Clay Furniture

Carafe 3 vase by Anna Karountzou Dimensions: W 16 x D 15 x H 30 cm Materials: black stoneware clay, clear glaze inside, handmade crater glaze outside, fired at 1220 Born and bas...

Stomata 11 vase by Anna Karountzou Dimensions: W 26.5 x D 25 x H 40 cm Materials: Mixed black and white stoneware clay, clear glaze inside, handemade crater glaze outside, fired at...

Carafe 7 vase by Anna Karountzou Dimensions: W 15.5 x D 14.5 x H 32 cm Materials: black stoneware clay, clear glaze inside, handmade crater glaze outside, fired at 1220 Born and...

Carafe 6 vase by Anna Karountzou Dimensions: W 21.5 x D 15 x H 30 cm Materials: black stoneware clay, clear glaze inside, handmade crater glaze outside, fired at 1220 Born and b...

Planter clay vase by Lisa Allegra Dimensions: ø 20 x 46 cm Materials: Clay Born in 1986 in Paris, Lisa Allegra has earned in 2010 a degree in furni...

A set of four antique Minton tiles after designs by Dutch Delft tiles, sourced from an ex British private collection. Dating to circa 1860, these striking 5-inch tiles have been in ...

This superb large pottery sculpture is hand modelled in clay fired in a kiln with a rich reddish glaze and shaded detailing. It depicts a pair of young owls sitting together waiting...

Vase on table by Milan Pekar Dimensions: 33 x 42 x 74 cm Materials: Glaze, clay handmade in the Czech Republic Established own studio August 2009 – Focus mainly on porcelain, developing own glazes. Mould makings, and Slip casting. Milan Pekar is an award-winning product designer. Assistant professor at Studio of Ceramics and Porcelain...

This Mexican ceramic hen is an egg basket/container, perfect to keep eggs fresh -- a utilitarian kitchen piece by artist Manuel Reyes. Made with clay from Oaxaca and Zacatecas, painted with oxides from the region. Done with the hand-modeled technique and cooked in traditional wood-fired oven. Reyes has been constantly innovating with his hen collection, making this one of his most iconic works. Ceramic artist, sculptor and painter, Manuel Reyes (Mexico City, 1972) atended the Escuela Nacional de Artes Plásticas in Xochimilco, México. He was later mentored by Royer Von Guten, Joy Laville...

Ceramic table lamp by Olivia Cognet Materials: Ceramic Dimensions: around 40-50 cm tall Available in different sizes, finishes...

Dusty Rose Small Half Sphere lamp by Lisa Allegra Dimensions: Ø 20 x 27 cm Materials: Clay Also available in Blackened Gold and Pearl. Born in 1986 in Paris, Lisa Allegra has e...

Vaso della serie Pleiadi di Marta Servadei. Realizzato in argilla liquida fusa sottoposta a tre fai di cottura. Decorato da scintillanti strisce sottili di maiolica smaltata di bia...

Ceramic table lamp by Olivia Cognet Materials: Ceramic Dimensions: around 40-50 cm tall Available in different sizes, finishes...

Unique Ukiyo III vase by Marthine Spinnangr One of a Kind Dimensions: D 30 (top) / 14 (bottom) x W 12 x H 40 cm Materials: Stoneware Clay Differ...

Unique INO_01 sculpture vase by Emmanuelle Roule Unique piece Dimensions: W 22 x H 28 cm Materials: clay, terracotta glaze Unique hand-modelled piece in raw terracotta and clay, on ...

Tall large bottle shaped white and black stoneware clay and porcelain vessel with heavy volcanic textured glaze. The work is hand built using a combination of stoneware black and bu...

These vibrant Rocking chairs are from Maarten Baas’s iconic ‘Clay’ collection launched in 2006. The idiosyncratic childishness of this collection is created through Baas’s individual...

A set of nine 6-inch by 6-inch neo-medieval style encaustic tiles by Minton & Co (stamped); an exact match to an identical set in the British Museum attributed to architect and desig...

The spontaneous and naïve designs of Maarten Baas’ Clay series express artistic vulnerability. Each piece is handmade of industrial clay, covering a steel fr...

An original Asian clay container made into a table lamp. The vase has a basket weave motif throughout and has two big black crabs and a small black conch as ornaments. There is an un...

These vibrant Bookshelves are from Maarten Baas’s iconic ‘Clay’ collection launched in 2006. The idiosyncratic childishness of this collection is created through Baas’s individual ha...

Sculpted in the early 20th century in southern China, this charcoal-black basin has a darkened exterior and bears the smoky traces of its fiery creation on...

Set of 4 Xochicalco Vasel by Onora Dimensions: D 14 x H 25 cm Materials: Clay Our Xochicalco collection is inspired by ceremonial vessels found at the Xochicalco archaeological ...

