Lacquer Furniture

A very fine Japanese gold maki-e lacquer round confectionary box, kashibako, featuring bamboo and Tokugawa mon, late Edo Period, mid 19th century, Japan. The elegant box of circular...

An elegant Japanese decorative plate crafted in wood and finished in brilliant vermilion-red urushi lacquer, featuring a dynamic composition...

Large Japanese screen with 4 leaves composed of lacquer panels with naturalistic decoration, of several sizes: the largest panels are decorated with golden tigers and lions on a blac...

China, probably Canton, circa 1790 A fine late eighteenth century black lacquer Anglo-Chinese games table, the top opening with support from a gate leg to reveal a central chess boar...

One of a kind Thousand-Faced Fan with Box, Bamboo and Gouache, Late 19th Century - China Type: Thousand-Faced Fan Materials: Paper, gouache, bone chinoiserie wood Period: 1890s ...

Impressive mid 20th century Chinese coromandel lacquered eight panel folding screen featuring a grand Palace / Courtyard scene. In this scene, the Emperor sits central, flanked by G...

A rare pair of Japanese hibachi (charcoal braziers) dating to the Edo period (17th century). The bodies are crafted from paulownia wood (kiri) and richly decorated with maki-e lacque...

Suit of red lacquer Japanese fighting armour of the late Edo period, (1716-1868). Desirable coral red lacquer is original and unrestored. Composed of a helmet, (Kabuto) breast plate (Do) and shoulder, arm protection (chainmail). Displayed with a later recreation expressive face plate of modern manufacture (nose, mustache). Also displayed with (photos 3 & 4) a period red lacquer partial face plate (Hambo) with replacement throat guards. All of the assembled parts are of same age, quality and color. Old silk and linen sleeve and helmet linings decayed or shredding. The Meiji period wood...

A superb Japanese lacquer hibachi (brazier) finished in ro-iro — the mirror-black lacquer technique prized above all others for the depth and brilliance of its polish — decorated wit...

Chinese Carved Cinnabar Lacquer Charger with Five Dragons, Circa 1900 A magnificent Chinese carved cinnabar lacquer charger of impressive scale, masterfully decorated with five impe...

Add a touch of whimsy and artisanal craftsmanship to your home with this delightful vintage wicker duck basket. Hand-woven using the intricate "Shanghai weave" technique, this piece ...

A large and magnificently decorated Japanese lacquer document box, ryoshibako, signed Umeboshi/Baikyo, late Edo or early Meiji Period, mid 19th century, Japan. The large document box, ryoshibako, of tall, rectangular shape with rounded corners, and fitted with an inrobuta (flush-fitting) cover with beveled edges. The exterior of this exquisite box is decorated all over with fifteen different raised reserves shaped as uchiwa (paddle) fans against a lush and intricate krikane ground imitating shagreen. The uchiwa shaped reserves all of takamaki-e, and exquisitely painted with designs of animals, flowers, and landscapes in silver, gold, maki-e, hiramaki-e, and takamaki-e, with kirikane, nashiji, and polychrome embellishments, upon gold lacquer fudame grounds. The interior of the lid is nothing short of spectacular, featuring a large design of a magnificent and beautifully detailed rooster and hen with chicks gathered around a lazy stream. Large stalks of chrysanthemum bloom behind them. All against an ethereal nashiji ground. The cover of the box features five reserves: 1. Three minogame (turtles with long tails), symbolizing longevity 2. "Narihira Crossing the Sumida" from The Tales of Ise...

