Bronze Wall Mirrors

Pair of octagonal, Renaissance style, ebonized wood, etched brass and gilded bronze framed mirrors inset with veneered semi-precious stones. Ornate gilded bronze detail features face...

Wall mirror with bronze or lacquer frame. Finishing: Lacquer frame and bronze frame. Bespoke / Customizable Identical shapes with different sizes and finishings. All RAL colors avai...

Symmetrically designed, mirrored wall application made of fire-gilded bronze. The movingly designed frame with rocailles, shells and clasp decoration as well as harvesting tools and ...

A singular and unique mirror featuring a wooden frame adorned with decorative metal leaves. The edges and center showcase striped carvings with a red-bronze finish, while the center ...

A WYETH original, round mirror with a deep edged solid bronze frame, with a dark patinated finish. Available in custom sizes and finishes.

An Excellent Quality Early 20th Century Gilt Bronze Mirror By Caldwell Edward F. Caldwell and Co. Inc. New York The oval mirror within a guilloche and beaded frame, surmounted by an urn with rams heads draped with husk-festoons and above scrolling acanthus, the sides with large seated sphinxes seated on guilloche-panelled plinths, above further scrolling acanthus. J. F. Sandberg, Edward F. Caldwell and Company, The Magazines Antiques, February 1998, p. 331. The E. F. Caldwell & Co. Collection, Smithsonian Institution, a002155. The present model corresponds to a design for a pier glass mirror in the parlor room...

Pair of Napoleon III period oval mirror in black painted wood and inlaid with gilt bronze decoration, the mirror is beveled.

Roberto Sironi has sought out the remains of trees that have been burned by fire, trunks hit by lightning, charred branches salvaged from the mountains. With the ancient technique of...

Sitiera Wall Mirror in Solid Wood, Aged Bronze & Aged Mirror by Estudio Andean Dimensions: D 3,5 x W 91,5 x H 142 cm. Materials: Solid wood, aged bronze, and aged mirror. Wall ...

Micol Mirror by BRNV Studio Dimensions: D 10 x W 90 x H 50 cm (Dimensions may vary). Materials: Recycled plastic, bronze. This artwork piece is a beautiful representation of the gro...

With its uneven, rectangular shape composed of roughly hewn blackened bronze, and it's perfectly rectilinear, polished corner (as if the whole were dipped tentatively from above), th...

With its uneven, rectangular shape composed of roughly hewn blackened bronze, and it's perfectly rectilinear, polished corner (as if the whole were dipped tentatively from above), th...

With its uneven, rectangular shape composed of roughly hewn blackened bronze, and it's perfectly rectilinear, polished corner (as if the whole were dipped tentatively from above), th...

With its uneven, rectangular shape composed of roughly hewn blackened bronze, and it's perfectly rectilinear, polished corner (as if the whole were dipped tentatively from above), th...

Michel Salerno, a master metal-smith born in Nice, has been a professor at the École Nationale Supérieure des Beaux-Arts for twenty-five years. Using centuries-old techniques, and ev...

Michel Salerno, a master metal-smith born in Nice, has been a professor at the École Nationale Supérieure des Beaux-Arts for twenty-five years. Using centuries-old techniques, and ev...

Ruins by Roberto Sironi is a series of works that re-signify architectural fragments belonging to different historical periods and great archaeological sites, modelling the forms according to new aesthetic representations. The project relates constructive elements of the classical era, such as bases of columns, capitals, sections of an amphitheatre, with rudiments of the industrial era, such as the double-T beams and the reticular structural elements. Roberto Sironi elaborates on the concept of ruins according to a new perspective. Conceived as contemporary ruins, imaginary simulacra and/or programmed artifices – the materials and techniques of execution do not correspond to the original. The work shows how different fragments of architectural remains can be overlaid and re-signified, resetting the temporal distances and suspending the notion time. The composition of the colors of the Marmo di Rima in the Hubert Mirror, takes inspiration from the romantic painters of the eighteenth century, namely Robert Hubert...

Beautiful pair of brass and mirror wall lights sconces. Italy, 1920s-1940s Lamp sockets: 2.

Rogan Gregory. Mirror. 2023. Gypsum and bronze.

The unvaniity mirror by Taylor Donsker features.

A cluster of faceted handmade polished bronze details, fitted with a mirror convex, resulting in a gorgeous contrast between the jagged texture of the polished bronze details along w...

A triptych of wall-mounted sculptural mirrors composed of bronze -- highly polished at the panels' centers and rough, like baked earth, about their frames. This exquisite installatio...