Tang Furniture

Circa 2010 Chinese ceramic Tang horse stands just under 28” tall. Colorful glaze in rich shades of amber, green and cream. Unknown maker. Very good preowned condition with no flaws f...

Mid 20th Century Tang Dynasty style Horse Figure. Made from Cast bronze with lovely patina. Comes with wooden stand. Marked Japan along the base. Dimensions: 12" x 4.5" x 10.25" (L...

This figure represent a guardian haitai. The style of the figurine, with its facial features and remnants of paint, suggests it could be a part of funerary art, which was common in C...

Naturalistically modelled, standing on a rectangular base with head facing forward and short tail curled to one side, incised details and covered overall in a rich chestnut glaze sav...

Well potted with shallow sides rising from a short foot, the interior molded with a single chrysanthemum surrounded by peony blossoms picked out in amber and with green leaves agains...

Stunning and unique pair of matching horse sculptures. With a combined experience of almost 30 years in the antiques trade, we were thrilled to once again find beautifully hand-crafted and decorative antiques that we had never seen before. From the density and the weight we can see and feel that these highly decorative horse sculptures are made of a tropical hardwood. Like, for example, with antique mirror frames or church sculptures these horses too were first covered with a mixture of chalk and glue so that the paint would hold longer. And, as so often is the case with antiques, the colors that were used for painting these horses are so much more beautiful than anything you find in this day and age that they truly are an absolute joy to look at. From the colors, the wear, the materials and the techniques that were used to create these horses we can see that these are 19th century antiques. However and unfortunately we lack the knowledge to be able to tell you from which country these highly decorative and sizeable works of art originate. We just can't find matching style horse sculptures anywhere on the worldwide web. They could be Chinese or Nepalese, but they could also be Persian or Arabian. We just have not been able to find out. What we do know is that they are definitely antique, they are in beautiful condition (with some wear, consistent with their age), they are highly decorative, probably unique and they have a look and feel that will instantly change the atmosphere of the room they are in. Mind you, our sharp price for this wonderful pair of horse sculptures...

Mingqi in grey terracotta with white slip and polychromy, representing a Bactrian camel, ridden by a court lady. Good condition. Please note that all ancient Chinese terracotta sculp...

A 3rd quarter of the 20th-century Tibetan rug with a dragon motif on a beige field Size: 4'4'' x 6'10''.  

Chinese Tang manner Sancai-glazed pottery statue of a horse standing on all four legs atop a rectangular base. The horse is decorated with bells and flowers. A traditional green sadd...

The edges have been dipped in four places with brown, probably iron-oxide. The well of the bowl is freely painted in green and coffee coloured brown. Period : Late Tang Dynasty Prod...

It features two small lug handles on either side of the neck and a spout opposite the main handle. This ewer might have been used for wine or other liquids, which were poured through...

ITEM: Statuette of a horse MATERIAL: Pottery CULTURE: Chinese, Northern Wei Dynasty PERIOD: 386 – 535 A.D DIMENSIONS: 404 mm x 350 mm x 230 mm CONDITION: Good condition. Includes Th...

ITEM: Statuette of a horse MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 560 mm x 530 mm x 200 mm CONDITION: Good condition. Includes Thermolumin...

ITEM: Statuette of a horse with musician MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 420 mm x 365 mm x 145 mm CONDITION: Good condition. Includ...

ITEM: Statuette of a Sogdian rider MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 560 mm x 510 mm x 175 mm CONDITION: Good condition. Includes The...

ITEM: Statuette of a horse with rider MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 520 mm x 420 mm x 180 mm CONDITION: Good condition. Includes ...

Chinese Tang Dynasty Pottery Lokapala Head with Vermilion Bird of the South Headdress, 618-906 CE, traces of polychrome pigment, mounted on wood base. 9.5" H x 5.5" W x 4" D; with b...

This figure appears to be a terracotta statuette, possibly representing a court official or a deity given the distinct headgear which could signify a rank or divine attribute. The st...

This statue appears to be a stone sculpture of an apsara, a celestial nymph from Buddhist and Hindu traditions. Despite its fragmentary state, the sculpture conveys grace and movemen...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 655 mm x 265 mm x 210 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 05B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

