Revival Furniture

An unusual pedestal of octagonal Neo-Gothic form, the molded base supporting eight shaped and carved columns decorated with typical Gothic designs, topped by eight spikes surrounding...

German Classical 800 silver centerpiece, ca 1910. Solid oval well and curved sides with reeded rim, open basketweave, and chased and engraved ornament: Leafing scroll frames inhabite...

A fine French 19th century patinated spelter bust figure of a young wearing a head scarf. The young lady, in a brown-copper patina, posing with a right-side gaze and wearing a beaded...

What a handsome chest of drawers! The two-tiered case has two overlay drawers in the top gallery, upon a three over three drawer lower case. The top row of three drawers comprises...

Particularly neo-Gothic cabinet console in hand-carved walnut and Walnut turned and applied with three convenient drawers. Measures cm: H 83 x W 97 x D 30.

Hammered brass sconces with ornate foliate design.

78354 Antique Persian Kerman Rug, 11'02 x 16'07. Woven in the poetic silence of early 20th century Persia, this hand knotted wool antique Lavar Kerman rug is a masterful ode to elegance and craftsmanship. Its velvety navy field, like a starlit garden under a midnight sky, blooms with a cascade of florals, scrolling vines, and radiant rosettes—each petal and palmette tenderly hand-knotted to form a visual symphony of order and beauty. In this formal garden of wool, celestial medallions float like full moons across the field, each ringed with palmette crowns and latticed in delicate filigree, reflecting both cosmic rhythm and earthly grace. The heart of the rug pulses with the lyricism of Persian romanticism—delicate tendrils curve like verses in calligraphy, winding gracefully among sprigs of Shah Abbasi blossoms, peonies, and scrolling islimi. Every flourish seems guided by a painter’s hand, and indeed, Lavar Kerman weavers were known not merely as artisans, but as artists of the loom. Their deft use of color—soft rose, emerald green, sapphire, and golden saffron—creates a harmonic interplay that enchants the eye and soothes the soul, much like a verse from Hafez spoken at dusk. Surrounding this rhapsodic field is a wide border, its backdrop the tender blush of aged parchment, upon which an arcaded vine-and-palmette design unfolds like illuminated manuscript margins. Vines dance upward in rhythmic scrolls, each curve entwined with floral clusters that evoke Persian gardens, both cultivated and imagined. Guard borders of meandering blossoms and protective motifs enclose the entire composition, as if to preserve the timeless beauty it holds within. This antique Persian rug is not merely a floor covering—it is a historical tapestry, echoing the splendor of Qajar-era refinement and the refined flourish of Lavar Kerman’s most illustrious workshops. Its stately presence, exceptional design, and painterly palette mark it as a work of grace and nobility. To own such a piece is to cradle a chapter of Persian artistry, lovingly passed down through generations, its woven poetry still whispering softly through the fibers of time. Rendered in variegated shades of navy blue, burgundy, raspberry pink, tan, pink, sky blue, and beige with other accent colors. Abrash. Desirable Age Wear. Discoloration. Some Spots. Hand-knotted wool. Made in Iran. Hotel Lobby Size Carpet 11 x...

Circa 1880s Egyptian Revival revolving hunt tureen, English. With inner pans. Exceptionally fine; the decoration employs papyrus & chased lion paw motifs. Ivory insulator button. Als...

Antique Rustic Gothic Console ~ Raised Cabinet recalls a style that dates back over a thousand years! A solid plank top is edged with an angled bevel with a tier of molding connecti...

A Gothic Revival stylised floral hanging acid etched opaque shade in the style of Dr C Dresser. Opening fitting to top is 2 5/8”. Measures: Height 4", w...

Vintage French faux gold gilded bronze and turned burl wood Athenian tripod table lamps. Design : French Athenian tripod with turned faux burl wood ...

Charming clock in the shape of a Rocaille-inspired cartel in chiseled and gilded bronze. Scalloped marine-inspired decor representing a trophy with oars, dolphins, reeds and flowers ...

A decorative gothic stand and folio, the stand in pine with its original ebonised finished, the folio covered in its perfectly worn green leather with steel cartouches, straps, centr...

Pair of red and white marble sphinx.

Large ornamental mirror in the Neo-Renaissance style, Henri II. This mirror has been patinated in grey and white. Mirror with double columns on each side with pedestal. It is a m...

Amazing 19th century antique French Renaissance revival Hunting style / Black Forest Cabinet. This piece is such a nice display of craftsmanship & rema...

Charles Bevan, style of. A Gothic Revival hanging oak shelf with exposed through tenon joints with crossed wedges to each of those joints, crisply cut trefoils and opposite decorati...

Antique carved and gilt paneled mirror. Side panels are smoked mirror glass. Great quality, early 20th century. Measures: 58.5" high. See our other...

