Pre-Columbian Furniture

Pre-Columbian style , Hispaniola, Arawak Peoples, Taino Native Indians This is a finely carved Taino Cacique Chief's hand carved hard wood figure- a superb ancestor style ceremonial...

This terracotta figure is a mid-20th century Mexican folk art piece, made in the pre-Columbian revival style associated with Maya and Toltec imagery. The seated figure wears a tall, ...

Pre-Columbian Terracotta Vessel, Colima, Western Mexico A classic shaman’s head vessel having a horn strapped onto the forehead with a slip-painted headband, coffee bean eyes, sharp...

Pre-Columbian Earthenware Incensario, El Chanal, Colima, Western Mexico A large incense burner/brazier depicting the rain god Tlaloc from the El Chanal area in Colima. This would be...

Mask. Teotihuacan, Mexico. Classical Period, AD 450–650. Stone. 21.6 cm high; 16.5 cm wide. Condition: Good state of preservation, complete. A crack in the left side of the foreh...

Incan Kero Tumbler-shaped drinking vessel Period: 15th 16th Century Region: Peru Material: Wood Polychroming Finest in the world! Museum quality! Keros were used in Peru to consum...

A very rare surviving Pre-Columbian Nazca Stepped Textile Tunic, Nazca Peru, 200-600 AD. Museum mounted on a linen covered panel. Impressive piece overall. Stepped design and frin...

World's earliest known pyrography vessel, Nazca Culture , circa 400 AD This unique work of art is a hand-incised half gourd using an early pyrographic (pyrography) wood burned techn...

This expressive vintage bronze sculpture was created by Mexican artist Jesús Tellosa and is signed and dated 1999. The work depicts a stylized winged figure rendered in Tellosa’s distinctive figurative language—abstracted yet deeply emotive, with softened anatomical features, closed eyes, and compact proportions that evoke introspection, spirituality, and quiet strength. Cast in solid bronze, the sculpture displays a richly developed surface with natural patina, visible tool marks, and subtle tonal variations that emphasize the artist’s hand and process. The wings, integrated seamlessly into the figure’s form, suggest themes of transcendence, protection, and inner transformation—recurring motifs within contemporary Mexican sculpture of the late 20th century. Jesús Tellosa is recognized for his contribution to modern Mexican figurative art, working primarily in bronze and other traditional materials while embracing simplified forms and symbolic narratives. His work reflects the broader Mexican artistic movement that sought to bridge pre-Hispanic symbolism, spiritual introspection, and modernist abstraction, positioning the human figure as a vessel for cultural memory and emotional resonance. A compelling and collectible example of late-20th-century Mexican bronze sculpture...

A stunning and rare example of an Olmec Maskette, carved of green stone, from the Veracruz region of Mexico, circa 900 BCE. A beautiful example with lovely proportionality and almost...

Accent size Persian Kilim from the late 20th century with a yellow lion featuring abstract elements with a gorilla face sitting on a black ground Measures: 4'2'' x 6'8'' This w...

Beautifully aged with a rich patina and pitted wear, this seated ceramic male figure is attributed to the Colima region of Western Mexico. The stylized form of this male figure follows the conventions of Colima pottery...

An antique pre-Columbia textile panel from Chimu or Chancay culture in central and Northern coast of nowadays Peru. Chancay culture thrived in the late Intermediate period/ late Hori...

A 1960s Mexican gilded cast aluminum Aztec calendar rests on three cast Aztec sarcophagus figures. The table base weighs 65 lb.s. and is a modernist int...

Huaco with Ai Apaec Moche, Peru c. AD 200–800 Terracotta 22.5 cm high Condition: Good state of preservation. Provenance: Private collection of Remy Rey, London, United Kingdom....

Designed for the outdoors, at the crossroads between past and present, this new series based on the ancient savoir faire of our original woven tule collection has been redeveloped an...

LLAMAS is a one-of-a-kind, cast bronze decorative bookend in Verdigris patina finish, handcrafted from a lost-wax cast mold by Ecuadorian artisan and sculptor, Jorge Ávila Chico. Li...

An important ancient Pre-Columbian Olmec civilization Hand-Carved Jade face Mask Pendant, 900-600 BC, ex-museum collection. This exceptional Pre-Columbian Mesoamerican carved jade m...

This wonderful complete painted textile was probably made to be the final wrapping for a burial shroud. What is fascinating about the piece is that although it was used as a vestment...

A well preserved and rare pictorial antique pre-Columbia textile panel from Chimu culture. Located in Northern Coast of nowadays Peru, Chimu culture thrived in the late Intermediate/...

