Baroque Revival Seating

Tuscan clay stool, nice hand-painted. An idea of an Italian garden even in a city apartment: at the entrance it welcomes You with its colors, in the living room You can put down Your...

Baroque Revival white arm chair, of a heavily carved body, upholstered in silver-gray faux alligator skin, unmarked. Dimensions: 42.5" H x 33" W x 26" D; seat: 19.5" H. Dealer: S...

Eight sturdy Venetian Chippendale chairs, Palladian style, high back, in walnut entirely carved, Vienna straw, with green leather seat gold decorated edge. Majestic and modern at the...

A pair of stools that can perfectly serve as a low table, in Spanish baroque style, from the early 20th century, made of beech wood with turned Wood l...

Bemutatjuk Önnek ezt a különleges szalon garnitúra ( 1 db. 2 személyes sofa + 2 székek ) , neo barokk stílusban. A bemutatott darab korának megfelelő állapotban van. Az textil any...

20th century pair of carved walnut Spanish Savonarola You can use like a armchairs, swivel chairs, settee. It´s a very decorative and functional pi...

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Pair of 19th century oak and leather armchairs circa 1890. Good quality pair of show frame wing back armchairs.  Complete with original brown leather which still shows traces of an ...

The Flora Bench is inspired by the rooms of the majestic Reggia di Caserta and it is entirely handmade in UHPC concrete mortar. The goal is to create an object that is not invasive ...

Outstanding reproduction of Portuguese Dona Maria I Style seating arrangements of the XVIII Century. Produced and numbered by the FRESS - Ricardo do Espírito Santo Silva Foundation ...

Pair of Antique Quality Carved Walnut & Gold Upholstery Sofas Love Seats MINT!

M/1098 - Italian bench upholstered with Mulberry fabric named "Allegro Plaid" (=cheerful plaid) - Comfortable everywhere: under the porch, entrance, l...

Set of 10 Antique Italian Walnut Baroque Dining Chairs includes 2 Armchairs is a wonderful find perfect for larger families or those who...

Oak Spanish Revival Style Stools - Set of 3 20th Century, Turned Legs with Connected Stretcher Base, Flared Style Arms, in Solid Oak Construction. Plaid Upholstered Pillow Top Style...

Stool with turned legs and embossed leather, decor of flowers and leafs, in Baroque Style / Baroque revival, early 1900s. Provenience: woodworker Kenneth Pettersson Ånimskog. Worn...

- This is an early 20th century interpretation of the infamous, sumptuously, upholstered, 17th century, couch with hinged arm rests, found at Knole Park, Sevenoaks, Kent, the ancestral seat of the Sackvilles made by the most eminent upholsterer of the early 20th century. - The original couch served the Dual purpose of bed and settee, and is one of the earliest examples of English, upholstered, seat furniture. In the late-19th century this model of settee was revived, particularly for Great Halls, bedrooms and galleries in large country houses for its early aesthetic, comfort and draught exclusion from the high backs. - These settees are extremely comfortable as well as injecting period atmosphere into the interior. They sit equally well within contemporary and historical interiors and jutapose with contemporary and modern pieces and art. - This is a particularly fine example, with a Grade II* listed Jacobean manor house provenance and almost certainly made by Morant & Co. It retains the original iron ratchets so the wings can be lowered to different heights. The inside and outside back, wings, seat and cushion are upholstered in a strie velvet and trimmed in the traditional manner with matching braid and fringe and studs. The strie velvet probably dates from the 1950's, as there is significant fading from the original pale green/aqua to a pale olive/old white. The adjustable padded wings are joined to the arms with original ratched iron hinges which are attached to the back. The arms are supported by oak turned uprights. The seat has a large loose cushion. Standing on original castors. English, circa 1900. During the late 16th-early 17th century a new form of daybed was introduced to match the contemporary upholstered 'X' chairs and stools. They were padded and upholstered throughout and the ends were let down on a toothed steel ratchet to enable the occupant to repose at full length. They were generally destroyed when the coverings had worn out at the woodwork was of little value. Similar couches were plentiful in France under Louis XIII and can be seen in Abraham Bosse's engravings of domestic interiors but they were only found at court and the houses of great noblemen in this country. When the contents of the Royal Palaces were dispersed after Charles I's execution a number of couches were included in the sale. PROVENANCE : Barrow Court, a Grade II* listed Jacobean manor house with origins dating back to the 13th century. MORANT & CO Upholsterers, Decorators. 91 New Bond St., London. With Royal Coat of Arms, dated 1825, 1831, 1837 and 1890, founded 1790. The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gilded frames from early in the reign of George IVth, and his trade card describes the company as 'Ornamental Painter and Paper Hanging Manufacturer to their Royal Highnesses'. Work was executed for Sir Thomas Lawrence, Sir Robert Peel...

