Rome’s ancient sculptural treasures and architectural fragments offer Gibson a lifetime of inspiration, but the Grand Tourists who poured into Rome in the first half of the nineteenth century provided him with many commercial opportunities. These rich or aristocratic travellers sought out mythological sculptures for their grand, palatial residences. However, since the papal decrees of Doria Pamphilj and Pacca of 1803 banned the export of ancient Greek and Roman works of art from Rome, there was a large demand for modern idealised sculpture in the Neoclassical style (Frasca-Rath 2016, p. 10). During his early days in the city he had the great fortune to train under both Antonio Canova and Bertel Thorvaldsen (Roscoe and Hardy 2009, p. 522). He referred continuously to Canova as his “master”, particularly in his memoirs, which he dictated to Margarete Sandbach at the beginning of the 1850s; these were subsequently published by Lady Eastlake in 1870. Moreover, he claimed to be Canova’s last pupil in a letter to Antonio Gacini, Secretary of the Royal Academy in Milan in 1861, written to thank the Academy for accepting him as an Honorary Member: “The first instruction which I received in my art was from an Italian. It was Canova whose pupil I became in the year 1817 and studied under him for five years when he died. I was his last pupil” (Royal Academy Archive GI/1376). By 1821, Gibson had established his own studio in the via Fontanella, off the via Babuino. From here he aimed to produce sculpture of “the sublime and the purest beauty”, believing that the sculptor’s role was to select and combine the most beautiful parts of nature to create a harmonious whole, which would delight and elevate the viewer. By the mid nineteenth century he was one of the few remaining exponents of the so-called ‘pure’ and ‘neo Hellenistic’ style of sculpture, resolutely upholding the Neoclassical ideals established by Wincklemann, in a period when naturalism and modern subjects preoccupied the majority of artists in Europe (Turner, ed., 1996, p. 598). Gibson was convinced of the importance of disseminating artistic ideas through the younger generations, an ideal no doubt impressed upon him by Canova, and established ‘the British Academy of Arts in Rome’. His students included William Theed (1804–1891), Benjamin Spence (1822–1866), Harriet Hosmer...

A large and very fine quality Louis XV style fire place in Carrara marble. The profusely carved frieze, protruding from beneath the mantle with gadrooned carved centre cartouche , su...

Louis XVI French antique coffee table with a beautifully veined Carrara marble top with just a hint of natural purple, all set within a beautifully carved rim. The painted base is pa...

Alluring 18th century Dutch Louis XV fireplace mantel. Very pleased to offer this alluring Dutch Louis XV fireplace mantel in striking Arabescato marbl...

Mid-Century Modern Ferreirinha Round Dining Table, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Ferreirinha round dining table pays homage to Antónia...