Walnut Cabinets

This is a superb example of a late 19th/early 20th century Spanish walnut Cupboard or "Trastero". This form of Cupboard or Kitchen Cabinet was ...

Magnificent and rare pair of Art Deco cabinets or bedside tables. Striking French design from the 1930s. Solid walnut and original walnut veneered pieces with original and decorative...

ART DECO Curio Cabinet 34”x12”x48”

This English cocktail cabinet is particularly unusual and elegant. Made of magnificent honey color golden walnut, from 1920's ,I t features on its front, 1 fake cupboard, I fake drawer and 1 real double drawer. . Its top section pops up to reveal a full set of glasses and decanters . And when it closes down, it closes very softly by itself automatically thanks to its elaborate inside mechanism. It features a divided hinged top opening to a rising platform all fitted with a complete set of cut crystal glasses 4 cut crystal decanters. ... When it is open, there are 2 glass top inside its opening lid that you can use for service. Its bottom drawer opens in 2 times and is also fitted with matching glasses. It is a real surprise cabinet as from its exterior ,one can't imagine what is inside but when it opens, it is breathtaking with its rising platform full of different size cut crystal glasses... It is a top quality dry bar with solid brass hardware. This metamorphic cabinet...

A Fine and Large Italian Florentine 19th Century Baroque Revival Style Carved Walnut Figural Cassone Chest on Stand. The ornately carved drop-front cassone with an allegorical in-rel...

18th century French walnut armoire, peg construction, newer interior shelves.

An extraordinary Renaissance Period walnut small side cabinet with fruitwood inlay detail. Of museum quality, in remarkable original condition (has not been reconstructed in any way)...

Our Dovetail Vinyl storage cabinets utilize a “file drawer” approach to store LPs and allow you to easily flip through an entire record collection while enjoying a visual display of record cover art across the front of the cabinet. The design incorporates many of the same details found in our Dovetail Record Crates...

This bar cabinet was produced in Italy, in the late 1930s and is a really unique and special piece. Its tremendous historical and artistic value is what makes this item a real piece of art, hard to find and one of a kind. Firstly, let's talk about its history. It was produced most likely in 1939 in Mariano Comense which is a small village near Milan by the artist Giuseppe Anzani. Anzani has been one of the greatest, if not the greatest wood crafter and inlaid maker. He started his career as an engraver when he was a little child and he won awards for his skills when he was only 16. Later on, he started also to master the art of wood inlay, becoming the most skilled inlayer of all times. His fame was so big that people from all over the world used to come to his little laboratory in the small and unknown village...