A pair of antique chairs, created from walnut wood with a polychrome technique, honours us with its presence, testimony to a bygone era. Admire their majesty, for they date back to t...

This important French stool or Ottoman, in the manner and style of Napoleon III and Fournier A.M.E, is an excellent testimony to the period. Made of carved wood, it displays an extra...

This is a very good set of 8 French Oak Baroque-Style dining chairs that date to the second half of the 20th century. All 8 chairs are in very good condition as is the deep wine-tone...

"Throne" chair with Ikat designer fabric, antique brass nail head detail & blanched hardwood in a natural finish.

European parquetry hall chair, with bone inlay creating hunting scenes in the late Baroque taste, upon four turned legs, circa 1900. Dealer: S138XX.

Charming lounge chairs made by a Danish cabinetmaker in the early 20th century. The chairs is made from solid rosewood with an amazing grain and is upholstered in soft pink velvet. T...

Charming baroque style wrought iron bench painted periwinkle. Lattice iron seat for three with three lattice ovals on the back. Eight legs, two curvy arms. Arm height: 26". Perfect i...

Rustic Baroque style chair from Boden Norrbotten, North of Sweden. The chair is a country furniture from the first half of the 19th century. The model itself is from the Baroque pe...

Baroque pair of armchairs with gorgeous embroidered upholstery. Exceptional early 20th century pair of armchairs in stained beech and needlepoint upholstery, realized in the late Ba...

Fabulous pair of hand crafted and hand painted c1940 Venetian side chairs. Upholstered seats along with the aged painting gives a very warm look. Comfy also. Splat backs and cabriole...

A French Bergere chairs/chaise like with Ottoman. ottman size 24 D " x 28" W x18"H.

Recently restored pair of vintage walnut framed barrel back chairs with white upholstery.

A gentleman's occasional European leather armchair with leather seat & back adorned with oversized antique brass studs/nailheads.Perfect for the li...

20th century pair of carved walnut Spanish Savonarola. You can use like an armchairs, swivel chairs, settee... it´s a very decorative and functiona...

19th Century Italian hall bench was sculpted from fine walnut, and features an elaborately scrolled design including a boldly arched seatback embell...

A large nicely carved pair of Baroque Revival style Walnut and Parcel-Silver Leaf Winged Throne Armchairs. The tall padded winged back armchairs, with scrolled carved walnut frames in a dark finish stain, each with finely carved open-armrests with parcel-silver leaf edges and clam-carved supports, raised on scrolled conjoined legs with wavy corners, all upholstered with a recent whimsical Scalamandre/Old World...

Divano 3 posti, stile barocco Siciliano, anni '70. Il divano è originale anni '70, proviene da Palermo. Gusto e stile tipicamente Barocco, struttura in ...

Versace Original Vanitas Gilt Dining Chair Set of 6, Gianni Versace, 1994. Listing is for set of 6 (2 armchairs and 4 without arms). The shape of th...

1 poltrona , stile barocco Siciliano, originale anni 70, proviene da Palermo. Gusto e stile tipicamente Barocco, struttura in legno di ulivo con intagli a mano di altissimo livello artigianale. Tessuto Sanderson con disegni in velluto a rilievo e fili oro (rarissimo). presenta piccoli strappi nel tessuto . (vedi foto). per il resto e' in buono stato. sia i cuscini sotto che il fondo seduta sono rivestiti dello stesso tessuto, che eventualmente si può recuperare per sistemare lo strappo. eventualmente disponibili su richiesta 1 altra poltrona e divano 3 posti.

Versace original Vanitas gilt dining chair set of 4, Gianni Versace, 1994. The shape ' of the Vanitas took inspiration from a Louis XV chair bought ...

This Modenese Gastone item has been precisely conceived for CEOs and presidential offices. Its unique elegance and sense of power represent the perfect solution for executives. Chair...

A fine Italian 19th century baroque revival style carved walnut figural throne armchair, attributed to Valentino Panciera Besarel (Venice, 1829-1902) in the manner of Andrea Brustolo...

Antique Baroque carved walnut throne chair, circa 1880. The chair having a carved crest with a shell motif to the center flanked by a pair of fin...

