Walnut Cabinets

Mid-Century Modern Penedo Quartz Display Cabinet, Handmade in Portugal - Europe by Greenapple The Penedo quartz display cabinet captures the enduring beauty of nature’s landscapes,...

Diminutive credenza from the early 1950s. Walnut top is new veneer replacing worn Formica. Leather pulls a signature Florence Knoll design mark. Two sliding doors open to reveal two ...

"Metropolitan" contemporary cabinet is omnipotent and brings a vibrant and luminous design for home decor creating a luxurious living space. Materi...

Spanish desk (“bargueño”) in walnut. 17th century with “bridge-shapped”. Decorated on the exterior with metal applications (open-work, textile background) and bow handles with centr...

Antique, Chippendale style mirrored solid wood china hutch with beautiful cabriole legs: 70" high, 42" wide, and 17" deep. Made between 1890-1910. The bottom part of this hutch has ...

Allied to functionality, the Tiffany drinks cabinet, exudes sensations and mark moments. The greatness of the porcelain, the strength of the American Wal...

Condition: Original Vintage Condition Materials: Walnut, Original Mirror Glass This antique French Louis XV style cabinet, crafted in the 1920s, showcases exquisite walnut woodwor...

An exceptional Art Nouveau display cabinet by Louis Majorelle, masterfully crafted in France around 1900. This elegant cabinet perfectly illustrates the refined craftsmanship and org...

Origin: USA, California Designer: Barzilay Manufacturer: Barzilay Furniture Company Era: 1960s Materials: Walnut Measurements: 48″ wide x 18″ deep x 29″ tall This cabinet is sold em...

Antique Eastlake Foliate Chip Carved Walnut Commode with Towel Bar C1910 Measures - 36 1/4" x 32 1/4" x 16 1/4"

An exceptional original French Art Deco wardrobe dating from the 1930s, distinguished by its sculptural form, richly figured walnut veneer, and sophisticated architectural detailing....

French Art Deco workshop, two-door cabinet, solid walnut, France, 1930s. This two-door cabinet is built entirely in solid walnut and assembled in the traditional manner, without scr...

This cabinet is a clean, contemporary piece with traditional elements including a molding pattern unique to Meredith Hart Furniture over the glass doors. Originally designed to hold a wine collection, it could function as anything from a bookcase to a sculpture display cabinet...

Modernist Cabinet made of chrome plated metal and walnut veneer. Designed and manufactured by Robert Slezak, c. 1930. Restored on request. Delivery time c. 12-15 weeks.

Small Antique American Colonial Primitive Walnut Salesman Sample Apothecary Cupboard Display Cabinet with 3 Drawers, Glass Doors, and Blue Painted Interior. Circa Mid 19th Century. M...

A spectacular and commanding pair of mid-century modern bachelor chests / cabinets, designed in the manner of Milo Baughman circa 1960s. This matched pair exhibits a masterful play o...

The Smith & Wesson is an Industrial Mid-Century Modern style bedside table or office storage unit. The wood is encased in a signature-style metal frame. Inspired by gun handles ...

Our Dovetail vinyl storage cabinets with equipment shelves are sized to fit the most popular Sonos speakers and works with Sonos one, play 1, play 3, play 5, Beam, Playbase & Playbar. The drawers in our Dovetail cabinets...

Impressive two-door baroque cabinet or armoire in oak and walnut. From a Danish manor house, c. 1730-1750. This large-sized cabinet features an architecturally architecture includi...

Unique Mid-Century nightstand 1930s Art Deco Gio Ponti atributable, by La Permanente Mobili Cantù, in walnut and burr walnut the flat surfaces Measure cm: H 65, W 51, D 34.

The Florentino Cabinet is meticulously made to order and fully customizable to suit individual preferences. The interior mural can be tailored specifically to the unique ideas and vi...

This is a pleasant credenza or low cabinet, handmade in walnut with an inlaid in the same wood. The top has very beautiful drawing that distinguishes this antique buffet. Hand made...