As soon as 1540 France's second Renaissance is in the making, intimately linked to the rediscovery of the Antique world. The development of the printing and engraving industry allows the spread of artworks and models in many cities and countries. The Italian influence can be perceived in every artistic field. While the French king entrust the most talented Italian artists with major projects such as Il Rosso or Primaticcio in Fontainebleau, French artists also travel to Italy to form themselves to this new style. In Italy they get acquainted with the work of Leo Battista Alberti the first to theorize perspective (De Pictura, 1435-36) and architecture (De re oedificatoria, 1541). Those two publications would have a revolutionary impact on arts. Furniture is marked by the work of the most famous Italian architects of the time as well as French architects. Indeed Philibert de l'Orme competes with Alberti and by the end of his life publishes several treaties including one devoted to a theory of architecture (1567). Unfortunately he would not live to complete the second volume. In this treaty he expresses his interest for mathematical norms applied to architecture, copied from the Antique. His journeys in Italy allowed him to accumulate the most sophisticated references. Jean Bullant, another architect of great talent also theorizes his practice. He establishes rules characterizing Greco-Roman art staying faithful to Vitruvius. Following this new inspiration the structure of furniture evolves. From then on appear columns, capitals, cornices, friezes and architraves. The ornamentation uses this inspiration as well with egg-and-dart, palm leaf and rose adorning the most beautiful pieces. In Lyon, crossroad where meet merchants from everywhere those new experiments are welcomed. Lyon florishing printing industry allows the spreading of models and treaties essential to the artist's work. Thus the first publication of Vitruvius' De Architectura in France would be printed in Lyon in 1532. Artists from Lyon rediscover and familiarize themselves with the Antique knowledge very early. They adopt those new ideas and use them in their own creations. Lyon cabinet-makers re interpret Antique architecture and Italian Renaissance palaces to give their pieces a pure and harmonious architectural structure. Grooved pilasters are particularly favored. They are topped by capitals of diverse orders always respecting the sequencing with simpler ones for the lower levels and the richest ones on the higher levels. As for the ornamentation, one of the great distinctiveness of Lyon workshops remains the architectural perspective illusions, drawing inspiration from Tuscany. True masterpiece of the Second French Renaissance this important cabinet illustrates Lyon workshops' taste for fine Italian architecture inspired by Antiquity. An architectural perspective of great quality is treated in symmetry on each panel. This two-bodied cabinet without recess stands on four rectangular feet. The base comprises a molding, a palm leaf frieze and is bordered by a braid. The lower body is divided by three grooved pilasters with Tuscan capitals framing two door-leaves. The two panels are encircled by a moudled frame with palm leaves. They are finely carved with a decor of fantasized architecture depicting an Italian Renaissance palace erected symmetrically on each side of a grooved pilaster. On the ground floor a door opens through a stilted arch while the stories are opened with mullioned windows, dormers and occuli. Two large pegged-boss cladded pillars support the entablature enriched by a palm leaf frieze upon which stands an arch whose coffered intrados is centred by a rose. Behind this arch a pyramid appears, standing in front of a second facade with a window topped by a broken curvilinear pediment under a cul-de-four with a shell. The checker flooring gives depth to the low-reliefs creating vanishing points structuring the panels and guiding the eye of the observer. A thin laurel braid highlights the belt of the cabinet where are located two drawers. Their facades are adorned by palm leaves in hoops. The upper body is encircled with palm leaves. The same ternary division as in the lower body appears. However, the pilasters are topped by Ionic capitals with volutes and egg-and-dart. The door-leaves are framed with flowers. On the panels the artist has designed another architectural decor. On the foreground open two arches on top of grooved pilasters with rectangular capitals adorned with palm leaves. The arches are enriched with braids and the coffered intrados bears a decor of roses. The spandrels also bear a flower decor. In the background another arcature hosts a fluted grooved column topped with double basket acanthus capital, characteristic of Corinthian order. The triangular pediment is interrupted by a choux bourguignon. A large cornice crowns the cabinet. It stands on pilasters and forms an entablature comprising a palm leaf frieze and an egg-and-dart, triglyph and palm leaf cornice. The cabinet's sides have also been carefully considered. The lower body's panels are enriched with an arch rising above a broken pediment portico hosting a twisted column. Flowers garnish the spandrels. An architectural facade completes the decor. The upper body's panels present two arches supported by a facade opened with dormers and mullioned windows as well as cartouches (one bears the inscription 1580 dating the cabinet) suggesting the interior of an Italian Renaissance palace, confirmed by the chandeliers. The flooring leads our gaze to a second arch with a broken curvilinear pediment where stands a flower vase. This arch opens onto a perspective of another facade along a road. Inside the cabinet, on the lower body door-leaves appear two designs. On the right door is depicted a Crucifixion. Saint Mary and Saint John flank the Christ on the cross. In the bottom part is inscribed « Dure uiator abis nihil haec spectacula curas / Pendenti cum sis unica cura Deo. / Tota suo moriente dolet natura Magistro. / Nil qui solus eras caussa dolenda doles. ». The signature [Christoff Swartz Monachiensis pinx[it] / Ioa[nnes] Sadeler sculp[it]] tells us it was made by Johan Sadeler I (1550-1600) after Christoph Schwartz (1548-1592). This engraving belongs to an ensemble depicting the Passion of Christ Johan Sadeler executed in 1589 after an altar piece painted by Christoph Schwartz for the private chapel of Renée of Loraine, wife of Duke William V of Bavaria. This altar piece made of nine copper panels has been destroyed during the 19th century. The Crucifixion panel once in the centre of the altar piece is the only one that survived and is today kept in Munich's Alte Pinakothek. On the left door appears Saint Francis receiving the stigmata. The inscription says : « Signastidomine Servum Tuum. Franciscum. Signis Redemptionis Nostrae ». This Renaissance cabinet with an architectural decor appearing as much in the structure faithful to Antique rules...