A fine pair of Italian 19th century Baroque Revival style carved walnut Sgabello figural side-chairs, each backrest with carvings of winged male figures, the base with female figures...

Elegant and restrained, this loveseat is perfect for a study, entrance or a bedroom sitting area. Although the existing upholstery is serviceable, it is not the original, and as such a "face-lift" would make a huge difference. Of the late 19th century revivals, examples of Baroque revival are more sedate and less ornate that its cousin, Renaissance Revival. Crafted of solid walnut and fir with select French walnut veneers...

- Attractive armchair injecting period character into any interior - Sturdy and suitable for regular use - This model of chair was made in plentiful numbers in the mid-17th century...

- Rare child's armchair or possibly a sample made when large country houses were being remodeled in the Baroque taste towards the end of the 19th and beginning of the 20th century. ...

A fine pair of Italian 19th century Baroque Revival style carved walnut throne armchairs. The high-back frames with recent upholstered back and seat and open carved scrolled armrests...

Extremely decorative and impressive armchair from the Neo-Baroque period. Wooden body made of solid walnut. Upholstered seat and backrest. Cover made of high quality fabric. (C...

Recessionary armchair from the Neo Barrock period. Very fine carved and high quality. Fabric cover with floral pattern. (C-136).

- Striking set of architecturally inspired chairs which are very decorative - Sturdy and suitable for daily use - Rich and lustrous patina - I ...

An elegant take on modern Baroque. Made with bone chips that are hand carved one piece at a time to form intricate patterns, it is then topped with vi...

This is an early 20th century interpretation of an armchair inspired by the infamous, sumptuously, upholstered, 17th century, couch with hinged arm rests, found at Knole Park, Sevenoaks, Kent, the ancestral seat of the Sackvilles made by the most eminent upholsterer of the early 20th century. The original couch served the dual purpose of bed and settee, and is one of the earliest examples of English, upholstered, seat furniture. This is a particularly fine example, with a Morant & Co provenance. A matching 3-settee is also available The inside and outside back, wings, seat and cushion are upholstered in green strie velvet and trimmed in the traditional manner with matching braid and fringe. The strie velvet could be original, if this armchair has been lightly used, as there is significant fading from the original bright green. The adjustable padded wings are joined to the arms with original ratched iron hinges which are attached to the back. The arms are supported by oak turned uprights. The seat has a large loose cushion. Standing on original castors. English, circa 1900. Bearing the fabric retail label of Morant & Co Upholsterers, Decorators. 91 New Bond St., London. with Royal Coat of Arms, dated 1825, 1831, 1837 & 1890, founded 1790. During the late 16th-early 17th century a new form of day-bed was introduced to match the contemporary upholstered ‘X’ chairs and stools. They were padded and upholstered throughout and the ends were let down on a toothed steel ratchet to enable the occupant to repose at full length. They were generally destroyed when the coverings had worn out at the woodwork was of little value. Similar couches were plentiful in France under Louis XIII and can be seen in Abraham Bosse’s engravings of domestic interiors but they were only found at Court and the houses of great noblemen in this country. When the contents of the Royal Palaces were dispersed after Charles I’s execution a number of couches were included in the sale. Morant & Co (fl.1885-1915) The dictionary of English furniture makers 1660-1840, published by the Furniture History Society informs that Morant Snr. was a maker of carved and gilded frames from early in the reign of George IVth, and his trade card describes the company as ‘Ornamental Painter and Paper Hanging Manufacturer to their Royal Highnesses’. Work was executed for Sir Thomas Lawrence, Sir Robert Peel...

Step into opulence with the Fleur Cube Table—a symphony of modern design and classic Baroque influences. Craftsmanship takes center stage in the creation of the Fleur Cube. Each face...

20th century carved walnut Spanish Savonarola, rocking chair You can use like an armchairs, swivel chairs, settee... it’s a very decorative and fun...

An elegant take on modern Baroque. Made with bone chips that are handcut one piece at a time to form intricate patterns, it is then topped with vibrant water based colored resin, add...

A fine and palatial pair of Italian 19th century renaissance style carved walnut figural throne armchairs. The intricately carved Baroque frames with the backrests depicting a pair o...