A Monumental Gilt-Lacquered Bronze Ornamental Buddha Sculpture of Vajravidarana: A Masterpiece of Sino-Tibetan Craftsmanship, Late 19th Century, Qing Dynasty This monumental gilt-lacquered bronze ornamental sculpture of Vajravidarana is an extraordinary and commanding piece of art, showcasing the pinnacle of Sino-Tibetan craftsmanship from the late 19th century. The figure of Vajravidarana, a powerful purification deity in Tibetan Buddhism, is meticulously sculpted to embody both spiritual authority and artistic excellence. Vajravidarana is primarily known for his role in removing spiritual impurities and negativities. Unlike other deities associated with wisdom or compassion, Vajravidarana’s function is centered on purification and healing. He is typically depicted holding a vajra and a bell, symbolizing the cutting away of delusions and the resonance of divine truth. In this striking sculpture, Vajravidarana is shown holding a vishva vajra (the double vajra), a unique and powerful variation of the traditional iconography, which signifies ultimate protection and the dispelling of negative karma. Vajravidarana: The Supreme Purifier and Protector Vajravidarana is revered in Tibetan Buddhism as the deity of spiritual purification, called upon to cleanse practitioners of defilements and negative influences. His vajra represents the indestructibility of truth, while his bell signifies the wisdom that resonates through purification rituals. In this sculpture, the presence of the vishva vajra, or double vajra, enhances his association with supreme protection, ensuring the destruction of all spiritual obstacles and afflictions. The figure’s powerful yet composed expression conveys a sense of unwavering resolve and divine authority. His posture, along with the carefully sculpted details of his robes and ornaments, highlights his function as a guardian against impurity. The inclusion of the vishva vajra rather than the usual single vajra reinforces his role as a supreme protector, capable of dispelling all forms of negativity and restoring balance. Symbolism of the Mantras and Aureole: Unlike deities that embody wisdom through duality, Vajravidarana’s iconography is centered on purification and exorcism. The aureole surrounding him is inscribed with sacred purification mantras rather than depictions of a consort. These mantras emphasize his function as a remover of obstacles and impurities, reinforcing his role in Buddhist healing rituals. The presence of the sacred inscriptions elevates the sculpture’s spiritual significance, making it a focal point for meditation and ritual purification. Practitioners often visualize Vajravidarana radiating purifying light, dissolving afflictions and negative karma. This theme is mirrored in the sculptural repetition of the purification symbols on the aureole, reinforcing the deity’s role as a divine cleanser. Gilt-Lacquered Bronze: The Artistry of Sino-Tibetan Metalwork: The craftsmanship of this monumental figure reflects the expertise of late 19th-century Sino-Tibetan metalwork, where traditional Tibetan themes were infused with Chinese artistic sensibilities. Cast in bronze and finished with a rich gilt lacquer, the statue has an otherworldly glow, giving it an ethereal, almost divine presence. The gilding process—applied with exceptional skill—gives the sculpture a striking luminosity that enhances the fine details of the facial features, flowing robes, jewelry, and other elements of the deity’s attire. The technique employed to create this figure speaks to the high level of craftsmanship that flourished during the late Qing Dynasty and early modern Tibetan art. The ornate details of the robes and the fine texture of the sculpture highlight the exceptional skill of the artisans who brought this work to life. The use of gold and lacquer not only reflects the preciousness of the sculpture but also its spiritual significance as an object meant to inspire reverence and meditation. An Ornamental Sculpture of Monumental Scale: Unlike smaller devotional objects, this sculpture is designed as an ornamental masterpiece, intended to make a grand visual and spiritual statement. Its monumental size allows it to dominate any space, offering a commanding presence that is both physically and symbolically impressive. In Buddhist practice, large sculptures of this nature are often placed in temples or meditation halls, where their imposing size and serene presence would encourage contemplation and devotion. The grand scale of the statue further amplifies the spiritual power it is meant to convey. As a representation of Vajravidarana, it is not only a physical object of beauty but also a conduit for meditation, purification, and enlightenment. The scale of the sculpture also emphasizes the divine stature of the deity, highlighting his importance in the Buddhist tradition as the ultimate force for spiritual cleansing and protection. Provenance: Acquired in China in circa 1900 1905 Private Buddhist Temple, Northeast, USA Private Sale Solomon Treasure...

This exquisite Antique Burmese lacquerware betelnut box, dating back to the 19th century, stands at a height of 20.7 cm with a diameter of 21.5 cm. Originating from Burma, now known ...

Photo Frame with Brass & Semi Precious Inserts, Nazar Black, Viya by Vikram Goyal Photo frame in HDHMR with semi precious inserts. Handmade in India. The collection reimagines a pr...

A striking Japanese carved wood mask with polychrome paint and lacquer surface. This rare mask is dated to the Edo period (first half of 19th century and possibly earlier). The mask ...

This Showa period lacquer vase by Inami Tadashi presents an elegant blend of traditional craftsmanship and modern abstraction. Bands of gold, silver, red, and muted tones flow around...

