Ceramic Console Tables

Pair of terra cotta console tables in three parts. Probably Italian. neoclassical in Egyptomania era.

Exclusive console table with tiles in elegant herringbone pattern and colored metal frame for a modern look. The design of the Herringbone table is inspired by the traditional tile-t...

A good quality 19th century French Kingwood jardinière, having gilded ormolu mounts and swags, Sevres style porcelain plaques and raised on elegant scrolling cabriole legs.

An adaptable low table, perfect for any kind of setting or use. An archetype shape created by Caronni and Bonanomi in a wide range of materials, finishes and sizes. Range of small t...

Herringbone tile console table white tiles black steel by Warm Nordic Dimensions: D100 x W35 x H80 cm Material: Ceramic tiles, MDF, Powder coated...

Bespoke Ceramic Pseudosphere Console by French Artist, Nadege Mouyssinat. The artist is open to commissions. Please inquire through Lerebours Antiques. Lead Time for custom made is 1...

« Console Aztèque » (2022) by Agnès Debizet Material: Stoneware, porcelain slip Dimension: H 90 x 135 x 30 cm Unique piece, dated and signed. Taking its inspiration from Latin America antique...

Misha Kahn [American, b. 1989] A Little of This and a Little of That, 2022 Ceramic Measures: 36 x 48 x 20.25 inches 91 x 122 x 51 cm Misha Kahn has emerged as one of the leading creative voices of his generation. Through a wildly imaginative approach that embraces spontaneity and non-conformity, Kahn allows the illogical and the irreverent to take over his entire process. He employs everything from lo-fi and ad hoc techniques—such as improvisational molds and collage—to high-tech tools such as virtual reality and robotics. Born in Duluth, Minnesota in 1989, Kahn graduated from Rhode Island School of Design in 2011 with a Bachelor of Fine Arts in Furniture Design. Soon after, he gained recognition when he was featured in the Museum of Arts and Design's Biennial (2014). Unafraid to push boundaries, Kahn is determined to question the accepted way of doing things, driving him to self-invent, adapt, and further processes in a myriad of mediums including metalwork, glass, wood, textiles, ceramic, bronze casting, fiberglass, and cement. Voracious to upend traditional techniques, he embraces the opportunity to learn from masters in their respective crafts. Kahn’s acclaimed woven Scrappy series (since 2015), is the result of a collaboration with Gone Rural, a female group...