Contemporary Medium Wall Sconce - Soniah by Victoriya Yakusha for Faina Design: Victoriya Yakusha Material: upcycled steel, flax rubber, wood chips, cellulose, and clay all with biopolymer cover Dimensions: 40 x 20 cm Glass lamp plafond 1 x E26/27 LED Bulb max 60W, non dimmable Available in 6 colours. Please refer to the color card in the image section. All Faina lamps...

Sophisticated abstract sculpture by the artist J. Dersh. A woman’s head finished in shades of Bronze and gold tones.

This handmade and painted dish comes from the South of France. It is an enameled ceramic made of a mixture of clay and fine sands. If you want to Cook, you must remove the top and pl...

A set of 4 reclaimed Minton encaustic floor tiles perfect for a period cottage or townhouse. The set comprises of four 6-inch by 6-inch tiles in Pugin style with a repeating mustard ...

Embrace the artistic legacy of American craftsmanship with this Vintage Boho Sculpted Clay Bust of Man. With its intricate detailing and Bohemian charm, this piece captures the essen...

This organic wall decoration piece is made up of fishing boat impressions joined together to form a large mural. Its rustic style is obtained using pigments such enamels and earths. ...

An antique Delft tile of a figure in Turkish dress, by Ravesteijn of Utrecht, after the original drawing by Nicolas De Nicolay dating to circa 1551. Dat...

This small antique Minton & Co encaustic tile displays a collection of intriguing motifs and symbols. This 19th century 6-inch tile is the perfect deco...

A rare and likely unique mid 19th century encaustic floor tile by Minton & Co (stamped) with heraldic design, depicting a bear and swan between the letter ‘B’ and a crown. This 6-inc...

Glazed Clay Bowl by Justyna Bugajczyk Dimensions: D 27 x W 23 x H 7 cm. Materials: Clay, Glaze, Silk fiber. Made and shipped from the USA. Justyna Bugajczyk is an artist based LA. ...

This Dining Chair comes from Maarten Baas’s Plain Clay collection. This collection was originally developed for the Mendini restaurant in the Groninger Museum. Unlike the Clay Ser...

This rustic mezcal bottle is a replica of an antique bottle or demijohn which was used to store mezcal, drunken during folk theaters in Oaxaca, Mexico. The bottle is done with cerami...

A large antique ceramic wall plaque depicting European military figures, sourced from an ex British private collection. This unusual cera...

Little Chamotte vase is a beautiful decorative object realized in the 1970s by German manufacture. Realized entirely chamotte clay, a particular raw...

The spontaneous and naïve designs of Maarten Baas’ Clay series express artistic vulnerability. Each piece is handmade of industrial clay, covering a steel fr...

A set of 9 reclaimed Minton encaustic floor tiles perfect for a period cottage or townhouse. The set comprises of nine 6-inch by 6-inch tiles in Pugin style with a repeating mustard ...

Each tile stamped ‘Minton & Co’ to the reverse. These were originally used as floor tiles. We think they would make a great splash back to a basin. Size as...

Model DL/27 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Bottle Green, with traces of midnight blue. It has impressed patterns. The lamp comes with its original lampshade holder. The lampshade and the bowl are for display purposes only and are not part of the offer. Inside the shade there is a metal ring that can be placed on the lampshade holder. On top of our shade is a loose cover made of the same material. The height of the chamotte (texture clay) base of the lamp is 36 cm / 14 inch (excl. fitting and excl. lampshade holder). The lampshade holder is adjustable in height. The height of the lamp as shown on the first photo is 67 cm / 26,5 inch. The lampshade used for the photography is an original midcentury Danish...

Model DL/27 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Chestnut Brown. It has impressed patterns. The lamp comes with its original lampshade holder. The lampshade and the bowl are for display purposes only and are not part of the offer. Inside the shade there is a metal ring that can be placed on the lampshade holder. On top of our shade is a loose cover made of the same material. The height of the chamotte (texture clay) base of the lamp is 33 cm / 13 inch (excl. fitting and excl. lampshade holder). The lampshade holder is adjustable in height. The height of the lamp as shown on the first photo is 66 cm / 26 inch. The lampshade used for the photography is an original midcentury Danish lampshade...

Model DL/27 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Green Blue. It has impressed patterns. The lamp comes with its original lampshade holder. The lampshade and the bowl are for display purposes only and are not part of the offer. Inside the shade there is a metal ring that can be placed on the lampshade holder. On top of our shade is a loose cover made of the same material. The height of the chamotte (texture clay) base of the lamp is 33 cm / 13 inch (excl. fitting and excl. lampshade holder). The lampshade holder is adjustable in height. The height of the lamp as shown on the first photo is 67 cm / 26,5 inch. The lampshade used for the photography is an original midcentury Danish lampshade...

