Revival Furniture

A hand-carved faux gilded wood structure make this mirror exclusive and elegant. The circular frame draws a beautiful ragged pattern that embeds a small mirror in its center. Glass m...

C19th Italian inlaid Kingwood Centre Table with Drawers & Candle slides Circular top inlaid with Burr veneers, Sycamore & Maple Veneer, Depicting Village Scene, with Figures, Mounta...

A large and imposing Gothic Revival fireplace in Irish black Kilkenny fossil marble with green Connemara marble columns. A plain frieze with simple ta...

A French alabaster vase from the 20th century, cradled in a hand-forged wrought-iron stand. The vessel is carved from richly veined alabaster, its surface alive with soft caramel, iv...

A French, circa 1930s 5-arm gilt metal chandelier with crystal faceted decoration and green glass ball pendants. The size lends itself for a hallway, bathroom, dressing room chandeli...

Magnificent Spanish blanket chest crafted in richly carved wood with bold Renaissance Revival styling. The chest features deeply carved floral and scrolling motifs across the front ...

Pair of Murano glass sconces. Italy, early 20th century.

Faux Bamboo & Burl Wood Canterbury Magazine Rack Stand Table on Brass Wheels MINT!

Important lacquered and carved wood paneling in neo-Gothic style. It consists of three parts and is characterized by an elegant horizontal development marked by a theory of neo-Gothi...

A fine pair of carved and polychrome-painted Baroque style wooden putti. Each putto is seated on a gilt and scrolled pedestal base. One holds a lute, the other a shawm, both with swe...

Henry Ford II Estate Palm Beach. Circular waisted form with mounts on rim and base with paw feet.

Mid century 1920s Coffee Table by Consorzio Esposizione Mobili Cantù, Gio Ponti style, in Walnut Beautiful and elegant neo-classical coffee table f...

This 19th Century French Hunt Bookcase is a remarkable example of the richly carved furniture created in France during the late 1800s, when Renaissance Revival and hunt-inspired deco...

A rare Continental early-mid 20th century neoclassical Revival style gilt-bronze and opaline ovoid glass lumière hanging lantern pendant. The ovoid frosted blown-glass globe, with th...

Uniquely French, these wrought iron "fire dragons" are great as decor in your fireplace, with or without the burning flames. With today's eclectic and layered interiors, the Gothic d...

Neoclassical Regency style handcrafted mirror, made in Spain circa 1970. The mirror features a round hand carved wooden frame with a gold finish. Fully handcrafted, the piece highlig...

Elegant 19th-century Italian Renaissance Revival center table crafted from richly toned walnut. The octagonal top is supported by a finely carved frieze with floral rosettes and flut...

Signed, located and dated G. Simoni. Paris. 1881 Dimensions with frame – Height : 165 cm (64,9 in.) ; Width : 105 cm (41,3 in.) This large pair of oval paintings depicts elegant la...

Versace Original Vanitas Gilt Dining Chair Set of 6, Gianni Versace, 1994. Listing is for set of 6 (2 armchairs and 4 without arms). The shape of th...

Exquisite decorative architectural element, a wall hanging of generous scale. Sand cast bronze, with old verdigris patination and painstaking detail to the composition, the scales and twin heads of Horus. The energy expressed in beautiful coiled, tensile form. Bronze castings have a long tradition in Berlin, the most renown being the Aktien-Gesellschaft Gladenbeck that operated from 1851 until 1926. Horus, a god in the form of a falcon whose right eye was the sun or morning star, representing power and quintessence, and whose left eye was the moon or evening star, representing healing. Falcon cults, which were in evidence from late predynastic times, were widespread in Egypt. This coiled serpent form is equally reminiscent of Nehebkau a primordial snake god in ancient Egyptian mythology. Ultimately considered a powerful, benevolent and protective deity, he is described as a companion of the sun god Re. Egyptian revival: Egyptian culture first enchanted the West when Cleopatra captured the hearts of legendary Romans Julius Caesar...

This striking antique pedestal side table is a finely crafted example of late 19th-century decorative woodworking, featuring a bold archit...

Very Fine John Widdicomb Walnut One Drawer Inlayed Top End Table Nightstand MINT

Augustus Rex, Germany. Antique hand-painted porcelain figure. Girl with flowers and fruit. 19th century. Measures: 11 x 5.5 cm. In good condition. Minimal chips. Signed.

Stunning Antique Sideboard Renaissance Revival Walnut, Stained Glass, Knight, Barley Twist, 19th Century, 1800s!! This 19th-century Renaissance Revival walnut sideboard features a u...