ITEM: Statuette of a Fat Lady MATERIAL: Pottery CULTURE: Chinese, Tang Dynasty PERIOD: 618 – 907 A.D DIMENSIONS: 645 mm x 260 mm x 180 mm CONDITION: Good condition. Includes Thermoluminescence test by Laboratory Kotalla (Reference 04B101123). Includes Certificate of Authenticity from Dutch gallery PROVENANCE: Ex Belgian private collection, acquired from Dutch art gallery Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks. Due to the fragility and size of this piece, it can only be shipped within the European Union, United Kingdom and neighbouring countries that can be transported by road by private courier (door to door). This beautifully-finished ceramic attendant was made during what many consider to be China’s Golden Age, the Tang Dynasty. It was at this point that China’s outstanding technological and aesthetic achievements opened to external influences, resulting in the introduction of numerous new forms of self-expression, coupled with internal innovation and considerable social freedom. The Tang dynasty also saw the birth of the printed novel, significant musical and theatrical heritage and many of China’s best- known painters and artists. The Tang Dynasty was created on the 18th of June, 618 AD, when the Li family seized power from the last crumbling remnants of the preceding Sui Dynasty. This political and regal regime was long-lived, and lasted for almost 300 years. The imperial aspirations of the preceding periods and early Tang leaders led to unprecedented wealth, resulting in considerable socioeconomic stability, the development of trade networks and vast urbanisation for China’s exploding population (estimated at around 50 million people in the 8th century AD). The Tang rulers took cues from earlier periods, maintaining many of their administrative structures and systems intact. Even when dynastic and governmental institutions withdrew from management of the empire towards the end of the period – their authority undermined by localised rebellions and regional governors known as jiedushi –the systems were so well- established that they continued to operate regardless. The artworks created during this era are among China’s greatest cultural achievements. It was the greatest age for Chinese poetry and painting, and sculpture also developed (although there was a notable decline in Buddhist sculptures following repression of the faith by pro-Taoism administrations later in the regime). It is disarming to note that the eventual decline of imperial power, followed by the official end of the dynasty on the 4th of June 907, hardly affected the great artistic turnover. During the Tang Dynasty, restrictions were placed on the number of objects that could be included in tombs, an amount determined by an individual’s social rank. In spite of the limitations, a striking variety of tomb furnishings – known as mingqi – have been excavated. Entire retinues of ceramic figures – representing warriors, animals, entertainers, musicians, guardians and every other necessary category of assistant – were buried with the dead in order to provide for the afterlife. Warriors (lokapala) were put in place to defend the dead, while horses/ camels were provided for transport, and officials to run his estate in the hereafter. Of all the various types of mingqi, however, there are none more elegant or charming than the sculptures of sophisticated female courtiers, known – rather unfairly – as “fat ladies...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

Tang Dynasty Painted Pottery Figure of a Fat Lady or Female Courtesan. Period (618 - 907AD) Estate / Collection: The Collection of Jay I. Kislak sold to benefit the Kislak Family Fo...

Tang Dynasty Painted Pottery Figure of a Fat Lady or Female Courtesan. Period (618 - 907AD) Estate / Collection: The Collection of Jay I. Kislak sold to benefit the Kislak Family Fo...

The figure stands with arms crossed in front, a pose that is often seen in tomb figurines which were intended to serve the deceased in the afterlife. The long robe and facial feature...

The jar is of globular shape and is decorated to the body with a geometric design band of lozenge-shaped motifs in blue, green, ochre and cream below a plain ochre everted mouth rim,...

A pair of very refined standing pottery statue of guardians, dramatic facial expression, beautiful detail, early Tang dynasty 618-907, come with one Oxford authentication TL test cer...

The globular body is supported on three claw feet and is covered in a splashed-glaze of amber, green and cream color, which stops short of the unglazed base. Date : Tang Dynasty(61...

The pillow is intricately decorated with a vibrant pattern, demonstrating the craftsmanship and artistic sensibilities of the period. The Haitai is a creature from Chinese mythology,...

A Tang Dynasty stoneware box from the Belitung shipwreck, featuring embossed patterns on its lid. Stoneware boxes from the Tang Dynasty, like the one recovered from the Belitung ship...

Large Chinese Foo lion. Predominantly green glaze with golden yellow detail attributed to Tang Dynasty glaze coloring. This unusually large foo dog displays fierce countenances. It hold the traditional 'ball'. Typically seen as part of a pair guarding an entrance. Museum quality. No maker marks observed. According to historical books, lions were introduced into Mainland China firstly as tributes to the Emperors. They are symbols of justice in bureaucratic officialdom and loyal guards in front of Emperors or Princes' palaces. They also are the Guardians of Fa (law) in Buddhist realm and stay in front of the temples. There lied people's fear, admiration, expectation and trust. Therefore, people also call them in Foo Dogin means bring you peace and lucky. Dimensions approximately H 31.5 x W 16 x D 18 inches Provence; from a large Asian art...

The edges have been dipped in four places with brown, probably iron-oxide. The well of the bowl is freely painted in green and coffee coloured brown. Period : Late Tang Dynasty Prod...

