Walnut Cabinets

A 19th century French Louis XVI bibliotheque, or bookcase, made of solid walnut with mahogany as a secondary wood. Nice hand carved decorative panels at the bottom with musical instr...

Art Deco 1930s bedside table in walnut, veneer and burl walnut inlaid, Paolo Buffa design attributed, with originals golden bronze accessories. V...

Luxe record stands elegantly display record cover art while providing easy access to as many as 700 records. All of our cabinets are hand-built in the Uni...

From Spain's Catalan Modernist Furniture Maker Joan Busquets Studio & Workshop A Unique work of Cabinetry Art. JOAN BUSQUETS I (Barcelona, 1874-1949). Modernist Cabinet and Desk, ca. 1898. Modernist desk and cabinet finely crafted from walnut wood with golden polychrome and pyrography. Keyholes, handles and decorative appliques in golden brass. Signed on the front in the lower left corner of the right door. Dimensions: 66 inches high and 46 inches wide and 24 inches deep; 165cm x 116cm x 60 cm This remarkable and unique Catalan modernist cabinet designed by famed furniture designer and maker, Joan Busquets was crafted at Studio Busquets. Barcelona, Spai ca 1898 from walnut wood with fine polychrome gold and decorated with pyrography- the first time in European history that saw this craftsmanship combination of fine studio furniture with fine pyrographic artistic technique. The keyholes, handles and decorative fixtures are made of gilded brass. This Catalan Modernist cabinet was constructed into two (2) sections. The lower cut-out base support section is raised on four stylized legs, with a perpendicularly placed table top- all creatively imagined in a totally sinuous form providing dynamism and originality to this unique design. The upper desk cabinet section has a triple opening, two with hinged doors, one from top to bottom that opens as a desk and the other from left to right revealing two drawers, as well as a top slide out drawer. The interior features several drawers of different sizes all beautifully embellished on their fronts in a golden color pyrography. The entire body of this cabinet desk furniture is richly decorated with typically art nouveau modernist stylized vegetal motifs executed with the artist Busquet's personal pyrography technique, and finally framed with sinuous moldings in relief. This is a superb furniture cabinet within the Catalan modernism genre, given that it was produced by one of the best studio workshops of that time, as well as for the perfection and meticulousness with which each of its details have been executed by artrist designer Busquet. Busquets' workshop was known to have crafted most of the furniture for Antoni Gaudí Casa Calvet, with this being a prime example. About Studio Busquet In 1898 Busquets y Jané introduced for the first time a new technique of polychrome pyrography. This replaced classical marquetry hand craft traditionally applied to furniure of the 19th century. This new design technique was first applied to this cabinet and dates circa 1898. The artist, designer, and decorator Joan Busquets personally hand applied pyrography to his furniture designs and was actively involved in this pyrographic technique widely known of that period as the "Busquets style". About La Casa Busquets: Furniture designer and decorator, Joan Busquets is currently considered one of the most representative artists of Spain's Catalan modernism. He began his training in his family workshop, and then studied at the Escuela de La Llotja in Barcelona, where his teachers were Guitart and Lostaló. In the 1895-96 academic year he obtained a scholarship that allowed him to travel around Spain, which he obtained thanks to a project for a Renaissance-style bookcase-cabinet. He exhibited furniture projects for the first time at the Barcelona Exhibition...

Hand painted Chinoiserie 2 door cabinet. America, circa. 1930's. In the manner of Baker Furniture.

This Bargueno is embellished with a carving of Don Quixote de la Mancha bordered with branches of leaves. The desk is supported by a pedestal joined by a bridge of turned columns. Th...

An all in one solution, the 52" Unison Record stand combines both audio gear and record storage into a beautifully designed single piece of solid w...

16th Century Period Renaissance Tuscan Walnut Credenzino Italian 16th/17th century Renaissance walnut small Credenza with a rectangular top above a single drawer centered over a s...

Vintage Italian walnut library cabinet. The top has three compartments with adjustable glass shelves. The bottom has three doors with wood shelves insi...

An incredible ensemble acting as its own complete sitting room. A large scale carved walnut cabinet in the Louis XV style with double beveled mirrored doors for the deep side compart...

This mid-century walnut file cabinet blends functionality with timeless design. The top section features dividers, ideal for organizing documents or files, while the open shelves in ...

A Mid-Century modern style Italian cabinet made of hand blown colored Murano glass, in good condition. The inside of the detailed buffet is made of Walnut, composed with three non ad...

Spanish desk (“bargueño”) in walnut. 17th century with “bridge-shapped”. Decorated on the exterior with metal applications (open-work, textile background) and bow handles with centr...

