Rustic Furniture

This piece is a part of Brendan Bass’s one-of-a-kind collection, Le Monde. French for “The World”, the Le Monde collection is made up of rare and hard to find pieces curated by Brend...

Large Black Forest Red Deer Trophy on Carved Plaque - Germany 1938 A large 12-pointer red deer trophy (Cervus elaphus) from the Upper Palatinate in Bavaria, mounted on a brown woode...

Vintage Salterini Rustic 5 Piece Patio Set Vintage wrought iron patio set circa 1950s Very good structural condition with minor signs ...

Watercolor on board depicting a landscape, more than likely the Meadowlands in Secaucus NJ, with trees in the foreground partially obscuring homes and structures, blue/green waters i...

19th-century French brutalist benches, reflecting the essence of wabi-sabi beauty in their imperfect form. These benches feature a robust dark wood structure and a rich, time-worn pa...

Primitive and sturdy handmade oak stools Timeless, decorative pieces The seats are made from cut in half tree logs. Multiple pieces available, price is pe...

A vintage Persian Malayer throw rug handmade during the mid-20th century. Measures: 3' 6" x 5' 8" Persian rugs & carpets: Persia (Iran) is a moderately large country with a ve...

20907, vintage Berber Moroccan rug with Warm, rustic Mid-Century Modern style. This hand knotted wool vintage Berber Moroccan rug emanates function and versatility while staying true...

We offer you some splendid stools made in Italy and coming from a rural area of ​​the Abruzzo region. Dating back to around the middle of the 20th century, these vintage stools are m...

This beautiful coffee table is made from black walnut wood which is dark, hard, dense, and close-grained. It is known for its strength, texture, and color. It polishes to an extremel...

Classic narrow rectangle side table with a drawer, two shelves, brass hardware, and tapered teen, has a “country” mahogany wood tone with natural highlights, distressing and hand-rub...

Vintage earthenware vessel with wicker basket and wooden lid. Unknown provenance. Likely used as jug to hold or age food or alcohol. Similar style to that of Martaban Pottery. Large ...

Vintage Rustic Log and Bark Table. This stunning rustic or primitive triangular table is artisan made of logs and tree bark. This handsome table would work...

Set of Six Vintage Roe Deer Trophies on Carved Plaques Germany A set of six Black Forest roe deer (Capreolus capreolus) trophies mounted on carved plaques. The trophies were shot in...

Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A 1800s French Blacksmith Bellows Coffee Table With a custom-made wrough...

Monoxylite; Brutalist Armchair; Wabi Sabi; Minimalism; Brutalism; Pine Trunks; Brutalist monoxylite armchair, a true statement piece for any contemporary interior. Crafted from so...

This 19th century hand-carved limestone trough from the south of France features a triangular shape and curved front, adding the marks of time with its nice patina , making it attr...

Vintage Large Caribou Deer Reindeer Shoulder Mount Wall Taxidermy Cabin Decor. Circa Late 20th Century. Measurements (Overall): 46" H x 18.5" W x 30" D. Each antler approx. 27 " Long...

With a gracefully sloped form, it provides a relaxed yet refined seating experience for living rooms, bedrooms, or conservatories. Its solid oak frame in a greyed finish features int...

An Indian wooden cabinet from the 19th century, with single fretwork door and brass ring handle. Created in India during the 19th century, this wooden cabinet features a single door ...

With an inlaid porcelain top that provides a sophisticated and easy to clean surface that is perfect for almost any occasion. Supported by a robust wooden trestle end base, with turn...

An antique Persian Senneh throw rug handmade during the early 20th century with an overall rustic appeal in shades of grey, red, and cream. Measures: 3' 8" x 4' 8" Persian rugs & c...

This pair of vintage boho-style table lamps features sculpted horse heads with a beautifully weathered patina, mounted on hand-painted green wooden bases. The rustic charm of these l...

A striking early 20th-century Italian terracotta wall fountain featuring Bacchus, the Roman god of wine and revelry. This two-piece set includes a sculptural relief of a cherubic Bac...

Antique Cabin Decor Two-Armed Antler Candlestick 1900 A rare antique candleholder which is made of roebuck antlers pieces. It was executed ca. 190...

A very large quantity of reclaimed Welsh slate floor tiles with a natural riven finish. There are 1876 tiles available in total, covering 94m2 or 1000 ft2. Price per m2 is £302.80. ...

Colorful French Majolica green and yellow oyster plate with stylized leaves, circa 1890.

Narrow Rustic Console, a rectangular console table with a rustic finish showing exposed saw marks and of traditional construction in country walnut finis...

A French faux bamboo pine side table from the 19th century with white marble top, single drawer as well as door and lower shelf. Immerse yourself in the quaint charm of this 19th-cen...

73481, distressed antique camel hair Persian Malayer runner with warm, Feminine Rustic style. Warm, feminine rustic style meets unpretentious and simple. This hand knotted wool distr...

The low back chair has carved details and is made of dark-stained oak. Unique design and craftsmanship. 2 chairs and a bench are available.

This elegant table was made in Spain from chestnut with beautiful grain patterns. It has a warm color with many marks of use, natural distressing and a great patina.