This stunning hexagonal Gothic copper hanging light with a dark green tassel fringe, dates from the Edwardian era - and would be perfect above a dining table. Each of the six sides o...

Vintage 20th century ornate Italian mirror.

Handsome dark stained mahogany with carved detailed figures, coat posts, umbrella tins, mirror and hinged glove box; handmade in England by James Phillips & Sons during the 19th cent...

Antique chest of drawers from around 1880. Origin: France Wood: oak Dimensions: height 104 cm / width 133 cm / depth 56 cm

Beautiful pair of richly carved Renaissance-style chairs from the 19th French period.

Fine Regency Revival Giltwood & Bronze Egyptian Revival Pier Mirror This is an exceptionally striking and grand early-to-mid 20th-century Regency Revival giltwood and bronze pier mir...

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival style. Comprising a clock and a pair of nine-light candelabra. The clock case of architectural out-shape with cherubic term figures supporting a rectangular pediment centred by an urn. The sides of the clock tower cast in relief with strapwork and foliage. The dial inset with enamel Roman numeral chapters. The twin-barrel clock movement with tic-tac escapement, silk suspension and countwheel strike to bell. Pendulum and winding key. The candelabra as twin-handled vases supporting tiered branches with candle nozzles. Modelled en suite with naturalistic scrolls and foliage. Surmounted by finials modelled as an eagle toying with a serpent. The scrolled handles flanked by cherubic figures and serpents. The bodies fronted by bacchic masks and supported on socles bearing angels. France, Circa 1835. The clock movement signed ‘HEMON A PARIS’. The clockmaker Claude Hémon was established at rue de St. Martin circa 1810-1820. Dimensions, the clock: Height : 106 cm 42 inches Width : 58 cm 23 inches Depth : 38 cm 15 inches Weight : 72 kg Dimensions, the candelabra: Height : 104 cm 41 inches Width : 36 cm 14 inches Depth : 36 cm 14 inches Weight : 28 kg (each) This magnificent clock garniture of palatial size is designed in the Renaissance revival style and dates to the Louis Philippe period. Executed in sculptural gilt-bronze with leaves, scrolls, masks and exotic birds, the naturalistic ornament represents an elaborate system of allegories and mythological iconography which recall the influence of Italian Mannerist art in France. The distinctive design reflects a new style which replaced the neoclassism of the French Empire period. With the fall of Napoleon Bonaparte, artists and designers sought a new decorative vocabulary with which to aggrandise the Bourbon restoration. With the French revolution and Louis XVI’s execution still within living memory, it seemed too soon for a revival of the style of the Grand Siècle. Instead they looked further back to the time of François I, whose patronage of Italian artists had brought the Renaissance to France. The idea of a renaissance revival appealed to the new Bourbon monarchs and their patronage ignited great creativity in the arts. The reigns of Louis XVIII and Charles X, who were brothers of the late King, Louis XVI, and later of Louis Philippe I, nicknamed the Citizen King, coincided with the enlightenment and the dawn of the industrial age. Great technical progress was made in metallurgy and casting which raised the art of bronze making to new heights in the hands of great masters such as Pierre-Philippe Thomire (1751-1843) and Pierre- Jean-François Denière (1774-1866). The renaissance provided a rich and varied source book in architecture, furniture and other decorative arts for designers such as Claude Aimé Chenavard (1798-1838) whose Album de l’ornemaniste (1835) became a reference work. Léon Feuchère (1804-1857) also produced drawings of interiors, silver, bronzes and furniture and was a scion of the prominent family of bronze castors established by his grandfather Pierre-François Feuchère (1737-1823) who had worked as a gilder for the bronze caster Pierre Gouthière before setting up a bronze foundry that would become one of the largest in Paris under the management of his son Lucien-François (d. 1841) and grand-son Armand (1797-1866). A number of drawings by Léon Feuchère have recently been discovered by the Rijksmuseum and probably belonged to the collection of Louis-Philippe-Albert, duc d’Orléans, comte de Paris (1838-1894). Louis-Philippe-Albert was the grandson of the French king, Louis-Philippe I (1773-1850), who granted him the title of comte de Paris, and the son of Ferdinand-Philippe, duc d’Orléans (1810-1842). Ferdinand-Philippe was an important collector and sponsored many young artists to create metalwork objets d’art, notably a celebrated surtout de table made by Claude-Aimé Chenavard and Jean-Jacques Feuchère (1807-1852), a cousin of Armand and Léon. Principally remembered as a sculptor, Jean-Jacques Feuchère trained in the family foundry and designed small objects, cigar boxes...