Changsha Ware has distinct and recognizable designs and motifs. Painted designs often depict flowers, vines, clouds and mountain landscapes. Some painting is simply splotches of colo...

The edges have been dipped in four places with brown, probably iron-oxide. The well of the bowl is freely painted in green and coffee coloured brown. Period : Late Tang Dynasty Prod...

Changsha Ware has distinct and recognizable designs and motifs. Painted designs often depict flowers, vines, clouds and mountain landscapes. Some painting is simply splotches of colo...

A large antique Chinese Tang dynasty manner glazed pottery bust of Guanyin with a solemn face expression and downcast eyes, wearing a headdress and robes. The bust is covered with po...

To meet overseas demand, shapes of Changsha wares were also greatly influenced by exotic elements from beyond China. For example, lion-shaped artifacts were found, as were a number o...

Antique Chinese Silvery bronze lobed “Beast and Birds” Mirror, Tang Dynasty. The eight-foliated barbed form having a a center cast relief knop in a four legged Beast form surrounded ...

a beautifully modeled glazed Chinese ceramic horse, in the Tang-style, golden brown body with buff mane, removable tail, and hooves with a green saddle and harness with yellow-gold o...

A beautiful and rare pair of "Earth Spirit" guardians from the Shaanxi province region along the Yellow River valley of northern China. These figures were created from clay earthenwa...

A Vibrant Pair of Tang Dynasty Style Hand Painted & Hand Carved Chinese Horses - priced as a pair Decorative wooden horses that would suitably adorn a shelf, a large desk, or plint...

Chinese Sancai Glazed Tang Horse, funerary ceramic in the shape of a Fereghana stallion, standing four-square on a flat unglazed base, arched neck, well-defined head, ears pricked fo...

A charming Tang dynasty painted pottery figure of a horse and mounted noble rider. TL tested by Oxford Authentication. The horse portrayed standing fours...

This rare sencai glazed man on a horse is a stunning example of funerary pottery figures used as spirit objects or Mingqi in Chinese burial tombs for millennia. This Tang style horse, rider, and dog appear to be a hunting trio--possibly representing the provision of ample game and sustenance for the deceased in the afterlife. The facial expressions of the hunter and dog...

Tang Dynasty painted terracotta fat lady tomb figure China. Tang Dynasty Circa 618-907 Modelled in the form of a classically dressed fat lady, this terraco...

A round end table made of composite and simulates an antique bronze Southeast Asian rain drum. Dimensions: 24" W x 23.5" D x 22" H

A 2nd quarter of the 20th-century Chinese Peking rug with a pictorial design in brown Size: 3'3'' x 5'2''.

A charming Tang style pottery horse sculpture. The subculture is well crafted and shows beautiful patterns and design on the surface with gray ...

A beautiful sancai tri-glazed jar of the Tang dynasty style. The jar of globular form, is covered with a rich, lustrous sancai glaze which stops short of the rounded base. The sancai...

Chinese Tang Carved Hongmu And Marble Inset Tabouret Pedestal; Stunning and rare Chinese pedestal table with a Striking Chinese design from the 1920s. hand carved "Hongmu" wood (Chinese hardwood) base with original multicolored top. Rare because of its height of 35.5 inches. This wonderful Chinese pedestal table is in very good condition with minor wear consistent with age and use, preserving a beautiful patina. A real eye-catcher in your Asian interior...

A fine and unusual Chinese Tang Sancai glazed model of a horse and rider, Tang Dynasty (618 to 906 CE), early 8th century, China. This fantastic sculpture portrays a male figures se...

Antique Tang style Bactrian camel tomb figure - featuring an over-all amber glaze with brown highlights - stylized fur carved details to the head, legs and humps - unsigned - China -...

A large hand carved solid stone Buddha statue seated in dhyana position. The broad face with high arched eyebrows and downcast eyes casting a serene aura, framed by long-lobed ears and beneath a pronounced hairline and surmounted by an ushnisha. Buddha wears a long robe...

A gorgeous 1800s Chinese Brass Mounted Elmwood Tonsu Chest à Abattant door with Lock. Beautifull and solid covetail contruction corners. Patinated back and inside. Chest apperas to h...

A beautiful solid stone statue of Buddha Amitabha. The face broad in Tang dynasty style, with downcast eyes and long earlobes, neatly coiled hair mounted...

True in all its elements to the original examples which date from the early Chinese Tang period. The black glazed horse is naturalistically modelled. It stands on a rectangular base ...

A 3rd quarter of the 20th century Tibetan rug with a dragon motif on a navy field Size: 2'1'' x 2'11''. .

Chines Tang Dynasty sancai glazed pottery figure of a Guardian is a protector of the deceased. This warrior dressed in armor with a fierce face and imposing position would accompany ...