GALERIA MUSEO DE ORO - Vintage museum reproduction Pre-Hispanic artifact - gold plated bronze - marble plinth - original presentation box - signed...

An important large Pre-Columbian Colima gourd with parrots, Comala style Protoclassic, circa 100 BC, Ex Museum collection. This beautifully burnished redware fluted vessel depicts d...

Designed for the outdoors, at the crossroads between past and present, this new series based on the ancient savoir faire of our original woven tule collection has been redeveloped an...

Beautiful terracotta hand sculpted figurative head. Signed INAH MEXICO. Reproduction licensed under the National Institute of Anthropology and History in Mexico. Beautiful sculpted...

A collection of two fragments of antique pre-Columbia textile panel from Chimu or Chancay culture located in Central and Northern Coast of nowadays Peru. The panels were presented in...

Stamps, or sellos, such as this one were common during the pre-Columbian period in Mesoamerica and most popular during the Formative Period that spanned the years between 1200-800 B....

An antique pre-Columbia textile fragment likely from Peru Chancay culture in Central coast that thrived in the late Intermediate period/ late Horizon, A.D. 1200-1550. Abstract geomet...

SALAR is a sculptural candle holder, composed of a sand-cast bronze base, and hand-carved volcanic stone candle holders. The shape is a representation of the traditional process used...

This double-spouted vessel originates from the Peru and is distinguished by its sculptural anthropomorphic design. One of the chambers is shaped as a human figure with a triangular f...

Indigenous American (possibly Navajo) woven rectangular rug with a geometric banded pattern in light and dark blue, red, pink, and beige with beige fringe on the two shorter sides. ...

A piece of finely woven textile fragment from Chancay culture circa 10th-15th century, which thrived in the Central coast of nowadays Peru until it was incorporated in Chimu culture,...

A ceramic stirrup vessel pot from late Moche culture circa 500-700AD in nowadays Northern Coast of Peru. The hollow vessel features a rounded body and...

Earth tones adorn this striped pattern pre-Columbian textile. It is a wonder to behold antiquities such as a pre-Columbian textiles, an authentic piece of art that has been preserved for centuries and that survives generation after generation. Textiles are infinitely more delicate than wood, metal, or rock artifacts...

A powerful hand-sculpted clay artwork representing a procession of human figures, each joined in a continuous rhythm of movement and unity. This piece reflects the essence of Mexican...

A fragment of antique pre-Columbia textile panel from Chimu or Chancay culture located in Central and Northern Coast of nowadays Peru. Chancay culture thrived in the late Intermediat...

This fantastic and well-proportioned Pre-Columbian style Mexican primitive style vessel figure The sculpture measures 9" High x 6 3/4" Diameter Similar to pieces of Michoacán, We...

A large fragment of antique pre-Columbia textile panel from Chimu or Chancay culture located in Central and Northern Coast of nowadays Peru. Chancay culture thrived in the late Inter...

Rueda is part of Metates a work composed of two volcanic stone sculptures that explore wear as the trace of a relationship: between objects, between people, between time and matter. ...

This intriguing head fragment was once attached to a pre-Columbian bust or full effigy figurine. Earthenware figurines like this were made in great abundance throughout Mesoamerican history, serving a wide variety of purposes and functions from religious rituals to burial offerings. Figurines like this commemorated important people and events across Mesoamerica, portraying individuals of different rank and status such as soldiers, merchants, bureaucrats, and occasionally divinities. This figure is adorned with an elaborate headdress, or coiffure, and ear spools...

HEMISFERIO is a table lamp composed of a sand-cast bronze base and a hand-carved volcanic stone top. The piece contains an LED light source inside the top, which reflects on the insi...

Sotheby's Pre-Columbian Art Sales Catalog, New York, November 23, 1992. Amazing photos of incredible pieces of spiritual artistry, almost all of it no doubt looted, and also the on...

A large framed Pre-Columbian hand-woven gauze panel with open lattice design from Chancay culture (10-15th century). Located in Northern Central coast across three valleys: Huaura, C...

PRESENTING a LOVELY piece of reproduction Native American Antiquity, namely, a Vintage Pre-Columbian Style Pottery Centerpiece. We are of the opinion that this was made circa the ea...

Chimu brown gauze shirt with multiple red and white fringe lines forming V designs like the one around the neck, with very rarely seen sleeves and border fringe in the same material.

Chancay painted panel with two figurines side by side. This is a complete panel with two rectangular box-headed personages on a busily packed background of geometric motifs of circle...

A pre-Columbian ceramic stirrup vessel in Cupisnique style circa 700-500BCE. This ancient vessel features a robust squatted body and a short thick stirr...

