Walnut Cabinets

A fine English upright cocktail dry bar cabinet or drinks cupboard - from the Art Deco Period - featuring a handsome burr walnut veneer with a mirrored serving area for spirits. Thi...

Walnut cabinet made by hand and featuring shoji doors and shelves. This cabinet is constructed utilizing time honored joinery techniques featured in Japanes...

19th Century French Louis Philippe Walnut Enfilade with 3 Drawers and 3 Cabinet Doors

Our Dovetail Vinyl Storage Cabinets utilize a “file drawer” approach to store LPs and allow you to easily flip through an entire record collection while...

So special piece, this bar cabinet is so charming with a bronze element on the top to protect the glasses of bottles to fall. It wears rolls at the feet to slide it easily.

A Dutch walnut Rococo Revival bombé vitrine from the late 19th century, with glass doors and single drawer. Created in the Netherlands during the last decade of the 19th century, thi...

Pair of Mid Century Modern Somno Style Pedestal Tables or Sculpture Stands by American of Chicago, circa 1969. Features a round corinthian column ...

Antique Eastlake Foliate Chip Carved Walnut Commode with Towel Bar C1910 Measures - 36 1/4" x 32 1/4" x 16 1/4"

An exceptional Amsterdam School Art Deco cabinet from the Netherlands, crafted in richly figured walnut and dating from the early 20th century. This striking four-door piece beautifu...

This is a pleasant credenza or low cabinet, handmade in walnut with an inlaid in the same wood. The top has very beautiful drawing that distinguishes this antique buffet. Hand made...

A rare opportunity to acquire such high styled and totally original Art Deco bedside tables. Originating from Italy and dating to the early 1930s they fill both the highly desired sh...

19th century pair of solid carved Brutalist French nightstands with Solomonic columns it has one drawer and one compartment Marble covered.

20th century Catalan Spanish carved walnut chest of drawers, highboy or console Country Provincial Chinffoniere was fashioned from solid walnut and features two drawers and two doors...

Important monumental cabinet on stand. The case of the cabinet is walnut, veneered with rich rib boned ebony and luxuriously decorated with turtle ...

19th Century Antique Inlaid Burr Walnut Music Stand / Pier Display Cabinet – Fine Quality with Exceptional Colour and Patina A fine quality 19th Century Antique Burr Walnut Music St...

A gorgeous antique English Jacobean style bookcase, dining cabinet, or bar cabinet In the manner of Berkey & Gay USA, Circa 1920s Carved walnut, with hand painted floral front and...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

The Florentino Cabinet is meticulously made to order and fully customizable to suit individual preferences. The interior mural can be tailored specifically to the unique ideas and vi...

Our artisan-made Lake Credenza is an extra-wide storage piece with a lower overall height, making it ideally suited for use as a credenza or media cabinet. Designs are inspired by iconic mid-century French pieces, with a distinctly California interpretation of materials & finishes. Bench made, in Los Angeles, of white oak with exposed joinery details, this piece celebrates the natural beauty of the materials. Dimensions: 103" W x D 19.5" D x 27.5” H Shown here in our Natural White Oak finish, this piece is also available in Summer Aged Oak, SunKissed Oak, Riviera Oak, Canyon Oak, Dark Walnut & Heirloom Walnut. Five raised-panel doors conceal four individual storage compartments, each fitted with an adjustable internal shelf. Inquire about customizations. Please note: This listing does NOT include interior drawers. All of our pieces are bench-made in Los Angeles by local artisans. About August Abode...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

This is a fabulous opportunity to acquire a genuinely rare design Art Deco display cabinet, this being one of the best examples in figured walnut. If you want a focal point or a wow ...

Early 20th Century William and Mary style Brazilian Rosewood and Burl Walnut with satinwood Inlays and carved Cabinet with finished solid maple loose shelves. Functional lock and key...

Beautiful small Mid Century modern jewelry cabinet or box made by high quality furniture maker, Lane. This walnut cabinet has six drawers wi...

Spanish desk (“bargueño”) in walnut. 17th century with “bridge-shapped”. Decorated on the exterior with metal applications (open-work, textile background) and bow handles with centr...

This is an antique sewing machine cabinet. An English, walnut machinist's console, dating to the early 20th century, circa 1920. Trul...

An amazing, rare George III Style Crotch Walnut Double Door , Four Drawer Filing Side Cabinet with functional lock and Key left drawers. Measures: 31" in width, 15" in depth and 33" ...

Antique Rococo Walnut 3 Drawer Commode With Back Splash & Carved Pulls C1890 Measures - 37 1/2" x 31 1/8" x 16 1/4" This antique Rococo commode, dating to circa 1890, features a fi...

A 19th century French Louis XVI bibliotheque, or bookcase, made of solid walnut with mahogany as a secondary wood. Nice hand carved decorative panels at the bottom with musical instr...

This custom wood cabinet table is hand-made in the United States with all hardwood construction. It features a modern design with a solid white oak body and a minimalist walnut inlay detail. Convenient and accessible storage cabinets feature integrated hardware and a soft-closing mechanism. The unique split leg detail and shelf adds storage while keeping the piece visually light. This contemporary design can anchor a modern rustic living room...