This piece is a part of Brendan Bass’s one-of-a-kind collection, Le Monde. French for “The World”, the Le Monde collection is made up of rare and hard to find pieces curated by Brend...

A low 19th century primitive elm milking stool raised on three stout legs. The stool would have been crafted using a hand operated lathe to achieve the rounded smooth surface to the...

A Classic rustic console table with a 'drift' white painted finish with subtle grey distressing, with a wooden galleried dish top, square ...

A vintage Persian Hamadan rug in runner format handmade during the mid-20th century with the traditional Persian 'Herati' pattern over a red field. The overall aesthetic is quite bri...

This piece is a part of Brendan Bass’s one-of-a-kind collection, Le Monde. French for “The World”, the Le Monde collection is made up of rare and hard to find pieces curated by Brend...

An early 20th century Turkish Sivas. Sivas is a city in North Central Turkey, which is a major production site of Turkish rugs based on Persian designs. Often finely woven, Sivas rug...

Rare set of four French chairs in very good condition. Made in France in the 1960s These chairs exude a rustic yet modern vibe. Perfect for any Mid-Century Modern, contemporary or...

A fabulous pair of 19th Century Italian distressed gilt wood sunburst mirrors. Circa 1850.

51002 Distressed Vintage Turkish Sivas Rug, 02'08 X 05'10. Zeki Müren Turkish Sivas rugs, named after the esteemed Turkish singer Zeki Müren, originate from Turkey's Sivas region. Ce...

Pair of Rustic Old Hickory style (late 20th cent) side chairs with woven cane seats and backs.      

A vintage Turkish Anatolian throw rug handmade during the mid-20th century. Measures: 3' 6" x 4' 11" Turkish Rugs & Carpets: Until the Great Persian Carpet Revival in the later 19th century, the “Oriental rug” was Turkish. For nearly six centuries, Turkish rugs, both scatter, room size, and even larger, thoroughly dominated the European import market. Whereas the Persian carpet can be divided into urban, village, and tribal types, in Turkey and its predecessor the Ottoman Empire, rugs almost exclusively came from village weavers and from a small number of urban workshops. Ninety percent village, nine percent city, one percent tribal. Turkish weavers have, with very few exceptions, always worked with the symmetric (Turkish) knot. Wool foundations are standard practice among both town and village weavers. The exceptions, very finely woven 20th century and recent Herekeh silks from near Istanbul, and early 17th century Ottoman Court rugs from Bursa, constitute only a tiny part of the total. Always pricey, they appealed and still appeal to the clients who want lots of knots and perfect execution instead of individual personality. The urban workshops have been centered around the western Turkish city of Oushak and its attendant port town of Smyrna. Oushak weaves with the trends in fashion. When color saturated medallion carpets were needed, Oushak was ready in the 17th and 18th centuries. When coarse red and blue carpets were required, Oushak and Smyrna in the 19th century wove them by the boatload. When tastes changed again, and the European dealers in Smyrna wanted room size carpets with lighter and unusual colors, and with Persianate designs, production ramped up in nearby Oushak. Those antique, all-wool construction turn-of-the-century carpets are still in high demand with designers. Antique carpets with allover, roughly drawn patterns on grounds of shrimp, rust, straw, cream, pale blue, and pale and pea green, hitherto unavailable colors, are in such demand today that contemporary Oushaks have attempted to mimic them with soft palettes, extra-large scale drawing and coarse weaves. Oushaks woven for the Turkish market, for palaces, houses and mosques were often oversize with large, repeating medallions, all in shades of (Turkey) red, dark blue, light blue-teal, and ivory, with lemon and green accents. Turkey, along with India, invented standard sizes. By vertically repeating the medallion, one could get one medallion, one with two end halves, two, three, etc. medallions, up to thirty or so feet in length. The process spared making new cartoons for each length and allowed a quicker turnaround time. Oushak, from the time of 15th century “Holbein” rugs onward, has always been a commercial center. The prayer niche directional rug is primarily a Turkish development. In the towns and villages east of Oushak, in Ghiordes, Kula, Ladik, Kirsehir, Mucur and Konya, among others, arch pattern scatters with bright palettes and weaves varying from relatively fine to moderate were almost the entire production. Antique examples were particularly popular in America around 1900. Other centers of village weaving were situated on the western coast and adjacent islands with the town of Melas and neighboring villages weaving geometric prayer rugs and scatters with a characteristic khaki green and lots of yellow. The other large region was in the northwest of Anatolia, near ancient Troy, with the sizable town of Bergama at its center. The satellite towns of Ezine, Karakecilli, Yuntdag, and Canakkale all wove colorful scatters with moderate weaves in all wool with geometric designs and cheerful palettes. Near to Istanbul, these were among the first Turkish rugs to reach Europe in the Renaissance. The earliest Turkish pieces depicted in Italian Old Master paintings display the so-called “Memling gul”, an allover panel pattern with hooked and stepped elements within the reserves. This pattern continues for centuries in the Konya area and in the Caucasus as well. Turkey is a land of villages and much of the most interesting Turkish weaving comes from one undiscovered village or another. The Konya-Cappadocia region of central Turkey includes the active towns of Karapinar, Karaman, Obruk, Sizma, and Tashpinar, all weaving Konya-esque scatters and long rugs. Karapinar has been active the longest, since the 17th century. The mosques in and around Konya have preserved locally-made rugs from the fourteenth. In the 20th century, the extra-long pile, many wefted Tulu rug was devised, with limited palettes and color block patterns. These are not really antique Tulus, but they must be a product of long-standing village tradition. There are thousands upon thousands of rural Turkish villages, almost all with easy access to local tribal wool. Rug students are discovering new names and rug types almost daily. The common denominators are bright colors, geometric designs, wool construction, moderate to coarse weaves and symmetric knots. Synthetic dyes hit the Turkish rug industry quickly and hard after 1870, and they penetrated to even the most off-the-beaten-track villages. This development was almost entirely negative. The village weavers used fugitive or overly bright dyes which ruined the color harmonies built up over centuries. Characteristic types disappeared or were negatively transmuted. The Turkish village rug of the 1870 to 1920 period is nothing to be proud of. In the eastern provinces, the semi-nomadic Kurdish tribes, collectively called ‘Yuruks’, weave all wool, geometric pieces with medium to medium-coarse weaves, as well as kilims and other flatweaves. The rugs employ cochineal instead of madder for the reds, mustard yellows, greens, and various blues. They are under-collected like the Persian Afshars. Their rugs are in scatter and long rug formats. The far eastern Turkish town of Erzerum has a long tradition of idiosyncratic, semi-workshop rugs and further to the east is Kars with a tradition of rugs in the Caucasian Kazak manner. One Turkish specialty is the Yastiks or cushion cover, made in pairs for the public living rooms of village houses. These are larger rugs in miniature and good ones are highly collectible. Like other Turkish rustic weavings, ones with synthetic dyes are almost totally undesirable. Only the tribal Baluch make similar cushion covers, known as pushtis or balishts, in the same small, oblong format. Yastiks always have a back, usually in plain weave, so that they can be easily stuffed. When the Imperial Carpet Factory at Herekeh near Istanbul closed in the early 20th century, the highly proficient Armenian master weavers set up in the Kum Kapi district of Istanbul where they wove all-silk, exquisitely fine and elaborately detailed small pieces, sometimes enriched with metal thread, for the most discriminating European buyers. Today the best, signed Kum Kapi pieces, usually in the “Sultan’s head” prayer niche design, can fetch upwards of $100,000. They are strictly for the wall. An Interwar all-silk room size Kum Kapi carpet is both exceedingly rare and stratospherically priced. The workshops closed in the 1930s, but the weaving of extremely fine, all-silk small rugs in Herekeh was revived in the 1960s. There has been a recent vogue for larger Turkish village vintage...