Our Dovetail Vinyl Storage Cabinets utilize a “file drawer” approach to store LPs and allow you to easily flip through an entire record ...

This is a superb and imposing antique French ormolu mounted, marquetry, burr walnut and king wood side cabinet, Circa 1900 in date. With a shaped marble top over a pair of frieze dr...

Antique Boulle style chest of drawers from around 1850, France. Beautiful brass and tortoiseshell inlay, characteristic of this style. White marble countertop. The furniture is in v...

This is a fabulous opportunity to acquire a genuinely rare design Art Deco display cabinet, this being one of the best examples in figured walnut. If you want a focal point or a wow ...

This cabinet is hand crafted from solid walnut wood for the outer shell and drawer fronts, with high quality cabinet grade plywood drawers. The handles are adorned with leather, hand...

This pair of dressers was designed by decorated design icon Edward Wormly for equally revered manufacturer Dunbar Furniture. Known for hundreds of successful designs and exceptional ...

This stunning French antique Art Nouveau display cabinet by Émile Gallé, crafted in 1905, is a true masterpiece. Adorned with intricate marquetry on all sides, this museum-quality pi...

Art Deco Walnut Display Cabinet circa 1930s Stepped shaped top, Glazed Centre door with working lock & key, Open to Reveal: Mirror back , 3 plate glass adjustable shelves Pair pane...

19th Century French Provincial Walnut Hutch with Warm Patina This 19th-century French Provincial walnut hutch embodies the rustic refinement of country furniture from southern Franc...

Our Dovetail Vinyl storage cabinets utilize a “file drawer” approach to store LPs and allow you to easily flip through an entire record collection while enjoying a visual display of record cover art across the front of the cabinet. The design incorporates many of the same details found in our Dovetail Record Crates...

This stunning Art Deco bar cabinet encapsulates the glamour and sophistication of the 1940s with its bold geometric design and luxurious materials. Meticulously crafted in Italy, the...

Impressively wacky shaped and genuinely rare design is this superb 1930's English Art Deco Display cabinet. This beautiful cabinet is veneered in a lightly figured walnut veneer which has the most glorious patterning to the grain and retains a mid tone in colouring. The interior features a generously sized display area for your collection. There are three internal glass shelves . The beautiful astragal glass...

Bongó Bar Cabinet, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bongó marble bar cabinet elevates the act of enjoyin...

These exquisite Italian corner cabinets from the Louis XV period, dating back to the mid-18th century, bring a unique historical charm to your living space. Crafted from solid walnut, these corner cabinets are designed to enhance the aesthetics of any space while offering functionality. Each sideboard is constructed from two detachable sections: a base with elegantly slender, curved legs, and an upper section with a door. This modular design makes them easy to move and adapt to different environments. Distinctive features such as the elegant curved legs are typical of the Louis XV period. Adding to their appeal, the upper section boasts a rounded shape. Despite their small size, each corner cabinet efficiently integrates storage solutions: the upper compartment includes two shelves, while the lower section offers a small drawer. Finding a pair of corner cabinets from this era in such commendable condition is exceptionally rare. Although slight signs of wear attest to their rich history, they remain in good general condition and have been restored with a conservative approach. It is essential to measure the corner spaces based on the dimensions of the sideboards: each corner side measures 40 cm (approximately 15.748 inches). Ideal for a country home, these corner sideboards...

Antique French Gothic Revival Carved walnut mirrored credence cupboard or cabinet~~versatile size~~c. 1880s Charming antique cabinet in popular French Gothic Revival style~~upper...

Exceptional Genoese cabinet called stipo "a bambocci" from the Italian Renaissance in walnut from the end of the 16th century with its original base Museum quality piece Provenance:...

This bar Cabinet is a contemplation on the polarities in Nature. The wood marquetry is the framing device for two large doors, with an interior designed and made to hold glasses and ...

Bar Adria with structure in solid walnut wood with 2 parts, up and down with 2 curved doors each with iced glass details. Up part back covered with sol...

A stunning mid-century modern Hollywood Regency Chinoiserie armoire dresser, linen press, or bar cabinet By Drexel Heritage USA, Circa 1970s Carved walnut and burl wood, with orig...

Named after the Japanese word for wave, the Nami Collection showcases bronzework in the form of swelling surf. The two-door cabinet’s richly textured, push-to-open fronts were cast u...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Chin Hua Lotus Bar Cabinet by Century Furniture makes a glamorous statement in a dry bar cabinet. Ours is a neutral grey finish. Behind two doors is one adjustable wood shelf on ei...

This is a superb Mid-Century Modern credenza or sideboard by Stanley. It is mostly walnut with geometric rosewood inlays on the fronts and has turned aluminum pulls. The lower cabine...