Unique and wonderfully decorative antique wall vitrine with a mirrored interior, two thick glass shelves and beautifully shaped open display sections on either side. This impressive...

Renaissance cabinet from Burgundy Or Lyon Region Origin : Burgundy Or Lyon, France Period : Second Half 16th Century, C. 1580 Height : 209cm Length : 184cm Depth : 71cm Good condition Walnut wood, original keys and keyholes Around the middle of the 16th century the conception and ornamentation of French furniture evolves. The start of major building projects, such as the castle of Fontainebleau, gives artists a new impulse. Inventive and rich formulas are developed there, before spreading to all of Europe thanks to engravings and printed leaflets. Furthermore, Italian artists working on such construction sites bring French artists and patrons a renewed taste for the Antique. Regarding the art of furnitures, the most complex scenes and figures are drawn from illustrated books, ornament and emblem compendiums and engraving compilations. Rather than copying those images the artisans feed their inspiration and decline the motifs in numerous variations. The ornamental grammar marks a return to the Antique : palm leaf, acanthus, egg-and-dart, greek, scroll, fluted pilaster… It is in Primaticcio’s and Il Rosso’s stuccos made around 1540-1550 that we have to look for the origin of leather cut-outs, masks, chimaeras, harpies, sheathed figures, fruit and flower garlands that soon enrich every pieces of French furniture. The structure of the pieces of furniture also evolve thanks to the re discovery of Antique architectures, rigorously used as a model. This cabinet presents an imposing structure and a rich and original decor exemplifying the production of the late 16th century, infused with Italian, Antique and Fontainebleau influences. It stands on a moulded base ornate with palm leaves. It opens with four door-leaves and two drawers in the belt. Six whimsical terms divide the facade. The lower body is horizontally divided by three sheathed female terms. The two standing on the lateral posts are topped with fruits while the body is covered by acanthus leaves carved with precision, belted at the waist. The term standing on the central door-jamb is crowned with laurel leaves and is draped in the Antique fashion. A wincing mask hides the key hole. The two door-leaves are centred by a beautiful mask carved in a strong relief. They wear stylised feathered headdress and are set on draperies. Straps, leather scrolls, acanthus leaves and a shell are spread around the masks. The recessed panels are secured in frames ornate with acanthus leaves. The belt is flanked by two large mouldings enriched with variations of acanthus leaves. The drawers are carved with choux bourguignons and palm leaf motifs minutely executed. The consoles between each drawer bear tormented wincing masks, showing horns as if they were fauns or imps. The upper body is framed by two male terms characterised by a strong and nervous musculature, their manhood hidden by drapes secured thanks to a winged lion head. The term on the left appears to be younger and is wincing while the one on the right has a beard. The central female term brings contrast with her youth and sensuality. As it is the case on the lower body, the key hole is hidden behind the mouth of a faun’s mask placed on the drapes barely covering the intimacy of the caryatid. The panels of the upper body present an idealised architecture comprising pilasters and sinuous broken pediments. The pilasters are flanked by two satyrs with goat legs. In the centre appears an important lion mask. The terms of the upper body support the cornice. The entablature carries palm leaves and roses alternating as well as an egg-and-dart frieze. The cornice is adorned with acanthus motifs. On the sides, the carving is executed flat. A central rose is surrounded by scrolls, flowers and choux bourguignons. We can admire the variety of the elements employed. The artist vary with great genius many different ornamental motifs : palm leaf, egg-and-dart, laurel leaf, roses, scrolls … But the artist went even further as each profile and each face is individualised and presents different features. You can take a look at the faces of the satyrs flanking the upper body’s panels. The talent of the artist is undeniable. It makes no doubt the patron who commissioned this cabinet was an aesthete looking for the greatest quality. The artist who authored this cabinet had a great mastery of composition both in the general design and in the individual panels. They probably drew inspiration from engravings and drawings made especially for the making of this piece of furniture or not. They seem to be familiar with the style of Jacques Androuet du Cerceau. Indeed, we can find in Du Cerceau’s engravings the same juxtapositions of leather cut-outs, masks and fruits. The terms and caryatids used on the facade could very well be inspired by his work as well. The cabinet-maker was also undoubtedly observant of Hugues Sambin, the most famous cabinet-maker and sculptor in the Burgundy of the time. Like Du Cerceau, Sambin left an important ensemble of models particularly useful for the design of cabinets. His publication De l’Oeuvre de la diversité des termes dont on use en architecture (1572) was an essential book for every artisan. All the motifs testify of the artisan’s high knowledge of forms as well as the precision of their tools : super imposition of ornamental elements, foliages, architectural cut-outs, flat and high reliefs alternating, palm leaves inscribed in circular spaces, wincing faces. It is also a testimony of the artisan’s familiarity with Italian and Fontainebleau productions. Because of the proficiency of the cabinet-maker in so many different models, this cabinet truly is a master-piece authored by the hand of an authentic master. The generous carvings executed with great rigour and virtuosity evoke an origin close to Burgundy and Lyon workshops. This cabinet was made by a master of the region during the Second French Renaissance. Literature BOCCADOR Jacqueline, Le mobilier français du Moyen-Âge à la Renaissance, Édition d’art Morelle Mayot, 1996 BOS Agnès (dir.), Mobilier du Moyen âge et de la Renaissance, La collection du musée du Louvre, Louvre éditions...