Designed for the outdoors, at the crossroads between past and present, this new series based on the ancient savoir faire of our original woven tule collection has been redeveloped an...

A small black ceramic figural stirrup vessel from Moche culture circa. 100-500 AD, located in nowadays Northern Coast of Peru. The hollow pot with the stirrup handle was sensitively molded and the surface burnished. The seated figure has his arms folded in front of his chest. He has prominently protruding ears and an expressive face. Provenance Available to the buyer: From an American collection. For a black burnished stirrup bottle, see item 1976.287.8, 64.228.35 in the collection of Metropolitan Musuem of Art, NYC. Many black portrait stirrup bottles are in the collection of Larco Musuem, Lima...

Pre Hispanic earth ware vessel from the pre-Inca Chimu culture. Beautiful ancient vessel, created in northern coast of Peru around the 900 / 1470 AD. by the Chimu culture. This is...

Designed for the outdoors, at the crossroads between past and present, this new series based on the ancient savoir faire of our original woven tule collection has been redeveloped an...

A fragment of antique Peruvian textile from Pre-Columbia era, nicely displayed in a matted metal frame. Likely from Chancay culture in Centra...

This seated ceramic figure is attributed to the ancient Nayarit region of Mexico and was likely used as a ritual or burial offering. The ceramic works of this style, known as Chinesc...

A large Nazca-Wari woven textile panel known as Llika or Awayo (shawl) from Ica Valley on the south coast of nowadays Peru. Professionally mounted and conversed on a linen-backed wood frame and presented in an acrylic shadow box. Shawls with this step design were identified as made from the period of 700 to 1100 AD during the transitional period when Nazca went under the expanded rule of the Wari empire. The textile was finely woven from a camelid fiber dyed with natural pigments. The work strikes the viewer immediately with its unexpected modernity. The simple, bold and repetitive geometry with the scintillating color blocks created a lyrical visual rhythm and could easily mistake it as an abstract art from the 20th century. The step design was one of the unusual abstract motifs used by the pre-Columbian weavers from Nazca, who created some of the most mysterious and soul-stirring work with a minimalism aesthetic that was rarely seen in any other ancient textile art. Considering that the artists were completely isolated without the influences of other cultures, their intrinsic creativity and artistic vision are even more impressive. Provenance: From the collection of Lee M...

Decorative slip casted ceramic platter finished with a rich black or dark green glaze, highlighted with gold luster details. Inspired by Jama-Coaque (350 BC - 1532 AD), a circular c...

Pre-Columbian Jade Costa Rican Avian Effigy pendant Atlantic Watershed 500AD- 1500AD Material: Jade Measures: Length 9 inches Width 1 inches Depth .4 inch. Exquisite Costa Rican jade (axe god...

Incredible anthropomorphic burial urn from the Chimila culture of Colombia, circa 800 AD. These vessels were created to be placed in chambers within shaft tombs of Northwestern Colom...

Acatl is a collection of Tumblers and liquor, Mezcal and Tequila glasses in 6 different colours. Produced in an artesanal way in Jalisco, Mexico using 100% recycled glass. The sh...

This seated effigy figure was crafted in 300 BC to 300 AD from the ancient Nayarit region of Mexico and was likely used as a ritual or burial offering. The ceramic works of the Chine...

Southern Costa Rica or Western Panama, circa 800 to 1500 AD. A very fine example of the goldwork of the Veraguas-Chiriqui-Diquis region. A pendant in Carbonera style of a supernatural being, a composite monster with human torso and feline (probably jaguar) head. The figure is set in a frame decorated with little animal heads, one at each corner. The hands have also turned into animal heads. In place of genitalia is a stylized serpent head suspended by a twisted cord that was supposed to continue across the frame. A minor casting accident prevented it form being attached to the frame. A modern goldsmith would solder in two short lengths of twisted wire, but the ancient goldsmith did not have the equipment to make such repair. A double thread ending in spirals goes across the frame behind the neck of the figure, helping to fill up the frame and avoiding a large empty space. The word "thread" reminds us that the twisted and straight cords were, in the original wax model of the pendant really extruded wax threads, turned into metal by the lost wax (cire perdue) process. The braid pattern on the frame is illusory, just two twisted threads of extruded wax laid side by side. The goldsmith made the toes out of extruded wax thread too, very decorative as well. The piece comes with a certificate of authenticity by Mr. Robert Sonin, 5 May 2006. ref. photo roll 3301. A world renowned expert on Pre-Columbian Artifacts...

A pre-Columbian figural vessel from West Mexico Colima culture (circa 300BC-400AD). Made of molded clay, the stoneware vessel depicts a seated hunchback...