Model DL/27 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Sea Green. It has impressed patterns. The lamp comes with its original lampshade holder. The lampshade and the bowl are for display purposes only and are not part of the offer. Inside the shade there is a metal ring that can be placed on the lampshade holder. On top of our shade is a loose cover made of the same material. The height of the chamotte (texture clay) base of the lamp is 34 cm / 13,5 inch (excl. fitting and excl. lampshade holder). The lampshade holder is adjustable in height. The height of the lamp as shown on the first photo is 66 cm / 26 inch. The lampshade used for the photography is an original midcentury Danish lampshade...

Model DL/27 XL table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Dark Chocolate Brown. It has impressed patterns. The lamp comes with its original lampshade holder. The lampshade and the bowl are for display purposes only and are not part of the offer. Inside the shade there is a metal ring that can be placed on the lampshade holder. On top of our shade is a loose cover made of the same material. The height of the chamotte (texture clay) base of the lamp is 40 cm / 16 inch (excl. fitting and excl. lampshade holder). The lampshade holder is adjustable in height. The height of the lamp as shown on the first photo is 72 cm / 28 inch. The lampshade used for the photography is an original midcentury Danish lampshade...

Model DL/30 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Bottle Green. It has impressed, geometric pat...

Model DL/30 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Chestnut Brown. It has impressed, geometric p...

Model DL/30 table lamp made by Annelise and Per Linnemann-Schmidt for Palshus in the 1960s. The colour of the handmade decorated base is Dark Chocolate Brown. It has impressed, geome...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #55 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics...

Contemporary American ceramic artist Richard Hirsch's encaustic Painting of Nothing #53 is made of ceramic raw materials, dry pigment and wax. This piece is part of his ongoing Painting of Nothing Series. Hirsch applies the waxy mix with a brush onto redwood plywood backed structures with two-inch wood strips all around and used various torches to layer, flux, bubble and blend. "Waxy and very tactile, they are probably the work Mark Rothko would have done had he spent most of his life in clay. Hirsch’s paintings have the nuance, subtle texture, and color shifts that become evident in blown-up photographs of his ceramic objects as well as a similar presence." Signed and dated en verso by the artist. This painting ship directly from the artist’s studio in Rochester, NY. (Literature: "With Fire: Richard Hirsch, A Life Between Chance and Design", Scott Meyer (Author), RIT Cary Graphic Arts Press 2012 - "The Paintings" pgs. 102 - 105) Richard Hirsch brief bio: In the field of contemporary ceramic, Rick Hirsch has earned an international reputation. He has achieved this recognition by engaging in numerous diversified professional activities. Through efforts in university teaching, exhibits, writing, lecturing and researching he has risen to worldwide prominence. In 1975, Hirsch co-authored a book entitled Raku, published by Watson-Guptill. This was the first comprehensive text to address the new innovations developing in the west that were transforming traditional Japanese Raku. Also, in the same year, Hirsch became a founding faculty member of The Program in Artistry at Boston University. Currently, Hirsch is a Professor Emeritus at The School for American Crafts which is a part of Rochester Institute of Technology in Rochester, NY. His university teaching career now spans well over four decades. Repeatedly, Hirsch has participated in several milestone exhibitions and publications. Significant shows include; The Evolution of American Art in Craft Media Since 1945; Echoes: Historical References in Contemporary Ceramics; American Ceramics Now; Raku: Origins, Impact and Contemporary Expression; and Convergences: The Presence of the Past in Contemporary American Ceramics...

Take tradition to evolve, transform, and innovate are all part of Omar Hernández’s work. Born in a pottery town he was taught from a young age the fundamentals. It was later when Oma...

The Gunnar Nylund Stoneware "Chamotte" Table Lamp in Mustard, crafted for Rörstrand, is a stunning example of mid-century Scandinavian design at its finest. Designed by the renowned ...

A pottery vessel with interesting shell encrustations converted into a lamp.

Starburst Ceramic Side Table

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Contemporary handcrafted clay vessel by Onka Allmayer-Beck Austrian, 2023 Height 18.5cm, width 20.5cm, depth 13cm This hand-glazed and hand-formed clay vessel is titled ‘Mini No. 26...

Ceramic vase model “Bleached Amarillo” From the “Bleached” series Manufactured by Adam Knoche USA, 2022 Hand built, ram-pressed pulverized porcelain, glaze, cone six oxidation ...

A pair of Sevres soldiers In original clay carvings before enameling. Very rare never seen before. France, circa 1890.

This Mexican ceramic clay hand sculpture is a piece by artist Maricela Gómez López. Made with clay from Oaxaca and Zacatecas, painted with oxides from the region. Done with the hand-...

This hand thrown stoneware planter, circa 1970s, USA, is a result of the collaboration between David Cressey & Robert Maxwell to create the line Earthgender. This hand thrown planter...