A MASSIVE, 18 SEATER, LATE-19TH CENTURY, ANTIQUARIAN, REFECTORY TABLE, with an elm top, boxwood and parquetry frieze and oak base 3.68m 145" long - It is virtually impossible to source C17 and earlier dining tables with integrity which are more than 274cm., 108 inches long & period models are narrow around 70cm or 27.50 inches wide - It is very rare to find a table of this size with parquetry decoration which was only used on the finest pieces and is sophisticated elevating its status. - The massive elm top is made from over 10" wide, beautifully figured boards, 1 1/4" thick - The bulbous legs on this table are typical of those found on drawleaf tables that were made in the third quarter of the 16th century. The bulbous or vase-shaped legs were of Flemish and German origin, introduced into England by immigrant craftsmen and through published designs such as those of Dietterlein and De Vries. In early Elizabethan examples, the vase-shape is very pronounced, the bulbs generally being carved with acanthus and gadroons, and terminating at the junction with the frame in Ionic volutes as in this example. - The top is detachable and unusually the base of table can easily be dismantled unlike the 16th century examples whose immovable nature caused them to descend through many generations in the same family, and Evelyn observes in a familiar passage that both in hall and parlour long tables " were as fixed as the freehold " '. Consequently drawleaf tables still survive today in situ some of the great collections, such as Hardwick Hall, while others have passed into the hands of museums such as the Treasurer's House, York - Provenance : Private Collection UK. The Estate Of Wendy Vanderbilt Lehman, USA. Wendy was born in California to Manuela Hudson and Alfred Gwynne Vanderbilt II, a pioneer in thoroughbred racing, who’s father had gone down on the Lusitania. She was great, great granddaughter of Cornelius Vanderbilt, the historic tycoon known as The Commodore. Like many wealthy children of her generation, Wendy grew up largely in the care of nannies, and throughout her childhood she was shuffled between Palm Beach and the Plaza Hotel. Wendy experienced her first sense of belonging at boarding school, where she cultivated life-long loving friendship with her art teacher Betty Klein. She later attended Sarah Lawrence College. In her early 20s Wendy was widely sought after and photographed as a debutant. She was featured in one of Lilly Pulitzer’s first advertising campaigns and attended the Truman...

Decorative Pair of Wooden Light Green and Gold painted Architectural finials Anonymous Probably ate 19th or early 20th century; American in the European style Painted and gilded pine wood Approximate size: 18 x 6 in. The present pair of decorative painted wood architectural finials...

This an Empire style silver plate cobalt blue glass oval bowl centerpiece. The reticulated bowl is decorated with a garland of laurel leaves alternated by a repousse mask of lions. T...

A pair of Gothic Revival cast iron hinges, circa 1875 They are painted green one side.

Elegant architectural French oak center or game table. Very sturdy. Great as a small desk or writing table as well.

Vintage set of 9 pcs Vintage Christmas Ornaments Christmas Trees in 3 different colors , 5” each, with silk ribbons and in a cardboard gift ...

Small walnut Renaissance style two-tiered buffet or sideboard, opening with two door leaves in the lower part and one door leaf in the upper part, two drawers in the middle. The whol...

This pair of Baroque-style Limoges porcelain figurines was designed by Alpinien Margaine (French, active after 1854) and produced by the renowned Gibus et Cie foundry (1853–1972). C...

Antique Angel Sculpture, Angel Statue, Religious Antique, Church Antique, Religious Carving, Religious Sculpture. 19th Century Carved Sculpture of an Angel. 19th Century life size ...

A special set of 6 carved wood Italian baroque or Swedish Rococo style dining chairs, upholstered in textured cream fabric, carved ...

Rare set of four neo-Gothic armchairs in carved wood with straight backs, framed by a twisted frieze decorated with foliage at the corners, and ending in a point topped with a seed. ...

Vintage (mid-century) center or large side table in the Greek style, finely crafted with ebonized and partially gilt wooden frame and octagonal shaped black marble top, supported by ...

This unusual pair of sphinxes resting upon rocky large bases are French we believe. Modeled and cast around the time of Carter's discovery of the tomb of Tutankhamun and showing some...

A nice iron gothic pendant light from Italy with nice bronze decorative details with original milk glass panels ..this is a solid good light ready for install tested and CSA complete...

Antique or vintage garden chair in neo Gothic style. The filigree legs support the round seat with circumferential downward drawn pointed arches and quatrefoils. The same design sty...

Italian credenza bookcase renaissance style blond walnut, Michele Bonciani , Cascina Two-body sideboard in Neoclassical Renaissance style, in blond walnut, 1940s production of the t...

1920s Italian Fratino table with Lira legs in solid walnut polished to wax. Excellent patina. Measures cm: H 81 x W 183 x D 81. ABOUT BASSANO' EBANISTERY Th...

Pair of Italian Renaissance-style (19th/20th Century) wrought iron bracket form wall sconces with basket form tops holding three lights. (PRICED AS Pair)

Antique Gold Renaissance Revival cross brooch with rose cut diamond and enamel. Design: In the style of Carlo Giuliano, Robert Phillips, Charles Duron, B...