Austrian Biedermeier Burl Walnut & Mahogany cask with carved molded edge cornice, flanking book matched hinged doors, tulip wood inlays, satinwood inlays, original steel engraved loc...

French Art Nouveau mahogany & walnut cupboard cabinet with floral inlay and carving and bronze drawer handles with 2 glass door upper structure (signed MAJORELLE)

Important and rare antique solid walnut cabinet, 19th century. Characterized by a refined hand carving of the wood on the front doors. The...

A scarce nearly 400 year old fine quality Italian Lombard ebony rosewood bone and ivory tabletop curiosity cabinet with warm rich beautifully aged patina and interesting provenance. ...

A rare carved walnut wardrobe opening with four door-leaves and two drawers in the lower part. The doors bear architectural views in low reliefs, fluted pilasters and Ionic capitals. Upper Body Two door-leaves with carved architectural perspectives open the wardrobe framed by three fluted pilasters with Ionic capitals. Each door-leaf depict two semi-circular arcades whose cornice and base shows a central vanishing point. Likewise the pavement’s lines act for the artisan as a way to create depth. The vaulting instead leads us to think the vanishing point has to be situated where the handle is, between the two complementaries reliefs. The elegant moulded belt hides an internal secret space, accessible through a moveable plank in the upper body. Lower Body Two door-leaves identical to those of the upper body framed by three fluted pilasters with Doric capitals. The base of the wardrobe opens with two large drawers. The sides also bear panels depicting architectural perspectives. The external pilasters share their Ionic capital with the facade’s pilasters. Thus we can observe on the wardrobe’s sides the capital’s lateral parts with the elegant volute specific to the Ionic order. This palace wardrobe is topped by an overlapping cornice standing on three consoles for the facade and two consoles on each sides. Placed right above the pilasters each console are adorned by fully expanded leaves. During the 15th century a major interest for architecture and perspective studies arises and influences patrons tastes. The work of great theorists such as Leon Battista Alberti...

An Art Deco Tall Boy / Linen Cupboard. Karelian birch and figured walnut veneer. Upper section with two interior shelves and three lower drawers. Ori...

Rare Bar Cabinet in Walnut and Brass, 1930's Additional Information: Material: Walnut and brass Style: Mid century, Scandinavia Produced in Sweden Dimensions (W x D x H): 124 x 43.5...

This tall cabinet, designed by Jack Cartwright for Founders Furniture around 1960, reflects the clean lines and functional elegance of midcentury modern design. Constructed from oile...

This set was produced in Italy, in Cantù (small village in the north of Italy, next to Milan), by Paolo Lietti & Figli and designed by Gio Ponti. It features a mirror manufactured by Luigi Brusotti a matching dresser and an armoire...

This unique Biedermeier corner cabinet originates from Austria from the first half of the 19th century. It is crafted from solid spruce wood and veneered with walnut, which boasts an...

Antique Edwardian quality burr walnut display cabinet having a pair of burr walnut serpentine shaped glazed doors opening to reveal 2 glass display shelves and storage compartment, c...

Phillip Lloyd Powell: Wall-Mounted Cabinet. Cabinet features 17th century finials and four doors (two bi-fold) concealing three adjustable shelves. USA, c. 1995 Walnut, cocobolo, eb...

Late Victorian walnut music Canterbury cabinet with stand, early 20th century. Set upon straight splayed legs, this charming stand features a lower...

Collection Jean Thuile Around the mid-sixteenth century French furnishing evolves in its conception and ornamentation. The start of major archi...

Unique smaller foot print floating credenza. Real walnut veneer. Great for entry way, media, dining, etc. Doors open wide and close smoothly. Has some cosmetic signs of age a...

