Palmwood Chairs

Inspired by the works of the master Luis Barragán, the Sáasil Chair is honestly made with fine detailing. The light but solid structure creates a frame fo...

Set of wonderful two mid-century chromed metal and rattan chairs "Cesca model". These amazing chairs were designed by Marcel Breuer and produced for Gavina in Italy during the 1970s....

Circa 1950. We offer this Petite Mexican Butaquein the atyle of Clara Porset in original conditions, we offer the restautration service by our team of professionals.

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

We offer this Petite Mexican Butaquein the style of Clara Porset, circa 1950.

"Cloister Chair" by Yuki Gray Ed of 2 Ed. 1 of 2 32” x 21” x 19” Ash, birch The chair is functional, however, this is more of a 'sculptural' piece more th...

Modern sculptural black leather accent lounge chair. Made in Canada.

Organic studio sculptural tree trunk root chair from Belgium. Offered for sale is an organic and rustic artist-crafted sculptural tree trunk wood spec...

The project starts from leather threads, valuing the manual work of various craft techniques, such as braids, cords, chains and fringes. The chains were represented in three-dimensio...

Crafted from solid tree trunks, each chair tells its own story. The natural imperfections and unique grains of the wood make no two chairs exactly alike. Each piece has its organic, ...

Side chair, leather, stained wood, United States, 1950s Admirable handcrafted side chair from the 1950s. This chair features a combination of diverse shapes that create a wonderful ...

A stunning pair of vintage Italian leather & chrome ‘stripe’ chairs by Giancarlo Vegni. They were made in Italy by Fasem, they date from around the 1970-80’s. They have a gorgeous d...