Presenting a set high-end and important Japanese dolls of Musha Ningyo Samurai Dolls containing Takenouchi No Sukune,Grandson,Bannerman on two wooden stands from the Edo period, a traditional Japanese warrior doll...

Served as a traveling cabinet as well as a shrine and carried like a backpack for the Buddhist priests and monks during long pilgrimage, this rare chest is known as Oi Japanese. In China the carrier case is known as Ji, traditionally used by the traveling scholars or monks in the ancient time to carry their belongings such as books, clothes, and stationary. The piece on offer here is of Japanese origin and dated to Edo period (circa 17-18th century), possibly older to 16th century of Momoyama or Muromachi period. It was likely reserved for the use of a high-rank priest to carry the Buddhism scripts based on its luxurious high quality. The wood frame takes the shape of a pagoda with carved bamboo design that features upturned corner cornices...

Japanese Meiji Miniature Gold Maki-e Two-Tier Jūbako, circa 1890 A diminutive Japanese Meiji-period stacking box, or jūbako (重箱), dating to approximately 1880–1900. Constructed in w...

A lovely Russian hand painted lacquered small wooden box with a red interior. The box features the frog princess and prince Ivan miniature fairy tale....

A handsome Japanese lacquer hibachi of rounded rectangular form, decorated in gold and silver makie with an elegant composition of autumn botanicals — including chrysanthemum, mornin...

A finely proportioned Chinese hardwood table dating to the 19th century, crafted in richly figured hongmu with a floating panel top framed by a mitered border. The restrained silhouette is elevated by elegant recessed legs and delicately shaped scroll-form spandrels, details rooted in the refined furniture traditions of the Qing dynasty. The warm reddish-brown wood displays beautiful natural grain variation throughout, with dark mineral streaking visible in the legs and apron adding depth and character to the surface. The top exhibits expected age-related shrinkage and wear, lending the piece an honest patina accumulated over generations of use. Originally intended as a wine table, incense table, or small altar table, its versatile scale translates effortlessly into contemporary interiors. It functions equally well as a console, lamp table, entry table, bedside table, or sculptural accent piece. The clean architectural lines and balanced proportions appeal to both traditional and modern sensibilities, making it particularly well suited to interiors inspired by the work of designers such as Axel Vervoordt, John Pawson, and Rose Tarlow, where age, material authenticity, and quiet craftsmanship are celebrated. A handsome and highly usable example of 19th-century Chinese hardwood furniture.

A pair of Antique Japanese Kimekomi Dolls, dated from the late Taisho to the early Showa period 1940s. Both are in good condition with some lost on the boy's left fist. Two cuties ma...

A magnificent pair of Chinese Choazhou (Teochew) carved wood and gilt lacquered mythical guardian beasts known as qilin, late Qing Dynasty (1644 - 1911), circa 1900, southern China. ...

A stunning Japanese Edo period lacquer tanzakubako, box for poem cards, late 18th-early 19th century, Edo Period, Japan. Attributed to the Igarashi School, this box is masterfully ...

Antiques of London A beautiful Meiji-period Japanese Shibayama wall panel, finely crafted on an ebonised ground and decorated with exquisite inlaid flowers. This highly skilled Shi...

A fine antique gilt-wood & black lacquer Chinese Export Qing dynasty table desk, circa 1850. The table top is finely hand-painted to the top with a gilded landscape scene, depicting ...

PRESENTED BY THE 21ST PRESIDENT OF JAPAN From our Japanese collection, we are absolutely delighted to bring to market this Important Japanese Lacquer Presentation Box. The Presentat...

Part of the Pleiades series, this vase features the Nebula pattern, inspired by the dispersed light and shifting constellations observed through powerful telescopes. Against a deep b...

Presenting two high-end and important Japanese doll of Musha Ningyo Dolls from the Edo period, a traditional Japanese warrior doll crafted with intricate mixed-media arm, silk brocad...

An elegant lacquered suzuribako (writing box) by the lacquer artist Ogimura Sakitoshi (1943). Of rounded rectangular form with a gently domed cover, the exterior finished in a gloss...

A sensational and high quality Chinese 18th century Qianlong Period Lacquer and Bronze Coromandel screen. This exceptionally detailed six panel screen/room divider is raised on Bronz...

Chinese Kangxi 12-Panel Coromandel Screen, 1662-1722 The double-sided screen with one side displaying an elaborate, finely carved and decorated landscape garden filled with a vibra...