Art Deco Cabinet by E Jacquemin A lovely French Art Deco cabinet produced by Emille Jacquemin in the 1920’s in burr walnut and solid walnut, the cabinet is of exceptional quality wi...

Our Dovetail Vinyl Storage Cabinets utilize a “file drawer” approach to store LPs and allow you to easily flip through an entire record ...

An exceptional Mid-Century Modern sideboard, credenza, or bar cabinet By Edward Wormley for Dunbar Furniture USA, 1950s Gorgeous walnut, with rosewood drawers, and antique Chinese print...

Original lock and key This piece of furniture shows no recess on its upper part. It opens with four folding-doors and two drawers within the belt. The key bears the date 1524 above cross motifs. Burgundy and Lyon regions subordinated themselves to architecture in a different manner than the other french schools. Rather than using particularly columns and pediments pieces of furniture from Lyon borrow architecture’s organization principles and rigorous designs. On the upper body a strong feeling of balance and symmetry appears with the folding doors reliefs. Swags of flowers and fruits held with knot cloth centered by a man seating on his arms. Here profiles, masks and chou de Bourgogne mingle with the structuring scrolls. The two lateral terms wear draperies and the goddess Diana in the center wears a belt of fruits similar to Hugue Sambin’s designs (Termes de Diane et de Venus, 1554, BNF). The two palm-leaves enriched drawers and the alternating scrolls belt balance the weight of the cornice with its alternatings consoles and tops. The lower body is also adorned by three terms with a feminine one in the center, all three are wearing fruits on their heads. The folding doors are centered upon a motif of cut cuirs by a mask in high relief. Wearing a feathered tiara...

Art Dèco vitrines or display cabinet, Italian production of the 1920s, in walnut and walnut briar, screen-printed glass with grinding around. The showcase has been restored and polis...

Mae Low Media Cabinet by Crump & Kwash Solid wood case / hand turned legs / oiled or acrylic finish / patinated solid brass pulls / premium, full extension, soft close drawer slide...

This custom wood cabinet table is hand-made in the United States with all hardwood construction. It features a modern design with a solid white oak body and a minimalist walnut inlay detail. Convenient and accessible storage cabinets feature integrated hardware and a soft-closing mechanism. The unique split leg detail and shelf adds storage while keeping the piece visually light. This contemporary design can anchor a modern rustic living room...

This is a beautiful vintage country house pillar post letter box, dating from the second half of the 20th century. The hexagonal shaped solid walnut country house pillar post letter box features a superbly hand carved acorn finial above a brass posting slot engraved with the word 'LETTERS', with an engraved brass collections plaque to the door. The door is fitted with a working lock and key. It is a lovely piece which is sure to add amusment where ever it is placed. Condition: In really excellent condition, please see photos for confirmation of condition. Dimensions in cm: height 45 x width 24 x depth 24 Dimensions in inches: height 1 foot, 6 inches x width 9 inches x depth 9 inches Miniature post boxes were a 'must have' for English aristocracy between 1870 and 1910, and were a regular feature on the reception counters...

A tall early 19th century french painted glazed Bibliothèque - bookcase. Of tall and slender proportions. Displaying a pair of glazed doors over a pair of arched panel doors opening ...

A solid walnut off-white lacquered Mid-Century Modern small credenza or oversized night stand made by the Davis Cabinet Co. of Nashville, Tennessee. The light ivory or cameo white commode...

This stylish and cool set of Mid Century Modern dressers were designed by Merton Gershun for American of Martinsville. Featuring one large dresser and a small one, they each feature ...

Rare 1970s Mid-Century Modern paldao wood file cabinet designed by Jens Risom, fully restored with minor wear and patina due to age and use.

Rare carved Renaissance cabinet Period : 2nd half 16th century, ca. 1570 Origin : France, Burgundy or Languedoc This cabinet embody the produ...

A very fine quality William and Mary style double dome bureau bookcase or antique English walnut cabinet. This bureau bookcase has an outstanding quality double dome shaped top with...

French Art Nouveau salon cabinet. We have reason to believe this cabinet was made by French Master Furniture Maker Louis Majorelle, (1859-1926). An Art ...