Made in Italy, 1960s. This is a majestic Baroque style dresser which is made in solid walnut. It features bronze handles. This dresser is a hig...

We present you this mirror, circa the late 19th century, closed in a wooden frame in the Neo-Rococo style. The shape of the mirror is similar to a square. The frame is topped with a...

Egyptian Revival loveseat composed of hardwood inlaid with bone,ebony, Upholstered in a very rare felt hand stitched applique fabric in Egyptian motif,,original,The loveseat features reversable back...

Wonderful watercolor and chalk work on paper by French painter, Lucienne Epron (1876-1947). Painted in the Egyptian Revival period, popular decorative arts style from 1880 through th...

Bistro dining table in bentwood and cane designed by Michael Thonet. Originally designed in the 1860s and produced by Thonet in the 20th century by multiple factories. Size: chairs: 57x49x96.5 seat height 46 Arm height 67 centimeter table: ø85.5 height 75 centimeter Condition: used. The lacquer has worn out on some places. The stained beech wood has discoloration. Cane in the table top is good. The cane in two seats is damaged. The cane in one back is damaged. One arm has a crack in a curve. Some small wood details are missing. The cane can be repaired or replaced professionally on request. Michael Thonet The development of bentwood for use in furniture is one of history’s most significant innovations in design. A range of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames drew heavily on this technological advancement, and the success of their enduring works owes to the efforts of pioneering German-Austrian industrialist and designer Michael Thonet — founder of Thonet and widely considered the father of bentwood furniture. Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker and master of parquetry Michael Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. He experimented with bending birch rods into rounded shapes — forming delicately seductive, curving Art Nouveau creations that were a daring departure from the heavy, hand-carved designs attributed to his contemporaries. The Boppard-born Thonet honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. He received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. From there, the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers — or Gebrüder Thonet — with his sons in 1853. Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture. Composed of just six parts, the chair, with its simple, lightweight design, belies its durability. The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.) The business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. Thonet’s patented bentwood technology also yielded an improvement to rocking chairs for his company — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. And bentwood furniture was embraced by a series of design greats — the innovation can be found in the seating that Josef Hoffman designed for Thonet, in the elegant Superleggera chair created by Gio Ponti and Alvar Aalto’s expressive Paimio armchair...

Grouping of Six Carved Italian Painted and Gilt Wooden Appliques or Architectural Elements Four Foliate Cartouche and two carved leaf groupings

An empire style ceiling lamp, in lacquered metal and brass, with three points of light that rest on eagle heads, and finished with a flame, the three points of light are finished wit...

Early 20th Rectangular Bouillotte Louis XVI Style Table with Fluted Legs and Two Drawers with Marble Top

This is a pair of museum quality plaster cast lion bookends by Alva.

An incredible early 20th century carved wooden sunburst light, originally from a chapel in Belgium, it has 3 fitted E14 lamp holders and is in exceptional antique condition. This cou...

A very fine English 19th century gilt bronze and steel figural fireplace fender - Chenet. The beautifully designed fender flanked on each end by resting greyhound dogs on a rectangul...

A Sphynx paper-weight made in Austria. An unusual desk paper-weight, created in Vienna Austria back in the 1870. This beautiful piece was designed with Egyptian revival and grand to...

Antique stool crafted in mahogany with an eccentric mix of influences having a Thebes or Egyptian style top over Edwardian stylized side panels and beaded supports on turned legs.

Grand Tour Revival Pietra Dura Specimen Marble Games Table, scrolled gilt metal base. 28" H x 28" Diameter. Provenance: From a New York City Collection.

This antique cast picture frame or table mirror is unsigned, but presumed to have originated from France and dating to approximately 1900 and done in a Renaisance Revival style. The ...

This hunting-themed centerpiece was crafted by the Thomire & Cie company around 1850. Pierre-Philippe Thomire (1751-1843) was the most famous member of a distinguished family of ar...

20th century French Neo-gothic fireplace basket - fire basket made of wrought iron and cast iron. The basket is in a good condition and is fully functional. The total width of the fr...

Our lovely gilt bronze mantel clock with movement by Raingo Freres of Paris features the finely sculpted figure of a beautiful female caring for a newborn chick. With original pen...

19th century French Gothic cabinet, Bonnetiere is a marvelous example of the genre, with carved detailing across all three facades! Geometric pat...

20th Century vintage pair of silver plated, 1960s table lamps with flower designs of exceptional craftsmanship. Marked by Spanish silverware makers ...

19th Century French Henri II Oak Hall Tree ~ Coat Rack makes a great choice in any entryway, providing a convenient place to hang one's hat, coat, and park an umbrella, or even a wal...

A large pair of tall French 19th century Gothic Revival style carved oak and parcel-gilt Church pedestal stands. The slender body stands, each centred ...

Outstanding John Widdicomb attr. circular side table. This little table is extremely well crafted with a gorgeous double bookmatched circular top and a tiny raised edge around the c...