Luxe Record Stands elegantly display record cover art while providing easy access to as many as 525 records. All of our cabinets are hand-built in the Uni...

An good antique Edwardian Period walnut six drawer filing cabinet by The Shannon File Company Ltd, New York, circa 1910. The rectangular solid walnut to...

An impressive Spanish rustic sideboard or credenza, crafted from solid wood and distinguished by its substantial proportions and richly detailed hand-carved decoration. The piece fe...

the 3-sided top above a paneled conforming body centering double-doors fitted with a solid brass latch; John Van Koert was a prominent New York designer who helped promote the fascin...

Impressive cabinet from Draper's 1963 Viennese collection for Henredon. Features bombe base with three drawers, splayed feet and intricately chased brass drop pulls. Above base i...

Exceptional cabinet or sideboard model '2661' by unknown designer and executed by Mjölby Intarsia in Sweden during the 1940s. Beautiful wooden inlay on doors. Key included. One of...

Make a statement with this striking mid-century modern display cabinet by Young Manufacturing Company, a beautifully crafted piece that blends timeless design with everyday functiona...

Italy / 16th Century / Cabinet / walnut / Renaissance / Antique Rare 16th Century Italian Renaissance cabinet in walnut with hand carved decorations of 3 heads and floral patterns f...

A rare size Mid Century light up walnut curio cabinet with upper double wood framed glass doors with sculptural elegant pulls and two adjustable g...

Fabulous, original 1930s Art Deco display vitrine cabinet. Very unusual shape of which we haven't had before. This cabinet features a generous...

Gothic Renaissance Revival Carved Walnut Dragon Griffin Sideboard Buffet Cabinet. Item features two-part construction with ornate carvings throughout including dragons/griffins and f...

Germany, circa 1600 and later A rare late sixteenth century South German Augsberg cabinet comprising of eleven drawers surrounding a central tabernacle fitted with a further bank of secret drawers hidden behind a drop down slide to the left. The façades decorated with elaborate stained marquetry depicting hunting scenes, various dogs, a lion and unicorn. The cabinet has later been adapted by an English collector in the early eighteenth century, fitted with figured walnut crossbanded double doors to reveal the marquetry interior, and mounted upon a walnut chest of drawers with ring pull...

Beautiful elegant wall floating cabinet by Lane Furniture with double glass shelves with groove to display dishes beautiful piece great for display books collections of smalls dishes...