A finely crafted Russian hand-painted lacquer box, likely depicting a scene from Swan Lake. Rendered in the traditional Palekh style, the composition features graceful dancers, court...

A large and splendid blue lacquered charger depicting crabs. Of broad circular form with a gently undulating rim. The surface is finished in a lustrous deep blue lacquer. The well i...

Dramatic pair of Chinese yoke back official's hat chairs featuring a Shuangxi emblem on the backsplat. These carved chairs have a lacquer finish with...

Mahjong dining table by Pendhapa Dimensions: D100 x W100 x H74 cm Materials: Solid black javanese teak, black lacquered javanese teak, Kuningan me...

Chinese style (19th/20th century ) red and gold lacquered 4 fold screen featuring a carved floral frame and a Chinoiserie design. Antique Condition prior repairs

Description A fantastic richly decorated lacquer box. Condition Some damages to rims and expected ware. Size: 32.8cm Period 18th century Qing (1661 - 1912)

This China Trade Tea box features intricately painted Chinese scenes, and retains its original hand chased metal liner.

Seated Shakyamuni Buddha in a Lacquered Zushi Buddhist Altar Cabinet. This is a remarkable Japanese wooden statue of Shakyamuni Buddha 釈迦如来坐像, from the Edo period (1600-1868). The...

Vintage Chinoiserie / Regency-style black lacquered partners writing desk / library table / console featuring ornate geometric floral and bird motif, integrated small drawers on each...

Qing dynasty red and black lacquer armoire with relief carving & gilt paintwork. The from of the cabinet features 14 panels each hand painted with a different scenic ranging from war...

Vintage Burmese Betel Box “Kun-It”, a cylindrical woven container with a deep lid and shallow interior tray, all covered in layers of red black and...

Large four-leaf carved and lacquered mahogany screen (gloss black lacquer). « Camelia » model by Christopher Guy, named in honor of Mademoiselle Coco Chanel’s favorite flower. Height...

4 panel wood with colored enamels and Chinese gold leaf lotus flowers and herons

Burma (Myanmar), Mandalay Period, 19th Century Material: Wood with traces of original gilt and lacquer Dimensions: 160 cm length × 40 cm height This finely carved reclining Buddha...

Pair of 'Lazy Chairs' in walnut, black lacquer with a natural cracked wear that gives the chairs an exciting and artistic look. Ming style, early 19th century China. The term 'Laz...

Fine Russian lacquer Palekh hand painted box by Zolotorev depicting the Holy Trinity 20th Century Meticulously hand painted, the three angels seated at a table under the Oak of Mamre...

Japanese Wakasa lacquer table with coral quince design. Signature not readable.

19th century Chinese lacquer sewing box from the Qing Dynasty. Decorated all over beautifully with intricate designs and images of ancient C...

An antique Korean lacquered small chest of drawers with Mother-of-Pearl inlays circa 19th century (late Joseon Dynasty). The tabletop box with multiple small drawers of various sizes...

Antique Burmese Carved & Lacquered Wood with Inlaid Colored Glass Tall Monastic Attendant Sculptures - Set of 2 Showcasing intricate detailing and craftsmanship, this exquisite ...

Dedar Amoir Libre Fabric, Lacquer Paint, Marua Bench By OMER OZTURK Dimensions: W 150 x D 50 x H 44.6 cm. Materials: Dedar Amoir Libre Fabric, Black Glossy Lacquer Paint. About: Des...

A Japanese Nagamochi trunk is a traditional storage chest used for centuries to store clothing, bedding, and other household items. This piece dates to the Edo period (1603-1868), ...

Incredibly sleek and classic multi-use decorative jewerly box. This beautiful box is divided in 2 compartments and lined with red velvet and includes a vanity...

Brass Vanity Tray, Saffron Black, Viya by Vikram Goyal Lacquered wood vanity tray with brass. Handmade in India. With moniker's such as red gold, exquisite thread or golden light, ...

Arc-shaped drawers glide from this inventive side table, pulled by pill-shaped burnished brass hardware with etched midlines. A flat top gives way to a barrel silhouette that tapers ...

A remarkable chinoiserie coffee table of French manufacture, dating from the 1950s, blending lacquerwork, hardstone inlay and gilded ornament in a composition deeply rooted in the cl...