Sycamore Furniture

Antique French Louis XV transitional ormolu-mounted tulipwood & marquetry Bonheur Du Jour, Roger Vandercruse (dit Lacroix) , circa 1770. The desk is finely inlaid on all sides, ther...

George III Circa 1785 From our Tea Caddy collection, we are delighted to offer this Rare Original Hand-Painted Sycamore Tea Caddy. The Tea Caddy of Octagonal form veneered in Sycamo...

Charles Bevan, for Marsh Jones & Cribb. An exceptional English Aesthetic Movement exhibition quality wall shelf. A showpiece using an array of specimen woods. The main body looks to ...

Giorgio Collection Italian Art Deco style occasional arm chair Chair in curly sycamore veneer in high gloss polyester, finish in dark moka tone with polished chrome base, with seats...

1940's Sycamore and gilt wrought iron side tables by famous French artist René Drouet

A study in balance and material contrast, this side table combines the warmth of oak with the subtle elegance of brushed brass. Its design is defined by three legs connected to each ...

very large and elegant art deco sideboard opening with 6 doors; very nice interior

A superb Charles II month duration floral marquetry longcase clock by the well-known maker John Wise, c. 1680-85. Measure: 10". The case is of the highest quality and decorated throughout in very attractive floral marquetry depicting spring flowers and birds showing a high level of sophistication with a glazed circular lenticle to the door. Similarly, the rising hood is decorated with blind frets around the top and surmounted by a shallow caddy decorated by five gilt wooden ball finials. It is flanked by prominent gilt brass-capped solid barley twist columns, with blind fretted panels to the sides. The month-going nicely finned and knopped five pillar movement has reversed going and striking trains, the striking train (on the right) being regulated by a small outside countwheel. The going train has anchor escapement and a seconds pendulum. The movement is fronted by a 10-inch brass dial with an unusual narrow silvered chapter ring, seconds ring and date aperture. It has elaborate cherub-head spandrels in the corners and is signed along the bottom John Wise Londini Fecit. The middle is finely matted, whilst the time is indicated by a fine pair of blued-steel hands, the hour hand richly pierced. The maker John Wise was born in Banbury shortly before 17 March 1624, the date of his baptism. He was the son of John and Ann Wise and a cousin of Joseph Knibb...

For your consideration is this fabulously glamourous Art Deco glazed bookcase with a peach mirrored top. Dating to the 1930's and English made, this bookcase has beautiful blonde syc...

A French 1940’s 2-drawer nightstand in the style of Andre Arbus, in sycamore with brass knobs and feet.

A study in balance and material contrast, this side table combines the warmth of oak with the subtle elegance of brushed brass. Its design is defined by four legs, two in metal and t...

Extremely Rare Regency Antique Penwork Cabinet A very interesting and rare Antique Regency Penwork Cabinet decorated with numerous scenes of exquisi...

Elegant four-door sideboard - mid-century credenza, attributed to Vittorio Dassi, Italy. (Vittorio Dassi 1893-1973) Sycamore solid wood lacquered in high gloss black, the top of the ...

Of iconic 1950s Italian design fitted with 4 doors opening to reveal a mahogany-lined interior with adjustable shelves; can be used for a television or general storage.

Original vanity, sycamore wood, three drawers, one with parchment and a crystal handle, brass buttons, brass and frosted glass sconce. France, circa 1940.

‘Earthly Treasures No 26’ is a unique sculptural bowl by the British artist, Morrison Thomas. It is made from sycamore inlaid with Chrysocolla & Malachite. Morrison turns beau...

English Art Deco Cocktail Cabinet A beautifully proportioned Art Deco cocktail cabinet by the celebrated English makers Harry & Lou Epstein, dating to the 1930s. Crafted in pale syc...

In sycamore with floral stencil, refine turned spindles and carved details. Signed R. Damon & Bertaux - Paris - Price is per chair.  

An Art Deco two door sideboard. Sycamore with parchment covered doors and patinated brass pulls and details.

Inspired by our popular Trafalgar cocktail box, this elegant cocktail cabinet has been handcrafted in hand-dyed charcoal veneers of ripple and straight sycamore. The eglomisé surface has a nickel trim and is highlighted with mother-of-pearl champagne dots. The bleach ripple interior is lined with shelving designed for storing crystal and trays. Contains - six Trafalgar olive sticks, six magnetic coasters, silver ice tongs, silver cocktail swizzle stick...

