Mirror Corner Cupboards

This double door, Large Mahogany Corner Closet is manufactured from kiln dried, plantation grown, mahogany, and features figured mahogany veneers on the ...

Pair 19th Century French Napoleon III Period Corner Cabinets ~ Vaisseliers will make a splendid addition to your decor, while taking advantage of space normally unused. Hand-crafted...

19th century carved mahogany victorian mirrored whatnot circa 1890. Ornate 5 tier corner whatnot made in mahogany. Each level decorated with pierced carved scrolls with mirrored bac...

A circa 1890s Art Nouveau corner cabinet with mirror in carved walnut. A refined work and jewel of the great Venetian sculptor ebanist Vincenzo Cadorin, highly decorated in Europe and in the US. Measures cm: H 205, W 79, D 54 x 54. Cadorin Vincenzo (1854-1925) Venetian sculptor born in 1854, he was trained in the studio of Benvenuti, he then studied at the Venetian Academy. In 1883 he exposed his first works in Rome and in the next year he won the Gold Medal in the exposure in Turin. (Luisa GIORDANO, Cadorin, Vincenzo, in Biographic Dictionary of the Italians, XVI, Rome 1973, p. 97). His most known work is the gilt carved wooden desk given to the Pope Pio X for his sacerdotal jubilee in 1908; the desk is now in the Basilica della Salute in Venice. He died in 1925. Fortuny palace: The Cadorin Bottega: A dynasty of Venetian artists The last published photo is the Palazzo Fortuny of Venice where IDA Cadorin, known professionally as IDA Barbarigo...

This double door, Large Mahogany Corner Cabinet is manufactured from kiln dried, plantation grown, mahogany, and features figured mahogany vene...

This French Louis XV corner cabinet is made fo beautiful walnut, and dates back to the 19th century Circa 1830. The piece offers incredibly elaborate floriate carving throughout, acc...

We are delighted to offer for sale this lovely Italian inlaid Rosewood with Boxwood accents Victorian circa 1880 small corner cupboard with origi...

“Cut & Paste” collection by Kiki van Eijk is based on personality and emotion found within an object. By first making hundreds of sketches, seven final objects have just “appeared” With these diverse references such as wheel, cart, high clock, bird cage, niche, farm, bourgeois, Primitive, complicated, rich, poor, they almost transform into seven curiosities. Each curiosity becomes much more than just an object; it creates it’s own imaginary and personal world; very autonomous. Each object is an assembly of colours, forms and materials such as solid wood, brass, copper, ceramics, textiles, mirror, steel. It represents the joy and importance of “making things” by hand without computers and really “designing by making”. The pieces show Kiki’s big love for materials, experimentation, tactility, research, sketches, context, settings, proportions, curiosities and every-day beauty. The Machine box: a half circular white shiny shape with two little half...