This late nineteenth century French Henri II vitrine is constructed of hand-carved walnut and features beveled glass on three sides. Hand carved acanthus leaves detail the sides and ...

These exquisite Italian corner cabinets from the Louis XV period, dating back to the mid-18th century, bring a unique historical charm to your living space. Crafted from solid walnut, these corner cabinets are designed to enhance the aesthetics of any space while offering functionality. Each sideboard is constructed from two detachable sections: a base with elegantly slender, curved legs, and an upper section with a door. This modular design makes them easy to move and adapt to different environments. Distinctive features such as the elegant curved legs are typical of the Louis XV period. Adding to their appeal, the upper section boasts a rounded shape. Despite their small size, each corner cabinet efficiently integrates storage solutions: the upper compartment includes two shelves, while the lower section offers a small drawer. Finding a pair of corner cabinets from this era in such commendable condition is exceptionally rare. Although slight signs of wear attest to their rich history, they remain in good general condition and have been restored with a conservative approach. It is essential to measure the corner spaces based on the dimensions of the sideboards: each corner side measures 40 cm (approximately 15.748 inches). Ideal for a country home, these corner sideboards...

This 1920s Art Deco cabinet exemplifies the timeless elegance of the era. Crafted from rich walnut, it features copper details and handles that...

19th Century Virginia Walnut Pie Safe with Original Star Punched Tins in as found condition. One door has been cleaned, otherwise "in the black".

A very cool and unique piece can be used as a bar or place your stereo equipment inside we refinished the piece a very unique item it comes with its o...

This late nineteenth century French Henri II style walnut buffet deux corps features a hand carved cherub with wings at the crown. With solid paneled...

Giuseppe Rivadossi Tall Glazed Cabinet, Walnut, Italy, 1970s An exceptional tall glazed cabinet by the Italian sculptor and designer Giuseppe Rivadossi, featuring a high level of c...

High Storet chest of drawers in walnut and black by Nanda Vigo for Acerbis, 1994. Known for her work in visual arts, design, and architecture Nanda Vigo was a trailblazing Italian p...

Coming from northern Spain, constructed of solid walnut, the rectangular top with molded edge above a shaped box housing four drawers over four doors, the doors faced with solid waln...

Mid-Century Modern walnut cedar lined hope chest.

Art Deco 1930s bedside table in walnut, veneer and burl walnut inlaid, Paolo Buffa design attributed, with originals golden bronze accessories. V...

Two-door baroque cabinet with profiled plinth and cornice as well as coffering on all sides. The pilasters are bevelled. A quatrefoil cartouche with monogram EWTS and rubbed date (17...

This exceptional antique French Art Deco walnut wood bar cabinet or sideboard buffet credenza is circa 1940. The cabinet is expertly hand-crafted from walnut wood in deep, rich mahog...

A dark-brown, vintage Mid-Century modern Italian pair of slim bookshelves with a top rack made of hand crafted polished Walnut and Rosewood, designed most likely by Vittorio Dassi in good condition. The upper part is composed with a foldable door, detailed with a none-adjustable glass shelf. The lower part is consisting two doors with one none-adjustable shelf, particularized with arched door handles, pulls. The freestanding library...

Antique French Louis XVI style pair of nightstands topped with a white marble, cabriole legs. Three dovetailed small drawers with brass details in pulls each table.

Small renaissance cabinet from Lyon. ORIGIN: FRANCE, SCHOOL OF LYON PERIOD: 16th CENTURY Height:151cm Depth: 120cm Length: 54cm Walnut ...

This oriental-inspired display cabinet with stand is part of the Nuovo Classico Milanese collection of fine, timeless pieces. A stunning addition to any home, where it will a perfect...

A walnut cabinet with inlayed doors, marble top and large brass glides. Designed by Edward Wormley for Dunbar.

Our artisan-made Lake Sideboard is an understated piece ideally suited as a sideboard or credenza. Designs are inspired by iconic mid-century French pieces, with a distinctly Califor...

Condition : Partly dating from the Renaissance. The backs and the drawer’s insides have been re-done. Historical background The 16th century is a prosperous period for Lyon...