Spectacular large Art Deco filing cabinet, fully removable, base and cap in solid mahogany, sides and sliding doors in walnut veneer, interior composed of 66 small drawers and 12 lar...

Antique security cabinet fitted with a safe lock manufactured by Fratelli Invitti in Milan/Italy Milan Walnut, iron, steel 1870s Dimensions: H x W x D: 224 x 267 x 66 cm Descripti...

French Art Nouveau mahogany & walnut cupboard cabinet with floral inlay and carving and bronze drawer handles with 2 glass door upper structure (signed MAJORELLE)

- Item has been carefully refurbished - The mirror dimensions are: height: 125cm, width: 60cm, depth: 6cm - Quality craftsmanship work.

Fabulous, original 1930s Art Deco display cabinet. This lovely figured walnut veneered mid-tone cabinet features a generously sized interior display area for your 'collections'. Beau...

This exceptional German Baroque “Wellenschrank” wardrobe was crafted around 1720 and represents one of the most iconic furniture forms of the period. Developed in Frankfurt during th...

This oriental-inspired display cabinet with stand is part of the Nuovo Classico Milanese collection of fine, timeless pieces. A stunning addition to any home, where it will a perfect...

This rare and super sculptural cabinet or dresser was designed in the 1970s by Helen Hobey for Baker. It features a walnut and burlwood construction that is warm and pleasant to the ...

A Swedish birchwood, walnut and palisander cabinet by Erik Chambert, Circa 1920s, produced by Chamberts Möbelfabrik , the upper half with an overhanging cornice molding above two cup...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

French first Empire period Secretaire à Abattant, also known as a drop-front secretary, fall front or cantilevered desk. Under the dark grey marble top is a secret, entablature drawe...

Vintage storage cabinet with interior shelves, shutter openings made of wood with walnut veneers and top with black formica.

An Art Deco cocktail cabinet by Harry & Lou Epstein. Burr walnut veneered throughout. Upper section opens to reveal original peach mirrored lit interior with satin birch veneer. Orig...

Pair of walnut nightstands designed by John Kapel for Glenn of California. These feature a book or magazine holder on the inside of a large single door. The inside has one adjustabl...

Antique Louis Philippe buffet cabinet, made circa 1850-1860 This type of buffet was used as the centrepiece of a room. It was used to st...

A very cool asymetrical design book shelf or wall unit circa early 1960's.. The unit features walnut framing with inlayed white milk glass shelving. Great mcm high contrast look with...

One unit or four? Doors or drawers? Go sexy with black and walnut or keep it light and fun with maple and pink? The chapman credenza allows you the freedom to choose exactly what sui...

This is an understated elegant antique Victorian burr walnut vitrine of square shaped form with serpentine glazed sides and fabulous ormolu mounts, circa 1870 in date.   This cabinet...

A RARE RENAISSANCE WALNUT CABINET WITH ITS FREESTANDING CARVED COLUMNS ORIGIN : FRANCE, BURGUNDY PERIOD : 16th CENTURY Height : 218 cm Length : 152 cm Depth : 67.5 cm Walnut Thi...

A Mid-Century modern style Italian cabinet made of hand blown colored Murano glass, in good condition. The inside of the detailed buffet is made of Walnut, composed with three non ad...

This important cabinet is made by fine Italian manufacture in the ‘50s. It was exhibited at La Permanente Mobili Cantù. The beautiful cabinet is made of fine walnut and grissinato wood: the darker wood is the grissinato and it is used to decorate also four doors. The cabinet has several useful compartments. In the lower part there are two double-door tall storage compartments one of which has a clothes-hanging rail and a shelf above it, and the other has hanging rails, a shelf and four drawers. Both of them have a full-length mirror. Additionally, there are four smaller storage compartments that are still very capacious with shelves and ties hangers...

A fine quality Victorian Canterbury music cabinet wonderfully constructed from burr walnut with elegant turned supports and original castors. The cabinet features an upper tier with ...

Art Deco filling cabinet with five folding fronts.