This pair of lined and elegant two drawers nightstands is made from sycamore, with black opaline glass tops, and are attributed to Suzanne Guiguichon, made in the early 1950s. Vintag...

French Modernist Art Deco piano and bench by Pierre-Paul Montagnac, a variant of the model used in one of the luxe apartments, the Caen, on the great French oceanliner Normandie in 1935. Created in rosewood and sycamore, and carefully and correctly restored, including the fine Erard (#127208) instrument. 56” wide x 60” deep. Documented in numerous sources, including the July 1935 issue of Art et Decoration. Pierre-Paul Montagnac (1883-1961) Born in Saint-Denis, France on 9 May 1883, Pierre-Paul Montagnac was equally talented as a fine artist and a decorative artist. He was educated in both disciplines, studying with Eugene Carriére as well as at the Académie de la Grande Chaumiére, both in Paris. His inaugural exhibition was at the 1912 Salons – and at the 1920 Salon d’Automne he received a traveling scholarship. In 1918 he began working in the firm of André Mare and from 1922 collaborated with Maurice Dufrene at La Maîtrise, the famous design studio of Galeries Lafayette. From 1921 he exhibited at the Salons of la Société des Artistes Décorateurs, Salon des Architectes Modernes, and internationally, in Barcelona and Leipzig. He designed suites on the grand French oceanliners, l’Atlantique, Normandie and Pasteur. At the 1925 Paris International Exposition his work was in a standout class. At the 1937 Exhibition he organized the pavillion of the Artistes Decorateurs and personally won a Grand Prix. For the New York Exhibition in 1938, he was a member of the international jury, organized the group of Decorators, and, as architect, organized the exhibitions of jewelry and perfumes. He became a member of the Society of Modern Architects and executed important and numerous architecture and decorating projects including the luxury apartments on the great French oceanliners l’Atlantique, Pasteur, and Normandie. Vice President and then President of the Societe des Artistes Decorateurs from 1930-1938, he was also President of the Salon d’Automne and Vice President of the Committee of the Exhibition of Arts and Embellishments of Life; member of the steering committee of C.T.I. and Artistic Property, member of the Board of Directors of the Central Union of Decorative Arts. He was also an Officer of the Legion of Honor and received the Cross of War. MONTAGNAC was the son of an engineer and he had a taste for geometry and science that predisposed him to the rigors of architectural laws. Multi-talented, he worked independently as a painter – who had paintings acquired by the French government – while also working in the related fields of architecture and decoration. His work included homes, apartments, galleries, luxury shops, banks and the aforesaid oceanliners. As a designer/decorater, Montagnac had the taste for quality, luxurious furniture, using precious woods, bronze extensions, ivory inlays, mother-of-pearl, metal and coral. He advocated for a resolutely modern style and, free of all pastiches, focused on beautiful cabinetry, the challenges of furniture design, particularly from 1940 to 1945, captured all his attention. The tireless activity of Montagnac, whose varied works are represented in official museums and residences, was also recognized from a professional and social point of view. He was a remarkable organizer, devoted to the cause of art, to the defense of the trade and his colleagues. It was Montagnac who, in 1939, with Anatole de Monzie, took the initiative to found the ENTRAIDE to Artists (which provides support to talented young French artists). MOBILIER ET DECORATION, September/October 1953 ERARD An illustrious piano manufacturer, Sebastien Erard began building superior harpsichords in Paris in the mid-1700s, produced pianos for the French Court, and received a multitude of patents, many of which are still in use in piano manufacturing. Erard pianos were marketed as the finest pianos in the world and were owned by Queen Victoria, Franz Liszt, Chopin, Verdi, Ravel, and Felix Mendelssohn among many others. They continued to enjoy international success well into the 20th century. They were known for their unique sound quality, similar to the American square grand piano...

An exceptional modern Regency style writing desk or bureau plat desk By Michael Vanderbyl for Baker Furniture, "Archetype" Collection USA,...

American 1960s sycamore loveseat having a seat and back upholstered in a light yellow floral pattern with an X-stretcher base and back.

Wood key cabinet made from Oak wood dyed with Black ink. This wall cabinet is wonderfully unique in it's design with it's patchwork veneer and brass dowel...

Contemporary Royal Ebony Wood Cabinet Plumage by Hervé Langlais. One-off. Hervé Langlais is a graduate of the Normandy School of Architecture in Rouen. He collaborated with Paul And...