French first Empire period Secretaire à Abattant, also known as a drop-front secretary, fall front or cantilevered desk. Under the dark grey marble top is a secret, entablature drawe...

Stunning and rare Art Nouveau tea cabinet. Striking Dutch design from the 1900s. Solid walnut frame with four original drop-leaf doors. All four doors have the original beveled gl...

"Metropolitan" contemporary cabinet is omnipotent and brings a vibrant and luminous design for home decor creating a luxurious living space. Materi...

Fabulous, original 1930s Art Deco display vitrine cabinet. Very unusual shape of which we haven't had before. This cabinet features a generous...

For your consideration is this fabulous and iconic Art Deco 'Rocket Cabinet' made in the 1930's and in veneered in a lovely mid tone walnut. Extremely hard to source and even harder ...

A beautifully crafted Biedermeier-style half cabinet made around 1920, featuring exceptional walnut veneer in symmetrical bookmatched patterns. The chevron parquetry and contrasting ...

For your consideration is this fabulous and iconic Art Deco 'Rocket Cabinet' made in the 1930's and in veneered in a lovely mid tone walnut. Extremely hard to source and even harder ...

Luxe record stands elegantly display record cover art while providing easy access to as many as 525 records. All of our cabinets are hand-built in the United States from sustainably ...

An incredibly beautiful studio case piece by New Hope craftsman Robert Whitley featuring solid sculptural walnut legs which extend upwards above the top of the cabinet giving this st...

Cabinet Paradise Walnut with structure and doors in solid walnut root veneer in varnished finish and with solid brass in hammered and polished finishes. Inside in solid poplar root ...

Bar Adria with structure in solid walnut wood with 2 parts, up and down with 2 curved doors each with iced glass details. Up part back covered with sol...

Art Dèco vitrines or display cabinet, Italian production of the 1920s, in walnut and walnut briar, screen-printed glass with grinding around. The showcase has been restored and polis...

A small and delicate display cabinet in walnut and walnut burl, design by Emilio Lancia, Italian production, 1930s In Emilio Lancia’s furniture production, one can clearly detect re...

Luxe record stands elegantly display record cover art while providing easy access to as many as 350 records. All of our cabinets are hand-built in the Uni...

Walnut credenza made by hand and featuring sliding shoji doors and a shelf. This cabinet is constructed utilizing time honored joinery techniques featured in Japanese temple carpentr...

This cabinet is made in one piece and the quality is extraordinary. The left and right wooden slats part is to hide speakers. You can fill the center parts with records and Hifi. An ...

Rare Knoll leather tab storage case, can hang on wall or sit on bench. Walnut, with original faux laminate top.

- Item has been carefully refurbished and finished with shellac - built in light has been newly rewired

Mid-19th century profusely carved french walnut cabinet, circa 1850. 2 part carved walnut cabinet. Top section of beautifully carved double doors, flanked by columns, surmounted by ...

Beautiful elegant wall floating cabinet by Lane Furniture with double glass shelves with groove to display dishes beautiful piece great for display books collections of smalls dishes...

A rare and exquisite Jorgen Hansen and Jens Thuesen "Futura Bar Cabinet" for Romweber Furniture Co. circa 1959. The unique deep relief propeller sculpted so...

Antique Eastlake Chip Carved Walnut Three Drawer Washstand with Teardrop Pulls Unsigned C1890 Measures - 36.75"H x 33"W x 16.25"D This is a fine example of an Eastlake style washstan...

A very cool and unique piece can be used as a bar or place your stereo equipment inside we refinished the piece a very unique item it comes with its o...

Gothic Renaissance Revival Carved Walnut Dragon Griffin Sideboard Buffet Cabinet. Item features two-part construction with ornate carvings throughout including dragons/griffins and f...

A gorgeous English Jacobean or Tudor style lift top bar or liquor cabinet By Berkey & Gay USA, Circa 1920s Ornate carved walnut, in original cream painted finish. Measures: 27"W ...

This rare French Louis XV style wall-mounted vitrine display cabinet is an exceptional example of fine craftsmanship in miniature form, most likely created as a salesman’s sample or ...

Mid Century Drexel Chippendale Walnut Locking Drawer Filing Cabinet. Measure 31" in width, 19" in depth and 29" in height.

For your consideration are these simply beautiful miniature set of drawers featuring black walnut and brass pulls. The cabinet was crafted in Finland an...

A cute small cabinet with tons of personality, this Italian Modern goatskin and walnut petite cabinet can be used as a single nightstand, side or end table, or stand alone petite cre...

Bert England Hanging Wall Cabinet for Johnson Furniture Company of Grand Rapids Michigan. Simple and Elegant! Walnut body with vinyl covered doors and square bullets. Perfect for ...

A gorgeous antique Chinoiserie Jacobean style bookcase, dining cabinet, or bar cabinet In the manner of Baker Furniture USA, Circa 1920s Red lacquered carved walnut, with hand pai...