A decorative pair of 19th-century bronzed spelter equestrian figures modelled after Guillaume Coustou the Elder’s celebrated Horses of Marly. Each opposing sculpture depicts a power...

19th Century French Renaissance Revival Henry II Style Server is a distinguished piece executed in solid oak and retaining its original finish with a beautifully matured, deep warm p...

MINT Walnut Marble Top Neoclassical Demi Lune Bronze Mount Console Table 1 Drawer

Antique Art Signed Oil Painting 'Lessons to be Learnt' 19th Century Oil Painting "Lessons to be Learnt" Signed by "K 87" (1887) Framed in a highly decorative classical frame Cont...

Custom mirrored buffet with pie crust beveled edges and gold painted handcrafted hardware. Currently out of stock, but available for custom orders in different sizes and finishes f...

Fabulous Early Legras vase in red cased over opaque white Vase with stylised Chinoiserie patterns including bell like Lotus flowers and buds. It come...

An exceptional American Renaissance Revival cabinet, dating to the late 19th century (circa 1875), finely crafted in walnut with burl walnut veneers, ebonized trim, and gilt highligh...

A Gothic Revival good quality solid brass crumb tray with a tigers head to each side and a classical floral style and decoration to the interior.

With its sculptural base and warm pine grain, this English side table from the 19th century offers a distinctive blend of rustic character and Gothic revival charm. The circular top ...

An exaggerated deep molded brass framed mirror with impressive scale and presence. THIS ITEM IS LOCATED AND WILL SHIP FROM OUR EAST HAMPTON, NY SHOWROOM.

A large and impressive early 20th-century bronze relief sculpture in the Egyptian-Revival style. At the center of the relief is an orb flanked by mirrored cobras and radiating wings ...

19th century French walnut Gothic Pedestal ~ étagère end table is an unusual specialty piece that doesn't come around very often! handcrafted from su...

This rare pair of French Regency style console tables showcases elegance, craftsmanship, and timeless sophistication. Each table features a faux-painted marble top in soft cream and ...

Meissen, Germany dish, 1924–34. Porcelain dish with scalloped edges, cobalt blue glaze, hand-painted floral decoration, and rich gilt embellishments. Origin: Germany. Manufacturer:...

Pair of early 20th century Italian faience lions with armorial shields. Hand-painted yellow and brown lions, blue, red, and white shields and green base.

A most impressive and large scaled Italian 19th century Rococo Revival st. Ebonized Fruitwood and giltwood cabinet/vitrine. The four door cabinet is raised by a mottled plinth below ...

This splendid oil painting on canvas, in Neo-Renaissance style, depicts a young Florentine man from the Renaissance period. Its workmanship closely rese...

This captivating monumental oil painting presents an elegant glimpse into the sophistication of nineteenth-century European aristocratic life, capturing a refined domestic scene ric...

19th Century Glazed Blue & White Pottery by Ulisse Cantagalli, circa 1885 An exceptional antique glazed blue and white pottery fireplace by Ulisse C...

Exception clover shape pink marble top fluted brass legs tall pedestal stand.

likely from Lucca, Italy, the rectangular top with inset white marble top rests upon a case with a vertically sliding tamboor door, raised on elegantly splayed tapering legs

Lovely antique red stained "New Rococo" armchair made in Denmark in the early 20th century by a cabinetmaker. Made of solid nut wood with beautiful hand carved decorations. The chair retains the original needlepoint embroidery with floral motifs. Unique and charming chair.

Unique massive malachite from copper mines in old began Congo. Natural stone. Perfect as decorative object or for cigars and cigarettes. It is a mix between brutalist and polished pa...

Elegant brass coat rack. The classic design, with sculpted decorative details and a stable structure, makes this one-of-a-kind piece perfect for those seeking a harmonious blend of f...

Venetian polychrome enameled and gilt handblown glass centerpiece by Pauly & C. of Murano of omphalos form in transparent red colored glass enameled by Francesco Toso Borella after a...

Each with shaped urn form finial and shaped support and scroll form legs. The wrought iron wood holder with conforming silvered brass logs stops.

A pair of 1920s water gilt foliate carved wall brackets with a curved flat shelf which is 8.5" deep. In the Baroque style. Exquisite antique water gilt finish.

Code: FG33 Antique Renaissance sideboard buffet in two parts late 19th century hand-carved massive walnut by Giuseppe Scalambrin. Six doors with ...

A vintage pair of English Egyptian Revival white painted wood Thebes stool from the mid 20th century, with slatted curving seats, tapering legs on bun feet and intricate aprons. This...