A very fine French 19th Century Louis XVI style ormolu-mounted amaranth, tulipwood, sycamore and parquetry pedestal Régulateur de Parquet Tall Case Clock, Attributed to Alfred Emmanuel Louis Beurdeley (French, 1847-1919) After the model attributed to Jean-Henri Riesener, surmounted by a cloud-form case cast with three putti cherubs suspending garlands, centred by a white enamel dial with Roman numerals, on a spreading socle with ribbon-hung garlands, above the square tapering pedestal headed...

Rare dressing table mirror with trapeze-shaped base in sycamore veneer. Reference number 3816AR and 3767NR in the Ruhlmann Archives, Musée des Années 30, Boulogne Billancourt. Émile...

French Forties low side or coffee table in rayed sycamore by Dominique. DOMINIQUE From a 1929 French exhibition catalog "Here, under one picturesque pseudonym. are two brilliant a...

2 Art Deco chairs in the Style of René Prou, circa 1930 In sycamore and painted silk to be restored.   

Elevate your living space with this Italian luxury square coffee cocktail table featuring premium ash burl veneer in a rich high gloss polyester finish. Designed with elegant dark mo...

Large Jules Leleu French Art Deco 5-Door Buffet or Sideboard A rare French Art Deco buffet by Jules Leleu with ebony inlaid marquetry and brass mounts, by Jules Leleu (1883-1961) . ...

New console "empilement" made to order for the 2025 collection, Blue dyed Sycamore, charm and bird eye maple. The bottom and top are in piano black sycamore. This console can be ...

A Art Deco two-tiered occasional side table. France, circa 1935.

Crafted with a rich sycamore veneer, this exquisite piece highlights the natural beauty of the wood grain, creating a striking visual appeal.  The sleek four-drawer design ensures a...

This beautiful ebonized sycamore sideboard was designed and crafted by Suzanne Guiguichon in the early 1940s. It features three doors, each with gilt geometric lines, opening with br...

-beautiful tables in sycamore from the Majorelle Ateliers tables are in original condition from the 1930's

French Art Deco pair of club chairs by Dominique with sycamore feet. Documented. These chairs are restored, refinished and have recently been reupholster...

Art Deco chest of drawers in Sycamore, circa 1930-1940 in the Style of René Prou Varnish to redo.

A gorgeous original Art Deco burr walnut and sycamore sideboard, made in England and dating from the 1930’s. This is of outstanding quality, it is beautifully crafted and has a very...

New console "empilement" by Aymeric Lefort, made to order for the 2025 collection, grey dyed Sycamore, charm and bird eye maple. The bottom and top are in piano black sycamore. ...

"Amontonamiento 06" by Alejo Palacios (Argentina, 1989) is a striking contemporary artwork created in 2022 using acrylic on handmade paper. This original piece showcases Palacios' un...

Pair of solid sycamore and sycamore veneer night stands, French polish finishing. Mahogany inside drawers, nickel-plated brass feet and knobs, antique mirror top (some oxidisation). ...

Jean Pascaud (1903-1996) - Two fine French art Deco bed frames with a walnut frame, a sycamore and marquetry headboard, and bronze sabots. Price is per frame.

Art Deco cabinet in sycamore veneer, circa 1940. Shelves and drawers Completely removable.

Impressive live edge dining table made from sycamore with a hand French polish finish and custom brushed stainless steel base. Own an Andrianna Shamaris original. Andrianna Shamari...

French rectangular coffee table from 1940's. Nice work in sycamore wood with top in black ceramic tiles.

Large removable multi-purpose piece of furniture in solid wood veneered with walnut, walnut marquetry in “chevrons” pattern; three doors in “grissinis” of solid sapele; illuminated m...

An outstanding and extremely rare Art Deco walnut and sycamore desk with integrated lamp. This was made in England, it dates from the 1930’s. This is of amazing quality and has a be...

The Meander Sideboard By: Michael Oates Sycamore, American Black Walnut, Curly Maple, Padouk and Brass The Meander Sideboard is a striking celebration of craftsmanship, materiality...

René DROUET ( attribué à ) élégant secrétaire art déco en loupe de tuya 1930 intérieur en sycomore bronzes originaux entièrement restauré finition vernis tampon

A Rare and Impeccable Masterpiece of French Modernism This dining table is part of an exquisite matching suite. A grand sideboard featuring the same sycamore 'losange' marquetry is ...