A Fine Anglo-Dutch 19th Century Baroque Style Ornately Carved Walnut Five Piece Parlor - Salon Suite, After Daniel Marot (French-Dutch, 1661–1752); comprising of a settee, two armchairs and two side chairs. The intricately pierced high-backs carved frames with scrolled and floral designs, curved armrests and cabriolet conjoined legs. Circa: 1890. Measures: Settee height: 54 3/4 inches (139.1 cm) Settee width: 70 3/4 inches (179.7 cm) Settee depth: 24 inches (61 cm) Armchairs Height: 52 inches (132.1 cm) Armchairs Width: 28 inches (71.1 cm) Armchairs Depth: 21 1/2 inches (54.6 cm) Side chairs Height: 50 inches (127 cm) Side chairs Width: 21 1/2 inches (54.6 cm) Side chairs Depth: 20 1/2 inches (52.1 cm) Seat height: 20 3/8 inches (51.8 cm). Daniel Marot or Daniel Marot the Elder (1661–1752) was a French-born Dutch architect, furniture designer and engraver at the forefront of the classicizing Late Baroque Louis XIV style. He worked for a long time in England and the Dutch Republic, where he was naturalised in 1709. Born in Paris, he was a pupil of Jean Le Pautre and the son of Jean Marot, who was also an architect and engraver. Marot was working independently as an engraver from an early age, making engravings of designs by Jean Bérain, one of Louis XIV's official designers at the Manufacture des Gobelins, where far more than tapestry was being produced. The family were Huguenots and were part of the wave of émigrés who left France in the year of the Edict of Fontainebleau and Revocation of the Edict of Nantes (1685) to settle in Holland. Daniel Marot brought the fully developed court style of Louis XIV to Holland, and later to London. In the end, the English style which is loosely called "William and Mary" owed much to his manner. In the Dutch Republic, Marot was employed by the Stadthouder, who later became William III of England; in particular, he is associated with designing interiors in the palace of Het Loo, from 1684 on. Though his name cannot be attached to any English building (and he does not have an entry in Howard Colvin's exhaustive Dictionary of British Architects) we know from his own engraving that he designed the great hall of audience for the States-General at the Hague. He also decorated many Dutch country-houses, introducing the “salon” and popularizing ornamented ceilings in The United Provinces/ Netherlands. State bed, designed by Daniel Marot, engraving, ca 1702 In 1694, he traveled with William to London, where he was appointed one of his architects and Master of Works. In England his activities appear to have been concentrated at Hampton Court Palace, where he designed the garden parterres, which were swept away in the following generation and have been restored at the end of the 20th century. His designs for the Great Fountain Garden survive. Much of the furniture, especially the mirrors, guéridons and state beds, in the new State Rooms readied for William at Hampton Court bears unmistakable traces of his authorship; the tall and monumental embroidered state beds, with their plumes of ostrich feathers, their elaborate valances and cantonnieres agree very closely with his later published designs. After William's death Marot returned to Holland where he lived at the Noordeinde 164 in The Hague from 1720 until his death in 1752. The house with his salon, kitchen, hallway and possibly some of his ceilings still exists. We owe much of our knowledge of his work to the folio volume of his furniture designs published at Amsterdam in 1712. Not surprisingly the designs show strong French and Dutch influences; what reads as their "English" look is more probably the result of Marot's court style on other London designers. Marot was a nephew of Pierre Gole...

19th century Spanish revival high back armchair with red velvet upholstery.

A fine pair of Portuguese 19th century carved walnut high back side chairs. The ornately carved backrests with scrolls and floral design, raised on four cabriolet legs conjoined with...

Late 19th century pairs Venetian hall chairs by Atelier Cadorin, in wood of walnut, hand carved. The two chairs are upholstered with original red velvet fabric. One of the two seats has a slight tear, which does not disfigure the seat, but will be repaired before delivery, or will be re-upholstered again of the same quality if requested by the buyer. About Cadorin Vincenzo (1854-1925) Venetian sculptor born in 1854, he was trained in the studio of Benvenuti, he then studied at the Venetian Academy. In 1883 he exposed his first works in Rome and in the next year he won the Gold Medal in the exposure in Turin. (Luisa GIORDANO, Cadorin, Vincenzo, in Biographic Dictionary of the Italians, XVI, Rome 1973, p. 97). His most known work is the gilt carved wooden desk given to the Pope Pio X for his sacerdotal jubilee in 1908; the desk is now in the Basilica Della Salute in Venice. He died in 1925. Fortuny palace: The Cadorin Bottega: A dynasty of Venetian artists The last published photo is the Palazzo Fortuny of Venice where IDA Cadorin, known professionally as IDA Barbarigo...

20th century pair of carved walnut Spanish Savonarola You can use like a armchairs, swivel chairs, settee. It´s a very decorative and functional pi...