Antique William and Mary Style Carved Walnut Small Radio Cabinet by Radio Art Cabinets. Circa Early 20th Century. Measurements: 51" H x 28" W x 20" D.

A 17th-18th Century French/Italian Renaissance Walnut Figural Carved Credenza Cabinet or Cupboard. The two-part cabinet with a pair of upper coffered doors with metal key-hole hardwa...

Bongó Bar Cabinet, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Bongó marble bar cabinet elevates the act of enjoying a drink into an experience of unparalleled luxury. Its unique, drum-inspired shape echoes throughout any room, while the sliding doors in Sahara Noir marble gracefully open to reveal a luminous interior crafted from Patagonia Granite. From its exquisite design to the selection of noble materials, every detail of the Bongó marble bar cabinet is meticulously handcrafted to deliver a striking presence and unrivaled excellence. The Bongo bar cabinet features a round wooden structure lacquered in gold-champagne colour with a high-gloss varnish. The semicircular sliding doors in polished Sahara Noir marble in orange and black tones, are automatically activated by touch or remote control. Cabinet interiors in natural brown walnut veneer with a matte varnish and polished Patagonia Original Natural Quartz, backlit with LED lighting triggered on door opening. The cabinet includes glass holder, wine rack and drawers. Legs and handles are crafted from brushed and burnished antique brass with a high-gloss varnish. The veneer is anti-fungal and vermin-free. Limited Edition. The Bongó bar cabinet can be customized in terms of materials and finishes. Bongó Cabinet...

Beautiful elegant wall floating cabinet by Lane Furniture with double glass shelves with groove to display dishes beautiful piece great for display books collections of smalls dishes...

Mid-Century Modern Inspired Saqris Cabinet, Contemporary Collection, Handcrafted in Portugal - Europe by Greenapple. The Saqris cabinet draws inspiration from the cultural heritage ...

ART DECO Curio Cabinet 34”x12”x48”

This Bargueno is embellished with a carving of Don Quixote de la Mancha bordered with branches of leaves. The desk is supported by a pedestal joined by a bridge of turned columns. Th...

The rectangular locker rests on chest with legs, and has four drawers decorated with diamonds that lock and fittings and shield shown horseshoe. Answer...

For your consideration is this fabulous and iconic Art Deco 'Rocket Cabinet' made in the 1930's and in veneered in a lovely mid tone walnut. Extremely hard to source and even harder ...

Beautiful bar cabinet from the ‘Abtracta’ series designed by Jos De Mey around 1960. Made of walnut with a very decorative wood grain. Multiple modular shelves and an illuminated bar...

An exceptional Mid-Century Modern Hollywood Regency sideboard, credenza, or bar cabinet By Karpen of California USA, 1950s Black lacquered walnut, with unique original brass...

An early cabinet consisting of 2 sliding doors concealing 4 drawers and a shelf. George Nakshima sliding door cabinet Open shelf on 1 side, 4 drawers...

Attributed to William Watt, in the style of E. W. Godwin. An Aesthetic Movement ebonised walnut cabinet with carved floral decoration throughout. The upper section has an open displa...

Mid-Century Modern walnut cedar lined hope chest.

A walnut, leather and metal cabinet or credenza designed by Paul Mccobb and produced by Calvin, USA, 1950s.

Mid-Century Modern American of Martinsville 2 drawer, 3 door credenza in warm walnut wood cabinet. Original vintage condition. A great entry way ...

An exceptional English Jacobean or Tudor style sideboard buffet, server, or bar cabinet By Berkey & Gay USA, Circa 1920s Ornate carved walnut, with burl wood panels, and original ...

Coming from northern Spain, constructed of solid walnut, the rectangular top with molded edge above a shaped box housing four drawers over four doors, the doors faced with solid waln...

The M1 record console has room-filling Wrensilva sound with five music listening modes including Vinyl, Bluetooth and Sonos®, 200 watts per channel, stow-away lid, lined record pocke...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

Cabinet Paradise Walnut with structure and doors in solid walnut root veneer in varnished finish and with solid brass in hammered and polished finishes. Inside in solid poplar root ...

Diminutive credenza from the early 1950s. Walnut top is new veneer replacing worn Formica. Leather pulls a signature Florence Knoll design mark. Two sliding doors open to reveal two ...

The Winston server stands as a testament to the extraordinary influence of Franca Helg, the revered Italian designer and architect whose collaboration with Franco Albini from 1945 to...

Important and rare antique solid walnut cabinet, 19th century. Characterized by a refined hand carving of the wood on the front doors. The...