Extraordinary Art Deco storage cabinet-bookcase, solid mahogany with mahogany veneer outside and sycamore inside with a wide base, french polish. Two curved doors...

Stunning handmade pedestal desk which can also be used as a generous dressing table, this stylish pedestal desk offers plenty of storage space in its bank of drawers within the pedes...

Elevate your living space with this Italian luxury square end table featuring premium ash burl veneer in a rich high gloss polyester finish. Designed with elegant dark moka accents a...

Cleanly designed and beautifully crafted, this 1940s Art Deco sideboard or buffet is finished with gorgeous panels of Macassar ebony veneer, l...

A fine pair of 18th century George III Hepplewhite period floral marquetry inlaid demi-lune card tables attributed to John Cobb. The semi-elliptical sabico and floral marquetry top is bordered and framed with a half moon of satin birch and box wood banding and crossbanded with an outer banding of tulipwood. The bouquet of flowers is most striking and displays some of the finest floral marquetry; the quality is exceptional and the detail and use of various exotic woods is exemplary. The sabico frieze is shallow and crossbanded with tulipwood and flanked with inlaid satinwood flutes raised on crossbanded and tapered legs that stand on elegant block feet. In excellent original condition and has achieved a warm and lightly sun kissed colour and patina to the premium grade figured mahogany. Circa 1775 - 1785 John Cobb (c.1710–1778) was an English cabinetmaker and upholsterer. His work was once overshadowed by that of Thomas Chippendale but he is now regarded as being among England’s greatest furniture makers. He is thought to come from Ashby, Norfolk and was the son of John Cobb and Mary Holmes. It is believed that John Cobb was apprenticed in 1729 to Timothy Money (fl 1724–59), a Norwich upholsterer. In 1755 he married Sukey, a daughter of the cabinetmaker Giles Grendey and is said to have acquired a ‘singularly haughty character’, strutting ‘in full dress of the most superb and costly kind...through his workshops giving orders to his men’, and on one occasion earning a rebuke from George III. He worked with William Vile from 1750 until 1765 in premises at 72, the corner house of St Martin’s Lane and Long Acre. In the early 1750s, William Hallett, another cabinetmaker of the time, formed a working syndicate with Vile and Cobb. Vile and Cobb supplied furniture to the leading patrons of the day including George III and Queen Charlotte, the 1st Earl of Leicester at Holkham Hall, the 4th Duke of Devonshire at Chatsworth and the 4th Duke of Bedford at Woburn Abbey. Vile and Cobb held the Royal Warrant from 1761 until April 1764 when Vile retired. While Vile created works in an Anglicised Rococo style, Cobb’s furniture of the 1770s was executed in an elegant Neoclassical style. Cobb was well known for his haughty disposition which did not always endear him to his customers, so it was no surprise that the Royal Warrant was awarded to two of their employees William France and John Bradburne instead of Cobb himself. Some of Cobb's work is in the Royal Collection at Buckingham Palace. Following Vile's retirement in 1764, Cobb carried on in business with the assistance of his foreman, Samuel Reynolds (fl 1751–85). He made furniture to very high standards and earned a reputation for exquisite marquetry: Hester Thrale, the writer and friend of Dr Johnson, compared the inlaid floors at Sceaux, France, to ‘the most high prized Cabinet which Mr Cobb can produce to captivate the Eyes of his Customers’. Inlay in tropical woods, particularly satinwood, was an important element of Neo-classical furniture. In 1772-4 Cobb produced an ‘Extra neat Inlaid Commode’ and two stands en suite for Paul Methuen at Corsham Court, Wilts, which survive in situ. In 1772 he was implicated in the smuggling of furniture from France. His most extensive work was for the 6th Earl of Coventry at Croome Court, Worcs, between 1765 and 1773. This included a large mahogany...

Set of 8 French Mid-Century (1938) sycamore side chairs with a shaped upholstered back & seat with scroll form legs (by ANDRE ARBUS) (ref: ARBUS, by Brunhammer, pg 155)

This remarkable 19th century Dutch collector’s cabinet combines richly patinated wood with an extraordinary collection of original brass hardware. The beautifully aged surface has de...

A George III penwork sarcophagus work box with hinged lid decorated with a chariot, the side with Neo-Classical devices. Age related abrasions and knocks later replacement ebonised ...