Large Outdoor Italian terra-cotta urn with a weathered painted finish (19th Cent)

Designed with a timeless aesthetic, this table features a heavily distressed acacia wood construction that brings an air of rustic old-world charm to any room. The quatrefoil tablet...

An antique Persian Mahal room size carpet handmade during the early 20th century. A reversing 'turtle palmette' border in red encloses a blue field decorated by an angular floral des...

76796 Distressed Antique Persian Sultanabad rug with Rustic Artisan Industrial style. With its time-softened color palette and weathered charm, this hand knotted wool distressed Pers...

This early plaster detail has weathered so deeply that it has the feel of coral. On this object the patina is more important than the subject. You can even see some traces of moss st...

A vintage Turkish flatweave Kilim room size carpet handmade during the mid-20th century. Measures: 8' 7" x 10' 4"

This travail populaire cupboard embodies the essence of wabi-sabi charm, showcasing rustic elegance in its dark brown solid wood construction. The upper section boasts two open shelv...

Infuse your space with the rich charm of this Bronzed Anatolian Pitcher Jug, a vintage Turkish clay vessel from the 20th century. This striking piece features a bronzed finish that b...

French 17th century bronze cauldron or cooking pot. It weighs about 2,5 kg. A hole has been made in the bottom, probably to use it as a planter. It is a beautiful decorative object.

Large foldable bench, beech, iron, Italy, 1960s This remarkable large bench, crafted in Italy in the 1960s, exemplifies naturalistic design. Sculpted from single slabs of wood, the ...

Fabulous vintage Italian Gio Ponti style yellow frame ladderback side or accent chair with a twisted & woven rush seagrass seat. Beautiful condition, keeping in mind that this is vin...

This striking antler and hardwood umbrella stand combines rustic charm with functional elegance, making it a unique addition to any entryway or foyer. The natural antler accents beau...

A vintage Caucasian flatweave Verneh throw rug handmade during the mid-20th century. Measures: 3' 8" x 5' 6".

No 25. Contemporary handmade shades of brown and blue rustic ceramic glazed vase with a molten drip design around the rim. Designed and made by Brazilian ceramicist Flavio Diogo of ...

A vintage Persian Veece small room size carpet handmade during the mid-20th century. Measures: 6' 10" x 10' 2".